Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Arranged by Mac Huff. (Satb Singer). Choral. Size 6.75x10.5 inches. 48 pages. Published by Hal Leonard.

SATB choir

SKU: ST.EM18

Composed by Thomas Tomkins. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Collection. Stainer & Bell Ltd. #EM18. Published by Stainer & Bell Ltd. (ST.EM18).

ISBN 9790220216930.

Thou gh better known as a composer of church and keyboard music, Tomkins wrote secular vocal music that offers a compendium of all the various styles: canzonets, balletts, madrigals and 'sacred songs'. Each was dedicated to one of his relatives, a friend or a colleague. The names of these 28 dedicatees form a fascinating list at the end of the book.

CONTENTS
Adieu, ye city-poisoning towers (SSATB)
Cloris, whenas I woo (SSATB)
Come, shepherds sing with me (SSATB)
Fond men, that do so highly prize (SST (or A))
Fusca, in thy starry eyes (SSATB)
How great delight (SST)
It is my well-beloved's voice (SSATTB)
Love, cease tormenting (SSA (or T))
Music divine (SSATTB)
No more I will thy love (SATB)
O let me die for true love (SATB)
O let me live for true love (SATB)
Oft did I marle (SSAATB)
Our hasty life away dost post (SST)
Oyez! Has any found a lad? (SATB)
Phyllis, now cease to move me (SSATB)
Phyllis, yet see him dying (SSATB)
See, see the shepherds' Queen (SSATB)
Sure there is no god of love (SSA)
The fauns and satyrs tripping (SSATB)
To the shady woods (SSATB)
Too much I once lamented (SSATB)
Turn unto the Lord (SSATTB)
Was ever wretch tormented? (ST (or A) TB)
Weep no more, thou sorry Boy (SATB)
When David heard (SAATB)
When I observe (SSAATB)
Woe is me (SSATBB)
Yet again, as soon revived (SAT (or A) B).

By George Thalben-Ball. For SATB Choir. Choral, Sacred, 20th Century. Sheet Music. 16 pages. Published by Novello & Co Ltd.

SATB choir

SKU: ST.EM28

Composed by Henry Youll. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Note: Print on demand. Spiral-bound A4. Madrigals. Collection. Stainer & Bell Ltd. #EM28. Published by Stainer & Bell Ltd. (ST.EM28).

ISBN 9790220218798.

CONT ENTS
Awake, sweet love (SSA (or T))
But behold where they return (SST)
But though poor sheep (SST)
Cease, restless thoughts (SST)
Come, love, let's walk (SSA (or T))
Come, merry lads, let us away (SSA)
Each day of thine (SST)
Early before the day doth spring (SSA)
In the merry month of May (SSA)
In pleasant summer's morning (SST)
In yonder dale (SST (or A))
Now the country lasses hie them (SSB (or T))
Of sweet and dainty flowers (SAT)
Once I thought to die for love (SST)
Only joy, now here you are (SST)
Pipe, shepherds, pipe (SSB (or T))
Pity me, mine own sweet jewel (SST)
Say, shepherd, say (SST)
See where this nymph (SSA (or T))
Slow, slow, fresh fount (SST)
Sweet Phyllis, stay (SST)
The shepherd's daughters (SST)
Where are now those jolly swains? (SSB)
Whiles joyful springtime lasteth (SST).

Arranged by Deke Sharon, Anne Raugh. (SATB a cappella). Choral Collection. Size 6.75x10.5 inches. 84 pages. Published by Hal Leonard.

Arranged by Mac Huff. (SATB score). Choral. Size 9x12 inches. 96 pages. Published by Hal Leonard.

Arranged by Mac Huff. (SATB score). Choral. Size 9x12 inches. 88 pages. Published by Hal Leonard.

Arranged by Mac Huff. (Satb Singer). Choral. Size 6.7x10.5 inches. 48 pages. Published by Hal Leonard.

