Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
Opera
seria in three acts.
Composed by George
Frideric Handel. Edited
by David R. B. Kimbell.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 4,2. Version 1731.
Complete edition, Score.
Composed 1731. HWV 7.
Baerenreiter Verlag
#BA04059_00. Published by
Baerenreiter Verlag
(BA.BA04059).
ISBN
9790006495771. 33.1 x 26
cm inches. Text Language:
Italian. Giacomo
Rossi.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Opera in three
acts. Composed by
George Frideric Handel.
Edited by David R. B.
Kimbell. This edition:
complete edition, urtext
edition. Linen. Halle
Handel Edition (HHA)
Series II, Volume 4, No.
1. Version of 1711. Oper,
Barock (Opera, Baroque).
Complete edition, Score.
HWV 7A. Duration 1 hour,
39 minutes, 59 seconds.
Baerenreiter Verlag
#BA04033_00. Published by
Baerenreiter Verlag
(BA.BA04033).
ISBN
9790006443406. 33.1 x 26
cm inches. Text Language:
Italian. Giacomo
Rossi.
This was
Handel’s first
opera for London, first
performed at the theatre
in the Haymarket in
February 1711. It was
strong in both music
(including recomposed
versions of some
movements that Handel had
previously written for
his operas in Italy) and
staging: a contemporary
described the opera as
‘filled with
Thunder and Lightening,
Illuminations and
Fireworks’.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Voice and guitar SKU: HL.49015258 Das Liederbuch der jungen Szene....(+)
Voice and guitar
SKU:
HL.49015258
Das
Liederbuch der jungen
Szene. Edited by
Bertold Marohl. This
edition: Plastic cover.
Paperback. Edition
Schott. Classical. Melody
Line (with Chords). 274
pages. Schott Music #ED
7120. Published by Schott
Music (HL.49015258).
ISBN 9783795720629.
4.75x7.25x0.59 inches.
German.
Der neue
Zupfgeigenhansl erscheint
als Folgeband des seit
der Jugendbewegung
allgemein bekannten
Zupfgeigenhansl und
enthalt 121 Lieder, die
auf die Anliegen der
jungen Generation des
ausgehenden 20.
Jahrhunderts eingehen:
Fahrt uber Lander und
Meere - internationale
Folklore und Spirituals -
kritische alte und neue
Lieder zu unseren
Zeitproblemen - das Thema
Liebe - Balladeskes und
Heiteres. Das Buch bietet
Melodien, vollstandige
Texte, Akkorde fur
Gitarrebegleitung, Bilder
und Infos zu den Textern,
Komponisten und
Interpreten.
(BUCH+CDROM) SKU: HL.49032983 Eine Langzeitstudie an Berliner Grundsch...(+)
(BUCH+CDROM)
SKU:
HL.49032983
Eine
Langzeitstudie an
Berliner
Grundschulen.
Composed by Bastian.
Edited by Hans Guenther
Bastian. This edition:
Hardback/Hard Cover. Book
with CD. Edition Schott.
Edition with CD. 686
pages. Schott Music #ED
9266. Published by Schott
Music (HL.49032983).
ISBN 9783795704261.
German.
Unter der
Leitung des Frankfurter
Musikpadagogen Prof. Dr.
Hans Gunther Bastian
wurde zwischen 1992 und
1998 an Berliner
Grundschulen eine
Langzeitstudie Zum
Einfluss von erweiterter
Musikerziehung auf die
allgemeine und
individuelle Entwicklung
von Kindern durchgefuhrt.
Das Forschungsprojekt -
gefordert vom
Bundesministerium fur
Bildung und Forschung -
umfasste mehr als 100
Testeinsatze und die
Auswertung von uber einer
Million Daten. Die teils
frappierenden Ergebnisse
liegen nun vor.
