(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning
SKU: MB.31103M
Third Edition.
Bluegrass, Wire bound.
World. Book and online
audio. 236 pages. Mel Bay
Publications, Inc
#31103M. Published by Mel
Bay Publications, Inc
(MB.31103M).
ISBN
9781513468792. 8.75x11.75
inches.
Adam Granger
self-published the first
edition of
Grangerâ??s Fiddle
Tunes for Guitar in
1979. A second edition
was published in 1994.
Now Mel Bay Publications
presents the third
edition of the
book.
This 236-page book
is the most extensive and
best-documented
collection of fiddle
tunes for the flatpicking
guitar player in
existence, and includes
reels, hoedowns,
hornpipes, rags,
breakdowns, jigs and
slip-jigs, presented in
Southern, Northern,
Irish, Canadian, Texas
and Old-time
styles.
There are 508
fiddle tunes referenced
under 2500 titles and
alternate titles. The
titles are fully indexed,
making the book doubly
valuable as a reference
book and a source
book.
In this new
edition, all tunes are
typeset, instead of being
handwritten as they were
in the previous editions,
making the tabs easier to
read.
The tunes in
Grangerâ??s Fiddle
Tunes for Guitar are
presented in Easytab, a
streamlined tablature
notation system designed
by Adam specifically for
fiddle
tunes.
The book comes
with a link which gives
access to mp3 recordings
by Adam of all 508 tunes,
each played once at a
moderate tempo, with
rhythm on one channel and
lead on the
other.
Also included in
Grangerâ??s Fiddle
Tunes for Guitar are
instructions for reading
Easytab, descriptions of
tune types presented in
the book, and primers on
traditional flatpicking
and rhythm guitar.
Additionally, there are
sections on timing,
ornamentation, technique,
and fingering, as well as
information on tune
sources and a history of
the
collection.
Mel Bay also
offers The Granger
Collection, by Bill
Nicholson, the same 508
tunes in standard music
notation.
Vocal versions of Anderson hits including "Sleigh Ride" plus songs from the Broa...(+)
Vocal versions of
Anderson hits including
"Sleigh Ride" plus songs
from the Broadway musical
Goldilocks. Leroy
Anderson. For
Piano/Vocal/Chords. This
edition:
Piano/Vocal/Chords.
Personality Book.
Nostalgia. Book. 176
pages. Published by
Alfred Publishing.
Tango in the Outfield by Mary Dolen. For piano solo. Intermediate Level piece fo...(+)
Tango in the Outfield by
Mary Dolen. For piano
solo. Intermediate Level
piece for the Piano Duet
Event (One Piano, Four
Hands) with the National
Federation of Music Clubs
(NFMC) Festivals Bulletin
2008-2009-2010. SMP Level
3 (Early Intermediate);
NFMC Level: Elementary
Class 3. Collection.
Published by Neil A. Kjos
Music Company
Piano seul [Partition] - Intermédiaire/avancé Alfred Publishing
Complete Works for Solo Piano. Leroy Anderson. For Piano. Piano Collection. Nost...(+)
Complete Works for Solo
Piano. Leroy Anderson.
For Piano. Piano
Collection. Nostalgia;
Pop. Level: Early
Advanced. Book. 184
pages. Published by
Alfred Publishing.
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
Fiddle, Violin - Difficulty: medium SKU: HL.235 By Various. Fiddle. Folk....(+)
Fiddle, Violin -
Difficulty: medium
SKU: HL.235
By
Various. Fiddle. Folk.
Solo fiddle songbook.
With performance notes,
introductory text and
standard notation. 96
pages. Published by
Centerstream Publications
(HL.235).
ISBN
9781574240566. UPC:
073999567786. 9x12
inches.
This
comprehensive collection
of fabulous fiddle tunes
includes reels,
hornpipes, strathspeys,
jigs, waltzes and slow
airs.
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
By Bob Dylan. By Bob Dylan. Arranged by Don Giller and Ed Lozano. Music Sales Am...(+)
By Bob Dylan. By Bob
Dylan. Arranged by Don
Giller and Ed Lozano.
Music Sales America.
Folk, Pop, Rock.
Softcover. Composed 2016.
