Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Organ.
Cantatas, End of the
church year, Trinity.
Single Part, Organ.
Composed 1726. BWV 52. 16
pages. Duration 18
minutes. Carus Verlag #CV
31.052/49. Published by
Carus Verlag
(CA.3105249).
ISBN
9790007206369. Language:
German/English. Text:
Birkmann,
Christoph.
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200.
(Tenor Voice). Edited by Lisa DeSpain. For Voice (Tenor voice). Vocal Collection...(+)
(Tenor Voice). Edited by
Lisa DeSpain. For Voice
(Tenor voice). Vocal
Collection. Singer's
Library of Musical
Theatre. Broadway. Book
and CD. 224 pages
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Horns 1 and
2. Cantatas, End of the
church year, Trinity.
Single Part, Horn 1 and
2. Composed 1726. BWV 52.
4 pages. Duration 18
minutes. Carus Verlag #CV
31.052/31. Published by
Carus Verlag
(CA.3105231).
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200.
35 Songs from the Broadway Stage. For Voice. (Tenor Voice). Vocal Collection. A...(+)
35 Songs from the
Broadway Stage. For
Voice. (Tenor Voice).
Vocal Collection. A
treasury of musical
theatre songs in their
original keys, selected
by vocal range. Broadway.
Book. 208 pages.
Published by Alfred
Publishing.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger. 1x
31.052/21 oboe 1, 1x
31.052/22 oboe 2, 1x
31.052/23 oboe 3, 1x
31.052/24 bassoon, 1x
31.052/31 horns 1 and 2,
1x 31.052/32 horn 2.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Cantatas, End of
the church year, Trinity.
Set of Orchestra Parts.
Composed 1726. BWV 52.
Duration 18 minutes.
Carus Verlag #CV
31.052/09. Published by
Carus Verlag
(CA.3105209).
ISBN
9790007206307. Language:
German/English. Text:
Birkmann,
Christoph.
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and parts available
separately - see item
CA.3105200.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts.
Cantatas, End of the
church year, Trinity. Set
of Orchestra Parts.
Composed 1726. BWV 52.
Duration 18 minutes.
Carus Verlag #CV
31.052/19. Published by
Carus Verlag
(CA.3105219).
ISBN
9790007206352. Language:
German/English. Text:
Birkmann,
Christoph.
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and parts available
separately - see item
CA.3105200.
La Malaguena Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
By Elpidio Ramirez. Arranged by Giancarlo Gazzani. Concert band. Latin, Evergree...(+)
By Elpidio Ramirez.
Arranged by Giancarlo
Gazzani. Concert band.
Latin, Evergreen. Grade
3. Score and set of
parts. Duration 3:20.
Published by Scomegna
Edizioni Musical srl
Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score SKU...(+)
Orchestra Str (4 Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score
SKU:
AP.36-A793402
Arranged by Unico Wilhelm
Van wassenaer and
ed./arr. by Fritz Rikko.
String Orchestra. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A793402.
Published by
LudwigMasters
Publications
(AP.36-A793402).
UPC:
659359748073.
English.
The six
CONCERTI ARMONICI was
long thought to be the
work of the
violinist-impresario
Carlo Ricciotti or
composer Giovanni
Battista Pergolesi, but
more recent research has
revealed the composer to
be Unico Wilhelm van
Wassenauer (1692-1766).
Born into a wealthy Dutch
family, the diplomat and
composer founded a
Collegium musicum in The
Hague under the oversight
of Ricciotti. Composed
between 1725 and 1740,
the six concertos have
been falsely attributed
to a variety of
contemporaries, Ricciotti
and Pergolesi amongst
them, since its anonymous
publication. Wassenauer's
aristocratic background
was the reason for his
secretiveness. The
sentiment of the time
ordained that musicians
belong to the lower
classes. This edition of
CONCERTINO No. 2 (also
CONCERTO ARMONICO in G
Major, CONCERTO IV, or
just CONCERTINO in G),
drawing from the CONCERTO
ARMONICO in G Major, IUW
3, was edited by 20th
century Baroque expert
Fritz Rikko. Rikko
spuriously attributes the
work to Pergolesi.
Despite Wassenauer's
authorship having since
been confirmed, Rikko's
original editorial notes
have been retained.
Instrumentation: Str (4
Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Arranged by Mark Hayes.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Secular.
Choral Octavo. 16 pages.
Alfred Music #00-49756.
Published by Alfred Music
(AP.49756).
UPC:
038081568430.
English.
It's a
dynamic duo of fabulous
'50s holiday hits! Choral
singers will enjoy the
traditional harmonies and
laid-back swing of this
mini-medley that clocks
in at just over three
minutes. The doo-wop
falsetto pops near the
end provide a nifty nod
to nostalgia. For even
more fun, add some
showmanship with Santa
hats, jingle bells, and
riser choreography.
SoundPax includes parts
for a standard rhythm
section.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Viola.
Cantatas, End of the
church year, Trinity.
Single Part, Viola.
Composed 1726. BWV 52. 4
pages. Duration 18
minutes. Carus Verlag #CV
31.052/13. Published by
Carus Verlag
(CA.3105213).
ISBN
9790007206338. Language:
German/English. Text:
Birkmann,
Christoph.
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200.
(Mezzo Soprano/Alto Voice). Edited by Lisa DeSpain. For Voice (Alto voice (Mezzo...(+)
(Mezzo Soprano/Alto
Voice). Edited by Lisa
DeSpain. For Voice (Alto
voice (Mezzo)). Vocal
Collection. Singer's
Library of Musical
Theatre. Broadway. Book
and CD. 224 pages
Choral - intermediate to advanced SKU: HL.49018908 Men's Choir. Co...(+)
Choral - intermediate to
advanced
SKU:
HL.49018908
Men's
Choir. Composed by
Robert Sund. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover. 36
pages. Duration 10'.
