SATB choir, divisi, piano reduction - Advanced

SKU: GI.WW1808

Composed by Daniel Elder. Concert. Andrew Crane Choral Series. Classical. Octavo. 20 pages. Walton Music #WW1808. Published by Walton Music (GI.WW1808).

UPC: 785147026464. English. Text by Charles Anthony Silvestri.

This unique work tells the story of The Muse visiting an artist in a moment of divine inspiration. At times rhythmic, and at others sustained and flowing, for more advanced choirs.

SATB choir

SKU: ST.EM24

Composed by George Kirbye. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart and Philip Brett. Paperback. Madrigals. Choral collection. Stainer & Bell Ltd. #EM24. Published by Stainer & Bell Ltd. (ST.EM24).

ISBN 9790220209888.

CONT ENTS
Ah, cruel, hateful fortune (SSA(orT)A(orT)T(orB)B) Ah, sweet, alas, when first I saw (SSATB)
Alas, what hope of speeding (SST(orA)B)
Bright Phoebus greets most clearly (SSAT (or A) T (or A) B)
Farewell, my love (SSAT)
If pity reign with beauty (SSATB)
I love, alas, yet am I not beloved (SSAA (or T) TB)
Lo, here my heart I leave (SSTB)
Mourn now, my soul (SSATB)
Must I part, O my jewel? (SSAATB)
O heavens, what shall I do? (SSATB)
See what a maze of error (SSATB)
She that my plaints (SSAT (or A) B)
Sleep now, my Muse (SSAATB)
Sleep now, my Muse (SSAT)
Sorrow consumes me (SSATB)
Sound out, my voice (SSATB)
Sweet love, 0 cease thy flying (SSA (or T) TB)
That Muse which sung (SSATB)
Up then, Melpomene (SSAT (or A) T (or B) B)
What can I do, my dearest? (SSAB)
What, shall I part thus? (SSAT (or A) B)
Why should I love? (SSATB)
Why wail we thus? (SSAT (or A) TB)
With Angel's face and brightness (SSAT (or A) T (or A) B)
Woe am I, my heart dies (SSAB).

(Passage into Spirit). Composed by Randol Alan Bass. For SATB choir and piano. General, Choral, Americana. Vocal score. 57 pages. Published by Randol Bass Music

SATB choir

SKU: ST.EM39

Composed by George Kirbye. Edited by Ian Payne. Library Volumes. Edited Ian Payne. Paperback. Madrigals. Choral collection. Stainer & Bell Ltd. #EM39. Published by Stainer & Bell Ltd. (ST.EM39).

ISBN 9790220209895.

CONT ENTS
A wise man poor (SAATB)
As sudden death (SSAATB)
But when himself (SSATB)
Farewell, false love (SSAB (or T))
From the Tarpeian Rock (SSATB)
Mourn now, my Muse (SSAATB)
My lady wept (SSATB)
My mistress is a paragon (SAATB)
O help, alas (SSAATB)
O Jesu, look (SSATB)
O shall I die (SSAATB)
O When my love (SSAATB)
See, what is life (SAATB)
Sleep aye, fond Hope (SSATB)
That man that climbeth (SAATB)
The ivy green (SSATB)
The tyrant Love (SAATB)
Unkind, alas (SSAATB)
Use thyme whose tender plant (SAATB).

By Johannes Brahms. Edited by Roger Wagner. For Choir. (SATB). Choral Extended Work. Masterwork. 44 pages. Published by Alfred Publishing.

Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 Soprano solo, 1 Mezzo-Soprano solo, 1 Alto solo, 2 Tenor solo, 1 Bass solo, SATB Chorus, Flute I, II, Recorder I, II, Oboe I, II, Bassoon I, II, Horn I, II, Trumpet I, II, Violin I-III, Viola, Bassi (Cello, Contrabass, Lute, Harpsichord). (SATB). This edition: Complete Edition; Urtext Edition. Hallische Handel-Ausgabe, Serie II Band 32. Piano Reduction/Vocal Score. 235 pages. Published by Baerenreiter Verlag (German import).

(Movement 1 from from the Path of Beauty ). By Chen Yi. Mixed chorus. For SATB Chorus, A Cappella. 8 pages. Duration 2 minutes. Published by Theodore Presser Company

For SATB Chorus and Soloists a cappella. Composed by Sebastian Currier. BH Large Choral. Concert. Octavo. 24 pages. Boosey and Hawkes #M051484478. Published by Boosey and Hawkes

SATB choir - Beginning

SKU: GI.G-RA230

Composed by Thomas Ford. Edited by John Morehen. Royal School of Church Music. Sacred. Octavo. 4 pages. GIA Publications #RA230. Published by GIA Publications (GI.G-RA230).

English.

Music Source: Leighton's The Teares or Lamentacions of a Sorrowfull Soul (1614), British Museum K.I.i.9.

SATB choir, Female voice solo, Male voice solo, piano accompaniment - Early intermediate

SKU: GI.G-8681

Arranged by Charles Garner. African American Church Music Series. Sacred. Octavo. 16 pages. GIA Publications #8681. Published by GIA Publications (GI.G-8681).

UPC: 785147868101. English. Text source: Negro Spiritual.

An arrangement that offers broad-based appeal, Garner’s treatment of this important spiritual offers imaginative harmonies and artistic writing. It was written in honor of the 2016 dedication of the National Museum of African American History and Culture in Washington, DC. This arrangement of “Deep River” will become a showcase piece for your choir.

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Composed by Sammy Hagar, Alex Van Halen, Michael Anthony, and Edward Van Halen. Arranged by Kirby Shaw. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Rock; Secular. 16 pages. Published by Alfred Music

(Volume 2 of 3) Composed by Johannes Brahms (1833-1897), edited by Kurt Soldan. For SATB voices (see songlist for voicings) and one piano four-hands. Format: piano/vocal score (parts not included). With choral notation and piano duet accompaniment. Romantic period. Text language German. 90 pages. 9x12 inches. Published by C.F. Peters.

