Easy duets for cello groups to play. By Sheila Nelson. (Cello). Boosey and Hawkes Chamber Music. Book only. Size 9.25x12.25 inches. 8 pages. Published by Boosey and Hawkes.

By Sheila Nelson. (Violin). Boosey and Hawkes Chamber Music. Size 9x12 inches. 8 pages. Published by Boosey & Hawkes.

Score and Parts. By Christopher Norton. (Recorder). Boosey and Hawkes Chamber Music. Size 8.25x11.75 inches. Published by Boosey and Hawkes.

Band Concert Band

SKU: PR.11540239L

I. from Mythology Suite. Composed by Stacy Garrop. Large Score. Duration 5:30. Theodore Presser Company #115-40239L. Published by Theodore Presser Company (PR.11540239L).

UPC: 680160680221.

The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens' beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors' peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots--represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.
The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens’ beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors’ peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots—represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.

Band Concert Band

SKU: PR.11540239S

I. from Mythology Suite. Composed by Stacy Garrop. Full score. Duration 5:30. Theodore Presser Company #115-40239S. Published by Theodore Presser Company (PR.11540239S).

UPC: 680160680214.

The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens' beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors' peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots--represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.
The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens’ beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors’ peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots—represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.

Baritone. By Philip Sparke. Anglo Music Press Play-Along. Play Along. 94 pages. Published by Anglo Music.

Clarinet. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inches. 48 pages. Published by Anglo Music.

Orchestra Orchestra

SKU: PR.416416210

III. from Mythology Symphony. Composed by Stacy Garrop. Study Score. With Standard notation. Duration 5:30. Theodore Presser Company #416-41621. Published by Theodore Presser Company (PR.416416210).

UPC: 680160642908. 9 x 12 inches.

The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens' beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors' peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots--represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.
The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens’ beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors’ peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots—represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.

Orchestra Orchestra

SKU: PR.41641621L

III. from Mythology Symphony. Composed by Stacy Garrop. Large Score. With Standard notation. Duration 5:30. Theodore Presser Company #416-41621L. Published by Theodore Presser Company (PR.41641621L).

UPC: 680160642915. 11 x 17 inches.

The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens' beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors' peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots--represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.
The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens’ beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors’ peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots—represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.

Double concerto (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str)

SKU: BR.PB-15135-07

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Andras Adorjan. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Study Score. 60 pages. Duration 27'. Breitkopf and Haertel #PB 15135-07. Published by Breitkopf and Haertel (BR.PB-15135-07).

ISBN 9790004214718. 6.5 x 9 inches.

Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin.

Basso (cello/double bass) (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str)

SKU: BR.OB-15134-26

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Andras Adorjan. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 15134-26. Published by Breitkopf and Haertel (BR.OB-15134-26).

ISBN 9790004341506. 10 x 12.5 inches.

Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin.

Oboe. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inches. 48 pages. Published by Anglo Music.

Flute. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inches. 48 pages. Published by Anglo Music.

(Vocal Score). Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Vocal, Piano Accompaniment (Vocal Score). This edition: Urtext edition. Vocal Score. Vocal score. 672 pages. Schott Music #ED20410. Published by Schott Music

Tuba. By Philip Sparke. Anglo Music Press Play-Along. Play Along. 94 pages. Published by Anglo Music.

Trumpet. By Philip Sparke. Anglo Music Press Play-Along. Play Along. 52 pages. Published by Anglo Music.

Horn. By Philip Sparke. Anglo Music Press Play-Along. Play Along. 52 pages. Published by Anglo Music.

Saxophone. By Philip Sparke. Anglo Music Press Play-Along. Play Along. Size 9x12 inches. 48 pages. Published by Anglo Music.

By Robert Starer. Keyboard. Level: Intermediate (4/5). Published by Alfred Publishing.