Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
Composed by Craig Duncan. Saddle-stitched. First Lessons - Spanish. Spanish L...(+)
Composed by Craig Duncan.
Saddle-stitched. First
Lessons - Spanish.
Spanish
Language. Book and online
audio. Mel Bay
Publications,
Inc #99292MSP. Published
by
Mel Bay Publications, Inc
Violin - intermediate SKU: BT.DHP-1135448-400 Solo Arrangements of 14 ...(+)
Violin - intermediate
SKU:
BT.DHP-1135448-400
Solo Arrangements of
14 Classic Songs with CD
Accompaniment.
Composed by Various. De
Haske Instrumental
Play-along.
TV-Film-Musical-Show.
Book with CD. Composed
2013. 28 pages. De Haske
Publications #DHP
1135448-400. Published by
De Haske Publications
(BT.DHP-1135448-400).
ISBN 9789043140881.
9x12 inches.
English.
Now solo
instrumentalists can play
play along with 14
intermediate-level tunes
from Musicals like The
Sound of Music, Mary
Poppins and Beauty and
the Beast.These books
include CDs with
orchestral accompaniment
tracks. ABC (THRILLER
- The Musical) Always
Look on the Bright Side
(SPAMALOT) Beauty And
The Beast (BEAUTY AND THE
BEAST) Belle (BEAUTY
AND THE BEAST) Circle
of Life (THE LION
KING) Defying Gravity
(WICKED) Good Morning
Baltimore
(HAIRSPRAY) I Just
Cant Wait To Be King (THE
LION KING) My
Favourite Things (THE
SOUND OF MUSIC) One
Short Day
(WICKED) Sixteen Going
On Seventeen (THE SOUND
OF
MUSIC) Supercalifragil
isticexpialidocious (MARY
POPPINS) That Face
(THE PRODUCERS) We Are
The Champions (WE WILL
ROCK YOU)
Wem
BEST OF FILM and TV
gefällt, wird auch
Freude an BEST OF MUSICAL
haben. Die 14
mittelschweren
Solostücke aus
bekannten Musicals
können zur
Orchesterbegleitung der
CD gespielt werden. Das
macht richtig Laune!
Inhalt: ABC (THRILLER
- The Musical) Always
Look on the Bright Side
(SPAMALOT) Beauty And
The Beast (BEAUTY AND THE
BEAST) Belle (BEAUTY
AND THE BEAST) Circle
of Life (THE LION
KING) Defying Gravity
(WICKED) Good Morning
Baltimore
(HAIRSPRAY) I Just
Cant Wait To Be King (THE
LION KING) My
Favourite Things (THE
SOUND OF MUSIC) One
Short Day
(WICKED) Sixteen Going
On Seventeen (THE SOUND
OF
MUSIC) Supercalifragil
isticexpialidocious (MARY
POPPINS) That Face
(THE PRODUCERS) We Are
The Champions (WE WILL
ROCK YOU)
By Stacy Phillips. For Violin(S). Folk, Celtic. Sheet Music. 52 pages. Published...(+)
By Stacy Phillips. For
Violin(S). Folk, Celtic.
Sheet Music. 52 pages.
Published by Music Sales.
Music for 50 fiddle tunes
from Ireland, England,
Scotland, and Wales. Plus
tips on authentic
techniques,
interpretation, and a
discography.
By Johann Vilsmayr. Edited by John Craton. Solo instrument. For Violin Solo. Cha...(+)
By Johann Vilsmayr.
Edited by John Craton.
Solo instrument. For
Violin Solo. Chamber
music. Six partitas for
solo violin.. Early
baroque. Moderately
advanced. Sheet music. 47
pages. Duration 70
minutes. Published by
Wolfhead Music
Indian Concertino Violon [Partition + CD] - Facile De Haske Publications
Composed by George Perlman. De Haske Study and Play. Book with CD. Composed 20...(+)
Composed by George
Perlman.
