For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names and leadsheet
notation. Series: Hal
Leonard Fake Books. 407
pages. Published by Hal
Leonard.
Arrangements by Sally Hawley. For Hammered Dulcimer. Songbook. Acoustic Music. L...(+)
Arrangements by Sally
Hawley. For Hammered
Dulcimer. Songbook.
Acoustic Music. Level:
Beginning-Intermediate.
Book. Size 8.75x11.75.
256 pages. Published by
Mel Bay Publications,
Inc.
America's All-Time Favorite Songs for God and Country (Library of Series). Arran...(+)
America's All-Time
Favorite Songs for God
and Country (Library of
Series). Arranged by Amy
Appleby. Music Sales
America. Gospel, Sacred,
Sacred. Softcover. 320
pages. Music Sales
#AM985314. Published by
Music Sales
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
SATB choir - Easy SKU: WD.080689444777 An Easter Musical for Senior Ad...(+)
SATB choir - Easy
SKU:
WD.080689444777
An
Easter Musical for Senior
Adult Choir. Composed
by Marty Parks. Choral,
cantatas. Simply Word.
Eastertide. Bulletins
(100-pak). Duration 30
minutes. Word Music
#080689444777. Published
by Word Music
(WD.080689444777).
UPC:
080689444777.
Theme
s are an important part
of our lives. They give
us connectivity and
consistency. They provide
focus. They offer common
ground with like-minded
people. Good themes are
recurring
themes...especially in
regard to redeeming
love!
Word Music
Church Resources is proud
to be a part of a theme
which we share with many
of you...Senior Adult
Choirs! And as a
theme-within-a-theme,
Senior Adult Choirs are
synonymous with veteran
church musician and
arranger Marty Parks! On
the heels of his
best-selling Christmas
release, When Earth
Received Her King, Marty
brings us another
well-crafted, heartfelt,
joy-filled musical for
Easter Redeeming Love Has
Been My Theme.In
addition to the
Large-Print-No-Repeats
format, Marty Parks has
thoughtfully crafted this
newest inspired gem that
begs to be sung and is
guaranteed to make your
Senior Adults eager to
minister at your next
Easter service! Filled
with great songs,
Redeeming Love Has Been
My Theme features
singable arrangements
easily mastered by your
volunteer choir. Not only
will you meet your
group's easy
accessibility
requirements, this work
will make your volunteer
choir sound bigger than
life! It will leave them
with a feeling of great
accomplishment at having
delivered an inspired
performance while being a
part of such an important
ministry opportunity. And
while created for Senior
Adult Choirs, Redeeming
Love Has Been My Theme is
perfect for any SATB
choir with limited
rehearsal time or
ease-of-performance
needs.New with this
release are Stem Mixes
and a dynamic DVD
Accompaniment Track,
designed to revolutionize
your performance and take
your presentation to new
heights. Your Senior
Adult Choir will stand
out from the rest with
the use of this high
definition, specialized
asset - a
visually-engaging new
product enhancement!
Composed by
Nancy Telfer. Arranged by
Nancy Telfer. Collection.
Choral. Octavo. Neil A.
Kjos Music Company #5588.
Published by Neil A. Kjos
Music Company (KJ.5588).
UPC:
8402703008.
Availab
le in four different
voicings - SSA #6362,
SATB #9124, SAB #5778,
TTBB Item#5588) to meet
any choral programming
need, Let's Sail Away was
written by Nancy Telfer
for the 2011 Singapore
International Youth Choir
Festival. Let's Sail Away
depicts a wandering
journey on an imaginary
boat, leaving the cares
of the world behind in
the wonder of the water
and waves, sky, stars,
and wind. The experience
and skill of master
choral musician Nancy
Telfer shine through in
the carefully crafted
vocal lines, sensitivity
to vocal ranges, and the
lilting accompaniment. A
great addition to any
concert
program!
We'll Sail Away Chorale 3 parties SAB - Facile Kjos Music Company
SAB choir - Grade 3 SKU: KJ.5778 Composed by Nancy Telfer. Arranged by Na...(+)
SAB choir - Grade 3
SKU: KJ.5778
Composed by Nancy Telfer.
Arranged by Nancy Telfer.
Collection. Choral.
Octavo. Neil A. Kjos
Music Company #5778.
Published by Neil A. Kjos
Music Company (KJ.5778).
UPC:
8402703010.
