(Internationally Flavored String Ensembles) Composed by Kirsi Paakkonen. Set of ...(+)
(Internationally Flavored
String Ensembles)
Composed by Kirsi
Paakkonen. Set of
performance parts and
conductor's score for
string ensemble (varied
instrumentation). With
piano accompaniments. 60
pages. Published by
Alfred Publishing.
Flûte et Guitare [Partition] - Intermédiaire AMA Verlag
By Astor Piazzolla. For Guitar (Classical). Chamber. Edition Margaux. Latin Amer...(+)
By Astor Piazzolla. For
Guitar (Classical).
Chamber. Edition Margaux.
Latin American. Level:
Intermediate. Book. Size
9x12. 6 pages. Published
by AMA Verlag. ISBN
078666388X.
Bass Guitar SKU: HL.14044551 Composed by Frank Nelson. CARISCH - MUSIC SA...(+)
Bass Guitar
SKU:
HL.14044551
Composed
by Frank Nelson. CARISCH
- MUSIC SALES. Tuition.
General Merchandise. Play
Music France #MF2061.
Published by Play Music
France (HL.14044551).
French.
<>
est une methode de slap,
accompagnee d'un DVD
Video et d'un CD Audio,
aussi complete
qu'efficace. Pour vous
amener a maitriser les
techniques du slap, cet
ouvrage a ete concu d'une
maniere tres progressive
: chaque geste,chaque
mouvement est detaille et
explique, a grand renfort
d'exemples, d'exercices
et de photos. Le slap, en
effet, ne se limite pas a
un simple mouvement
articule par le pouce, il
se combine et se conjugue
avec de tres nombreux
effets, tels que
lehammer, le lift, le
slide, le neck et bien
sur le popping. Toutes
ces notions vous sont
enseignees ici, ainsi
d'ailleurs que le slap 2
cordes, une technique
propre a l'auteur. Pour
finir et pour mettre tout
cela en application, vous
trouverez denombreux
grooves et autres lignes
de basse, en slap, qui ne
manqueront sans doute pas
de vous satisfaire.
Enfin, le DVD Video
reprend les exercices
essentiels pour faciliter
votre comprehension,
alors que le CD Audio
propose des playbacks
pour mettreen place les
enseignements mais aussi
vous exercer en toute
liberte.
Combo - early intermediate SKU: BT.1237-06-070-MS Music for starting P...(+)
Combo - early
intermediate
SKU:
BT.1237-06-070-MS
Music for starting Pop
Bands. Begin the
Band. Set (Score &
Parts). Composed 2005. 36
pages. Music Sales
#1237-06-070 MS.
Published by Music Sales
(BT.1237-06-070-MS).
ISBN 9789043123259.
9x12 inches.
English-German-French-Dut
ch.
Starting a band
is always an adventure.
Once like-minded,
music-loving people have
gathered to form a group,
it can start. But, wait -
there’s still
something missing: the
music!New music groups
whose members do not have
much experience on their
instruments have special
demands. They need
not-too-difficult pieces
which focus on playing
together, and lead
quickly to that most
motivating of
achievements: the
band’s first
performance.Begin the
Band is perfectly
designed with these
demands in mind. Each
book in the series
contains four
entertaining,
great-sounding
arrangements and original
compositions in pop and
jazz styles, with added
scope to improvise. Each
piece consists ofa vocal
part, three accompaniment
parts and an easy part
for wind players, all in
four different keys: C, B
flat, E flat and C bass.
In addition, there are
parts for
piano/keyboard/bass and
guitar (with chords) as
well as drum kit and
percussion. All the parts
can be combined in any
way you like, to form a
pop band, jazz combo and
so on. The minimal
ensemble consists of a
vocal part (sung or
played by a wind
instrument) and one
accompanying instrument.