De Haske Study and Play.
Book
with CD. Composed 2005.
24
pages. De Haske
Publications
#DHP 1053792-400.
Published
by De Haske Publications
For violin. Format: violin solo book (excerpts only). Baroque, Classical Period ...(+)
For violin. Format:
violin solo book
(excerpts only). Baroque,
Classical Period and
Romantic Period. 64
pages. 9x12 inches.
Published by Music Sales.
(MS.AM84153)
A selection of all the
best-known tunes and
themes in the classical
repertoire, carefully
edited for violin solo.
Includes works by Mozart,
Bach, Beethoven, Chopin
and many more great
composers.
Violin SKU: AP.6-450414 Interviews with Heifetz, Auer, Kreisler, and o...(+)
Violin
SKU:
AP.6-450414
Interviews with
Heifetz, Auer, Kreisler,
and others. Edited by
Frederick H. Martens.
Reference Textbooks;
Textbook - Instrumental.
Dover Edition.
Instructional and Music
Appreciation.
Biographical book. 178
pages. Dover Publications
#06-450414. Published by
Dover Publications
(AP.6-450414).
ISBN
9780486450414. UPC:
9780486450414. 9x12
inches.
English.
How long
should I practice? Which
pieces should I study?
How can I develop a
singing tone? All
violinists ponder these
questions, striving to
make the most of their
practice and
performances. This
enlightening and
encouraging book holds
the answers, offering a
series of interviews with
the most celebrated
violin teachers and
performers of the
nineteenth and early
twentieth
centuries.Twenty-four
famous violinists reveal
the secrets of their
success, sharing the
lessons of their artistry
and experience. In
addition to aesthetic and
technical aspects of
playing, they discuss
their personal
conceptions of violin
mastery. Eugene Ysaye
reminisces about his
studies with Vieuxtemps
and Wieniawski, and
Leopold Auer emphasizes
the importance of
fostering students'
individual talents. Maud
Powell describes her
pioneering role as a
female orchestral
musician, and Jascha
Heifetz voices his views
on technical mastery and
temperament. Hints and
advice from other masters
include tips on efficient
practice, immproving bow
technique, and refining
intonation. A rare find
in musical literature,
this book is essential
reading for every serious
violinist.Dover (2006)
unabridged republication
of the work originally
published by Frederick A.
Stokes, New York,
1919.
Chamber Music Violin SKU: PR.144407530 Composed by Lauren Bernofsky. 12 p...(+)
Chamber Music Violin
SKU: PR.144407530
Composed by Lauren
Bernofsky. 12 pages.
Duration 10 minutes, 30
seconds. Merion Music
#144-40753. Published by
Merion Music
(PR.144407530).
ISBN
9781491136614. UPC:
680160687992.
A
violinist herself, Lauren
Bernofsky has described
SONATA FOR SOLO VIOLIN as
drawn from
autobiographical
inspiration, including
gestures from Bachâ??s
beloved Partita in E
Major. Bernofsky opens
with a Preludio movement
whose references to Bach
may be disguised, but
they are surely lurking.
The second movement is
lusciously contrapuntal
with the idiomatic
finesse of a violinist
composing for her own
instrument, while
musically journaling the
emotional pain of living
through 2020. The third
and final movement is
aptly marked
â??white-hot,â? and
the music certainly
is. My SONATA FOR SOLO
VIOLIN was commissioned
by violinist Megan Healy
as part of The Maud
Powell Project, which
celebrated the 100th
anniversary of the
ratification of the 19th
Amendment. The project
included the creation of
five new works for solo
violin inspired by and
dedicated to the memory
of pioneering American
violinist Maud Powell
(1867-1920). Healy
premiered the sonata on
May 8, 2021 at PianoForte
Studios in Chicago.Among
the works Powell most
frequently performed in
her recitals was the
â??Preludioâ?
movement from Bachâ??s E
major Partita, and I
decided to refer to that
music in my own first
movement, also titled
â??Preludio.â? The
beginning subtly reflects
Bachâ??s opening
three-note motive,
wherein the music dips
down a semitone and then
comes back up. This
melodic material returns
throughout the movement
in various forms. I also
refer to Bachâ??s
sixteenth-note dominated
texture, and the gesture
in the third measure,
which outlines a perfect
fifth and then fills it
in with notes that
alternate between a scale
and a pedal tone. The
corresponding passage in
my piece occurs in the
same place, measure 3.