Schott Music #C53577.
Published by Schott Music
(HL.49018908).
ISBN
9790001169844.
German.
Commissione
d by the Camerata vocale
Limburg, this piece uses
a sacred text from
'Ecclesiastes' in the
version of the Zurich
Bible of 1931. The text
is made up of four
different parts and set
to music with different
musical means. The first
movement Wind has been
composed for two
three-part male-voice
choirs. The music closely
follows the natural
declamation of the text,
often in the form of a
canon between the two
choirs and the different
voices. The second
movement Licht is written
for four parts. The light
is presented in a slow
tempo (poco rubato),
often in high falsetto
registers. Except for a
forte outburst when
darkness comes, the sound
is very soft and gentle.
The third movement is
called Jugend and shall
be performed by a young,
enthusiastic and carefree
tenor soloist. The text
is based on many dactyls
which gives the rhythm a
youthful freshness. The
fourth movement Alter
tells how age progresses
until the end. This is
presented musically by a
six-part canon which
begins deep and soft and
eventually culminates in
high registers and a
fortissimo. The work
fades in a hardly audible
pianissimo with the words
of the preacher 'How
everything is null and
void! Everything is in
vain!' (Robert Sund).
Duration: 10 minutes.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Cantatas, End
of the church year,
Trinity. Choral Score.
Composed 1726. BWV 52. 2
pages. Duration 18
minutes. Carus Verlag #CV
31.052/05. Published by
Carus Verlag
(CA.3105205).
ISBN
9790007187385. Language:
German/English. Text:
Birkmann,
Christoph.
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score available
separately - see item
CA.3105200.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Leisinger.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Cantatas, End of the
church year, Trinity.
Single Part, Violin 1.
Composed 1726. BWV 52. 8
pages. Duration 18
minutes. Carus Verlag #CV
31.052/11. Published by
Carus Verlag
(CA.3105211).
ISBN
9790007206314. Language:
German/English. Text:
Birkmann,
Christoph.
It only
became apparent a few
years ago that the text
of the soprano cantata
Falsche Welt, dir trau
ich nicht came from the
collection
Gott-geheiligten
Sabbaths-Zehnden by the
Leipzig theology student
and Bach pupil Christoph
Birkmann, printed in 1728
in Nuremberg. Birkmann
was probably therefore
the author of the text.
The cantata was written
for the 23rd Sunday after
Trinity, which fell on 24
November 1726 in the year
of its first performance.
As in other cantatas in
the first annual cycle,
Bach chose an
instrumental sinfonia as
the opening movement -
here the first movement
of the 1st Brandenburg
Concerto. The soprano
soloist has two
recitatives and two
arias, in which the
falsehood of the world is
juxtaposed with trust in
God. The cantata text is
rounded off with the
first verse of the
chorale In dich hab ich
gehoffet, scored for
four-part chorus, as is
usual with Bach. With the
use of two horns and
three oboes added to the
string ensemble, the
cantata has colorful and
varied orchestration.
Score and part available
separately - see item
CA.3105200.
Orchestra Str (4 Vn parts [2.2.2.2].3.2.2): Harpsichord Continuo in score SKU...(+)
Orchestra Str (4 Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score
SKU:
AP.36-A793401
Arranged by Unico Wilhelm
Van wassenaer and
ed./arr. by Fritz Rikko.
String Orchestra. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A793401.
Published by
LudwigMasters
Publications
(AP.36-A793401).
ISBN
9798892704922. UPC:
659359746130.
English.
The six
CONCERTI ARMONICI was
long thought to be the
work of the
violinist-impresario
Carlo Ricciotti or
composer Giovanni
Battista Pergolesi, but
more recent research has
revealed the composer to
be Unico Wilhelm van
Wassenauer (1692-1766).
Born into a wealthy Dutch
family, the diplomat and
composer founded a
Collegium musicum in The
Hague under the oversight
of Ricciotti. Composed
between 1725 and 1740,
the six concertos have
been falsely attributed
to a variety of
contemporaries, Ricciotti
and Pergolesi amongst
them, since its anonymous
publication. Wassenauer's
aristocratic background
was the reason for his
secretiveness. The
sentiment of the time
ordained that musicians
belong to the lower
classes. This edition of
CONCERTINO No. 2 (also
CONCERTO ARMONICO in G
Major, CONCERTO IV, or
just CONCERTINO in G),
drawing from the CONCERTO
ARMONICO in G Major, IUW
3, was edited by 20th
century Baroque expert
Fritz Rikko. Rikko
spuriously attributes the
work to Pergolesi.
Despite Wassenauer's
authorship having since
been confirmed, Rikko's
original editorial notes
have been retained.
Instrumentation: Str (4
Vn parts
[2.2.2.2].3.2.2):
Harpsichord Continuo in
score.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Choir Secular (SATB choir) SKU: AP.49755 Arranged by Mark Hayes. Performa...(+)
Choir Secular (SATB
choir)
SKU:
AP.49755
Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Christmas;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-49755. Published by
Alfred Music (AP.49755).
UPC: 038081568423.
English.
It's a
dynamic duo of fabulous
'50s holiday hits! Choral
singers will enjoy the
traditional harmonies and
laid-back swing of this
mini-medley that clocks
in at just over three
minutes. The doo-wop
falsetto pops near the
end provide a nifty nod
to nostalgia. For even
more fun, add some
showmanship with Santa
hats, jingle bells, and
riser choreography.
SoundPax includes parts
for a standard rhythm
section.