Let the adventure
begin!Includes songs by:
Joss Stone, Christina
Aguilera and many more
Een ideale
uitgave voor
gelijkgezinde
muziekliefhebbers die pas
een band hebben opgericht
- of van plan zijn een
band te beginnen. Nieuwe
muziekgroepen waarvan de
leden nog niet veel
ervaring met hun
instrument hebben,
stellen specialeeisen. Ze
hebben eenvoudige stukken
nodig die zijn gericht op
samenspel en leiden tot
de zo motiverende
beleving van het eerste
optreden. Begin the
Band is toegesneden
op deze eisen. Elk boek
van deze serie bevat
vieronderhoudende, goed
klinkende arrangementen
en originele composities
in de muziekstijlen pop
en jazz, met de
mogelijkheid tot
improvisatie. Elk stuk
bestaat uit een
zangpartij, drie
begeleidingspartijen en
een ‘easy
part’, steedsin C,
Bes, Es en C-bassleutel.
Er zijn aanvullende
partijen voor
piano/keyboard/basgitaar
en gitaar (met
akkoorden), evenals voor
slagwerk en percussie.
Alle partijen zijn te
combineren voor elke
denkbare bezetting, van
popgroeptot jazzcombo,
enz. De minimale
bezetting omvat de
zangpartij (gezongen of
gespeeld door een
blaasinstrument) en een
begeleidingsinstrument.
Laat het avontuur maar
beginnen!
Die
Gründung einer Band
ist immer ein Abenteuer.
Haben sich erst
genügend
musizierfreudige
Gleichgesinnte zusammen
gefunden, kann es
losgehen. Aber halt -
etwas fehlt noch: die
Musik! Neue Bands, deren
Mitglieder nicht allzu
viel Erfahrung auf ihren
Instrumenten mitbringen,
haben besondere
Bedürfnisse. Leichte
Stücke sind gefragt,
die den Schwerpunkt auf
das Zusammenspiel legen
und schnell zum
motivierenden
Erfolgserlebnis der
Gruppe führen: dem
ersten gemeinsamen
Auftritt! Begin the
Band ist genau
auf diese Bedürfnisse
zugeschnitten. Jedes Buch
dieser Reihe enthält
vier unterhaltsame, gut
klingende Bearbeitungen
und Originalkompositionen
in den Stilen Pop
undJazz, die auch
Gelegenheit zur
Improvisation bieten. Zu
jedem Stück gibt es
eine Gesangsstimme, drei
Begleitstimmen und einen
Easy Part, das Ganze
jeweils im C-, B-, Es-
und im
C-Bassschlüssel. Dazu
kommen Stimmen für
Gitarre und Bassgitarre
(mit Akkorden), sowie
für Schlagzeug und
Percussion. Alle Stimmen
sind beliebig für
zahlreiche verschiedene
Besetzungen ergänzbar
- von einer
Minimalbesetzung aus
Gesangsstimme (auch von
einem Blasinstrument
spielbar) mit einer
Begleitung, über eine
Popband bis hin zur
Jazzcombo und vielem
mehr. Mit Liedern und
Stücken von Christina
Aguilera, Joss Stone,
Gary Barone und Hans
Kerkhoff kann das
Abenteuer beginnen!
Formare un gruppo
è sempre una sfida
accattivante. E’
sufficiente trovare e
riunire alcuni musicisti
appassionati e con gli
stessi gusti e
l’avventura può
iniziare.
D’accordo, ma cosa
si suona? I gruppi
formati da musicisti con
una limitataesperienza
strumentale, hanno
bisogno di un repertorio
adatto: brani semplici
concentrati
sull’esecuzione in
gruppo e che permettano
di raggiungere
rapidamente
l’obiettivo:
esibirsi in pubblico.
Begin the Band è stato
concepito per soddisfare
questeesigenze. Ogni
raccolta di questa
collezione contiene
quattro superbi
arrangiamenti e
composizioni originali
adatti
all’improvvisazion
e. Ogni brano comporta
una parte vocale, tre
parti di accompagnamento
e una versione
strumentale della
lineamelodica (versione
semplificata della parte
vocale), il tutto nelle
tonalit Do, Sib, Mib e Do
�. Sono incluse
anche le parti per
tastiera/chitarra basso,
chitarra (con accordi),
batteria e percussioni.
Combinando le varie parti
a scelta,otterrete un
gruppo rock, un combo
jazz o altre formazioni.