Carols for Choirs 2 by David Willcocks and John Rutter (1945-). Edited by David Willcocks, John Rutter. For mixed choir. Mixed Voices. ...for Choirs Collections. Christmas, Choral Collection. Choral collection. 224 pages. Published by Oxford University Press

SATB choir

SKU: ST.EM7

Composed by John Wilbye. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Note: Print on demand. Spiral-bound A4. Madrigals. Collection. Stainer & Bell Ltd. #EM7. Published by Stainer & Bell Ltd. (ST.EM7).

ISBN 9790220218507.

CONT ENTS
A silly Sylvan (SSAAT)
Ah cannot sighs, nor tears? (SSAAA (or T) B)
Ah, cruel Amarillis (SST (or A))
All pleasure is of this condition (SSAT (or A) B)
As fair as mourn (SAA (or T))
As matches beauty (S (or A) S (or A) TB)
Change me, O heavAns (SSA (or T) B (or T))
Come shepherd swains (SSA (or T))
Despite thus unto myself (SSA (or T) A (or T) T (or B) B)
Down in a valley (SSATB)
Draw on sweet night (SSAA (or T) TB)
Flourish ye hillocks (SST)
Fly not so swift, my dear (SA (or S) A (or T) B (or T))
Happy streams whose trembling fall (SST (or A) T)
Happy, oh happy he (SA (or S) A (or T) B)
Hard destinies are love and beauty (SSATB)
I live, and yet me thinks (S(or A) S(or A) T)
I love, alas, yet am not loved (SSA (or T) B)
Long have I made these hills (SSAATB)
Love not me for comely grace (SAA (or T) T)
O what shall I do? (SST (or A))
O wretched man (SSAT (or A) T (or B) B)
Oft have I vowed (SSATB)
So light is love (SSA (or T))
Softly, O softly, drop my eyes (SSAATB)
Stay, Corydon, thou swain (SSATTB)
Sweet honey sucking bees (SSAAB)
There is a jewel (Risposta) (SST)
There where I saw (SSATB)
Weep, weep mine eyes (SSA (or T) TB)
When Cloris heard of her Amyntas (S (or A) S (or A) A (or T) T)
Where most my thoughts (SSA (or T) A (or T) T (or B) B)
Ye that do live in pleasures (SSAA (or T) B)
Yet, sweet take heed (SSAAB).

Composed by Various. Edited by Dan Damon. For SATB choir, Unison choir. General. Hymn Collection. Published by Hope Publishing Company

By Frank Sinatra and Bing Crosby. By Sammy Fain. Arranged by Kirby Shaw. Jazz Chorals. Oldies, Standards, Swing, Thirties, Vocal Jazz. Octavo. 12 pages. Published by Hal Leonard

By John Ness Beck Foundation. (SATB). Choral. Sacred. Published by Beckenhorst Press.

By Andrew Lloyd Webber ; Barriecarson Turner (Arranger). For SATB Choir, Piano Accompaniment. Musicals, Choral. Sheet Music. 34 pages. Published by Novello and Co Ltd.

(Choral Highlights). Arranged by Mac Huff. For Choral (SATB). Pop Choral Series. 56 pages. Published by Hal Leonard

Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 recorder-Alto, 2 Oboe, bassoon, 3 Trumpets, timpani, 3 Violins, Viola, Cello, Bassi(Vc, double bass, bassoon, harpisc.))

SKU: BA.BA04050

Opera in three acts. Composed by George Frideric Handel. Edited by Dorothea Schröder. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV 1. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04050_00. Published by Baerenreiter Verlag (BA.BA04050).

ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.

“A lmira”, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.

The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia.

The vocal score to “Almira” by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato” from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Edition”.
Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ� �.
Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition” volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar” (no. 71).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB Choir and Organ

SKU: C4.9790902260473

Composed by Various. Classical. Score. Crescendo Music Publications #9790902260473. Published by Crescendo Music Publications (C4.9790902260473).

ISBN 9790902260473. 8.27 x 11.7 inches.

Forming part of the A Distant Music anthology, Praise: Psalms and Prayers 1 showcases 20 sacred choral works by Australian composers, most published here for the first time.

