Voice and piano (Soli: SBar(T) - 1(picc.A-fl).1(cor ang).1(Ebclar.Bclar).0. - 1.1.2.0. - perc - hp - pno - str: 1.1.1.1.1.)

SKU: BR.DV-6140

Scenes for 2 Singers and 15 Instrumentalists. Composed by Udo Zimmermann. Voice; Softbound. Deutscher Verlag. World premiere: Hamburg, February 27, 1986DV 1140 awarded the German Music Edition Prize. Opera; Music theatre; Music post-1945; New music (post-2000). Piano/Vocal Score. Composed 1984/85. 140 pages. Duration 75'. Deutscher Verlag fur Musik #DV 6140. Published by Deutscher Verlag fur Musik (BR.DV-6140).

ISBN 9790200460230. 13.5 x 10.5 inches.

Translation : Engl. (S. Wadsworth) (1988) / (Norbert Rubesaat) (1993); French (Jean-Pierre Wurtz) (1997) Place and time: Jail Munchen-Stadelheim, in the hour before the execution on 22nd February 1943 Characters: Sophie Scholl (soprano) / Hans Scholl (baritone or tenor) >>Weisse Rose<< (White Rose) was the name of the resistance group to which Hans and Sophie Scholl belonged. Udo Zimmermann's composition is characterized by the varying structure of its scenes: dramatic, visionary scenes, e.g. the remembered wartime experiences on the front, Sophie's anxiety about the removal of the children and the wish to see her parents one last time, contrast with contemplative monologues that are intended to provide insights into the individual's particular situation. The composer interweaves into the structure of the piece dream sequences with sudden bursts of anxiety that are not triggered by the execution that is about to take place but by the consequences of one's own actions. The result is a deliberate fusion of the various parts into one another. More than 100 different productions prove that the topic is as important as ever and that the work is both artistically rewarding and practicable. Udo Zimmermann About the piece Two young people, the siblings Sophie and Hans Scholl, are in a prison cell, one hour before they are to be put to death by their fascist executioners. Their christian convictions and sense of responsibility gave them the courage to put up resistance, resistance against the lies, the contempt for humanity and all human values. Sophie and Hans Scholl took their stand in the full knowledge that they were taking a deadly risk. They would simply not have been able to live with their feelings of shame had they not grasped the chance of fighting for what they believed in, even though it was a dangerous thing to do. Memories of past events, doubts, hopes and fears, justification of deeds and an acceptance of death, all these things happen and move in, and between, these two people during this representation of the hour before death. The orchestra provides a psycho-physical shorthand of their inner mental state. Musical effects and gestures search for their identity in human behaviour. The moments of stillness and silence provide moments of musical tension, which are just as powerful as the eruptions of fear and desperation. CDs: Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Instrumentalensemble, cond. Udo Zimmermann CD Orfeo C 162 871 Grazyna Szklarecka (soprano), Frank Schiller (tenor), musica viva-ensemble dresden, cond. Udo Zimmermann CD Berlin Classics Eterna BC 0120 060-2 CD (excerpts): Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Ein Instrumentalensemble, cond. Udo Zimmermann CD BMG 74321 73628 2 Bibliography : Kornel , Attila: ,,Tief unter uns nur Schweigen - Die Asthetik der Stille in Udo Zimmermanns Kammeroper ,,Weisse Rose, in: Die Tonkunst 11 (2017), pp. 368-377. Rheinlander , Matthias: Im Osten nichts Neues? Ostalgie ohne Kitsch am Beispiel von Udo Zimmermanns Oper Die weisse Rose, in: Musik und Unterricht, Heft 73 (2003), pp. 34-40.

World premiere: Hamburg, February 27, 1986DV 1140 Awarded the German Music Edition Prize.

(New Authentic Edition with Accompaniment and Performance CD). By Jean-Baptiste Arban. Edited by Thomas Hooten, Jennifer Marotta. For trumpet. Student book. 436 pages. Published by Carl Fischer

Choir

SKU: HP.956

Composed by Jane Marshall. Books About Music, Sacred Author Collection. General Worship, Sacred. Hymn Texts. Hope Publishing Company #956. Published by Hope Publishing Company (HP.956).

UPC: 763628109561.