La strumentazione minima
è costituita dalla
parte vocale (o versione
strumentale della linea
melodica) e di una parte
d’accompagnamento.
L’avventura può
iniziare! VFormare un
gruppo è sempreuna
sfida accattivante.
E’ sufficiente
trovare e riunire alcuni
musicisti appassionati e
con gli stessi gusti e
l’avventura può
iniziare.
D’accordo, ma cosa
si suona? I gruppi
formati da musicisti con
una limitata esperienza
strumentale, hannobisogno
di un repertorio adatto:
brani semplici
concentrati
sull’esecuzione in
gruppo e che permettano
di raggiungere
rapidamente
l’obiettivo:
esibirsi in pubblico.
Begin the Band è stato
concepito per soddisfare
queste esigenze. Ogni
raccolta diquesta
collezione contiene
quattro superbi
arrangiamenti e
composizioni originali
adatti
all’improvvisazion
e. Ogni brano comporta
una parte vocale, tre
parti di accompagnamento
e una versione
strumentale della linea
melodica (versione
semplificatadella parte
vocale), il tutto nelle
tonalit Do, Sib, Mib e Do
�. Sono incluse
anche le parti per
tastiera/chitarra basso,
chitarra (con accordi),
batteria e percussioni.
Combinando le varie parti
a scelta, otterrete un
gruppo rock, un combojazz
o altre formazioni. La
strumentazione minima
è costituita dalla
parte vocale (o versione
strumentale della linea
melodica) e di una parte
d’accompagnamento.
L’avventura può
iniziare! Formare un
gruppo è sempre una
sfida accattivante.
E’sufficiente
trovare e riunire alcuni
musicisti appassionati e
con gli stessi gusti e
l’avventura può
iniziare.
D’accordo, ma cosa
si suona? I gruppi
formati da musicisti con
una limitata esperienza
strumentale, hanno
bisogno di un repertorio
adatto:brani semplici
concentrati
sull’esecuzione in
gruppo e che permettano
di raggiungere
rapidamente
l’obiettivo:
esibirsi in pubblico.
Begin the Band è stato
concepito per soddisfare
queste esigenze. Ogni
raccolta di questa
collezione contiene
quattrosuperbi
arrangiamenti e
composizioni originali
adatti
all’improvvisazion
e. Ogni brano comporta
una parte vocale, tre
parti di accompagnamento
e una versione
strumentale della linea
melodica (versione
semplificata della parte
vocale), il tutto
nelletonalit Do, Sib, Mib
e Do �. Sono
incluse anche le parti
per tastiera/chitarra
basso, chitarra (con
accordi), batteria e
percussioni. Combinando
le varie parti a scelta,
otterrete un gruppo rock,
un combo jazz o altre
formazioni.
Lastrumentazione minima
è costituita dalla
parte vocale (o versione
strumentale della linea
melodica) e di una parte
d’accompagnamento.
L’avventura può
iniziare! VFormare un
gruppo è sempre una
sfida accattivante.
E’ sufficiente
trovare e riunirealcuni
musicisti appassionati e
con gli stessi gusti e
l’avventura può
iniziare.
D’accordo, ma cosa
si suona? I gruppi
formati da musicisti con
una limitata esperienza
strumentale, hanno
bisogno di un repertorio
adatto: brani semplici
concentratisull’es
ecuzione in gruppo e che
permettano di raggiungere
rapidamente
l’obiettivo:
esibirsi in pubblico.
Begin the Band è stato
concepito per soddisfare
queste esigenze. Ogni
raccolta di questa
collezione contiene
quattro superbi
arrangiamenti
ecomposizioni originali
adatti
all’improvvisazion
e. Ogni brano comporta
una parte vocale, tre
parti di accompagnamento
e una versione
strumentale della linea
melodica (versione
semplificata della parte
vocale), il tutto nelle
tonalit Do, Sib, Mib eDo
�. Sono incluse
anche le parti per
tastiera/chitarra basso,
chitarra (con accordi),
batteria e percussioni.
Combinando le varie parti
a scelta, otterrete un
gruppo rock, un combo
jazz o altre formazioni.