Containing a variety of accompanied and unaccompanied works, Praise: Psalms and Prayers 1 offers choirs access to quality Australian sacred music. Settings include texts from the Book of Psalms, well-known prayers as well as a spiritual poem by Australian Erica Jolly.

The 90-page volume covers a range of abilities and variety of compositional styles.

Octavo for SATB chorus and piano accompaniment. With chord names. Series: Hal Leonard Pop Choral Series. 32 pages. Published by Hal Leonard.

Composed by Andrew Lloyd Webber, arranged by Ed Lojeski. Vocal score for SATB chorus and piano accompaniment. With vocal score notation and piano accompaniment. 23 pages. Published by Hal Leonard.

SATB choir

SKU: ST.EM24

Composed by George Kirbye. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart and Philip Brett. Paperback. Madrigals. Choral collection. Stainer & Bell Ltd. #EM24. Published by Stainer & Bell Ltd. (ST.EM24).

ISBN 9790220209888.

CONT ENTS
Ah, cruel, hateful fortune (SSA(orT)A(orT)T(orB)B) Ah, sweet, alas, when first I saw (SSATB)
Alas, what hope of speeding (SST(orA)B)
Bright Phoebus greets most clearly (SSAT (or A) T (or A) B)
Farewell, my love (SSAT)
If pity reign with beauty (SSATB)
I love, alas, yet am I not beloved (SSAA (or T) TB)
Lo, here my heart I leave (SSTB)
Mourn now, my soul (SSATB)
Must I part, O my jewel? (SSAATB)
O heavens, what shall I do? (SSATB)
See what a maze of error (SSATB)
She that my plaints (SSAT (or A) B)
Sleep now, my Muse (SSAATB)
Sleep now, my Muse (SSAT)
Sorrow consumes me (SSATB)
Sound out, my voice (SSATB)
Sweet love, 0 cease thy flying (SSA (or T) TB)
That Muse which sung (SSATB)
Up then, Melpomene (SSAT (or A) T (or B) B)
What can I do, my dearest? (SSAB)
What, shall I part thus? (SSAT (or A) B)
Why should I love? (SSATB)
Why wail we thus? (SSAT (or A) TB)
With Angel's face and brightness (SSAT (or A) T (or A) B)
Woe am I, my heart dies (SSAB).

Composed by Dan Forrest. Church Choral. All Saints' / Remembrance, Comfort / Healing / Hope, General, Good Shepherd, Memorial / Funeral. Octavo. Beckenhorst Press #BP2318. Published by Beckenhorst Press

Piano (SATB) - early intermediate

SKU: CR.984283

Composed by David von Kampen. Choral. Sacred. Octavo. With music. Concordia Publishing House #984283. Published by Concordia Publishing House (CR.984283).

ISBN 9780758659088. 7 x 10.25 inches.

David von Kampen masterfully crafts the text of Revelation 21:4 - 5 into an inspiring and striking piece for SATB and piano. A variety of compositional techniques—includin g declamatory writing, polytextuality, and a skillful use of key—connect the biblical text and song powerfully. Smaller choirs can easily adapt this piece for two-part voicing by singing just soprano and tenor in the middle section. Use this piece for Easter Vigil, during the rest of the Easter Season, on All Saints' Day, and for funerals.

Revelation 21:4 - 5 (ESV)

He will wipe away ev'ry tear from their eyes, and death shall be no more, neither shall there be mourning nor crying nor pain anymore, for the former things have passed away.

And He who was seated on the throne said, 'Behold, I am making all things new.'

Alleluia, alleluia, alleluia.

Scripture quotation from the ESV® Bible (The Holy Bible, English Standard Version®), copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. All rights reserved. Used by permission.

Edited by Keri Dexter; Geoffrey Webber. For SATB choir (with divisions) accompanied. Mixed Voices. Church Music Society publications. Sacred, Choral Collection. Level B-C (easy - moderately difficult). Vocal score. Published by Oxford University Press