Composed by Don Gardner. Arranged by Alan Billingsley. Performance Music Ensem...(+)
Composed by Don Gardner.
Arranged by Alan
Billingsley.
Performance Music
Ensemble;
Single Titles. Alfred Pop
Choral Series. Christmas;
Novelty; Pop; Secular.
Choral
Octavo. 12 pages. Alfred
Music #00-48402.
Published by
Alfred Music
Choir Secular (Women's Choir) SKU: AP.48990 From the motion picture (+)
Choir Secular (Women's
Choir)
SKU:
AP.48990
From the
motion picture Hocus
Pocus. Composed
by Jay Hawkins. Arranged
by Jacob Narverud.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Classic Pop; Halloween;
Movie; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-48990.
Published by Alfred Music
(AP.48990).
UPC:
038081563145.
English.
This
bewitching bit of '90s
nostalgia will charm your
audience in October or on
any pops program.
Originally written by
Screamin' Jay Hawkins in
1956, this song is
included on Rolling Stone
magazine's list of The
500 Greatest Songs of All
Time. And who can forget
Bette Midler's
show-stopping rendition
in the cult classic film
Hocus Pocus? Conjure up
some costumes and
choreography to brew a
spellbinding performance.
Don't miss the incredible
SoundTrax and SoundPax
instrumentation. Download
PartTrax MP3s for all the
audio you need to
rehearse and perform the
SATB and SSA voicings.
Each PartTrax package
includes full
performance,
accompaniment only, and
part-predominant mixes
for every voice part.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Choir Secular (Women's Choir) SKU: AP.48403 Composed by Don Gardner. Arra...(+)
Choir Secular (Women's
Choir)
SKU:
AP.48403
Composed by
Don Gardner. Arranged by
Alan Billingsley.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Christmas; Jazz; Novelty;
Pop; Secular. Choral
Octavo. 12 pages. Alfred
Music #00-48403.
Published by Alfred Music
(AP.48403).
UPC:
038081552262.
English.
Cue that
walkin' bass and sizzlin'
hi-hat! Big Bad Voodoo
Daddy's retro swing take
on the Christmas novelty
tune serves up something
fresh and different. The
familiar melody is jazzed
up for a featured soloist
(or an entire section)
and punctuated by
lightning quick
interjections in tight
treble harmony. Be sure
to check out the SoundPax
parts for your rhythm
section!
Paint Me Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano
SKU: CF.CM9585
Composed by Debra Morton.
Fold. Performance Score.
12 pages. Duration 2
minutes, 59 seconds. Carl
Fischer Music #CM9585.
Published by Carl Fischer
Music (CF.CM9585).
ISBN 9781491154076.
UPC: 680160912575. 6.875
x 10.5 inches. Key: G
major. English.
Original.
Good
friends see the best in
us. They tend to downplay
our faults while
applauding our strengths.
In short, they encourage
us to be the best we can
be, maybe even a little
more. The text of
Paint Me was
born out of the desire to
be that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me
to music, I tried to let
the cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so dont
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint
MeA was born out of
the desire to be that
person my best friend
thinks I am. To Mary Jo,
my sister and best
friend. May I really be
that person you see and
love. In setting the text
of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so donat
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
apainta the words, as
well as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me
was born out of the
desire to be that person
my best friend thinks I
am. To Mary Jo, my sister
and best friend. May I
really be that person you
see and love. In setting
the text of Paint
Me to music, I tried
to let the cadence of the
words dictate the rhythm
of the music. Use rubato,
word stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was born
out of the desire to be
that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was
born out of the desire to
be that person my best
friend thinks I am.To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love.In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so
don’t be afraid to
let the interior part of
a phrase move along,
while relaxing the
beginning and ending. I
would recommend a
straight tone as opposed
to vibrato for the held
notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
“paint†the
words, as well as making
every idea
understood.Enjoy adding
the color and shading to
make this piece of art
your own.
O, I Got a Light Chorale 3 parties SSA, Piano - Facile Walton Music
SSA choir, piano accompaniment - Early intermediate SKU: GI.WW1857 Arrang...(+)
SSA choir, piano
accompaniment - Early
intermediate
SKU:
GI.WW1857
Arranged by
Brandon Waddles. Cameron
LaBarr. Classical.
