| On Music Carl Fischer
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano,
flute SKU:
CF.CM9583 Composed by
Christopher Gabel. Sws.
Performance Score. 20
pages. Duration 4
minutes, 9 seconds. Carl
Fischer Music #CM9583.
Published by Carl Fischer
Music (CF.CM9583).
ISBN 9781491154052.
UPC: 680160912551. 6.875
x 10.5 inches. Key: Eb
major. English. Thomas
Moore
(1779-1852). Thomas
Moore (17791852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Filld with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when pleasures
dream is gone, Its memory
lives in Musics breath.
Music, oh, how faint, how
weak, Language fades
before thy spell! Why
should Feeling ever
speak, When thou canst
breathe her soul so well?
Friendships balmy words
may feign, Loves are even
more false than they; Oh!
tis only musics strain
Can sweetly soothe, and
not betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779a1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music a
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fillad with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasureas dream is gone,
Its memory lives in
Musicas breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendshipas balmy
words may feign, Loveas
are even more false than
they; Oh! atis only
musicas strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779–1852)
was an Irish poet,
singer, songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song.We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life?On Music
– Thomas MooreWhen
through life unblest we
rove,Losing all that made
life dear,Should some
notes we used to love,In
days of boyhood, meet our
ear,Oh! how welcome
breathes the
strain!Wakening thoughts
that long have
slept,Kindling former
smiles againIn faded eyes
that long have wept.Like
the gale, that sighs
alongBeds of oriental
flowers,Is the grateful
breath of song,That once
was heard in happier
hours.Fill’d with
balm the gale sighs
on,Though the flowers
have sunk in death;So,
when pleasure’s
dream is gone,Its memory
lives in Music’s
breath.Music, oh, how
faint, how weak,Language
fades before thy
spell!Why should Feeling
ever speak,When thou
canst breathe her soul so
well?Friendship’s
balmy words may
feign,Love’s are
even more false than
they;Oh! ’tis only
music’s strainCan
sweetly soothe, and not
betray.Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Welcome to the Jungle - Director's Score Voix d'Enfants [Conducteur] Alfred Publishing
A Mini-Musical Based On Aesop's Fable "The Lion and the Mouse" (for Unison and 2...(+)
A Mini-Musical Based On
Aesop's Fable "The Lion
and the Mouse" (for
Unison and 2-part
Voices). By Brian Fisher,
Andy Beck. Children's
Musicals and Programs.
Choral. Score. 52 pages.
Published by Alfred
Publishing.
$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fighting Over What We Believe Chorale 3 parties Seafarer Press
(A bold meditation on conflict, communication and compromise). Composed by Eliza...(+)
(A bold meditation on
conflict, communication
and compromise). Composed
by Elizabeth Alexander.
For SSA, SAB (youth
choir), piano. Anthems,
Sacred, Secular, Jazz /
Blues / Rock. Medium.
Choral Score. Duration 4
minutes. Published by
Seafarer Press
$3.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The King's Singers: The King's Singers Book of Rounds, Canons and Partsongs
Chorale 3 parties 3 parties Mixtes [Vocal Score] - Intermédiaire Hal Leonard
(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (on...(+)
(Songbook). By The King's
Singers. Arranged by The
King's Singers. For choir
(one, two, or three-part
voices) (Songbook).
King's Singer's Choral.
Pop Vocal, Traditional
Folk, Baroque and
Classical Period.
Difficulty: easy-medium.
Vocal score (one, two and
three part rounds). Vocal
melody, harmony part and
leadsheet notation. 80
pages. Published by Hal
Leonard
(5)$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Child Is Born - Full Orchestral Score and Parts Orchestre [Conducteur et Parties séparées] Monarch Music
(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged...(+)
(A Christmas Worship
Experience of the
Christ-Light). By Mary
Mcdonald. Arranged by
Laura Kathryn Rosser. For
full orchestra. Cantatas.
Christmas. Orchestral
score and parts.
Published by Monarch
Music
$349.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| My Faith Looks Up to Thee CD Chorale [Conducteur et Parties séparées] Hal Leonard
Choral (ChoirTrax CD) SKU: HL.142242 Composed by Lowell Mason. Arranged b...(+)
Choral (ChoirTrax CD)
SKU: HL.142242
Composed by Lowell Mason.
Arranged by John Leavitt.
Sacred Choral. Anthem,
General Worship, Hymn,
Sacred. Published by Hal
Leonard (HL.142242).