By John Blow. Arranged by Charles K. Fassett. (SATB). Walton Choral. Size 8x11 inches. 16 pages. Published by Walton Music.

Composed by David Barton. Text: 15th century texts. Medieval-flavor motet. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5054).

By Conrad Susa. Choral. For SATB choir and Piano 4-Hands. General. Published by E.C. Schirmer Publishing.

SATB choir, piano accompaniment - Intermediate

SKU: GI.G-8823

Composed by Johannes Brahms. Edited by Vance George. Evoking Sound. Music Education. Octavo. 8 pages. GIA Publications #8823. Published by GIA Publications (GI.G-8823).

UPC: 785147882305. English. Text Source: Nun, ihr Musen, genug (Zum Schluß); Translation: Vance George. Text by Johann Wolfgang von Goethe.

Piano accompaniment (four hands) From Liebeslieder Walzer Performed at the Choral Arts Symposium Vance George, conductor In Conclusion begins at counter 6:01 and goes through the end.

SATB choir, piano accompaniment - Intermediate

SKU: GI.G-9263

Composed by Johannes Brahms. Edited by Vance George. Evoking Sound. Music Education. Octavo. 24 pages. GIA Publications #9263. Published by GIA Publications (GI.G-9263).

UPC: 785147926306. English. Text Source: 1. Wenn so lind dein Auge mir, 2. Verzicht, o Herz, auf Rettung, 3. O die Frauen, 4. Nein, Geliebter, setze dich, 5. Vom Gebirge Well' auf Well', 6. Nun, ihr Musen, genug (Zum Schluß); Translation: Vance George. Text by Georg Friedrich Daumer.

This edition is for four-hands piano. Contents: When You Fondly Glance at Me • O Broken Heart • Oh, the Ladies • My Beloved, Not So Close • Crashing Waters from on High • In Conclusion.

By David Conte (1955-). For SATB soli, SATB choir, 2 percussion, piano 4-hands. Secular. Choral part. Published by E.C. Schirmer Publishing

SATB Choir

SKU: HL.14026443

Composed by Henry Purcell. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV950279. Published by Music Sales (HL.14026443).

By David Conte (1955-). For SATB soli, SATB choir, 2 percussion, piano 4-hands (Mixed Voices). Secular. Published by E.C. Schirmer Publishing

Choral (SATB) - difficult

SKU: HL.49005748

Study Score. Composed by Hans Werner Henze. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1966. Duration 30'. Schott Music #ED5515. Published by Schott Music (HL.49005748).

ISBN 9790001062152. UPC: 884088033101. 7.5x10.75x0.481 inches. Latin.

Mixed choir (SATB), 2 pianos, wind instruments and timpani. Lat/Eng/Ger.

SATB choir, unison

SKU: GH.N06378

Serien Profanmusik - Hafte 7. Composed by Eskil Hemberg / Julius de Mendes / Gideon Wahlberg / Hage. Edited by Eskil Hemberg. Tillfallighetsvisor och Hyllningsvisor. With Language: Latin, Swedish. 12 pages. Published by Gehrmans Musikforlag (GH.N06378).

ISBN 9790070032995. 185 x 262 mm inches. Text: Alf Henrikson / Louise Ramnefalk / Gideon Wahlberg / etc.

Sammanstallnin g av gamla och nyskrivna festliga stycken for blandad och unison kor till Nationalmuseums 100-arsjubileum 1996. Redaktor: Eskil Hemberg.

Solo voices, choir, orchestra (6Soprano Voice Solo, 2 Mezzo Voice Solo, 5Alto Voice Solo, 4Bass Voice Solo, SATB Choir, ballet, Fl-picc, Fl, Musette, Trp, V, Fid, Va, timpani, bassoon, Vc, double bass, Continuo)

SKU: BA.BA08858

Ballet héroïque in a prologue and 3 acts. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/14. Complete edition, Score. Duration 2 hours. Baerenreiter Verlag #BA08858_00. Published by Baerenreiter Verlag (BA.BA08858).

ISBN 9790006523368. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac.

Rameau's “Les Fêtes de l'Hymen et de l'Amour” was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïs”, “Zoroastre” and “Les Borades”. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Aruris”, a scoring found nowhere else in his uvre.

For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour” presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soloists, Choir, Orchestra (7 Soprano Voice Solo, 5 Tenor Voice Solo, 4 Bass Voice Solo, SATB choir, 2 Picc, 2 Fl, 2 Ob, Musette, 2 bassoon, 2 Trp, timpani, 2 Violin, Viola, Cello,Continuo)

SKU: BA.BA08860-90

Ballet héroïque with a prologue and four acts. Composed by Jean-Philippe Rameau. Edited by Sylvie Bouissou. Arranged by François Saint-Yves. This edition: urtext edition. Paperback. Vocal Score. RCT 44. Duration 12 hours. Baerenreiter Verlag #BA08860_90. Published by Baerenreiter Verlag (BA.BA08860-90).

ISBN 9790006558148. 27 x 19 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Louis Fuzelier.

A unique edition - all readings at a glance

This new edition, in contrast to the array of Bach Cello Suite publications available today, has made use of all the five sources which have come down to us. The basis for this edition is the most reliable of the sources, the manuscript copy in the hand of Anna Magdalena Bach. All variant readings from the four other sources are clearly laid out for performance. Cellists now have the possibility of rendering performances based on just one of the five sources as well as the option of combining the sources in a mixed version.

This flyer takes you through our various editions of Bach's Cello Suites.