La strumentazione minima
ècostituita dalla
parte vocale (o versione
strumentale della linea
melodica) e di una parte
d’accompagnamento.
L’avventura può
iniziare!
6 Terzette und 4 Kanons fur 3 Singstimmen, teilweise mit Klavierbegleitung. (Mei...(+)
6 Terzette und 4 Kanons
fur 3 Singstimmen,
teilweise mit
Klavierbegleitung.
(Meist) Originaltexte mit
ubersetzungen. By
Wolfgang Amadeus Mozart.
Text: Paumgartner,
Bernhard. For Voices (3),
Piano. Klassik
(Classical). Singing
Score; Playing Score
(paperbound). Published
by Baerenreiter-Ausgaben
(German import).
Roll of Honour Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1125214-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1125214-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Score Only.
Composed 2012. 40 pages.
De Haske Publications
#DHP 1125214-120.
Published by De Haske
Publications
(BT.DHP-1125214-120).
9x12 inches.
English-German-French-Dut
ch.
On a war
memorial in the Dutch
village of Wons is
engraved a list of names
to honour the fallen in
World War II. This is the
basis for the name of
this piece. However, this
composition was written
for everyone who has made
Wons what it is today: a
pretty place near to Lake
IJssel with a
comfortable way of life.
The piece begins with a
celebratory introduction
in which the village is
presented to the
listener. There follows a
delightful rhythmic and
high-tempo theme that
reflects the happiness,
innocence and carefree
atmosphere before the
war. Now we hear a moody,
fragmented theme
depicting soldiers
shooting. This is brought
to a close with dissonant
clusters of
sound,intoning the
dreadful tragedy of the
war. The ensuing quiet
gives way to a calm
middle section in a minor
key that portrays both
frustration and
consolation. The fast
tempo of the beginning
returns, this time in the
form of a victory march.
We hear freedom being
celebrated. We hear the
previous happy, innocent
and carefree themes, too.
There follows a festive,
martial theme, a tribute
to the village, before
the piece closes with
sounds of celebration.
Op de gedenksteen
in het Friese dorp Wons
staat een erelijst (roll
of honour) gegraveerd ter
nagedachtenis aan de
gevallenen van de Tweede
Wereldoorlog. De titel
van dit werk verwijst
naar deze lijst. Deze
compositie is echter
tevens geschreven voor
alle mensen die Wons
hebben gemaakt tot wat
het nu is: een prachtig
dorpje vlak bij het
IJsselmeer waar het
prettig toeven is. De
compositie begint met een
statige inleiding, waarin
het dorp zich presenteert
aan de luisteraar. Dan
klinkt een aansprekend
ritmisch thema in een
snel tempo dat de
vrolijkheid,
onbevangenheid en
onbezorgdheid van voor de
oorlog uitstraalt. Dit
gaat over in een melodie
in mineur, die het
naderendeoorlogsgevaar
aankondigt. Dan is er een
grillig thema met stops
waarin het schieten van
de soldaten te horen is.
Dit eindigt in enkele
dissonante clusters die
het tragische dieptepunt
van de oorlog
accentueren. De
daaropvolgende stilte
lost op in een gedragen
middendeel in mineur
waaruit enerzijds
verdriet en anderzijds
troost spreekt. Dan komt
het snelle tempo van het
begin weer terug, ditmaal
in de vorm van een
vreugdemars. De vrijheid
wordt gevierd. Ook het
thema van de vrolijkheid,
onbevangenheid en
onbezorgdheid is weer te
horen. Er volgt nu een
statig martiaal thema,
een eerbetoon aan het
dorp, waarna het werk
wordt afgesloten met
feestelijke klanken.
Auf einem
Gedenkstein im
niederländischen Dorf
Wons ist eine Namensliste
zu Ehren der Gefallenen
im Zweiten Weltkrieg
eingraviert. Auf diese
bezieht sich der Titel
des Werkes, der
wörtlich übersetzt
‘Ehrenliste’
bedeutet. Diese
Komposition wurde jedoch
für alle Menschen
geschrieben, die Wons zu
dem gemacht haben, was es
heute ist: ein schöner
Ort nahe des
IJsselmeeres, in dem es
sich gut leben lässt.
