by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

(Violin). Arranged by Various. For Violin. Book; CD; Play-Along; String Series. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

Violin - beginning

SKU: TL.TCL014801

Repertoire. Trinity College London #TCL 014801. Published by Trinity College London (TL.TCL014801).

ISBN 9780857364531.

Sele cted pieces for Trinity College London violin exams for 2016-2019, expertly graded and edited by leading music educators. This item contains only the violin part.

Violin - beginning

SKU: TL.TCL014627

Repertoire. Trinity College London #TCL 014627. Published by Trinity College London (TL.TCL014627).

ISBN 9780857364357.

Sele cted pieces for Trinity College London violin exams for 2016-2019, expertly graded and edited by leading music educators. This item contains both the full score and violin part.

Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.

The Irish Fiddle Book. (The Art of Traditional Fiddle Playing). For Violin. Music Sales America. Irish, Traditional, Folk, Celtic. Softcover with CD. 192 pages. Ossian Publications #OMB7. Published by Ossian Publications

(A violin method for children age four and older). By Egon Sassmannshaus; Kurt Sassmannshaus. For violin. This edition: Stapled. Barenreiter's Sassmannshaus. With a French text supplement. Instructional. Performance score, Teaching material. Text Language: English/French. 64/11 pages. Published by Baerenreiter Verlag

Violin - Initial-Grade 1

SKU: TL.TCL014894

Repertoire. CD. Trinity College London #TCL 014894. Published by Trinity College London (TL.TCL014894).

ISBN 9780857364623.

This audio CD contains exam pieces on the Trinity College London Violin syllabus for 2016-2019, featuring renowned violinist Liz Partridge. (alternative pieces are not included). In addition to full recordings of each piece, the CD also includes 'minus one' style backing tracks, allowing students to practise with the piano accompaniment played by Stephen Wilder.
These recordings are not definitive but may be employed as an aid to preparation for Trinity College London examinations.

(Violin). Arranged by Various. For Violin. Book; CD; Play-Along; String Series. Top Hits Instrumental Solos. Pop; Rock. Grade 2; Grade 3. 28 pages. Published by Alfred Music

Violin - Initial-Grade 8

SKU: TL.TCL014597

Trinity College London #TCL 014597. Published by Trinity College London (TL.TCL014597).

ISBN 9780857364326.

This item contains all the scales, arpeggios and studies required for Trinity College London's viola exams for Initial to Grade 8, valid from 2016. Newly commissioned studies are also included for Grades 1–5 which may be used as an alternative to scales and arpeggios.

Violin - Initial-Grade 8

SKU: TL.TCL014610

Trinity College London #TCL 014610. Published by Trinity College London (TL.TCL014610).

ISBN 9780857364340.

This item contains all the scales, arpeggios and studies required for Trinity College London's double bass exams for Initial to Grade 8, valid from 2016. Newly commissioned studies are also included for Grades 1–5 which may be used as an alternative to scales and arpeggios.

Violin - Initial-Grade 8

SKU: TL.TCL014580

Trinity College London #TCL 014580. Published by Trinity College London (TL.TCL014580).

ISBN 9780857364319.

This item contains all the scales, arpeggios and studies required for Trinity College London's violin exams for Initial to Grade 8, valid from 2016. Newly commissioned studies are also included for Grades 1–5 which may be used as an alternative to scales and arpeggios.

Violin

SKU: BT.HITPCPTVIOL01

Composed by Bruno Garlej. Collection Rama. Book with CD. Composed 2014. 96 pages. Hit Diffusion #HITPCPTVIOL01. Published by Hit Diffusion (BT.HITPCPTVIOL01).

Le Petit Violonrama est un répertoire de morceaux pour violonistes débutants, permettant de jouer aussi bien du classique que des musiques de films ou de la variété et du traditionnel.

Lâ� ��™ouvrage réunit deux sommités du violon : Bruno Garlej,pédagogue du violon le plus vendu et reconnu en France, et Roland Daugareil, premier violon solo de l’Orchestre de Paris et l’un des plus grands violonistes français.

Le CD accompagnant l’ouvrage, de qualité supérieur, a été enregistré parRoland Daugareil sur un violon de légende : «Txinka», un Stradivarius de 1708. Cet enregistrement exceptionnel donnera un exemple et un plaisir musical de choix tous les apprentis violoniste,ainsi qu’ tous les mélomanes !

Chaque morceau estle fruit d’un travail d’arrangement, précis, adapté l’instrument et au niveau de l’élève. Ce volume, progressif, est écrit uniquement la première position, il présente donc un niveau de difficulté très faible et aisément accessible pourl’élève.

La mise en page, en couleur et très aérée, et la spirale assurent une grande lisibilité.

Violin

SKU: BT.EMBZ1975

Composed by Tivadar Orszagh. Studies & Exercises. Book Only. Composed 1955. 44 pages. Editio Musica Budapest #EMBZ1975. Published by Editio Musica Budapest (BT.EMBZ1975).

This is a revised edition of the scale studies published in 1948. It contains the major and minor scales used during violin teaching at elementary level as well as broken triads and seventh chords. Its mission is to gradually prepare the player for the volume ''Das Skalensystem by Carl Flesch, used in advanced level teaching.It depends on the needs of the student whether to make use of the fingering suggested in the music or a different one: the same musical patterns can be realized in many different ways. Similarly, bowing, rhythmic patterns, and dynamic levels may be altered according to taste.As far as progressions in thirds, sixths, octaves, and tenths are concerned, dueto lack of space only samples are given here. Based on these, transposed versions may be elaborated individually.

Violin - Grade 1

SKU: TL.TCL014818

Repertoire. Trinity College London #TCL 014818. Published by Trinity College London (TL.TCL014818).

ISBN 9780857364548.

Sele cted pieces for Trinity College London violin exams for 2016-2019, expertly graded and edited by leading music educators. This item contains only the violin part.

A violin method for children age four and older. Composed by Egon Saßmannshaus and Kurt Sassmannshaus. Stapled. With a Chinese text booklet. Performance score. Baerenreiter Verlag #BA10753. Published by Baerenreiter Verlag

Violin - Grade 2

SKU: TL.TCL014825

Repertoire. Trinity College London #TCL 014825. Published by Trinity College London (TL.TCL014825).

ISBN 9780857364555.

Sele cted pieces for Trinity College London violin exams for 2016-2019, expertly graded and edited by leading music educators. This item contains only the violin part.

Violin - Grade 2

SKU: TL.TCL014641

Repertoire. Trinity College London #TCL 014641. Published by Trinity College London (TL.TCL014641).

ISBN 9780857364371.

Sele cted pieces for Trinity College London violin exams for 2016-2019, expertly graded and edited by leading music educators. This item contains both the full score and violin part.

(42 Studies (from Opp. 45 and 74)). By Heinrich Wohlfahrt. Edited by Rachel Barton Pine. For Violin. Book and DVD. 64 pages. Published by Carl Fischer

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

(Intermediate Violin Pieces with Suggestions for Practice). Edited by Kerstin Wartberg. For violin. Intermediate. Solo book with 2 CDs. Published by Edition Peters