UPC: 888680047740. 5x5
inches. Uses:General, Hymn
Arrangement
Scr
ipture: Hebrews
11
A well-loved
hymn of assurance is
given a fresh, new
treatment in this anthem.
Full of harmonic color,
this unique setting will
be a welcome addition to
your choir's repertoire.
An excellent choice for
times of reflection, or
for any quiet moment of
worship. Score and Parts
(fl 1-2, ob, cl 1-2, bn,
perc 1-2, hp, vn 1-2, va,
vc, db) available as a
Printed Edition or as a
digital download.
ScorePlay -
click to view score with
recording. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Letter from a Girl to the World Chorale SSAA SSAA [Octavo] Alliance Music Publications
| | |
| Grimm's Fairytale Forest Score Suite From Once Upon A Time ... Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44012456 Suite from On...(+)
Concert Band/Harmonie
(Score) - Grade 5 SKU:
HL.44012456 Suite
from Once Upon a Time
.... Composed by Jan
Van der Roost. De Haske
Concert Band. Softcover.
Composed 2014. De Haske
Publications #1145609010.
Published by De Haske
Publications
(HL.44012456). UPC:
888680084646.
English-German-French-Dut
ch. Based on the
orchestral part of the
play Es War einmal...
(Once Upon a Time...)
for narrator, actors,
children's choir and wind
band, there's now an
'enchanted' suite for
band only -- Grimm's
Fairytale Forest,
based on four famous
tales ofthe Brothers
Grimm. Some of the most
colourful and varied
themes and melodies from
Once Upon a
Time... reappear in
this lovely instrumental
suite by Jan Van der
Roost. Welcome to the
enchanted
forest!
Na het
wereldwijde succes van
het zangspel Es war
einmal... (Er was
eens...), is er nu het
sprookjesachtige
Grimm's Fairytale
Forest, dat is
gebaseerd op vier
beroemde sprookjes van de
gebroeders Grimm. Het
orkestgedeelte van
hetoorspronkelijke
Singspiel is kleurrijk en
divers, en biedt meer dan
genoeg muzikaal materiaal
voor deze instrumentale
suite, waarin de mooiste
melodieen en thema's
weerklinken. Welkom in
het
sprookjesbos!
Nach
dem Es war einmal...
fur Erzahler,
Schauspieler, Kinderchor
und Blasorchester
weltweit Einzug in die
Musikwelt gehalten hat,
liegt mit Grimm's
Fairytale Forest nun
eine marchenhafte Suite
aus dem Singspiel vor.
Der
farbenreicheOrchesterteil
bot mehr als genugend
musikalisches Material
fur diese
Instrumentalsuite, in der
die schonsten Melodien
und Themen aus vier
beruhmten Grimms-Marchen
erklingen. Willkommen im
Marchenwald!
Jan
Van der Roost a cree
Grimm's Fairytale
Forest en reprenant
la partie orchestrale de
l'oeuvre Es war
einmal... (Il etait
une fois...). Coloree et
variee, les melodies et
themes les plus
memorables de l'oeuvre
source y occupent
unelarge place. Bienvenue
dans l'univers magique
des freres Grimm, un
monde plein de fantaisie
qui reflete pourtant la
realite de la vie - comme
c'est souvent le cas dans
les contes de
fees.
Jan Van der
Roost ha composto
Grimm's Fairytale
Forest riprendendo la
parte orchestrale del
brano Es war
einmal (C'era una
volta). Colorite e
variegate, le melodie piu
memorabili dell'opera
occupano una parte
importante in questa
nuovacreazione del
compositore belga.
Benvenuti nell'universo
magico dei fratelli
Grimm, un mondo
fantastico che rispecchia
pero la realta della
vita. $45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Oratorio Cycle Soli, choeur mixte et accompagnement Barenreiter
Soloists, Choir, Orchestra SKU: BA.BA07809-01 Five selected oratorios<...(+)
Soloists, Choir,
Orchestra SKU:
BA.BA07809-01 Five
selected oratorios.
Composed by Georg Philipp
Telemann. Edited by
Steffen Voss and Ute
Poetzsch. This edition:
Edition of selected
works, Urtext edition.
Linen. Georg Philipp
Telemann. Musikalische
Werke 58. Edition of
selected works, Score,
anthology. Baerenreiter
Verlag #BA07809_01.
Published by Baerenreiter
Verlag (BA.BA07809-01).