Das Werk beginnt mit
einer feierlichen
Einleitung, in welcher
sich das Dorf dem
Zuhörer
präsentiert. Dann
erklingt ein reizvolles
rhythmisches und
temporeiches Thema, das
die Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit vor dem
Krieg ausstrahlt. Dieses
geht in eine
Moll-Melodieüber,
welche von der nahenden
Kriegsgefahr kündet.
Dann erklingt ein
launenhaftes Thema mit
Unterbrechungen, in dem
das Schießen der
Soldaten zu hören ist.
Dieses endet in einigen
dissonanten Clustern, die
den tragischen Tiefpunkt
des Krieges betonen. Die
darauffolgende Stille
löst sich in einen
ruhigen Mittelteil in
Moll auf, aus dem
einerseits Verdruss und
andererseits Trost
spricht. Dann kehrt das
schnelle Tempo des
Anfangs zurück, dieses
Mal in der Form eines
Freudenmarsches. Die
Freiheit wird gefeiert.
Auch das Thema der
Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit ist wieder
zu hören. Nun folgt
ein feierliches,
martialisches Thema, eine
Ehrerbietung an das Dorf,
bevor das Werk mit
festlichen Klängen
endet.
Roll of Honour Fanfare - Intermédiaire De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1125214-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1125214-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125214-020. Published by
De Haske Publications
(BT.DHP-1125214-020).
9x12 inches.
English-German-French-Dut
ch.
On a war
memorial in the Dutch
village of Wons is
engraved a list of names
to honour the fallen in
World War II. This is the
basis for the name of
this piece. However, this
composition was written
for everyone who has made
Wons what it is today: a
pretty place near to Lake
IJssel with a
comfortable way of life.
The piece begins with a
celebratory introduction
in which the village is
presented to the
listener. There follows a
delightful rhythmic and
high-tempo theme that
reflects the happiness,
innocence and carefree
atmosphere before the
war. Now we hear a moody,
fragmented theme
depicting soldiers
shooting. This is brought
to a close with dissonant
clusters of
sound,intoning the
dreadful tragedy of the
war. The ensuing quiet
gives way to a calm
middle section in a minor
key that portrays both
frustration and
consolation. The fast
tempo of the beginning
returns, this time in the
form of a victory march.
We hear freedom being
celebrated. We hear the
previous happy, innocent
and carefree themes, too.
There follows a festive,
martial theme, a tribute
to the village, before
the piece closes with
sounds of celebration.
Op de gedenksteen
in het Friese dorp Wons
staat een erelijst (roll
of honour) gegraveerd ter
nagedachtenis aan de
gevallenen van de Tweede
Wereldoorlog. De titel
van dit werk verwijst
naar deze lijst. Deze
compositie is echter
tevens geschreven voor
alle mensen die Wons
hebben gemaakt tot wat
het nu is: een prachtig
dorpje vlak bij het
IJsselmeer waar het
prettig toeven is. De
compositie begint met een
statige inleiding, waarin
het dorp zich presenteert
aan de luisteraar. Dan
klinkt een aansprekend
ritmisch thema in een
snel tempo dat de
vrolijkheid,
onbevangenheid en
onbezorgdheid van voor de
oorlog uitstraalt. Dit
gaat over in een melodie
in mineur, die het
naderendeoorlogsgevaar
aankondigt. Dan is er een
grillig thema met stops
waarin het schieten van
de soldaten te horen is.
Dit eindigt in enkele
dissonante clusters die
het tragische dieptepunt
van de oorlog
accentueren. De
daaropvolgende stilte
lost op in een gedragen
middendeel in mineur
waaruit enerzijds
verdriet en anderzijds
troost spreekt. Dan komt
het snelle tempo van het
begin weer terug, ditmaal
in de vorm van een
vreugdemars. De vrijheid
wordt gevierd. Ook het
thema van de vrolijkheid,
onbevangenheid en
onbezorgdheid is weer te
horen. Er volgt nu een
statig martiaal thema,
een eerbetoon aan het
dorp, waarna het werk
wordt afgesloten met
feestelijke klanken.