Apart from these
references to Bach, my
sonata is much more
modern sounding,
especially in its
chromatic character.I was
still thinking of
Bachâ??s solo violin
writing while composing
the second movement,
particularly the
polyphonic nature of the
slow movements, where the
melodic interest moves
around between the
voices. Emotionally, I
wanted my movement to
reflect the acute sadness
I had been experiencing
over the political and
social situation in the
United States as I wrote
the piece. I realized
that this is a
historically noteworthy
time in U.S. history,
marked not only by
political unrest, but
also by a challenge to
the very values that I
consider essential to
what makes a person
fundamentally human. I
wanted to create a record
of that pain in my
music.The final movement
is marked
â??White-hot.â? It is
imbued with a relentless,
passionate intensity.
Wanting again to reflect
aspects of our own time,
I included glissandi that
refer to rock music,
specifically the
â??fall-offsâ? I
frequently hear played by
electric guitarists. I
borrowed from another
(completely different)
musical tradition as
well, one that is
near-and-dear to my
heart: Klezmer. Klezmer
(Eastern European Jewish
folk music) is
characterized in part by
scales colored by
augmented seconds, and is
often performed by solo
instrumentalists who
improvise embellishments
like quick grace notes.
The second, more lyrical
theme in this movement is
my nod to Klezmer
style.While this piece is
an homage to Maud Powell,
I also think of it as my
own musical
autobiography, as it
combines some of my
favorite aspects of
music, and is played on
my own instrument.
Violin SKU: HL.14014552 Composed by Werner Hauck. Music Sales America. Ge...(+)
Violin
SKU:
HL.14014552
Composed
by Werner Hauck. Music
Sales America. German
Language only. Book
[Softcover]. 116 pages.
Music Sales #BOE3501.
Published by Music Sales
(HL.14014552).
ISBN
9783920127101.
A
comprehensive and
scientific guide to
developing and employing
Vibrato in your Violin
playing. Werner Hauck
analyses many different
Vibrato techniques that
achieve a variety of
lyrical and 'human'
qualities to illuminate
melodies, including a
close look at some of the
prominant Vibrato methods
of the past and a
detailed guide to the
origins of Vibrato in the
human singing voice. He
examines many contasting
musical examples, giving
guidance upon exactly how
to articulate an
effective Vibrato that is
appropriate in capturing
and expressing the inner
character of the
music.
By Nicolo Paganini. Arranged by Gunter Van Rompaey. De Haske Play-Along Book. Bo...(+)
By Nicolo Paganini.
Arranged by Gunter Van
Rompaey. De Haske
Play-Along Book. Book and
CD Package. Size 9x12
inches. 64 pages.
Published by De Haske
Publications.
Electronics; Violin (Violin) SKU: HL.14043501 For Violin and Electroni...(+)
Electronics; Violin
(Violin)
SKU:
HL.14043501
For
Violin and
Electronics. Composed
by Nico Muhly. Music
Sales America. Classical,
Contemporary. Softcover.
6 pages. St. Rose Music
#SRO100024. Published by
St. Rose Music
(HL.14043501).
To obtain a download
of the zip file with an
MP3 audio recording of
this publication, copy
the URL below and paste
it in your browser
address
bar http://s3.amazonaw
s.com/static.musicsalescl
assical.com/media/electro
nics/honest_music_playbac
k.zip.