With encouragement and assistance from Rosemary Heffley, composer Jane Marshall has pulled together resources from a career of teaching, preaching, writing and composing that give an insight into the life of this extraordiinary person.
With encouragement and assistance from Rosemary Heffley, composer Jane Marshall has pulled together resources from a career of teaching, preaching, writing and composing that give an insight into the life of this extraordiinary person.

Listening Lab. Composed by Olivier Messiaen (1908-1992). Listening Lab - Materials for Communicating Music. Textbook. With Standard notation. Universal Edition #UE026321. Published by Universal Edition

(Piano). This edition: HN893. Henle Music Folios. Softcover. 24 pages. Published by Hal Leonard.

Double Bass

SKU: BT.YE0007

Yorke Edition. Composed by F. Baines. Book Only. Yorke Edition #YE0007. Published by Yorke Edition (BT.YE0007).

Born in Oxford in 1917, Francis Baines was a well-known and much respected professional double bass player. He studied at the Royal College of Music in London with Claude Hobday, where he later taught. Something of an eccentric,he immersed himself in early music at a time when few people were taking it seriously. He owned a beautiful Amati bass that he had restored as a violone, which it probably was originally, and he was a regular fixture as aprincipal player in a number of orchestras and ensembles that dedicated themselves to period performing, including those directed by Denys Darlow, with whom he broadcast and recorded frequently.

Besi des playing thedoublebass, Francis Baines was an exponent of the treble viol and led the Jaye Consort of Viols which he founded. He also played several kinds of bagpipe and the hurdy-gurdy. As a composer he dabbled in many styles, one of hisgreatest claims to fame being that of writing for the popular Hoffnung concerts in the 1960s.

He was the author of a number of papers about the history of the double bass, sometimes arriving at scholarly conclusionsthat were colourful, if not always entirely accurate. He discovered the Giovannino del Violone sonatas, subsequently published by Yorke Edition, although today it is thought that they were probably not written for a 16' pitchinstrument at all. His edition of the Capuzzi double bass concerto, published by Boosey & Hawkes, was for many years one of the few solo works available for the instrument. This, however, he largely re-composed because hethought it could be improved: towards the end of his life he confessed that with hindsight he probably should have treated it differently.

Gro unds was written in 1969 as a sort of party piece and was given to YorkeEdition in support of a drive to enlarge the repertoire for the instrument in a wide variety of styles. It was set on the syllabus of the Associated Board of the Royal Schools of Music for many years.

Francis Baines died.

By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. For 2 solo sopranos/3 solo tenors/2 solo basses/mixed choir: SSATTB/mixed choir 2: SATTB/orchestra. This edition: Urtext edition. Paperback. Score. English/German. Published by Baerenreiter Ver

By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. Arranged by Andreas Kohs. For 2 solo sopranos/3 solo tenors/2 solo basses/mixed choir: SSATTB/mixed choir 2: SATTB/3 cornetts/3 violins/3 violas/violoncello/contra bass/2 flutes/2 Recorders/3 tr

Band concert band - Grade 1

SKU: KJ.WB493

Composed by Ryan Nowlin. Concert Marches. Tradition of Excellence, Excellence In Performance. Score and parts. Neil A. Kjos Music Company #WB493. Published by Neil A. Kjos Music Company (KJ.WB493).

UPC: 8402704873.

Home Days (Concert March) is inspired by county fairs and town gatherings in which communities come together in celebration and fellowship. Imagine being seated on the Ferris wheel at the center of the fairgrounds, soaking in all the sights, sounds, and smells. Even the livestock barns which show the accomplishments of the local farmers and ranchers create a sense of homecoming and wellbeing. is march embodies music you might hear throughout the hustle and bustle of the fair.

About Tradition of Excellence: Excellence in Performance

< p>Excellence in performance is a concert band repertoire series correlated with the Tradition of Excellence Comprehensive Band Method by Bruce Pearson and Ryan Nowlin. The compositions in the series correlate to a specific page in Tradition of Excellence Books 1, 2, or 3 and reinforce and expand on skills and concepts introduced in the method.

/Selecti ons include exciting parts for every player, grade-appropriate cross-cueing, accessible ranges and rhythms, creative percussion writing, electric bass and rehearsal piano parts, and full conductor scores with rehearsal suggestions, program notes and composer biographies. In addition, the Grade 1 works provide an Advanced Snare Drum part for percussionists who have achieved a higher level of ability, playable simultaneously with the more basic Snare Drum part to facilitate differentiated learning.

