The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as Book and CD Kit. Titles: Sonata in G Major (Allegro, Grave, Vivace) (Sammartini) * Allegro Appassionato, Op. 43 (Saint-Saëns) * Elegié (Fauré) * Scherzo (van Goens). / Violoncelle

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Now available as a Book and CD kit. Titles: Sonata in E Minor, Op. 14, #5 (Largo, Allegro, Largo, Allegro) (Vivaldi) * Danse Rustique, Op. 20, #5 (Squire) * Arioso from Cantata 156 (Bach) * Rondo from Concerto #4, Op. 65 (Goltermann). / Violoncelle

This collection of Easy String Quartets includes 5 pieces suitable for players Grade 1-3. The pieces cover a wide range of musical periods and European styles, from Baroque to Romantic, from Italy to Austria and England, to give young players a broad spectrum while acquainting them with the basics of playing chamber music. The compositions included are: Allegretto Op. 72 #3 (Mendelssohn), Allegro Op. 72 #1 (Mendelssohn), Chaconne (King Arthur) (Purcell), Ecossaise In B Minor (Schubert) and Gavotte In A (Martini). Arranged for 2 or 3 Violins, Viola and Cello by Watson Forbes. Includes Parts Only. / Quatuor A Cordes

En 1849, Schumann se tourna vers un nouveau genre: la composition d'oeuvres pour piano accompagné d'un instrument soliste. De manière presque systématique, il fit cadeau de Fantasiestücken, Romanzen, etc. aux différents instruments à vent - et prévit toujours aussi une variante avec un instrument à cordes. Ainsi, selon son souhait, l'Adagio et Allegro op. 70 existe également dans une version pour piano et violoncelle. Clara joua la nouvelle oeuvre, accompagnée du corniste E. Julius Schlitterlau, rapportant ensuite dans son journal: 'L'oeuvre est superbe, d'une grande fraîcheur et passionnée, ainsi que je les aime tant!' Enthousiaste, Schumann proclama aussi 'en avoir eu beaucoup de plaisir', ce en quoi de nombreux musiciens le rejoignent encore aujourd'hui. / Violoncelle Et Piano / Chanson En Séparée

Par SAINT-SAENS CAMILLE. Saint-Saens' life-long admiration of the cello led to some of his finest compositions. This edition, by celebrated cellist Steven Isserlis and Saint-Saens scholar Sabina Teller Ratner, brings together a collection as varied as it is appealing for Solo Cello with Piano Accompaniment. This volume includes some of Saint-Saens' best-loved pieces such as Allegro Appasionato and Le Cygne alongside his previously unpublished Gavotte . Primary sources have been consulted in preparation of the edition, which includes performance notes by Steven Isserlis and an informative introduction. The solo cello part is also included on a separate insert. / Niveau : Elémentaire / Date parution : 1998-07-16/ Répertoire / Violoncelle et Piano

Par KAPUSTIN NIKOLAI. Nikolai Kapustin’s Allegro is a thrilling single-movement work for piano trio, bursting with energy and replete with additive rhythms and characteristic jazz-inspired dissonances. It would make a great encore to any accomplished trio’s recital programme and joins a growing series of this Russian composer-pianist’s works newly published in the Edition Schott series./ Répertoire / Piano, Violon et Violoncelle

La référence GB5384 de l'éditeur Billaudot dont l'auteur célèbre est Mozart Wolfgang Amadeus, qui a pour titre MOLTO ALLEGRO - POUR FLUTE ET TRIO A CORDES, a été écrite et composée pour Musique de Chambre et plus particulièrement pour Flûte Et Trio A Cordes. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Trio A Cordes / Partition

La partition Classique Violoncelle N050 Adagio - Allegro a été composée pour Violoncelle. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Violoncelle / Partition

Cette partition ALLEGRO DE CONCERT EN LA MINEUR OPUS 11 de Davidoff Carl a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7975. Cette oeuvre d'une durée de 00:11:00 est idéale pour les musiciens pratiquant Violoncelle. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violoncelle Et Piano / Partition

