(22 Full Band Arrangements Correlated to Accent on Achievement (Bass Clarinet)). Arranged by John O'Reilly and Mark Williams. Concert Band. For Bass Clarinet. Band Supplement; Book; Masterworks. Accent on Performance. Masterwork Arrangement. 24 pages. Pub

Grade 3

SKU: CL.012-3599-00

Composed by Eastmond. Concert Band. Heritage of the March Series. Audio recording available separately (item CL.WFR349). Score and set of parts. Composed 2007. Duration 7 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-3599-00. Published by Opus III Wind Orchestra Publications (CL.012-3599-00).

Bold and playful, lyrical and dramatic, this new work by young Canadian composer David Eastmond is sure to delight. An original hymn tune forms the basis of bold fanfares, lush lyrical settings, dramatic melodies, imitative counterpoint and surprising harmonic twists. A variety of articulations and dynamic contrasts will show off your ensemble's versatility. An outstanding choice for concert or contest performance.

About Heritage of the March

Full -sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

Choral (VoiceTrax CD)

SKU: HL.319977

Discovery Level 2. Composed by Ruth Morris Gray. Discovery Choral. Christmas, Holiday. CD. Duration 116 seconds. Published by Hal Leonard (HL.319977).

UPC: 888680973865. 5.0x5.0x0.194 inches.

Normally set in a 3/4 meter, We Three Kings is transformed into a three-section, 4/4 showcase with personality to spare! Syncopated rhythms and spirited dynamic changes will guarantee a surprise hit with your students and audiences!

SSATB vocal soli, SSATB choir, orchestra

SKU: CA.2731819

Composed by Heinrich Ignaz Franz von Biber. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. Complete orchestral parts. Sacred vocal music, Requiem. Set of Orchestra Parts. Duration 28 minutes. Carus Verlag #CV 27.318/19. Published by Carus Verlag (CA.2731819).

ISBN 9790007164645. Key: F minor. Text language: Latin.

Biber's Requiem in F minor is amongst the most impressive settings of the Requiem Mass of the 17th century. The exact reason for the composition of the Requiem, which can be dated to 1692, is not known. The dark key color of F minor is emphasized by the instrumental scoring for two violins, three violas, basso continuo and three trombones (colla parte with the chorus). The vivid language of the Requiem text offered Biber a wealth of possibilities for expressive, musical interpretation. The intensity of the musical language used to portray lamenting and mourning is impressive. In the course of publication of the Biber Requiem, surprisingly the primary source, which until now had been thought to be missing, resurfaced and the edition could be prepared based on this astonishing discovery. This is a work of mid-level difficulty for a choir and with the clear disposition of the string parts it is well suited for performance by amateur choirs. Score and parts available separately - see item CA.2731800.

Arranged by Artem Vassiliev. For Alto Saxophone. This edition: ED13165. Schott Master Play-Along Series. 12 favourite works from the Classical era, with authentic orchestral backing tracks. Play Along. Collection and Play-Along CD. 28 pages. Published by Schott Music.

Composed by Matthew Culloton. Christmas with The Singers Series. Christmas, 20th Century. Octavo. Published by MorningStar Music Publishers (MN.50-1962).

By Kris Kropff. For Unison voices and Orff instruments (games and CD included). General music. Published by Heritage Music Press.

Orchestra string orchestra - Grade 3

SKU: KJ.SO280C

Composed by Jeffrey Bishop. String Tracks. Score and parts. Neil A. Kjos Music Company #SO280C. Published by Neil A. Kjos Music Company (KJ.SO280C).

UPC: 8402702571.

Divided into two starkly different sections, the first showcasing the lyricism of the cellos and the second featuring minimalistic motor rhythms, this diverse composition is packed with surprises.

By David Giardiniere. For SATB choir and organ. General. Augsburg Choral Library. Anthem. Published by Augsburg Fortress.

By Margaret Goldston. Keyboard. Level: Elementary/Late Elementary (1B/2). Published by Alfred Publishing.

Haydn * Intermediate to Advanced Piano Solos composed by Franz Joseph Haydn (1732-1809). Arranged by Erika Feuchtner Macris. For piano. This edition: Paperback. Collection. Classical Composer Series. Classical. Intermediate to Advanced. Book. Text Language: English. 64 pages. Published by Santorella Publications

Composed by John Rutter (1945-). Vocal score. 8 pages. Duration 3'. Oxford University Press #9780193556843. Published by Oxford University Press

Violin 2 (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5565-16

Urtext. Composed by Jan Dismas Zelenka. Edited by Paul und Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 24 pages. Duration 50'. Breitkopf and Haertel #OB 5565-16. Published by Breitkopf and Haertel (BR.OB-5565-16).

ISBN 9790004342725. 10 x 12.5 inches.

Jan Dismas Zelenka's Missa Dei Filii is the second of three transmitted Missae ultimae, but consists, like other short masses of the 18th century, solely of a Kyrie and Gloria. Nevertheless, it is an extensive work, and the lengthy, multipartite Gloria is considered as the most impressive Gloria setting that Zelenka created in his over 20 masses. What remains to be answered is whether Zelenka had originally planned a complete mass composition.The full score and the piano vocal score are based on volume 100 of the Denkmaler edition Das Erbe deutscher Musik, in which the gaps in the musical text found in the autograph towards the end of the Gloria were cautiously supplemented. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

SATB Choral (SATB Cello)

SKU: HL.1414555

Composed by Heather Sorenson. Sacred Choral. Octavo. Duration 270 seconds. Published by Hal Leonard (HL.1414555).

UPC: 196288197126. 6.75x10.5 inches. III John 1:12, James 1:17, John 1:6.