ISBN 9790006498154. 33
x 26 cm inches. Language:
German. Text: Zell,
Albrecht
Jacob. With their
very accessible style and
expressive interpretation
of the words, these
contemporary works
continue in the tradition
of classical and romantic
song cycles and will form
a form a welcome addition
to every song
recital.
- Welcome
contemporary cycles for
song recitals -
Expressive musical
interpretation of the
words - Important
addition to the standard
literature
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$724.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christus hat dem Tode die Macht genommen Chorale SSAATTBB [Conducteur] - Intermédiaire/avancé Carus Verlag
SSAATTBB Choir - Level 4 SKU: CA.177600 Composed by Hans Fahrmann. Edited...(+)
SSAATTBB Choir - Level 4
SKU: CA.177600
Composed by Hans
Fahrmann. Edited by
Dieter Zeh. Separate
edition to the CD,
foreward in german.
Sacred vocal music,
Motets, Psalms, German.
Full Score. Op. 45,1.
Duration 4 minutes. Carus
Verlag #CV 01.776/00.
Published by Carus Verlag
(CA.177600). ISBN
9790007253912.
German. The
conductor Frieder Bernius
regards the motets of
Hans Fahrmann as an
indispensable and
extremely welcome
addition to the late
Romantic repertoire. The
composer's output is
little known nowadays.
Born in 1860, he was
considered the Richard
Strauss of the organ
during his lifetime. With
their demanding
harmonies, Fahrmann's
choral motets place high
demands on choirs and -
like Reger's works -
stretch tonality to its
extremes. And not least,
their sonorous
expressivity is thanks to
their chromatic richness.
Frieder Bernius has
recorded the Motets opp.
34, 45, and 65 with the
SWR Vokalensemble for the
first time on CD (Carus
83.499). $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sing to the Lord a new song (Singet dem Herrn ein neues Lied) Chorale SSAATTBB [Conducteur] - Intermédiaire/avancé Carus Verlag
SSAATTBB Choir - Level 4 SKU: CA.177700 Composed by Hans Fahrmann. Edited...(+)
SSAATTBB Choir - Level 4
SKU: CA.177700
Composed by Hans
Fahrmann. Edited by
Dieter Zeh. Separate
edition to the CD. Sacred
vocal music, Motets,
Psalms, German. Full
Score. Op. 45,2. Duration
3 minutes. Carus Verlag
#CV 01.777/00. Published
by Carus Verlag
(CA.177700). ISBN
9790007253929.
German. The
conductor Frieder Bernius
regards the motets of
Hans Fahrmann as an
indispensable and
extremely welcome
addition to the late
Romantic repertoire. The
composer's output is
little known nowadays.
Born in 1860, he was
considered the Richard
Strauss of the organ
during his lifetime. With
their demanding
harmonies, Fahrmann's
choral motets place high
demands on choirs and -
like Reger's works -
stretch tonality to its
extremes. And not least,
their sonorous
expressivity is thanks to
their chromatic richness.
Frieder Bernius has
recorded the Motets opp.
34, 45, and 65 with the
SWR Vokalensemble for the
first time on CD (Carus
83.499). $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gott wird abwischen alle Traenen Chorale SSAATTBB [Conducteur] Carus Verlag
From: Funf Spruche und Psalmen fur mehrstimmigen Chor op. 34. Composed by Hans...(+)
From: Funf Spruche und
Psalmen fur mehrstimmigen
Chor op. 34. Composed by
Hans
Fahrmann. Edited by
Dieter
Zeh. Carus digital: Extra
digital products. Full
Score.
Op. 34,1. Duration 5
minutes.
Published by Carus Verlag
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Herr, hoere meine Worte Chorale SSAATTBB [Conducteur] - Intermédiaire Carus Verlag
From: Funf Spruche und Psalmen fur mehrstimmigen Chor op. 34. Composed by Hans...(+)
From: Funf Spruche und
Psalmen fur mehrstimmigen
Chor op. 34. Composed by
Hans
Fahrmann. Edited by
Dieter
Zeh. Carus digital: Extra
digital products. Full
Score.
Op. 34,4. Duration 5
minutes.
Published by Carus Verlag
$6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Dein Leben lang habe Gott vor Augen Chorale SSAATTBB [Conducteur] Carus Verlag
From: Funf Spruche und Psalmen fur mehrstimmigen Chor op. 34. Composed by Hans...(+)
From: Funf Spruche und
Psalmen fur mehrstimmigen
Chor op. 34. Composed by
Hans
Fahrmann. Edited by
Dieter
Zeh. Carus digital: Extra
digital products. Full
Score.