All 5 sonatas for cello and piano, and 3 sets of variations on themes by Mozart and Handel. Basic works of the cello repertoire carefully reproduced from the authoritative complete-works edition published by Breitkopf & Härtel. Inexpensive source for studying 8 major works of the chamber music repertoire. Cello Sonata No. 1 in F Major, Op. 5, No. 1 (dedicated to King Friedrich Wilhelm II)
I: Adagio sostenuto-Allegro
II: Allegro vivace
Cello Sonata No. 2 in G Minor, Op. 5, No. 2 (dedicated to King Friedrich Wilhelm II)
I: Adagio sostenuto ed espressivo-Allegro molto più tosto presto
II: Rondo
Cello Sonata No. 3 in A Major, Op. 69 (dedicated to Baron Ignaz von Gleichenstein)
I: Allegro, ma non tanto
II: Scherzo
III: Adagio cantabile-Allegro vivace
Cello Sonata No. 4 in C Major, Op. 102, No. 1 (dedicated to Countess Marie von Erdödy)
I: Andante-Allegro vivace
II: Adagio-Tempo d'Andante-Allegro vivace
Cello Sonata No. 5 in D Major, Op. 102, No. 2 (dedicated to Countess Marie von Erdödy)
I: Allegro con brio
II: Adagio con molto sentimento d'affetto-Allegro-Allegro fugato
Twelve Variations on See, the Conqu'ring Hero Comes, from Handel's Judas Maccabaeus, WoO 45 (dedicated to Princess Christiane von Lichnowsky)
Twelve Variations on Ein Mädchen oder Weibchen, from Mozart's Die Zauberflöte, Op. 66
Seven Variations on Bei Männern, welche Liebe fühlen, from Mozart's Die Zauberflöte, WoO 46 (dedicated to Count Johann Georg von Browne)

Contents are: Opus 18, No. 1 (Allegro) * Opus 18, No. 2 (Allegro) * Opus 18, No. 3 (Andante) * Opus 18, No. 4 (Menuetto) * Opus 18, No. 4 (Scherzo) * Opus 18, No. 5 (Allegro) * Opus 18, No. 5 (Menuetto) * Opus 18, No. 6 (Allegro) * Opus 74 (Allegretto)

INSTRUMENTATION : STRING QUARTET VERSION : STUDY SCORE CONTENU : PREFACE - I. ALLEGRO VIVACE ASSAI - II. MENUETTO. ALLEGRO - III. ANDANTE CANTABILE - IV. MOLTO ALLEGRO NOMBRE DE PAGES : 44 COLLECTION : EULENBURG MINIATURE SCORES FORMAT : ETP SMALL

INSTRUMENTATION : CELLO AND ORCHESTRA VERSION : STUDY SCORE CONTENU : PREFACE / VORWORT - 2 FAKSIMILES - I. ADAGIO / MODERATO - II. LENTO / ALLEGRO MOLTO - III. ADAGIO - IV. ALLEGRO / MODERATO / ALLEGRO, MA NON TROPPO / POCO PIÙ LENTO NOMBRE DE PAGES : 120 COLLECTION : EULENBURG MINIATURE SCORES FORMAT : ETP SMALL

Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosphere of anti-romantic tumult and the emerging neoclassical style. She assimilated the main attributes of that current in a natural way: the need to forge logical formal constructs based on new harmonic principles, not determined by the major–minor system, and also a freedom in the shaping of textures, a fixed element of which was the combining of homophony with more or less strict polyphonic forms. One example of such a strategy is the String Quartet from her student years, signed with the date 1929–1930, which the composer did not include in her official catalogue of works. In the first movement (Allegro moderato), one can distinguish two principal subjects, served in the form of the incomplete exposition of a fugue. The chromaticised first subject, with its strongly highlighted head motif, appears in the cello, with an answer coming four bars later in the first violin. After a short bridge, the first violin intones the second subject, of a different character (dolce), and the answer appears a bar later and an octave lower in the viola. Both subjects can be heard also in the closing coda, and the space between them is filled by counterpoints based largely on ostinato figures of various sorts – a technique that Bacewicz would hone to perfection in her later work. The middle fughetta (Molto adagio), with a subject stated just once, and in only three parts (cello, first violin, viola), acts as an intermezzo. The third movement (Allegro molto moderato) is a double fugue with strongly contrasting subjects. The first subject, in the form of a chromaticised melodic continuum, exposed by the cello, is initially shown with the traditional arrangement retained (answered by the viola and second violin at a fifth, and by the first violin an octave above). The second subject (energico) is a structure shaped by the opening repetition of a motif of perfect fifths, then octaves combined with staccato-tremolo figurations. As the work unfolds, the two subjects appear simultaneously in original and inverted form, coming together in the closing Cadenza in a uniform idea crowned by strong (fff) chords repeated towards the end. - Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes

Contenu CAIX D'HERVELOIS Louis : Menuet - MENDELSSOHN Félix : Confiance - FORQUERAY Jean-Baptiste : La Du Vaucel - CAIX D'HERVELOIS Louis : Gavotte - ALBENIZ Isaac : Tango - MARAIS Marin : Sarabande - SCHUMANN Robert : Chant - NATHAN Ernest : Tema con variazioni - AZAIS Pierre-Hyacinthe : Allegro - AZAIS Pierre-Hyacinthe : Presto - MARAIS Marin : Caprice - MARAIS Marin : Gigue - CAIX D'HERVELOIS Louis : Sarabande - ABEL Karl Friedrich : Allegro - MUNTZ-BERGER J. : Fantaisie - TCHAIKOVSKY Piotr Illitch : Valse