788 pages. Music Sales
#AM978923. Published by
Music Sale
Violin - intermediate SKU: BT.DHP-1185780-400 The World's Most Beautif...(+)
Violin - intermediate
SKU:
BT.DHP-1185780-400
The World's Most
Beautiful Arias with Full
Orchestra Play Along.
Opera or Operetta. Book
with CD. Composed 2018.
36 pages. De Haske
Publications #DHP
1185780-400. Published by
De Haske Publications
(BT.DHP-1185780-400).
ISBN 9789043153836.
English-German-French-Dut
ch.
For over three
hundred years, great
opera singers have held
entire audiences under
their spell. In so doing,
they can call on an
etensive repertoire of
arias by many important
composers. Live at the
Opera now makes this
precious treasure trove
available to
instrumentalists, too.
Twelve of the most
beautiful operatic
melodies of all time have
been specially arranged
for violin and are
performed by the renowned
violinist Maximilian
Lohse. The accompanying
audio is performed by an
authentic opera
orchestra, which also
includes a play-along
version without soloist.
Additionally, this unique
collection also includes
background info and tips
on performance for
theindividual arias.
Al meer dan
driehonderd jaar weten
grote operazangers en
-zangeressen hun publiek
te betoveren. Wanneer ze
voor ons op het podium
staan, vertolken ze
melodieën die behoren
tot de allermooiste van
de klassieke muziek.
Live at the opera
maakt deze schat aan
melodieën nu ook
toegankelijk voor
instrumentalisten: twaalf
Italiaanse
opera-ariaâ??s zijn
speciaal gearrangeerd
voor viool en opgenomen
door de gerenommeerd
violist Maximilian Lohse.
Een echt operaorkest
neemt de begeleiding voor
zijn rekening, die op de
meespeelversie ook zonder
solo-instrumentalist
beschikbaar is. Verder
zijn in deze unieke
collectie
muziekhistorische
achtergrondinformatie bij
iedere aria entips voorde
uitvoering opgenomen.
Schon seit mehr
als dreihundert Jahren
ziehen groÃ?e
Opernsängerinnen ein
ganzes Opernpublikum in
seinen Bann. Dabei
können sie sich aus
einem umfangreichen
Arienrepertoire aus der
Feder zahlreicher
bedeutender Komponisten
bedienen. Live at the
Opera macht diesen
kostbaren Melodienschatz
nun auch
Instrumentalisten
zugänglich: 12 der
schönsten
Opernmelodien aller
Zeiten wurden hier eigens
für Violine
eingerichtet und werden
von dem renommierten
Geiger Maximilian Lohse
vorgespielt. Ein echtes
Opernorchester
übernimmt dabei die
Begleitung, welche
zusätzlich auch in
einer Mitspielversion
ohne den Solisten zur
Verfügung steht.
Hintergrundwissen
undAusführungstipps zu
den einzelnen Arien sind
weitere Pluspunkte dieser
einzigartigen Sammlung.
Concert Band and Mixed Choir - Grade 3 SKU: BT.DHP-1145564-050 Composed b...(+)
Concert Band and Mixed
Choir - Grade 3
SKU:
BT.DHP-1145564-050
Composed by Jacob De
Haan. Musica Sacra. Set
of Parts. Composed 2014.
De Haske Publications
#DHP 1145564-050.
Published by De Haske
Publications
(BT.DHP-1145564-050).
English-German-French-
Dutch.
The
Gospel Mass—a
mass for mixed choir,
combo and concert
band—is based on
the gospel music that has
spread throughout the
world since its creation
in America. After
Missa Brevis
and Missa
Katharina this is the
third mass fromthe pen of
Jacob de Haan. The
movements of the mass
ordinary as we know it
have now been composed in
various pop styles that
have their origin in the
gospel music. We hear,
then, not only the
classic American gospel
style (including
thecharacteristic
clapping and swing
rhythms), but also freer
gospel styles that have
developed over the course
of time. The
Credo, for
example, is a ballad with
rock and funk influences.
The Agnus Dei is
heard as a slow
blues—a
genreclosely linked to
gospel music. The unique
feature of this work, of
course, is in the
combination of all these
pop and gospel elements
with the Latin liturgy of
the Kyrie, Gloria,
Sanctus, Benedictus
and Agnus Dei,
which results in
abeautiful, cohesive
whole. As far as we know,
The Gospel Mass is
the only true gospel
mass.