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
The Landmark Beginner Violin Method (Student's Book). Composed by Jessica O'Le...(+)
The Landmark Beginner
Violin
Method (Student's Book).
Composed by Jessica
O'Leary
and Paul Harris. This
edition: Student Book.
Method/Instruction;
Strings
- Violin Method or
Collection. Faber
Edition:
Basics. Book; Digital
Download. Faber Music
#12-
0571541801. Published by
Faber Music
Score and Parts Mixed Ensemble (Score & Parts) SKU: HL.233289 For Viol...(+)
Score and Parts Mixed
Ensemble (Score & Parts)
SKU: HL.233289
For Violin,
Vibraphone, Piano,
Sustaining Keyboard and
Contrabass. Composed
by John Luther Adams.
Music Sales America.
Classical. Set. Duration
1800 seconds. Chester
Music #CH85987. Published
by Chester Music
(HL.233289).
12.0x9.25x0.43
inches.
Score and
separate parts with
spiral-bound
keyboard/organ part.
Number 5, 1950 was Mark
Rothko's last painting
before the breakthrough
into his mature format.
In it the luminous color
fields of a classic
Rothko are inscribed
across the middle with
three delicate lines.
Describing this painting
and its pivotal position
in Rothko's work, Brian
O'Doherty observes:
'After this, the lines
disappear completely.' In
recent years gesture and
figuration have
disappeared from my
music. What used to be
background has emerged to
become a musical world
composed entirely of
floating color fields. In
this new world I've
changed media, moving
from the orchestra to
smaller combinations of
acoustical instruments
and
electronically-processed
sounds. I still think in
orchestral terms, but
this hybrid medium allows
me to create orchestral
textures for more
practical and readily
available ensembles.
Initially I imagined this
as a kind of monolithic
music -an entire piece as
one rich and complex
sound. Then I came to
hear it as homophonic or
heterophonic. And now -
in this musical world
that I thought was
completely free of lines
- I've come to hear a
polyphony of harmonic
clouds. Maybe the lines
never disappear
completely. Maybe
Christian Wolff was right
when he quipped: 'No
matter what we do, sooner
or later it all sounds
melodic.' - John Luther
Adams.
For Violin. Classical (duets). Contains printed music score and a compact disc f...(+)
For Violin. Classical
(duets). Contains printed
music score and a compact
disc featuring all the
works in split-channel
stereo, with the first
violin on the right
channel, the second
violin on the left. By
adjusting the balance,
the soloist can remove
either violin and play
the other. Published by
Music Minus One.
Violin - Easy SKU: JK.01953 Composed by Various. Arranged by Brent Jorgen...(+)
Violin - Easy
SKU:
JK.01953
Composed by
Various. Arranged by
Brent Jorgensen.
Instrumental Violin,
Seasonal Music Easter.
Christian, Inspirational.
Jackman Music Corporation
#01953. Published by
Jackman Music Corporation
(JK.01953).
UPC:
093285019539.
Hymn-
Alongs makes playing
hymns and primary songs a
blast! It is available
for almost any instrument
and is designed to be
simple enough for
developing musicians and
fun for those advancing
in music. The
Accompaniment Book
features beautiful, yet
simple arrangments for
piano, guitar, and voice.
Instrumental books are
sold separately and can
be played together in any
combination. All
instrument books include
a melody part; treble
instruments also have a
duet part, and bass
instruments also include
a bass part. See all
Hymn-Alongs Vol. 1
products Songs
included in this
Hymn-Alongs Vol. 1:
Come, Follow Me I
Love to See the
Temple Choose the
Right I Am a Child of
God Count Your
Blessings Called to
Serve Joseph Smith's
First Prayer
Beautiful Savior We
Thank Thee O God for a
Prophet I'm Trying to
Be Like Jesus
Families Can Be Together
Forever He Sent His
Son My Heavenly
Father Loves Me
Composer: Various
Arranger: Brent
Jorgensen Difficulty:
Easy.
