Orchestra SKU: PO.PEP05S Works for String Orchestra. Composed by L...(+)
Orchestra
SKU:
PO.PEP05S
Works
for String Orchestra.
Composed by Larry Pruden.
Perfect. Collection -
Full Score. Promethean
Editions #PEP05S.
Published by Promethean
Editions (PO.PEP05S).
ISBN
9781877218057.
Pref
ace to the Collected
EditionOver the span of
his composing career,
Larry Carrol Pruden
(1925-82) completed some
60 works, including music
for piano, chamber
ensemble, orchestra,
stage and film. The scope
of the ten-volume
Collected Edition
incorporates every work
that the composer is
known to have considered
complete, and a very few
incomplete works which
the editors felt
warranted inclusion. The
works in the latter
category are either
virtually complete or
have been deemed worthy
of inclusion due to the
significance that the
composer is known to have
attached to
them.Throughout Pruden's
output, whether the music
is modest in scale and
purely functional (civic
fanfares and radio
advertising jingles, for
example) or more extended
and overtly serious in
tone (such as the larger
works for orchestra and
strings), his vivid
response to urban society
and rural life in New
Zealand is revealed. With
Douglas Lilburn, John
Ritchie and others, Larry
Pruden belongs to the
earliest generation of
New Zealand composers to
discover a genuine
vernacular, and in his
music is reflected the
trail-blazing spirit of
the pioneers, their
passion for creativity
and their rebelliousness
of spirit.The scores in
the Collected Edition are
based on Pruden's
underlying autograph or
holograph manuscripts,
which have been consulted
extensively throughout
the editorial process.
Comparison has been made
to all extant forms of
each title, published and
unpublished. In some
cases, several variants
exist, and the goal has
been to determine as far
as possible the
composer's final
intention and to convey
this comprehensively in
the published score.
Emendations have been
made to account for the
composer's revisions and
for certain errors and
inconsistencies, and each
volume includes a short
commentary and editorial
notes on the source
materials.In consultation
with the Estate of Larry
Pruden, Promethean
Editions appointed an
Editorial Panel and an
Advisory Panel to oversee
publication of the
Collected Edition. The
role of the Editorial
Panel has been to
undertake the research
into the composer's
archival and manuscript
materials and to make the
necessary editorial
decisions and ensure the
accuracy of the musical
and textual content of
the Edition. The Advisory
Panel has been
responsible for
monitoring the overall
approach to the project
and for ensuring the
maintenance of a wider
perspective.
Aus der Klarinettenschule op. 63. Composed by Carl Baermann (1810-1885). ...(+)
Aus der
Klarinettenschule op.
63. Composed by Carl
Baermann (1810-1885).
Edited by Rudolf Mauz.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition.
Repertoire. Softcover.
Op. 63. 36 pages. Schott
Music #SE1013. Published
by Schott Music
(HL.49045506).
The Advocate Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS206F March. Composed by Gen...(+)
Band concert band - Grade
2
SKU: CF.YPS206F
March. Composed by
Gene Milford. Young Band
(YPS). Full score. With
Standard notation. 20
pages. Carl Fischer Music
#YPS206F. Published by
Carl Fischer Music
(CF.YPS206F).
ISBN
9781491152942. UPC:
680160910441.
The
Advocate is a spirited
march that provides
melodic opportunities and
interesting parts for all
sections of the band.
Written in standard
American march form and
style, this original tune
is reminiscent of the
great marches of Fillmore
or King and is perfect
for any festival
performance. The
Advocate is a spirited
original march which
provides melodic
opportunities and
interesting parts for all
sections of the band.An
advocate is someone who
pleads a case for another
person, specifically an
attorney. However, the
intent here is the more
general meaning, as one
who supports a specific
cause. Each of us are
advocates of many things,
positive and negative, as
demonstrated by our
actions and words.As
music educators we
advocate for the best
experiences, the best
opportunities, the best
lives for each of our
students.