A beautiful affirmation of an abundant life, this anthem is a lovely choice for reminding us all to be grateful. Graceful melodic contours and moments of harmonic surprise add warmth and dimension to this pleasing soundscape.

By Joel Raney. For Organ, Piano. Level: (Advanced). Print Music Single (Organ and Piano Book). Published by Hope Publishing Company.

By Jay Althouse. For Choir. (SSAB, a cappella). Choral Octavo. Spiritual, Christmas. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

Composed by Haydn, Mozart, Tchaikovsky, and Bach. Book; Masterworks; Piano Collection. Dover Edition. Masterwork. Published by Dover Publications

Solo Violin

SKU: SU.29110060

For Solo Violin. Composed by Wynton Marsalis. Strings, Violin. Unaccompanied. Score. Subito Music Corporation #29110060. Published by Subito Music Corporation (SU.29110060).

1. Sidestep Reel - In 19th Century America, the Afro-Celtic fiddle style was the centerpiece of many a dance. Reels and hornpipes were very popular forms. Their repetitive, even-metered rhythms were easy and fun to dance to, and their infectious singable melodies stayed in the mind and on the tongue. More adventurous fiddlers were given to syncopating on these forms by accenting off beats and by embellishing melodies with oddmetered note groupings. Syncopation is a fundamental rhythmic attitude of jazz and this movement is a celebration of that art. The melodic language is a home-grown concoction of commonality between traditional reels and hornpipes and the Baroque, Ragtime and the quartal concepts of Modern Jazz. 2. As the Wind Goes - the wistful late night song of a lullabye, a campfire song, a ballad...a spiritual. It is sung as if on the wind, yearning to experience once again that which will only ever again live as memory. 3. Jones’ Jig - the Irish Jig, the African 6/8 bell pattern, the shuffle rhythm of jazz and the drum style of Elvin Jones all play around with the relationship of 3 in the time-space of 2. The juxtaposition, negotiation and reconciliation of these opposing rhythmic perspectives create interesting musical relationships all over the globe. 4. Nicola’s Strathspey - In the traditional Strathspey, improvised embellishments, syncopated dotted rhythms and the use of space between notes create expectation, momentum and surprise. These same elements and their effect on the listener are the same in the blues. It seems like a natural marriage. 5. Bye Bye Breakdown - This is good ol’, Saturday night barn dance, hoedown fiddling. It revels in the whining cry of open double stops, in all types of musical onomatopoeia from train sounds to animal calls to country whistling, and in the steady 2/4 rhythm that is as basic as walking. The harmonic framework of several popular fiddle and folk tunes provide a practical grid for the cutting of challenging melodic and rhythmic figures. It is designed to tire fiddler and dancers out. Then we stomp our way home in varying states of delight and disrepair.Solo Violin Duration: 24' Composed: 2018 Published by: Wynton Marsalis (administered by Skayne's Music).

SATB choir

SKU: LP.765762138926

A Christmas Worship Collection. Arranged by Community Bible Church. This edition: Paperback. Musical. Sacred. Bulk CDs (10 pack). Published by Lillenas Publishing Company (LP.765762138926).

UPC: 765762138926.

We Celebrate the King combines the classic, traditional carols with new songs of worship to deliver the true message of Christmas in a fresh and exciting way. Moving from the explosive Latin rhythms of the surprise opener Emmanuel Has Come to the fresh new arrangements of beloved carols to children's voices to power ballads to the vibrant and celebrative Forever King as the closer, We Celebrate the King is widely eclectic in style and offers something for everyone. With vocal parts that are accessible for most choirs and the opportunity for both children's choir and congregational participation, this exciting new work from the Worship Ministry of Community Bible Church is an excellent resource for your Christmas programming this year and for years to come.

Guitar and orchestra

SKU: BO.B.3610

Composed by Jaume Torrent. Published by Editorial de Musica Boileau (BO.B.3610).

The concerto establishes a dialogue which alternates constantly between the guitar and the symphony orchestra, with the two sound worlds being maintained in perfect balance while also exploring the unique possibilities presented by each: the guitar develops a surprising array of resources which enhance its expressive capacity to the utmost, while the orchestra envelops it in an extensive range of textures which at times give rise to subtle tones, and at others, all the tonal vigour of the tutti.

The language I employ is intended as a means of achieving an efficient symbiosis between modernity and tradition, continuing in the line of my previous works as a composer. It contains no references to popular music and at all times veers away from the expectations created by the language of folklore exploited in concertos of this kind by the majority of recognised composers. In Concerto de Rialp, modernity is reflected through a search for unique expressive forms, experimentation with new means of thematic development and a unique presentation of formal solutions, all the while, however, respecting expressiveness and lyricism as the foundations of communicating with the audience.

The concerto also explores the guitar's new technical resources. Thanks to specific work on left hand extensions, mechanical formulas have been developed which allow certain scales to be played at unprecedented speeds. In the cadenza of the first movement, the guitar develops the main theme in the form of an instrumental motif that has never been used before in guitar scores, producing a polyphonic effect of new dimensions.

I have worked to exploit the distinctive sound differences existing between the guitar and the orchestra -both from the dynamic and the tonal points of view- in order to really develop the dramatic effect that their being brought together affords. In the second movement -calmo assai- this dramatic quality is expressed in a way that is particularly powerful by means of a tension never before achieved in a concerto for guitar and orchestra.

Arranged by Robert D. Vandall. For Piano. Piano Duet (One Piano, Four Hands). Level: Intermediate. Sheet. 12 pages. Published by Alfred Publishing.

Composed by Cindy Berry. Sacred. Lorenz Publishing Company #70/2354L. Published by Lorenz Publishing Company