Auf einem
Gedenkstein im
niederländischen Dorf
Wons ist eine Namensliste
zu Ehren der Gefallenen
im Zweiten Weltkrieg
eingraviert. Auf diese
bezieht sich der Titel
des Werkes, der
wörtlich übersetzt
‘Ehrenliste’
bedeutet. Diese
Komposition wurde jedoch
für alle Menschen
geschrieben, die Wons zu
dem gemacht haben, was es
heute ist: ein schöner
Ort nahe des
IJsselmeeres, in dem es
sich gut leben lässt.
Das Werk beginnt mit
einer feierlichen
Einleitung, in welcher
sich das Dorf dem
Zuhörer
präsentiert. Dann
erklingt ein reizvolles
rhythmisches und
temporeiches Thema, das
die Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit vor dem
Krieg ausstrahlt. Dieses
geht in eine
Moll-Melodieüber,
welche von der nahenden
Kriegsgefahr kündet.
Dann erklingt ein
launenhaftes Thema mit
Unterbrechungen, in dem
das Schießen der
Soldaten zu hören ist.
Dieses endet in einigen
dissonanten Clustern, die
den tragischen Tiefpunkt
des Krieges betonen. Die
darauffolgende Stille
löst sich in einen
ruhigen Mittelteil in
Moll auf, aus dem
einerseits Verdruss und
andererseits Trost
spricht. Dann kehrt das
schnelle Tempo des
Anfangs zurück, dieses
Mal in der Form eines
Freudenmarsches. Die
Freiheit wird gefeiert.
Auch das Thema der
Fröhlichkeit,
Unbefangenheit und
Sorglosigkeit ist wieder
zu hören. Nun folgt
ein feierliches,
martialisches Thema, eine
Ehrerbietung an das Dorf,
bevor das Werk mit
festlichen Klängen
endet.
Piazzolla Tangos Alto seul [Partition + Accès audio] Boosey and Hawkes
(Viola). Composed by Astor Piazzolla (1921-1992). For Viola (Viola). Boosey and ...(+)
(Viola). Composed by
Astor Piazzolla
(1921-1992). For Viola
(Viola). Boosey and
Hawkes Chamber Music.
Softcover Audio Online.
24 pages. Boosey and
Hawkes #M051107896.
Published by Boosey and
Hawkes
(Violin Play-Along Volume 46). Composed by Astor Piazzolla (1921-1992). For ...(+)
(Violin Play-Along Volume
46). Composed by Astor
Piazzolla (1921-1992).
For
Violin. Violin
Play-Along.
Softcover Audio Online.
16
pages. Published by Hal
Leonard
Score Only Concert Band (Score) - Level 1.5 SKU: HL.4005142 Composed by P...(+)
Score Only Concert Band
(Score) - Level 1.5
SKU: HL.4005142
Composed by Paul Murtha.
MusicWorks Grade 1.
March. Softcover.
Published by Hal Leonard
(HL.4005142).
UPC:
888680694388.
9.0x12.0x0.059
inches.
The year
2017 marks the 225th
anniversary of the U.S.
Mint, and commemorating
the occasion is the
release of a new
“Lady
Liberty†gold coin.
Honoring “Lady
Liberty†is this
terrific march that
follows traditional march
form, yet is still
playable by young bands.
Dur: 2:50.
Score & Parts Concert Band (Score & Parts) - Level 1.5 SKU: HL.4005141 Co...(+)
Score & Parts Concert
Band (Score & Parts) -
Level 1.5
SKU:
HL.4005141
Composed
by Paul Murtha.
MusicWorks Grade 1.
March. Softcover.
Published by Hal Leonard
(HL.4005141).
UPC:
888680694371.
9.0x12.0x0.443
inches.
The year
2017 marks the 225th
anniversary of the U.S.
Mint, and commemorating
the occasion is the
release of a new
“Lady
Liberty†gold coin.
Honoring “Lady
Liberty†is this
terrific march that
follows traditional march
form, yet is still
playable by young bands.