Exodus [Conducteur] PWM (Polskie Wydawnictwo Muzyczne)
Mixed Choir and Orchestra SKU: BT.PWM8597 Composed by Wojciech Kilar. Cla...(+)
Mixed Choir and Orchestra
SKU: BT.PWM8597
Composed by Wojciech
Kilar. Classical. Score
Only. Composed 2000. 96
pages. Polskie
Wydawnictwo Muzyczne
#PWM8597. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM8597).
ISBN
9788322405000.
''Th
e title refers to the
Biblical Book of Exodus.
The biblical words of the
song: we will sing unto
Yahwe, for He has
triumphed
gloriously;...'', which
the people of Israel
chant after passing
through the Red Sea serve
as the motto of the
composition. The formal
concept of the piece
refers to M. Ravels
''Bolero''. The composer
has confirmed in his
statements that this
reference is fully
intentional. ''Exodus''
would be the third -
after Ravel and
Shostakovich (Symphony
No.7) - version of a
fascinating crescendo of
form, based on one theme
or idea obsessively
repeated. Its first
performance at the Warsaw
Autumn Festival in 1981
provoked a tremendous
ovation. The audience, at
first confused by the
continual repetition of
the E-major chord (bursts
laughter were even
heard), was eventually
abducted by the force and
dynamism of the
composition.
Organ (solos: SATB - choir: SATB - 1.2.2.2 - 2.2.3.0 - timp - org - str) SKU:...(+)
Organ (solos: SATB -
choir: SATB - 1.2.2.2 -
2.2.3.0 - timp - org -
str)
SKU:
BR.OB-5506-11
Urtext. Composed
by Franz Schubert. Edited
by Peter Jost. This
edition: organ part.
Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
To strive for the
highest in art - these
are the words with which
Franz Schubert announced
his A flat major Mass in
1828.
Mass; Romantic.
Part. 28 pages. Duration
45'. Breitkopf and
Haertel #OB 5506-11.
Published by Breitkopf
and Haertel
(BR.OB-5506-11).
ISBN
9790004338803. 10 x 12.5
inches.
To strive
for the highest in art -
these are the words with
which Franz Schubert
announced his A flat
major Mass in 1828, a
work which he designated
as Missa solemnis in his
autograph. Alone the
genesis of the work shows
the importance which the
composer placed on this
work. Schubert wrote the
score between 1819 and
1822, an unusually long
period of time for him.
He later fundamentally
revised the mass when he
applied for the post of
Vice Court Kapellmeister
in Vienna, which he did
not obtain. After this
disappointment, he
rejected his original
intent of dedicating the
mass to the Emperor or
Empress. Thanks to Peter
Jost's Breitkopf Urtext
edition, Schubert's Missa
solemnis once again adds
its luster to the
publisher's catalogue:
Breitkopf & Hartel
published its final
version in the Schubert
Gesamtausgabe in 1887.
Previously Jost produced
an equally exemplarily
prepared edition of
Schubert's E flat major
Mass D 950.Wie immer bei
Breitkopf ist das
Satzbild der Neuausgabe
der Zweitfassung in der
Gestalt vorbildlich.
(Goede,
Kirchenmusikfuhrer)Eine
Ausgabe, die hochsten
wissenschaftlichen
Anspruch mit bester
Praktikabilitat ganz
selbstverstandlich
verbindet. (Chor
aktuell).
Good work for examinations and recitals by an important British composer. Durati...(+)
Good work for
examinations and recitals
by an important British
composer. Duration c.6'.
AMEB (Australian
Syllabus) 2004. Programme
notes as
follows:
Lennox
Berkeley was born in 1903
and died in 1989. After
reading modern languages
at Oxford he had no
intention of becoming a
composer until he met
Ravel in 1926, who
encouraged him to study
in Paris with Nadia
Boulanger. He stayed in
Paris until 1932,
developing his own
musical language. In
1936, after the death of
his mother, he went to
Barcelona for the
International Society for
Contemporary Music
festival where he met
Benjamin Britten. The two
lived together at Snape
in Suffolk for a while
until the outbreak ofwar,
before Berkeley moved
back to London to work
for the BBC. Here he met
his future wife Freda
Bernstein. He taught at
the Royal Academy of
Music in London from 1946
until 1968, where his
pupils included Richard
Rodney Bennett, Nicholas
Maw and John Tavener,
among others. He was
knighted in 1974.