Availab
le in four different
voicings - SSA #6362,
SATB #9124, SAB #5778,
TTBB Item#5588) to meet
any choral programming
need, Let's Sail Away was
written by Nancy Telfer
for the 2011 Singapore
International Youth Choir
Festival. Let's Sail Away
depicts a wandering
journey on an imaginary
boat, leaving the cares
of the world behind in
the wonder of the water
and waves, sky, stars,
and wind. The experience
and skill of master
choral musician Nancy
Telfer shine through in
the carefully crafted
vocal lines, sensitivity
to vocal ranges, and the
lilting accompaniment. A
great addition to any
concert
program!
We'll Sail Away Chorale 3 parties SSA - Facile Kjos Music Company
SSA choir - Grade 3 SKU: KJ.6362 Composed by Nancy Telfer. Arranged by Na...(+)
SSA choir - Grade 3
SKU: KJ.6362
Composed by Nancy Telfer.
Arranged by Nancy Telfer.
Collection. Choral.
Octavo. Neil A. Kjos
Music Company #6362.
Published by Neil A. Kjos
Music Company (KJ.6362).
UPC:
8402703009.
Availab
le in four different
voicings - SSA #6362,
SATB #9124, SAB #5778,
TTBB Item#5588) to meet
any choral programming
need, Let's Sail Away was
written by Nancy Telfer
for the 2011 Singapore
International Youth Choir
Festival. Let's Sail Away
depicts a wandering
journey on an imaginary
boat, leaving the cares
of the world behind in
the wonder of the water
and waves, sky, stars,
and wind. The experience
and skill of master
choral musician Nancy
Telfer shine through in
the carefully crafted
vocal lines, sensitivity
to vocal ranges, and the
lilting accompaniment. A
great addition to any
concert
program!
Scherzo Brilliante Marimba ou Xylophone [Conducteur et Parties séparées] Innovative Percussion
Scherzo Brilliante by Unknown Russian Composer. Edited by Harold Jones. Keyboard...(+)
Scherzo Brilliante by
Unknown Russian Composer.
Edited by Harold Jones.
Keyboard Solo with Piano.
For marimba or xylophone
solo with piano
accompaniment (marimba or
xylophone and piano).
Level 4. Score and set of
parts. Published by
Innovative Percussion
Chamber ensemble and piano SKU: FG.55011-828-7 Composed by Iiro Rantala. ...(+)
Chamber ensemble and
piano
SKU:
FG.55011-828-7
Composed by Iiro Rantala.
Classical, jazz. Study
score. Fennica Gehrman
#55011-828-7. Published
by Fennica Gehrman
(FG.55011-828-7).
Iiro Rantala's
Veneziana for chamber
ensemble and piano
(2021-2022) is a 50
minute long program about
all things Venice; how
famous composers were
affected by the city, how
they affected the city
and became part of the
Venetian Story –
told with an Iiro twist.
The meeting of Prokofiev
and Diaghilev turns into
a real nutcracker ballet
Romeo and Steve, whilst
Mozart loses his mojo
when visiting Venice.
Monteverdi starts and
Verdi completes the waltz
boom - and Sibelius finds
his national romantic
melancholy
again.
Veneziana
is scored for wind and
string quintets and a
pianist. This product is
a study score (A4 sized,
spiral bounding). The
performance material is
available for hire from
the
publisher.
Content
s: 1. Gondol Ride to
St. Mark’s
Square 2. Romeo and
Steve 3. Monteverdi
and His Ideas 4.
Vivaldi’s
ADHD 5. Sibelius in
Venice 6. Mozart Loses
His Mojo 7. Casanova
and Lorenzo 8. Morte a
Venezia
Iiro
Rantala (b. 1970) is a
pianist, a composer, and
most likely Finland's
best known jazz musician
internationally. Rantala
is also known for his
compositions for musicals
and the tv-shows he has
hosted. In addition
Rantala has composed
music for films,
television and more
recently, for the stage.
Rantala’s second
opera, Die Zaubermelodika
was a commission by the
Komische Oper Berlin. His
double concerto Joy of
Life has been programmed
by numerous orchestras.
The fast-and-furious
Seven o’clock
Overture has been dubbed
as Finnish Candide
Overture.
This collection of tuneful and engaging pieces ranges from Grades 1-5 in stan...(+)
This collection of
tuneful and engaging
pieces ranges from Grades
1-5 in standard and is an
ideal introduction to
developing improvisation.
Designed espeically to
help the classically
trained musician who is
nervous abouttrying to
improvise jazz. This
great book should help to
allay those fears.
This book also
includes a CD which
features short and fairly
simple performances,
allowing you to copy and
learn whilst you play