Band concert band - Grade 1

SKU: KJ.WB493F

Composed by Ryan Nowlin. Concert Marches. Tradition of Excellence, Excellence In Performance. Score only. Neil A. Kjos Music Company #WB493F. Published by Neil A. Kjos Music Company (KJ.WB493F).

ISBN 9788402704870. UPC: 8402704875.

Home Days (Concert March) is inspired by county fairs and town gatherings in which communities come together in celebration and fellowship. Imagine being seated on the Ferris wheel at the center of the fairgrounds, soaking in all the sights, sounds, and smells. Even the livestock barns which show the accomplishments of the local farmers and ranchers create a sense of homecoming and wellbeing. is march embodies music you might hear throughout the hustle and bustle of the fair. Score only -- complete score and parts also available: WB493.

About Tradition of Excellence: Excellence in Performance

< p>Excellence in performance is a concert band repertoire series correlated with the Tradition of Excellence Comprehensive Band Method by Bruce Pearson and Ryan Nowlin. The compositions in the series correlate to a specific page in Tradition of Excellence Books 1, 2, or 3 and reinforce and expand on skills and concepts introduced in the method.

/Selecti ons include exciting parts for every player, grade-appropriate cross-cueing, accessible ranges and rhythms, creative percussion writing, electric bass and rehearsal piano parts, and full conductor scores with rehearsal suggestions, program notes and composer biographies. In addition, the Grade 1 works provide an Advanced Snare Drum part for percussionists who have achieved a higher level of ability, playable simultaneously with the more basic Snare Drum part to facilitate differentiated learning.

SATB choir

SKU: ST.CN16P

Composed by Richard Bullen. ChoralNow. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN16P. Published by Stainer & Bell Ltd. (ST.CN16P).

ISBN 9790220224737.

As well as traditional genres, Richard Bullen's music embraces several contemporary ones including video and electronics, and shows a keen interest in location both in its formal possibilities and in its genius loci - its spirit of place. A five-minute stand-alone piece for SATB chorus, The Seven Arches was written for a site-specific project at the Dartington International Summer School: an invocation of the rich cultural and mythic past of the celebrated gardens. In poet Steve Willey's multi-layered text the remaining seven arches of the medieval courtyard become metaphors for this continuing presence. Bold arched melodies springing from resilient, purposeful chords likewise animate the music, a sonic tableau of the sites / sights and sounds of history. Click video tab for the premiere performance conducted by David Lardi with the Finchley Chamber Choir, and view the full text as presented in Willey's intriguing original visual conception of his poem about Dartington Hall.

Grade 2

SKU: CL.011-3828-01

March. Composed by Orcino. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR363). Extra full score. Composed 2009. Duration 2 minutes, 22 seconds. C.L. Barnhouse #011-3828-01. Published by C.L. Barnhouse (CL.011-3828-01).

This sparkling march from the pen of Len Orcino brings all the thrilling sights, sounds and scents of the wonderful world of the circus. Modest technical demands make this bright march well within reach of developing young bands. Step right up, ladies and gentlemen, children of all ages, to the Three Ring Circus!.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

By Paulo Bellinati. Saddle- stitched. Book and online video. 48 pages. Published by Mel Bay Publications, Inc

(Parts). By Ralph Vaughan Williams (1872-1958). Masterworks; Part(s); Quartet; String Quartet. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International. Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. CD; Book. 32 pages. Alfred Music #00-50114. Published by Alfred Music

DVD. Performed by Donald Fagen. Homespun Tapes (Instructional). DVD (Digital Video Disk). Size 5.5x7.5 inches. Published by Homespun.

Orchestra; children's choir (2 equal voices) and speakers ad libitum (ST CHOR) - intermediate to advanced

SKU: HL.49001882

Eine kleine Instrumentenschau. Composed by Gerhard Maasz. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. 142 pages. Duration 15'. Schott Music #CON 184-50. Published by Schott Music (HL.49001882).

ISBN 9790001024686. German.

Gerhard Maasz studied composition with Paul Graener and sympathized with the youth music movement around Fritz Jode. In the kleine Instrumentenschau created in 1977 he uses the popular folk song Wir sind die Musikanten (which can be joined in by a one-part chorus) introducing systematically the individual orchestral ins-tru-ments. A work for children's and school concerts allowing the players and listeners an insight into the structure of an orchestra in a cheerful way.