Op. 34,3. Duration 3
minutes.
Published by Carus Verlag
$4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Was ist der Mensch Chorale SSAATTBB [Conducteur] - Intermédiaire Carus Verlag
From: Funf Spruche und Psalmen fur mehrstimmigen Chor op. 34. Composed by Hans...(+)
From: Funf Spruche und
Psalmen fur mehrstimmigen
Chor op. 34. Composed by
Hans
Fahrmann. Edited by
Dieter
Zeh. Full Score. Op.
34,5.
Duration 5 minutes.
Published
by Carus Verlag
$6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Song of the Stars Chorale SSAA SSAA A Cappella [Octavo] Oxford University Press
By Bob Chilcott. For SA and SSAA choir unaccompanied. Upper Voices. Secular, Cho...(+)
By Bob Chilcott. For SA
and SSAA choir
unaccompanied. Upper
Voices. Secular, Choral
Leaflet. Vocal score. 16
pages. Duration 4'.
Published by Oxford
University Press
$4.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Welcome to Our World CD Chorale Hope Publishing Company
Choir SKU: HP.C6103C Composed by Chris Rice. Arranged by Lloyd Larson. Pi...(+)
Choir SKU:
HP.C6103C Composed by
Chris Rice. Arranged by
Lloyd Larson. Piano
Accompaniment with
Optional Orchestra.
Christmas, Sacred.
Performance/Accompaniment
CD. Hope Publishing
Company #C6103C.
Published by Hope
Publishing Company
(HP.C6103C). UPC:
763628961039. By Chris
Rice. Popular
contemporary Christmas
song by Chris
Rice This arrangement
of Chris Rice's popular
contemporary Christmas
song comes from Lloyd's
best-selling cantata,
Were You There on That
Christmas Night? (Code
No. 8611). The SAB
setting is also included
in Lloyd's collection
Easy Settings III and may
be sung as either SAB or
as a 2-part mixed setting
by simply omitting the
alto. Orchestration:
Conductor's Score, Flute,
Oboe (Soprano Sax or
Clarinet), Clarinet,
Bassoon (Bass Clarinet),
Horn (Clarinet), 2
Trumpets, 2 Trombones
(Baritone T. C. ),
Percussion I & II, Piano,
Harp, 2 Violins, Viola,
Cello and String
Reduction. $29.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Glory to God in the Highest - Facile Hope Publishing Company
Handbells 3-4 octave handbell choir; keyboard - Level 2 SKU: HP.1971 Comp...(+)
Handbells 3-4 octave
handbell choir; keyboard
- Level 2 SKU:
HP.1971 Composed by
Giovanni Battista
Pergolesi. Arranged by
Martha Lynn Thompson.
General Worship, Sacred.
Handbell score. Hope
Publishing Company #1971.
Published by Hope
Publishing Company
(HP.1971). UPC:
763628019716. By Giovanni
Pergolesi. 1 Timothy
1:17, Luke
2:14. Hymn tune by
Giovanni
Pergolesi Giovanni
Pergolesi's original work
has been set here for 3-4
octaves of bells and
optional 3 octaves of
handchimes and keyboard.
The keyboard picks up the
sixteenth-note figures
while the bells ring the
melody backed up by
chordal texture. The
handchimes part is made
up of quarter and
half-note chords,
however, there are some
chords tied across the
bar line. Level two
pieces with this full
sound should be welcome
by directors of those
choirs. $5.75 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Six Motets for Christmas - Intermédiaire Barenreiter
Children choir: SSA or JuCh: SSA or Chor (gleichigh voices) (Children's choir: S...(+)
Children choir: SSA or
JuCh: SSA or Chor
(gleichigh voices)
(Children's choir: SSA or
Youth choir: SSA or Choir
(gleichstimmig)) - Level
3 SKU:
BA.BA08957-97 Edited
by Gerd-Peter Munden.
Stapled. Choral score,
anthology. 24 pages.
Baerenreiter Verlag
#BA08957_97. Published by
Baerenreiter Verlag
(BA.BA08957-97). ISBN
9790006525539. 27 x 19 cm
inches. Text Language:
German, English,
Latin. Year after
year, during Advent and
the Christmas season,
compositions are sought
which present well-known
carols in a new light,
whether it be
compositions set for
small or larger groups,
for children or adults,
with or without
accompanying keyboard
instruments. This
collection by Gerd-Peter
Munden presents carols in
new settings as a welcome
addition to the Christmas
literature and will
enrich the repertoire of
an adults' or children's
choir.