In early
February 1971 I was
playing in a concert at
St. John's Smith Square,
London, then only
relatively recently
restored as a superb
venue for music. The
programme, which I
believe was being
broadcast, included
Berkeley's Serenade
Op.12. It was a work I
had always enjoyed
playing and was standard
string orchestra
repertoire at the time.
There was initially no
platform at St. John's
and so the audience sat
virtually on top of the
performers. So close were
they on this occasion
that I had to ask for a
little more room in order
to play. At the end of
the piece the orchestra
acknowledged the applause
and the gentleman who I
had all but practically
decapitated with my
over-enthusiastic
playing, stood up and
took a bow. I had been
almost playing in Lennox
Berkeley's lap! The
opportunity was too good
to miss and I wasted
little time in
introducing myself. Mr
Berkeley said that he had
been fascinated by my
playing and asked me to
write to him about a
possible
commission.
Violin - very easy to easy SKU: HL.49018957 Book/CD. Composed by V...(+)
Violin - very easy to
easy
SKU:
HL.49018957
Book/CD. Composed
by Various. Edited by
Peter Mohrs. This
edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
25 leichte Stucke aus
Barock, Klassik und
Romantik in den ersten
drei Griffarten der 1.
Lage spielbar, fur
Violinschuler ab dem 2.
Unterrichtsjahr. Eine
Fundgrube fur Vorspiele
in Schule und
Musikschule. Classical.
Softcover with CD. 60
pages. Schott Music
#ED20684. Published by
Schott Music
(HL.49018957).
ISBN
9783795759568. UPC:
196288125617.
9.0x12.0x0.194 inches.
Andreas
Schuermann.
25 easy
pieces from the Baroque,
Classical and Romantic
eras, playable in the
first three finger
patterns in the first
position, for violin
pupils from the second
year of learning. Apart
from lesser known works,
this edition also
contains many popular
pieces, such as themes
from Vivaldi's Four
Seasons, Handel's
Fireworks Music and Water
Music, Mozart's Magic
Flute or Beethoven's
Symphony No. 9. This
volume's intention is to
grant access to classical
masterpieces of concert
literature with the help
of such easy arrangements
and spread the joy of
classical music.The
approach to the pieces is
made easier by the
accompanying CD which, on
the one hand, offers the
opportunity to listen to
and get to know the
pieces beforehand, and,
on the other hand, thanks
to the separate piano
accompaniments, provides
first experience in
ensemble playing and
conveys the vivid joy of
music-making.When the CD
was recorded by Prof.
Benjamin Bergmann,
violin, and Leonid
Dorfman, piano, they
deliberately decided in
favour of moderate tempos
to make it easier for the
young violinists to play
along with the piano
part. A treasure trove
for auditions at schools
and music schools.
Chamber Music String Quartet SKU: PR.11441345S Prelude to Contrapunctu...(+)
Chamber Music String
Quartet
SKU:
PR.11441345S
Prelude to
Contrapunctus X from the
Art of the Fugue.
Composed by Shulamit Ran.
Full score. With Standard
notation. Duration 4
minutes. Theodore Presser
Company #114-41345S.
Published by Theodore
Presser Company
(PR.11441345S).
UPC:
680160608829. 8.5 x 11
inches.
BACH-SHARDS
was commissioned by the
Brentano String Quartet
as part of their Art of
the Fugue companion-piece
project. Ran deliberately
stays within the realm of
Bach-like vocabulary,
altering syntax in ways
that add up to something
slightly different from
the anticipated sum of
the parts. The work
builds up to a climax
that makes the entry
point into Bach’s
Contrapunctus X seem
thoroughly
natural. While
composing Bach-Shards I
found myself gravitating,
intuitively and
gradually, toward a dual
goal. First, though
the tension and
dissonance inherent in
certain moments of
Bach’s own
maze-likeÂ
contrapuntal structures
could quite easily and
naturally lead one into a
pungent contemporary
terrain, I opted not to
stray outside the realm
of Bach-like materials
and harmonic
language. Instead, it
was my hope to alter
their relationships and
context in ways that add
up to a something
that’s slightly
different than the
anticipated sum of the
parts. A mildly
deconstructed Bach, if
you will. The other
important challenge I set
for myself was building
up the latter,
toccata-like portion of
Bach-Shards in a way that
would make the entry
point of the fugue which
it precedes,
Contrapunctus X, seem
thoroughly natural.Â
It was my intent to have
the first fugal entrance
feel like a huge and much
welcome release of the
energy created by my
Prelude’s
penultimate stretch, with
its bravura figurations
elaborating on an
insistent dominant pedal
point.