Dur: 2:50.
Banjo Play-Along Volume 9. Composed by Various. Banjo Play Along. Bluegrass, F...(+)
Banjo Play-Along Volume
9.
Composed by Various.
Banjo
Play Along. Bluegrass,
Folk.
Softcover Audio Online.
With
guitar tablature. 48
pages.
Published by Hal Leonard
Choral TB chorus with Piano and optional Solos SKU: CF.CM9591 Composed by...(+)
Choral TB chorus with
Piano and optional Solos
SKU: CF.CM9591
Composed by Franz
Schubert. Arranged by
Susan Thrift. Fold.
Performance Score. 8
pages. Duration 1 minute,
37 seconds. Carl Fischer
Music #CM9591. Published
by Carl Fischer Music
(CF.CM9591).
ISBN
9781491154137. UPC:
680160912636. 6.875 x
10.5 inches. Key: Bb
major. Italian. Gedicht
Goldoni.
Original.
There is
not a lot written about
the history of La
Pastorella by
Austrias classical
composer, Franz Schubert
(17971828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo
di campagna by Carlo
Goldoni (17071793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
dont get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once youve learned it,
youll find it very
rewarding to sing.
PHONETIC PRONUNCIATION La
pastorella al prato
contenta se ne va
lah
pah-stoh-REHL-lah ahl
PRAH-toh kohn-TEHN-tah
seh neh vah
Collagnellino a lato
Cantando in liberta
kohl-ah-neh-LEE-n
oh ah LAH-toh
kahn-TAHN-doh een
lee-behr-TAH Se
linnocente amore Gradisce
il se
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-sheh il
suo pastore eel
SOO-oh
pah-STOH-reh La
bella pastorella contenta
ognor sara lah
BEHL-lah
pah-stoh-REHL-lah
kohn-TEHN-tah oh-nor
sah-RAH NOTE:
All R's should be
flipped, not
rolled. There is not a
lot written about the
history of La
Pastorella by
Austriaas classical
composer, Franz Schubert
(1797a1828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo
di campagna by Carlo
Goldoni (1707a1793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
donat get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once youave learned it,
youall find it very
rewarding to sing.
PHONETIC PRONUNCIATION
LaA A pastorellaA A A A A
A A A A A A A A alA A A A
pratoA A A A A contentaA
A A A A A A A seA A neA A
va lah
pah-stoh-REHL-lah ahlA
PRAH-toh kohn-TEHN-tah
seh neh vah
CollaagnellinoA A A A A A
A A A A A aA A A A latoA
A A A A A CantandoA A A A
A A A A inA A A A libertA
kohl-ah-A+-eh-LEE
-nohA ah LAH-tohA A
kahn-TAHN-doh een
lee-behr-TAH Se
lainnocente amore
Gradisce il se
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-sheh
ilA A A A suoA A A A A A
pastore eel
SOO-ohA
pah-STOH-reh LaA
bellaA A A A A A A A
pastorellaA A A A A A A A
A A A A A contentaA A A A
A A A A A ognorA A A sarA
lah BEHL-lahA
pah-stoh-REHL-lahA
kohn-TEHN-tahA A oh-A+-or
sah-RAH NOTE:
All R's should be
flipped, not
rolled. There is not a
lot written about the
history of La
Pastorella by
Austria's classical
composer, Franz Schubert
(1797-1828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo
di campagna by Carlo
Goldoni (1707-1793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
don't get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once you've learned it,
you'll find it very
rewarding to sing.
PHONETIC PRONUNCIATION La
pastorella al prato
contenta se ne va
lah
pah-stoh-REHL-lah ahl
PRAH-toh kohn-TEHN-tah
seh neh vah
Coll'agnellino a lato
Cantando in liberta
kohl-ah-neh-LEE-n
oh ah LAH-toh
kahn-TAHN-doh een
lee-behr-TAH Se
l'innocente amore
Gradisce il se
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-sheh il
suo pastore eel
SOO-oh
pah-STOH-reh La
bella pastorella contenta
ognor sara lah
BEHL-lah
pah-stoh-REHL-lah
kohn-TEHN-tah oh-nor
sah-RAH NOTE:
All R's should be
flipped, not
rolled. There is not a
lot written about the
history of La Pastorella
by Austria's classical
composer, Franz Schubert
(1797-1828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo di
campagna by Carlo Goldoni
(1707-1793), this simple,
charming part song about
a little shepherd girl,
was originally written
for four-part male chorus
and piano and is believed
to have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
don't get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once you've learned it,
you'll find it very
rewarding to sing.