The
Gospel Mass –
een mis voor gemengd
koor, combo en
blaasorkest – is
gebaseerd op de
gospelmuziek zoals die
zich sinds haar ontstaan
in Amerika overal in de
wereld heeft verspreid en
ontwikkeld. Het werk is
na Missa Brevisen
Missa Katharina de
derde mis van componist
Jacob de Haan. De
ordinariumdelenzoals we
die kennen van een mis,
zijn hier gecomponeerd in
diverse popstijlen die
hun oorsprong vinden in
de gospelmuziek. Zo horen
we niet alleen
deklassiekeAmerikaanse
gospelstijl (inclusief
hand-clapping en swing),
maar ook de vrijere
gospelstijlen die zich in
de loop der tijd hebben
ontwikkeld. Het Credo is
bijvoorbeeld gecomponeerd
als een ballad, terwijl
in andere delen rock- en
funkinvloeden
zijnverwerkt. Het Agnus
Dei klinkt in een slow
blues, een genre dat nauw
verbonden is met de
gospelmuziek. De unieke
factor is de combinatie
van al deze pop- en
gospelelementen met de
Latijnse misteksten van
het Kyrie, Gloria, Credo,
Sanctus, Benedictusen
Agnus Dei – daarmee
ontstaat een fraai,
samenhangend geheel. Voor
zover bekend is The
Gospel Mass de enige
echte
gospelmis.
The
Gospel Mass eine
Messe für gemischten
Chor, Combo und
Blasorchester basiert auf
der Gospelmusik, wie sie
sich seit ihrer
Entstehung in Amerika
überall auf der Welt
verbreitet hat. Das Werk
ist nach Missa
Brevis und
MissaKatharina die
dritte Messe aus der
Feder von Jacob de Haan.
Die Ordinariumsteile,
wie man sie aus einer
Messe kennt, sind hier in
diversen Popstilen
komponiert, die ihren
Ursprung in der
Gospelmusik haben. So
hören wir nicht nur
den klassischen
amerikanischen Gospelstil
(inklusive
Händeklatschen und
Swing),sondern auch
freiere Gospelstile, die
sich im Laufe der Zeit
entwickelt haben. Das
Credo ist
beispielsweise eine
Ballade, in der Rock- und
Funk-Einflüsse
verarbeitet wurden. Das
Agnus Dei erklingt
als langsamer Blues ein
Genre, daseng mit der
Gospelmusik verknüpft
ist. Der einzigartige
Faktor dieses Werkes
besteht natürlich in
der Kombination all
dieser Pop- und
Gospelelemente mit den
lateinischen Messetexten
der Ordinariumsteile
Kyrie, Gloria,
Sanctus,
Benedictusund
Agnus Dei, die ein
schönes,
zusammenhängendes
Ganzes ergibt. Soweit
bekannt, ist The
Gospel Mass die
einzige echte
Gospelmesse.
The
Gospel Mass-a mass
for mixed choir, combo
and concert band-is based
on the gospel music that
has spread throughout the
world since its creation
in America. After
Missa Brevis
and Missa
Katharina this is the
third mass fromthe pen of
Jacob de Haan. The
movements of the mass
ordinary as we know it
have now been composed in
various pop styles that
have their origin in the
gospel music. We hear,
then, not only the
classic American gospel
style (including
thecharacteristic
clapping and swing
rhythms), but also freer
gospel styles that have
developed over the course
of time. The
Credo, for
example, is a ballad with
rock and funk influences.
The Agnus Dei is
heard as a slow blues-a
genreclosely linked to
gospel music. The unique
feature of this work, of
course, is in the
combination of all these
pop and gospel elements
with the Latin liturgy of
the Kyrie, Gloria,
Sanctus, Benedictus
and Agnus Dei,
which results in
abeautiful, cohesive
whole. As far as we know,
The Gospel Mass is
the only true gospel
mass.
Arrangements by Sally Hawley. For Hammered Dulcimer. Songbook. Acoustic Music. L...(+)
Arrangements by Sally
Hawley. For Hammered
Dulcimer. Songbook.
Acoustic Music. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
256 pages. Published by
Mel Bay Publications,
Inc.