Octavo. 8 pages. Walton
Music #WW1857. Published
by Walton Music
(GI.WW1857).
UPC:
785147034162. English.
Text source: Traditional
spiritual.
Brandon
Waddles' incredibly
unique compositional
voice comes through in
this awesome arrangement
of O, I Got a Light. The
musical and textual
sophistication of this
work makes it suitable
for both younger and more
experienced treble
singers.
Composed by Ruth Morris
Gray. Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Secular;
Winter. Choral Octavo.
Alfred Music #00-51134.
Published by Alfred Music
(AP.51134).
UPC:
038081581712. English.
Words by Henry Wadsworth
Longfellow.
Familia
r words, new melody.
Ruth's cheerful a
cappella setting of the
yuletide text accentuates
the peace on earth lyric,
adding a harmonically
rich bridge on just those
words. Crisp choral ding
dong entrances, a melodic
twist in the middle, and
a tuneful final descant
decorate the otherwise
strophic verses. Add to
the festivity (and anchor
the minor-key tonality)
with optional tubular
bells or chimes.
Arranged by Donald Moore. Octavo for TTB choir and piano accompaniment. Based on...(+)
Arranged by Donald Moore.
Octavo for TTB choir and
piano accompaniment.
Based on an American
Spiritual. Series: New
Directions Choral Series,
Choral Octavo. 12 pages.
Published by Alfred
Publishing.
Choral SSA choir, piano SKU: CF.CM9773 Composed by Brady Weldon. Duration...(+)
Choral SSA choir, piano
SKU: CF.CM9773
Composed by Brady Weldon.
Duration 2 minutes, 49
seconds. Carl Fischer
Music #CM9773. Published
by Carl Fischer Music
(CF.CM9773).
ISBN
9781491164440. UPC:
680160923342. Key: C#
minor. English. Christina
Rossetti.
In the
bleak midwinter, frosty
wind made moan, Â
    Â
    Â
    Â
    Â
    Â
 Earth stood hard as
iron, water like a
stone;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
   Snow had
fallen, snow on snow,
snow on snow, Â
    Â
    Â
    Â
    Â
    Â
    In the
bleak midwinter, long
ago.What can I give Him,
poor as I am? Â
    Â
    Â
    Â
    Â
    Â
    Â
    Â
    Â
  If I were a
shepherd, I would bring a
lamb;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
    Â
   If I were a
Wise Man, I would do my
part;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
    Â
  Yet what I can
I give Him: give my
heart.The text from this
beloved poem of Christina
Rossetti
(1830–1894) was
originally published in
an 1872 issue of
Scribner’s
Monthly, under the title
A Christmas Carol. In the
first of its five
stanzas, the speaker
describes in great detail
a bitingly cold winter
scene, void of both
warmth and light. By the
final stanza, the
speaker's thoughts turn
inward, asking what gift
they may offer the infant
Jesus, meek though they
believe themselves to
be.The poem was later set
by English composer
Gustav Holst
(1874–1934) as a
contribution to the
English Hymnal in 1906
and remains the most
popular setting
today.London-born
Rossetti came to be
regarded not only as one
of the greatest female
poets of her time, but as
an outspoken advocate on
several societal issues,
including slavery and
cruelty towards
animals.In this setting,
word painting is of the
utmost importance.
Careful attention to word
stress throughout the
course of the piece will
make the performance all
the more captivating.
Descriptive lines such as
“frosty wind made
moan†should be
conveyed with swelling
crescendos, like frigid
gusts of frozen air.While
this piece features an
original tune, the
beloved Holst melody is
also featured briefly,
beginning in m. 28. Take
care to bring this
out.There are plenty of
other allusions to wintry
scenes scattered
throughout the choral
parts as well as the
accompaniment. I
encourage you to put your
sleuthing
“hats†on and
find them all. It will
make the learning
experience much more
memorable and fun.
Chorale 3 parties 3 parties Mixtes [Vocal Score] - Intermédiaire Hal Leonard
(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (on...(+)
(Songbook). By The King's
Singers. Arranged by The
King's Singers. For choir
(one, two, or three-part
voices) (Songbook).