Erweiterte Musikerziehung
beeinflusst die
Personlichkeitsentwicklun
g von Grundschulkindern
ausserst positiv. Im
Einzelnen bewirkt sie -
eine signifikante
Verbesserung der sozialen
Kompetenz, - eine
Steigerung der Lern- und
Leistungsmotivation, -
einen bedeutsamen
IQ-Zugewinn, - eine
Kompensation von
Konzentrationsschwachen,
- eine Forderung
musikalischer Leistung
und Kreativitat, - eine
Verbesserung der
emotionalen
Befindlichkeit, - eine
Reduzierung von
Angsterleben, -
uberdurchschnittlich gute
schulische Leistungen
trotz zeitlicher
Mehrbelastung u.a.m. Die
Studie liefert in
Erganzung zu den
bekannten musikimmanenten
Begrundungen des
Schulfaches Musik
wichtige Argumente fur
die bildungspolitische
Forderung nach einem
festen und massgebenden
Platz von Musikerziehung
im Facherkanon der
allgemein bildenden
Schulen. Alle
Grundschuler sollten die
Chance erhalten, in der
Schule ein Instrument zu
erlernen und in einem
Ensemble zu musizieren.
Die beiliegende CD-ROM
bietet umfangreiches
Datenmaterial,
Statistiken, Grafiken,
Testverfahren,
Korrespondenzen etc.
Composed by Amy Marcy Beach (1867-1944). Arranged by Ralph Sauer. 20th Century A...(+)
Composed by Amy Marcy
Beach (1867-1944).
Arranged by Ralph Sauer.
20th Century American.
Solo part and piano
score. Published by
Cherry Classics
(CY.CC2548).
Composed by Amy Marcy Beach (1867-1944). Arranged by Ralph Sauer. For Tuba or Ba...(+)
Composed by Amy Marcy
Beach (1867-1944).
Arranged by Ralph Sauer.
For Tuba or Bass Trombone
and Piano. 20th Century
American. Moderately
advanced. Solo part and
piano score. Published by
Cherry Classics
Euphonium and Piano - moderately advanced SKU: CY.CC2550 Composed by Amy ...(+)
Euphonium and Piano -
moderately advanced
SKU: CY.CC2550
Composed by Amy Marcy
Beach. Arranged by Ralph
Sauer. 20th Century
American. Solo part and
piano score. Published by
Cherry Classics
(CY.CC2550).
Amy Beach's
Eskimos, Opus 64 composed
in 1907 was written
originally for Piano solo
and is set in four
descriptive
vignettes: 1. Arctic
Night 2. The Returning
Hunter 3. Exiles 4.
With Dog-Teams
Beach
used melodies from eleven
Inuit songs she
discovered from an early
recording and set them to
European harmonies.
Mr.
Sauer's arrangement of
this unique music is
playable by moderately
advanced performers. The
four movements total
about 10 minutes of music
in length.
The mp3
sample is a clip taken
from a live masterclass
recital at the 2012
Academy of the West
Festival performed by
Trombonist Kensey Chellis
and Pianist Chorong
Park.
Solo Piano SKU: AP.36-50760012 Composed by Amy Marcy Beach. Solo; Solo Sm...(+)
Solo Piano
SKU:
AP.36-50760012
Composed by Amy Marcy
Beach. Solo; Solo Small
Ensembles. Master Piano
Series. Book.
LudwigMasters
Publications
#36-50760012. Published
by LudwigMasters
Publications
(AP.36-50760012).
ISBN
9781633611795. UPC:
654690493804.
English.
Amy Beach
(1867-1944) wrote the
four short vignettes for
piano in 1907 upon
hearing an early
recording of Inuit songs.
She used eleven of these
melodies and set them to
harmonies of Western
music with which she was
familiar. Movements: 1.
Arctic Night, 2. The
Returning Hunter, 3.