-
Well-known Advent and
Christmas carols in new
settings - With texts
in German and
English - With short
Latin introductions as a
part of each motet -
Ideal for a children's or
adults' choir during the
Christmas
season
Contents There comes a galley,
laden / Es kommt ein
Schiff, geladen O
saviour, open heaven's
gate / O Heiland, reiss
die Himmel auf O Lord,
how shall I meet you /
Wie soll ich dich
empfangen Angels from
the realms of Glory /
Hort der Engel helle
Lieder As I was
watching o'er my sheep /
Als ich bei meinen
Schafen wacht Good
Christian men rejoice /
Nun singet und seid
froh
The
Editor Gerd-Peter
Munden is one of the most
creative German
church-musicians today.
From 1992 to 1999 he
worked as the cantor in
Minden, where he also
directed the music school
for choristers. From 1999
he has been the
Cathedral-Cantor at the
Braunschweig Cathedral
and the director of the
cathedral school for
choristers. He is the
initiator and artistic
director of a successful
school project throughout
Germany encouraging
youngsters to sing.
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Juvenilia et Addenda Full Score Wilhelm Hansen
(Score) SKU: HL.14037632 Carl Nielsen Collected Works Section IV: Vol....(+)
(Score) SKU:
HL.14037632 Carl
Nielsen Collected Works
Section IV: Vol. 1.
Composed by Carl August
Nielsen. Music Sales
America. Classical.
Hardcover. 388 pages.
Edition Wilhelm Hansen
#CN00052. Published by
Edition Wilhelm Hansen
(HL.14037632). ISBN
9788759818244. UPC:
884088562045. 10.25x13
inches. Contents:
CHAMBER MUSIC: Polka for
Violin; Duet for Violins;
Romance for Violin and
Piano in G Major; Romance
for Violin and Piano in D
Major; Sonata for Violin
and Piano; Fantasy for
Clarinet and Piano; Trio
for Violin, Cello and
Piano; Quartet for Two
Violins, Viola and Cello
in D Minor; Movement for
Two Violins, Viola and
Cello in F Major (Add.
9); Movement for Two
Violins, Viola and Cello
in F Major (Add. 10);
Movement for Two Violins,
Viola and Cello in F
Major (Add. 11); Movement
for Two Violins, Viola
and Cello in G Minor;
Movement for Two Violins,
Viola and Cello in F
Sharp Minor; Movement for
Two Violins, Viola and
Cello in B Flat Major;
Trauermarsch for Two
Violins, Viola and Cello.
PIANO PIECES: Two
Character Pieces;
Norwegian Folk Dance;
Andante; Piano Piece;
Peasant Dance;
Allegretto; Add. 22;
Minuet; Add. 24;
Andantino; Add. 26; A
Little Piano Piece.
CANTATA: Cantata for The
Commemoration Of P.S.
Krøyer.
ARRANGEMENTS: Prelude to
'Snefrid' for Piano;
'Snefrid' for Recitation
and Piano Quintet;
'Elves' Dance' From 'Sir
Oluf He Rides ''; 'Dance
of the Handmaidens' from
'Hagbarth and Signe' for
Piano; 'Canto Serioso'
for Cello and Piano;
Dances from 'Aladdin'for
Piano; Excerpts from 'The
Mother' for Piano; 'A
Fair And Lovely Land' for
Brass; Cantata for The
Centenary of The
Polytechnic College for
Reciter, Male Choir,
Strings and Piano;
Counterpoint Exercises;
Two Part Fugue (Add. 38);
Two Part Fugue (Add. 39);
Three-part Fugue (Add.
40); Three-part Fugue
(Add. 41); Three-part
Fugue (Add. 42);
Three-part Fugue (Add.
43); Three-part Fugue
(Add. 44). APPENDIX:
Greeting; Gade; Denmark!;
Welcome to 20 Della
Grazia, Little Marie!;
The Shepherd's
Melody. $282.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Welcome the Child of Light Chorale 3 parties SAB, Piano [Octavo] Lorenz Publishing Company
(A Celtic Christmas Celebration). By Mark Hayes. For SAB choir and piano. Advent...(+)
(A Celtic Christmas
Celebration). By Mark
Hayes. For SAB choir and
piano. Advent, Christmas,
Sacred. Sacred Anthem
$2.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Grimm's Fairytale Forest Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1145609-010 Suite from Onc...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1145609-010
Suite from Once Upon a
Time .... Composed by
Jan Van der Roost.