King's Singer's Choral.
Pop Vocal, Traditional
Folk, Baroque and
Classical Period.
Difficulty: easy-medium.
Vocal score (one, two and
three part rounds). Vocal
melody, harmony part and
leadsheet notation. 80
pages. Published by Hal
Leonard
Choral (SAB and Solo) - easy to intermediate SKU: HL.49019419 SAB with...(+)
Choral (SAB and Solo) -
easy to intermediate
SKU: HL.49019419
SAB with Baritone
Solo. Composed by
Various. Edited by
Wilfried Fischer. This
edition: Paperback/Soft
Cover. Sheet music.
Choral Collection.
Classical, Folk,
Traditional. Softcover.
248 pages. Schott Music
#ED21178. Published by
Schott Music
(HL.49019419).
ISBN
9783795746001.
7.5x10.75x0.717 inches.
German -
English.
By Peter Paul and Mary. By Tom Paxton. Arranged by Alan Billingsley. Pop Chora...(+)
By Peter Paul and Mary.
By
Tom Paxton. Arranged by
Alan
Billingsley. Pop Choral
Series. Secular, Novelty,
Pop, Christmas, Sixties,
Holiday, Children.
Octavo.
12 pages. Published by
Hal
Leonard
Choir Secular (SAB choir/3-Part choir Mixed) SKU: AP.49739 From Jin...(+)
Choir Secular (SAB
choir/3-Part choir Mixed)
SKU: AP.49739
From Jingle
Jangle. Composed
by David Talbert, Davy
Nathan, and Philip
Lawrence. Arranged by
Lisa DeSpain. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Christmas; Movie;
Secular; Winter. Choral
Octavo. 20 pages. Alfred
Music #00-49739.
Published by Alfred Music
(AP.49739).
UPC:
038081568263.
English.
Here's a
rhythmic modern-day
showstopper with the
heart of a timeless
classic. This spectacular
opening number from the
Netflix movie, Jingle
Jangle has unmistakable
theatrical flair---no
surprise since the movie
was originally conceived
for the stage. The
brightly optimistic
lyrics will shine at any
time of year, not just
the holidays! What I got
in my hands could be the
spark that turns it all
around . . . 'Cause all
my life I've waited for
this day. Don't miss the
impressive SoundTrax
accompaniment and a
flexible SoundPax
orchestration for rhythm
and synth. (or optional
horns).
Choral (TTB Choir) SKU: HL.35031472 By OneRepublic. By Brent Kutzle, Ryan...(+)
Choral (TTB Choir)
SKU: HL.35031472
By OneRepublic. By Brent
Kutzle, Ryan Tedder, and
Steve Wilmot. Arranged by
Paul Langford. Shawnee
Press. Pop. Octavo. 16
pages. Published by
Shawnee Press
(HL.35031472).
ISBN
9781495089077. UPC:
888680667887. 6.75x10.5
inches.
Another
chart hit from
OneRepublic, this
fast-paced dance groove
is true to the original
with a hot track and
percussive vocal rhythms.
A terrific idea for
graduation singing about
âwhen we were
kidsâ and all the
fun we shared.
âDon't know what's
'round the corner, way I
feel right now I swear
we'll never
change.andrdquo.
Choral (SAB Choir) SKU: HL.35031471 By OneRepublic. By Brent Kutzle, Ryan...(+)
Choral (SAB Choir)
SKU: HL.35031471
By OneRepublic. By Brent
Kutzle, Ryan Tedder, and
Steve Wilmot. Arranged by
Paul Langford. Shawnee
Press. Pop. Octavo. 16
pages. Published by
Shawnee Press
(HL.35031471).
ISBN
9781495089060. UPC:
888680667870. 6.75x10.5
inches.
Another
chart hit from
OneRepublic, this
fast-paced dance groove
is true to the original
with a hot track and
percussive vocal rhythms.
A terrific idea for
graduation singing about
“when we were
kids” and all the
fun we shared.
“Don't know what's
'round the corner, way I
feel right now I swear
we'll never
change.&rdquo.