The Picadore Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band concert band - Grade 3 SKU: CF.CPS140F March. Composed by Joh...(+)
Band concert band - Grade
3
SKU: CF.CPS140F
March. Composed by
John Philip Sousa.
Arranged by Andrew
Balent. Concert
Performcnace Series. Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #CPS140F.
Published by Carl Fischer
Music (CF.CPS140F).
ISBN 9780825892851.
UPC: 798408092856. 9 x 12
inches.
John Philip
Sousa wrote this great
march when he was the
leader of the Marine band
in 1889, and it depicts
the experience of a
horseman during a
bullfight. In a
distinctive minor key to
start, this is a unique
Sousa march. Arranger
Andrew Balent has tamed
this march down in
difficulty without
loosing the intent of the
original. A nice choice
for a warm-up march at
contest or festival.
Score Only.
Composed by Richard
Wagner. Arranged by
Robert D McCashin.
Series; String Orchestra.
FJH String Orchestra.
Masterwork Arrangement.
Score. Duration 6:00. The
FJH Music Company Inc
#98-ST6415S. Published by
The FJH Music Company Inc
(FJ.ST6415S).
English.
Relive
the opera overture that
lead to one of Wagner's
earliest successes! This
setting fully retains all
the thematic, rhythmic
and musical intent of the
original orchestra
version. Orchestrated to
stay true to the vast
scope and dimension of
the original setting,
this exciting work will
compliment any program as
an overture or as a
big-finish closer!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
In allen meinen
Taten. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Viola. Sacred vocal
music, Cantatas. Single
Part, Viola. Composed
1734. BWV 97. 8 pages.
Duration 32 minutes.
Carus Verlag #CV
31.097/13. Published by
Carus Verlag
(CA.3109713).
ISBN
9790007046958. Key: B
flat major. Language:
German/English. Text:
Fleming, Paul. Text: Paul
Fleming.
Liturgical
intention unknown. Score
and part available
separately - see item
CA.3109700.
(for percussion ensemble). By Maurice Ravel (1875-1937). Arranged by Ralph Hardi...(+)
(for percussion
ensemble). By Maurice
Ravel (1875-1937).
Arranged by Ralph
Hardimon. Percussion
Ensemble. For
glockenspiel, xylophone,
2 vibraphones, 3 marimbas
(4.3 octave - low A), 5
timpani, triangle (8
players). Advanced. Score
and parts on CD-ROM. 20
pages. Duration 3'30 .
Published by Tapspace
Publications
Voice and Piano SKU: AY.V3548PM Composed by Joaquim Homs. Vocal. Piano/Vo...(+)
Voice and Piano
SKU:
AY.V3548PM
Composed
by Joaquim Homs. Vocal.
Piano/Vocal Score.
Duration 14'. Periferia
Publishing #V3548PM.
Published by Periferia
Publishing (AY.V3548PM).
ISBN
9790543574489.
The
quality of Joaquim Homs
as a melodist is
manifested in these ten
songs, from the year
1940. The birdlike
intention of the
collection is manifested
in the piano writing,
sometimes reduced to a
single stave, with
melodies typical of a
wind instrument. The
voice belongs to the best
Catalan song tradition of
the first half of the
20th century.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String
Quartet
SKU:
PR.164002720
Cassatt. Composed
by Dan Welcher. Spiral
and Saddle. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. WRT11142.
52+16+16+16+16 pages.
Duration 24 minutes.
Theodore Presser Company
#164-00272. Published by
Theodore Presser Company
(PR.164002720).
UPC:
680160573042. 8.5 x 11
inches.
My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet.