Concert and Contest
Collection CBHA. Set
(Score & Parts). Composed
2014. De Haske
Publications #DHP
1145609-010. Published by
De Haske Publications
(BT.DHP-1145609-010).
English-German-French-
Dutch. Based on the
orchestral part of the
play Es War
einmal… (Once
Upon a Time…) for
narrator, actors,
children’s choir
and wind band,
there’s now an
‘enchanted’
suite for band only
—
Grimm’s
Fairytale Forest,
based on four famous
tales ofthe Brothers
Grimm. Some of the most
colourful and varied
themes and melodies from
Once Upon a
Time… reappear
in this lovely
instrumental suite by Jan
Van der Roost. Welcome to
the enchanted
forest!
Na het
wereldwijde succes van
het zangspel Es war
einmal… (Er was
eens…), is er nu
het sprookjesachtige
Grimm’s
Fairytale Forest, dat
is gebaseerd op vier
beroemde sprookjes van de
gebroeders Grimm. Het
orkestgedeelte van
hetoorspronkelijke
Singspiel is kleurrijk en
divers, en biedt meer dan
genoeg muzikaal materiaal
voor deze instrumentale
suite, waarin de mooiste
melodieën en
thema’s
weerklinken. Welkom in
het
sprookjesbos!
Nach
dem Es war einmal...
für Erzähler,
Schauspieler, Kinderchor
und Blasorchester
weltweit Einzug in die
Musikwelt gehalten hat,
liegt mit
Grimm’s
Fairytale Forest nun
eine
märchenhafte“
Suite aus dem Singspiel
vor. Der
farbenreicheOrchesterteil
bot mehr als genügend
musikalisches Material
für diese
Instrumentalsuite, in der
die schönsten Melodien
und Themen aus vier
berühmten
Grimms-Märchen
erklingen. Willkommen im
Märchenwald!
Ja
n Van der Roost a
créé
Grimm’s
Fairytale Forest en
reprenant la partie
orchestrale de
l’œuvre Es
war einmal... (Il
était une fois...).
Colorée et variée,
les mélodies et
thèmes les plus
mémorables de
l’œuvre source
y occupent unelarge
place. Bienvenue dans
l’univers magique
des frères Grimm, un
monde plein de fantaisie
qui reflète pourtant
la réalité de la
vie comme c’est
souvent le cas dans les
contes de
fées.
Jan Van
der Roost ha composto
Grimm’s
Fairytale Forest
riprendendo la parte
orchestrale del brano
Es war einmal
(C’era una volta).
Colorite e variegate, le
melodie più memorabili
dell’opera
occupano una parte
importante in questa
nuovacreazione del
compositore belga.
Benvenuti
nell’universo
magico dei fratelli
Grimm, un mondo
fantastico che rispecchia
però la realt della
vita. $236.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sanctus Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
By R. W. Smith. Concert band. Young Band. Sound Foundations Series. Audio record...(+)
By R. W. Smith. Concert
band. Young Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR374). Grade 0.5.
Score and set of parts.
Composed 2011. Duration 2
minutes, 38 seconds.
Published by C.L.
Barnhouse
$46.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Tree of Life Chorale 3 parties SAB, Piano - Facile GIA Publications
SAB choir, piano accompaniment, oboe - Early intermediate SKU: GI.G-9687 ...(+)
SAB choir, piano
accompaniment, oboe -
Early intermediate
SKU: GI.G-9687
Arranged by James Biery.
Lent, Lent 2 A, Good
Friday. Choral. Tune
Name: Wexford Carol.
Sacred. Octavo. 16 pages.
GIA Publications #9687.
Published by GIA
Publications (GI.G-9687).
UPC: 785147968702.
English. Text by Stephen
Starke. Scripture:
Genesis 2:9, Genesis
3:1–7, 15,
Revelation
22:2. James Biery
has created a setting of
the WEXFORD CAROL set to
Stephen Starke’s
text based on the Fall in
the garden as recounted
in the Book of Genesis.
The piece has multiple
uses throughout the year,
notably for Good Friday.
For choirs that present a
service of Lessons and
Carols, this piece would
be a welcome addition to
the repertoire that
follows the traditional
first reading. The oboe
part is optional. Â
Listen to the music and
follow the score in this
preview video. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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