PHONETIC PRONUNCIATION La
pastorella al prato
contenta se ne va lah
pah-stoh-REHL-lah ahl
PRAH-toh kohn-TEHN-tah
seh neh vah
Coll'agnellino a lato
Cantando in liberta
kohl-ah-neh-LEE-noh ah
LAH-toh kahn-TAHN-doh een
lee-behr-TAH Se
l'innocente amore
Gradisce il se
lee-noh-CHEN-teh
ah-MOH-re grah-DEE-sheh
il suo pastore eel SOO-oh
pah-STOH-reh La bella
pastorella contenta ognor
sara lah BEHL-lah
pah-stoh-REHL-lah
kohn-TEHN-tah oh-nor
sah-RAH NOTE: All R's
should be flipped, not
rolled. There is not a
lot written about the
history of La Pastorella
by Austria’s
classical composer, Franz
Schubert
(1797–1828). An
extremely prolific
writer, Schubert died
before his thirty-second
birthday. With lyrics
from the libretto Il
filosofo di campagna by
Carlo Goldoni
(1707–1793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817.Be careful not to
sing with too much weight
in the voice so that you
don’t get bogged
down in the sixteenth
note runs. I would
suggest speaking the
Italian words in rhythm
many times before singing
them in rhythm. Once
you’ve learned it,
you’ll find it
very rewarding to
sing.PHONETIC
PRONUNCIATIONLa Â
pastorella  Â
    Â
   Â
 al  Â
 prato  Â
  contentaÂ
    Â
  se Â
ne  valah
pah-stoh-REHL-lah ahlÂ
PRAH-toh kohn-TEHN-tah
seh neh
vahColl’agnellino
   Â
    Â
 a  Â
 lato  Â
  Â
Cantando  Â
    Â
in  Â
 libertà kohl-ah-Ã
eh-LEE-noh ah
LAH-tohÂ
 kahn-TAHN-doh een
lee-behr-TAHSe
l’innocente amore
Gradisce ilse
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-shehil Â
  suo Â
  Â
 pastoreeel SOO-ohÂ
pah-STOH-rehLaÂ
bella   Â
  Â
 pastorella Â
    Â
    Â
 contenta Â
    Â
  ognor Â
 sarà lah
BEHL-lahÂ
pah-stoh-REHL-lahÂ
kohn-TEHN-tahÂ
 oh-ñor
sah-RAHNOTE: All R's
should be flipped, not
rolled.
By Dave Black and Sandy Feldstein. For Snare Drum. Artist/Personality; Book; Met...(+)
By Dave Black and Sandy
Feldstein. For Snare
Drum. Artist/Personality;
Book; Method/Instruction;
Percussion - Snare Drum
Method; Poster;
SmartMusic. Alfred's Drum
Method. Beginner. 160
pages. Published by
Alfred Music Publishing
(46 Titles to Play and Sing). Arranged by Willard A. Palmer and Morton Manus. Fo...(+)
(46 Titles to Play and
Sing). Arranged by
Willard A. Palmer and
Morton Manus. For piano
and voice. Piano -
Alfred's Basic Adult
Piano Course. Alfred's
Basic Adult Piano Course.
Classical and Folk.
Difficulty: easy-medium
to medium. Collection.
Standard notation,
fingerings, chord names
and lyrics (on some
songs). 96 pages.
Published by Alfred Music
Publishing
Arrangements by Sally Hawley. For Hammered Dulcimer. Songbook. Acoustic Music. L...(+)
Arrangements by Sally
Hawley. For Hammered
Dulcimer. Songbook.
Acoustic Music. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
256 pages. Published by
Mel Bay Publications,
Inc.