Score and Parts String Quartet (Score & Parts) - intermediate

SKU: HL.49046017

Version for String Quartet Score and Parts. Composed by Peteris Vasks. This edition: Saddle stitching. Sheet music. String Ensemble. Classical. Softcover. Composed 2013/2016. 16 pages. Duration 360 seconds. Schott Music #ED22723. Published by Schott Music (HL.49046017).

ISBN 9790001164726. UPC: 840126929102. 9.0x12.0x0.063 inches.

Mother Teresa was happy to surprise her interlocutors by handing them a small card instead of a traditional business card, on which a short text was to be read, beginning with the line “The fruit of silence is prayer.” In 2013, Peteris Vasks set this peace prayer of Mother Teresa on behalf of the Schleswig-Holstein Music Festival for mixed choir a cappella in the form of a dense elegiac sound stream. The versions for piano quintet and string quartet now make this musical expression of Mother Teresa's words accessible to two traditional genres of chamber music without the help of a choir.

String Quartet Score and Parts. Arranged by Cecilia Weston. Fentone Play Along Books. Play Along. Size 8.25x11.75 inches. Published by Fentone Music.

String Quartet; Voice - advanced

SKU: HL.49008359

Score and Parts. Composed by Nino Rota. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and Parts. Composed 1928. 16 pages. Duration 7'. Schott Music #ED9272. Published by Schott Music (HL.49008359).

ISBN 9790001128834. UPC: 073999352078. 9.0x12.0x0.067 inches.

Nino Rota, known to many as a film composer (Fellini; The Godfather), left an extensive oeuvre including works in every genre. Il Presepio (The Crib) is a Christmas piece for voice (soprano) and string quartet with traditional Italian words. For women's voice and string quartet.

By Traditional. Arranged by Bethmann. For String Quartet. Romantic. Full score and parts

String Quartet (Score)

SKU: HL.370494

Critical Edition Hardcover. Composed by Karol Szymanowski. PWM. Classical. Hardcover. 60 pages. Polskie Wydawnictwo Muzyczne #9267030. Published by Polskie Wydawnictwo Muzyczne (HL.370494).

ISBN 9781705147009. UPC: 840126994025.

The First String Quartet in C major, Op. 37, was written in the autumn of 1917 and earned Szymanowski the first prize in a competition organized by the Ministry of Religious and in a competition organized by the Ministry of Religious and Educational Affairs in January 1922. The First String Quartet is notable for its clar and simple construction. The first movement is in the formof a sonata allegro; the Andantino semplice (in modo iuna canzone) in the middle is a cross between ternary and variation form. The final Scherzando alla burlesca also keeps to the form of a sonata allegro. The combinations and proportions of formal factors and the treatment of thematic material betray a fairly conventional adoption of classical models. Similarly, the expressive and structural use of melodic material shows a respect for traditional norms. Szymanowski created, in other works from the same period, his own individual type of melodic line, which was strongly expressive and achieved its effect chiefly by its tonal qualieties; nevertheless in this Quartet he returns to a fluid, cantilena-like, symmetrically shaped melodic line, which runs along in broad phrases of a concentrated, reflective character. Melody becomes the chief factor in the development of the form, both in thematic usage and in the application of a more polyphonic texture. Harmonic and tonal means are considerably simplified in the Quartet []. Most of the writing is linear, or horizontal, with individual treatment of each part, the parallel continuation of the four sound planes, almost a matter of principle. The functions of the particular instruments in realizing these planes are constantly changing,which accounts for the even greater variedy of tone-colour. The decision to forego experiment with forms and sonorities is reflectedin the overall approach to musical expression. The predominant atmosphere of restrained emotion, quiet lyricism and serenity is strongly suggestive of classical aestetic models. (Based on Zofia Helman Commentary on Szymanowski Complete Edition, Vol. B6) (II) The ''Second String Quartet'' represents an interesting attempt to revert to classical form coupled with the new harmonic and tonal vocabulary worked out previously in the ''Slopiewnie'', ''Stabat Mater'' and ''Mazurkas''. It was also the first time the composer had used folk elements in the framework of a major classical form. The ''Second String Quartet'' is in a special category among Szymanowski's works. Though it dates from the composer was still occupied with folk music, it nevertheless shows him returning to classical models, but at the same time using an aesthetic of subjective expression, which gives the work its own individual stamp. The ''Second String Quartet'' synthesis of the various directions in which Szymanowski was attempting to develop. The sonority and texture used in the first.

String Quartet, Accordion

SKU: BT.WHKP01684

Composed by Hans Abrahamsen. Classical. Score Only. 32 pages. Edition Wilhelm Hansen #WHKP01684. Published by Edition Wilhelm Hansen (BT.WHKP01684).

English.

Three Little Nocturnes was composed by Hans Abrahamsen in 2005. Commissioned by the Cikada Ensemble, with support from NOMUS, and written for Frode Haltli and the Cikada String Quartet. Programme Note: In the first nocturne a slow, falling music emerges on an irregular pulse, filled with high harmonics in the strings. The second nocturne is fast and unrestful music, with a lot of passion, which in a moment runs into a glimpse of a tango. In this movement the accordion is employed in its traditional fashion, using the chord bass, with its “oom-pah-pah” standard chords. The third nocturne is again slow, indeed very slow, and it has German tempo and expression markings. Thepiece ends with a lullaby in the accordion, played with an unusual technique, imitating the string portato. This is accompanied by high harmonics in the strings, while the first violin slowly and softly plays a melody from the second nocturne. Hans Abrahamsen.

Piano and String Quartet

SKU: HL.14028662

Composed by Aulis Sallinen. Music Sales America. Classical. Set. Music Sales #NOV95464601. Published by Music Sales (HL.14028662).

8.25x11.75x0.317 inches.

Sallinen's Piano Quintet Op.85 'Des Morceaux Oublies' was commissioned by the 'Art, Culture et Tradition' in 2004 and first performed by Helge Antoni and the Quatuor Debussy at Saint-Paul-de-Vence, France on October 24, 2004.

String Quartet (Study Score)

SKU: HL.49015903

Appony-Quartet No. 2. Composed by Franz Joseph Haydn. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Op. 71/2. 22 pages. Eulenburg Edition #ETP145. Published by Eulenburg Edition (HL.49015903).

ISBN 9783795763466. UPC: 073999317336. 5.25x7.5x0.098 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Erdody-Quartet No. 2, Op. 76/2, Hob. III: 76. By Franz Joseph Haydn. Arranged by Wilhelm Altmann. Schott. Size 5.25x7.5 inches. 28 pages. Published by Eulenburg.

String Quartet (Study Score)

SKU: HL.49009699

Composed by Franz Joseph Haydn. Edited by Wilhelm Altmann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Op. 3/2. 16 pages. Eulenburg Edition #ETP 182. Published by Eulenburg Edition (HL.49009699).

ISBN 9790200201888. UPC: 073999367379. 5.25x7.5x0.068 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.