Three Pieces Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] - Avancé De Haske Publications
Brass Quintet - advanced SKU: BT.DHP-1043522-070 Composed by Modest Petro...(+)
Brass Quintet - advanced
SKU:
BT.DHP-1043522-070
Composed by Modest
Petrovich Mussorgsky.
Arranged by Peter
Knudsvig. Symphonic Brass
Ensemble Series (Rekkenze
Brass). Educational Tool.
Set (Score & Parts) with
CD. Composed 2004. 28
pages. De Haske
Publications #DHP
1043522-070. Published by
De Haske Publications
(BT.DHP-1043522-070).
International.
T
hese three pieces were
originally written for
piano but have echoes of
Mussorgsky?s most famous
work ? Pictures at an
Exhibition. The intention
is to use each instrument
in a virtuosic and
solo-like manner. One can
hear moments of Pictures
in the pieces; The Hut of
Babba Yaga comes to mind
during In the Crimea and
The Village contains a
Promenade section not
unlike that of Pictures.
Still later, the muted
horn and trumpet
?clucking? remind the
listener of the Ballet of
the Chickens.
Eine
gelungene Bearbeitung der
drei Klavierstücke des
russischen Komponisten
Mussorgsky. Peter
Knudsvig lässt in
seinem Arrangement für
Blechbläserquintett
jedes Instrument virtuos
und solistisch
herausragen. Die erste
Stimme kann auch von
Trompete in Es oder
Pikkolotrompete in B
gespielt werden.
Book in German Voice (Book) SKU: HL.49047046 Der Schlussel zu Kreativi...(+)
Book in German Voice
(Book)
SKU:
HL.49047046
Der
Schlussel zu Kreativitat
und Improvisation Book in
German. Edition
Schott. Singing
Reference. Softcover. 128
pages. Schott Music
#ED23527. Published by
Schott Music
(HL.49047046).
UPC:
196288111054.
This
book helps to release
inner blockages when
singing and making music
in order to achieve a
purposeful lack of
intention and thusget
into flow. It is
therefore an ideal
self-help book for all
singers and
instrumentalists who want
to improve their musical
practice in the long
term. Numerous exercises
as well as improvisation
cards and poems guide you
to draw from the source
of creativity and to
improvise and make music
with ease and joy. Book
in German.
Composed by Jeffrey Van. Advanced/Collegiate. Christmas, hope/assurance, lamen...(+)
Composed by Jeffrey Van.
Advanced/Collegiate.
Christmas,
hope/assurance,
lament/grief/sorrow,
memorial. Guitar/choral
score. Published by E.C.
Schirmer Publishing
(EC.8461).
Piano (Study Score) SKU: HL.132293 Version for One Piano. Composed...(+)
Piano (Study Score)
SKU: HL.132293
Version for One
Piano. Composed by
Frederic Chopin. Edited
by Jan Ekier and Pawel
Kaminski. PWM. Classical.
Study Score. Polskie
Wydawnictwo Muzyczne
#51600915. Published by
Polskie Wydawnictwo
Muzyczne (HL.132293).
UPC:
884088971274.
Piano
concertos combine two
elements: pure playing
and full poetic
expression. Virtuosity
and romance. Pianistic
brilliance, educated in
the works in the stile
brillant, brought to
perfection, but at the
same time - a farewell.
Both are forms of direct
expression of the
personality of the
composer, which showed
itself in them for the
first time with so much
strength and is
manifested in a group of
characteristics of
forming Chopin's
individual style. Piano
Concerto in F minor In
terms of size,
substantially smaller
than the E minor concerto
and also a different kind
of expression: more
lyrical, drawn in
delicate pastel colours.
Especially famous is the
second movement, the
Larghetto, which Chopin
wrote under the
inspiration of his first
love. Critical
source-edition edited by
Jan Ekier and Pawel
Kaminski based on
manuscripts, copies
approved by Chopin
himself, and first
editions. Its purpose is
to present the works of
Chopin in authentic form.
The historical version of
the score of the
Concerto, based on the
semi-autograph and parts
from the first editions,
forms volume 21 A XVe,
and the concert version
of the score, recreated
by taking into
consideration also other
sources which present
Chopin's intention,
constitutes volume 34 B
VIIIb.
