SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi

SKU: CA.5408711

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. MH 87. 16 pages. Duration 17 minutes. Carus Verlag #CV 54.087/11. Published by Carus Verlag (CA.5408711).

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and part available separately - see item CA.5408700.

SATB Choir [2 Ob], 2 Ctr, 2 Tr, Timp, 2 Vl, Org e Bassi

SKU: CA.5408713

Composed by Michael Haydn. Edited by Armin Kircher. Stuttgart Urtext Edition: Johann Michael Haydn. Bass instrument. Sacred vocal music, Masses, Latin. Single Part, Bass instrument. MH 87. 12 pages. Duration 17 minutes. Carus Verlag #CV 54.087/13. Published by Carus Verlag (CA.5408713).

Language: Latin.

Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and part available separately - see item CA.5408700.

Concert Band Symphonic Band - Grade 4

SKU: FJ.B1479S

Score Only. Composed by Brian Balmages. Concert Band. FJH Symphonic Band. Score. Duration 5:45. The FJH Music Company Inc #98-B1479S. Published by The FJH Music Company Inc (FJ.B1479S).

English.

This dynamic and intense work describes a phenomenon in which clouds follow the same pattern as waves in the ocean. After an introspective opening, the music grows in intensity with long sustained chords pushing through intense rhythmic movement. Eventually, woodwinds become the focus of the work in a subdued section before undulating percussion begin the final powerful drive. Woodwinds join in a flurry of activity while brass players sustain epic chords once more, until a whirlwind of notes converge into one chaotic statement, punctuated by dissonant chords in the brass. The final sequence will leave the audience gasping. Intense!

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5

Composed by Ben Bolt. Squareback saddle stitch. Book and online audio. Published by Mel Bay Publications, Inc (MB.95689M).

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704849

Composed by Johann David Heinichen. This edition: Paperbound. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1765. Duration 45 minutes. Carus Verlag #CV 27.048/49. Published by Carus Verlag (CA.2704849).

ISBN 9790007199449. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704811

Composed by Johann David Heinichen. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/11. Published by Carus Verlag (CA.2704811).

ISBN 9790007199401. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704812

Composed by Johann David Heinichen. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/12. Published by Carus Verlag (CA.2704812).

ISBN 9790007199418. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704814

Composed by Johann David Heinichen. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/14. Published by Carus Verlag (CA.2704814).

ISBN 9790007199432. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704813

Composed by Johann David Heinichen. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. 16 pages. Duration 45 minutes. Carus Verlag #CV 27.048/13. Published by Carus Verlag (CA.2704813).

ISBN 9790007199425. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

Orchestra Soli ATB, Coro SATB Ob, Obda, Cor, 2 Vl, Va, Bc

SKU: CA.3113607

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1723. BWV 136. 36 pages. Duration 22 minutes. Carus Verlag #CV 31.136/07. Published by Carus Verlag (CA.3113607).

ISBN 9790007244958. Language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113609

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. 1x 31.136/21 oboe 1, 1x 31.136/22 oboe 2, 1x 31.136/31 horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1723. BWV 136. Duration 22 minutes. Carus Verlag #CV 31.136/09. Published by Carus Verlag (CA.3113609).

ISBN 9790007208103. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and parts available separately - see item CA.3113600.

SATB choir, cantor, assembly, organ accompaniment, flute, oboe, violin 1, violin 2, viola, cello, bass - Early intermediate

SKU: GI.G-10453

Composed by Chaz Bowers. Pentecost. Ritual Prayer. Tune Name: Veni Creator Spiritus. Sacred. Octavo. 8 pages. GIA Publications #10453. Published by GIA Publications (GI.G-10453).

UPC: 785147045311. English. Text Source: Psalm 104:1ab and 24ac, 29bc-30, 31 and 34, The Abbey Psalms and Canticles, ref., Lectionary for Mass Scripture: Psalm 104.

“Lord, Send Out Your Spirit” is based on Veni Creator Spiritus, one of the most familiar Gregorian chants. The chant is sung at Pentecost Vespers, the dedication of a church, and for the sacraments of Confirmation and Holy Orders. It is also heard at consistories when the cardinals gather in the Sistine Chapel to elect a new pope. The psalm verses in this setting are appointed for Pentecost Sunday Mass during the Day, as well as being an option for a common responsorial psalm for Pentecost.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contrabass, Crotales, Cymbals, English Horn, Field Drum, Flute, Glockenspiel, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Snare Drum, Triangle, Trumpet, Vibraphone, Viola and more.