Wiegenlied Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Quintet - early intermediate SKU: BT.DHP-1043523-070 Composed by Jo...(+)
Brass Quintet - early
intermediate
SKU:
BT.DHP-1043523-070
Composed by Johannes
Brahms. Arranged by Peter
Knudsvig. Symphonic Brass
Ensemble Series (Rekkenze
Brass). Educational Tool.
Set (Score & Parts) with
CD. Composed 2004. 12
pages. De Haske
Publications #DHP
1043523-070. Published by
De Haske Publications
(BT.DHP-1043523-070).
International.
F
or this arrangement of
Wiegenlied, Johan Brahms?
famous melody was used as
the starting point and
combined with an alpine
horn call. The intention
here is not to undermine
the original but to pay
homage to Brahms? ability
to write a ?hit? melody.
Für diese
Bearbeitung des
Wiegenliedes wurde
die berühmte Melodie
von Johannes Brahms als
Ausgangspunkt verwendet
und mit dem Ruf eines
Alphorns vor einem eher
unüblichen Hintergrund
kombiniert. Damit soll
nicht das Originalwerk
untergraben, sondern
vielmehr Brahms’
Fähigkeit, eine
‘Hitmelodie’
zu schreiben, gehuldigt
werden.
("Sonatine"). By Ludwig van Beethoven (1770-1827). Edited by Stewart Gordon. For...(+)
("Sonatine"). By Ludwig
van Beethoven
(1770-1827). Edited by
Stewart Gordon. For
Piano. Book; Masterworks;
Piano Solo. Alfred
Masterwork Edition. Form:
Sonata. Classical;
Masterwork; Recital;
Romantic. Early Advanced.
20 pages. Published by
Alfred Music Publishing
Rolling Stones Fantasy Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1084534-140 Composed by K. Ri...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1084534-140
Composed by K. Richards
and Mick Jagger. Arranged
by Peter Kleine Schaars.
Peter's Popular
Collection. Pop & Rock.
Score Only. Composed
2009. 28 pages. De Haske
Publications #DHP
1084534-140. Published by
De Haske Publications
(BT.DHP-1084534-140).
9x12 inches.
English-German-French-Dut
ch.
Millions of
fans will be delighted to
hear that, after 40 years
of collaboration and
countless international
tours, The Rolling Stones
still have no intention
of ending their career.
The band’s songs
have united fans
everywhere, be they new
fans, old fans, young or
old. Their most popular
songs are the ones they
wrote during the
60’s and early
70’s and it is
from this unforgettable
era that Peter Kleine
Schaars has picked their
greatest hits to form
this mind-blowing
medley.
Nach
über 40 Jahren
Bandgeschichte und
zahllosen Welttourneen
denken die Rolling Stones
noch lange nicht ans
Aufhören - zur Freude
von Millionen Fans
weltweit. Die Songs, die
Generationen von jungen
und alten, ehemaligen,
neuen und treuen Fans
vereinen, sind jedoch die
aus den sechziger und
frühen siebziger
Jahren des vergangenen
Jahrhunderts. Aus dieser
glorreichen Ära
wählte Peter Kleine
Schaars vier große
Hits für sein rockiges
Medley.
Formatisi
nel 1962, i Rolling
Stones conoscono
l’apice del
successo nel agosto 1965,
con il single
Satisfaction. Da
quel momento, nulla li
ferma nella loro corsa ai
record: record di
longevit , di album
venduti, di concerti e di
guadagni. Riconoscimenti
meritati, grazie al
carisma del duo leader
del gruppo: Mick
Jagger-Keith Richards.
Gli Stones si impongo
come vere “bestie
da scena†e
sottolineano la loro
immagine di
“cattivi
ragazziâ€.
Treble Clef for Violists. (Reading Studies Integrating Alto and Treble Clefs). B...(+)
Treble Clef for Violists.
(Reading Studies
Integrating Alto and
Treble Clefs). By
Elizabeth Stuen-Walker.
For Viola. String -
(Suzuki) Supplementary.
Book. 32 pages. Published
by Alfred Music
Publishing