SKU: PR.416411770

For Violin, Piano, and Chamber Orchestra. Composed by William Kraft. Full score. With Standard notation. Duration 17 minutes. Theodore Presser Company #416-41177. Published by Theodore Presser Company (PR.416411770).

UPC: 680160091508.

I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting.

(10 Easily Prepared Piano Arrangements). Arranged by Carol Tornquist. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Contemporary Christian; Easter; Sacred; Spring. Early Advanced; Late Intermediate. 40 pages. Published by Alfred Music

SATB choir, SATB, SATB, organ

SKU: CA.739300

Composed by Kay Johannsen. Sacred vocal music. Full score. Composed 2015. 12 pages. Carus Verlag #CV 07.393/00. Published by Carus Verlag (CA.739300).

ISBN 9790007172268. Text language: Latin.

Veni was composed by Kay Johannsen in November 2015. Similar to his 2010 work Et vidimus gloriam eius for four choral groups (SSA, TTB, SATB, SATB) and organ based on the beginning of St John's Gospel, Veni requires a spatial separation of three four-part choirs. The starting point of the composition is the 12th century hymn Veni redemptor gentium by St Ambrose of Milan, which Martin Luther used as the basis of his 1524 hymn Nun komm, der Heiland. The four sections of the cantus firmus are sung in turn by all the basses, altos, sopranos, and tenors, each part at a louder dynamic than the other parts. For the accompanying voices Johannsen uses different principles of canonic technique and motivic variation, with most of the material derived from the cantus firmus. The organ part of this 12-part chorale arrangement provides a harmonic orientation, but is completely independent and introduces both moments of rhythmic accentuation and elements of veiling. The choral writing is also deepened and elevated by the organ sounds derived from the text. Despite all the motivic links between the parts, the music has a direct sensual effect as a sound collage. The work ends with three increasingly distant, homophonic invocations of Veni: the plea Komm occurs at the beginning as at the end.

Concert Band Concert Band - Grade 3

SKU: FJ.B1736

Composed by Brian Balmages. Concert Band; MakeMusic Cloud. FJH Concert Band. Score and Part(s). Duration 6:45. The FJH Music Company Inc #98-B1736. Published by The FJH Music Company Inc (FJ.B1736).

UPC: 241444388648. English.

Primal in every sense of the word, this work infuses complex harmonies with angular melodies to elicit a primitive atmosphere full of anticipation. Driven by percussion and the dissonant rhythmic pulse in the lower voices, the music eventually gives way to a slower, mystical section. As the music's primal nature begins once again, everything ultimately leads to the adrenaline-packed ending punctuated by racing woodwind ostinatos and extraordinary brass chords. Intense!

About FJH Concert Band

Desig ned for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5

Concert Band Symphonic Band - Grade 4

SKU: FJ.B1498S

Score Only. Composed by Brian Balmages. Concert Band. FJH Symphonic Band. Score. Duration 6:00. The FJH Music Company Inc #98-B1498S. Published by The FJH Music Company Inc (FJ.B1498S).

English.

This exuberant expression of joy begins with a series of brass fanfares punctuated by percussion interludes and woodwind flourishes. Moving between bold multi-meter sections and lighter passages, the opening music propels forward until a reflective center section arrives, featuring solos for onstage and offstage flutes. The end of the work brings back all the intensity of the opening along with expanded fanfares and multi meter passages. Fantastic!

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48024838

Cello and Piano Reduction. Composed by Magnus Lindberg. Boosey & Hawkes Chamber Music. Classical. Softcover. 100 pages. Duration 1500 seconds. Bote & Bock #M060123436. Published by Bote & Bock (HL.48024838).

ISBN 9780851627946. UPC: 840126908787. 9.0x12.0x0.256 inches.

Commissione d by the Orchestre de Paris, and first performed by them in 1999 with soloist Anssi Karttunen, conducted by Esa-Pekka Salonen. The work is cast in a 25-minute span punctuated by an improvised cadenza. Performers not wishing to improvise may substitute Boria from Lindbergs solo cello suite Partia, which is included in the publication. Diapason commented, The writing is homogeneous, virtuosic, energetic, with the cello up near the bridge almost without interruption in a highly taut style which travels at a quickstep through all the possibilities of the instrument. Those possibilities include scordatura (for both soloist and orchestral cellos) and the so-called 'seagull' glissando.

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(Mastering Jazz Guitar). By Jody Fisher. For Guitar. This edition: Standard Notation Only. Book; CD; Guitar Method or Supplement; Method/Instruction; Technique Musicianship. Complete Method. Jazz. Advanced. 96 pages. Published by Alfred Music