Exiles, and 4. With
Dog-Teams.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band/Harmonie and Baritone Saxophone Solo - Grade 4 SKU: BT.DHP-10844...(+)
Concert Band/Harmonie and
Baritone Saxophone Solo -
Grade 4
SKU:
BT.DHP-1084447-010
Le Papillon qui tapait
du pied. Composed by
Maxime Aulio. Solo
Spectrum. Concert Piece.
Set (Score & Parts).
Composed 2008. De Haske
Publications #DHP
1084447-010. Published by
De Haske Publications
(BT.DHP-1084447-010).
9x12 inches.
English-German-French-Dut
ch.
The
Butterfly that
Stamped is a story
from the anthology
Just So Stories,
written by Rudyard
Kipling for his daughter
who suffered constant bad
health. The book inspired
composer Maxim Aulio to
compose this work which
is in a French
impressionistic style.
The piece opens with a
beautiful palace
surrounded by the
impressive gardens of
King Solomon. It is in
these gardens that the
baritone saxophone makes
its appearance
representing King Solomon
himself, the flute
representing the
butterfly couple, the
clarinet representing
Queen Balkis and the
trumpet the
djin.
The
Butterfly that
Stamped - Der
Schmetterling, der
aufstampfte“ - ist
eine von zwölf
Erzählungen aus dem
Band Just So
Stories, den Rudyard
Kipling, der berühmte
Autor des
Dschungelbuchs,
Ende des 19. Jahrhunderts
für seine kranke
Tochter schrieb. Der
französische Komponist
Maxime Aulio ließ sich
von dieser bezaubernden
Geschichte zu einer
Komposition im Stil des
französischen
Impressionismus
inspirieren. Vor der
wundervoll orchestrierten
musikalischen Kulisse des
Palastes und der
Gärten König
Salomons treten das
Baritonsaxophon als
König Salomon, die
Flöten als
Schmetterlingspärchen,
eine Klarinette als
Königin Balkis und die
Trompeten als
Dschinnsauf. Vorhang auf!
The Butterfly
That Stamped è una
delle dodici novelle
della raccolta Just So
Stories, del celebre
scrittore britannico
Rudyard Kipling
(1865-1936). Maxime Aulio
se ne è ispirato per
creare un brano che di
iscrive nella tradizione
dell’impressionism
o musicale francese. Il
sax baritono solo
rappresenta il Re
Salomone, figlio di
David. I personaggi si
muovono in uno sfondo
orchestrale meraviglioso
e incantano per la loro
poesia.
Concert Band/Harmonie and Baritone Saxophone Solo - Grade 4 SKU: BT.DHP-10844...(+)
Concert Band/Harmonie and
Baritone Saxophone Solo -
Grade 4
SKU:
BT.DHP-1084447-140
Le Papillon qui tapait
du pied. Composed by
Maxime Aulio. Solo
Spectrum. Concert Piece.
Score Only. Composed
2008. 24 pages. De Haske
Publications #DHP
1084447-140. Published by
De Haske Publications
(BT.DHP-1084447-140).
9x12 inches.
English-German-French-Dut
ch.
The
Butterfly that
Stamped is a story
from the anthology
Just So Stories,
written by Rudyard
Kipling for his daughter
who suffered constant bad
health. The book inspired
composer Maxim Aulio to
compose this work which
is in a French
impressionistic style.
The piece opens with a
beautiful palace
surrounded by the
impressive gardens of
King Solomon. It is in
these gardens that the
baritone saxophone makes
its appearance
representing King Solomon
himself, the flute
representing the
butterfly couple, the
clarinet representing
Queen Balkis and the
trumpet the
djin.
The
Butterfly that
Stamped - Der
Schmetterling, der
aufstampfte“ - ist
eine von zwölf
Erzählungen aus dem
Band Just So
Stories, den Rudyard
Kipling, der berühmte
Autor des
Dschungelbuchs,
Ende des 19. Jahrhunderts
für seine kranke
Tochter schrieb. Der
französische Komponist
Maxime Aulio ließ sich
von dieser bezaubernden
Geschichte zu einer
Komposition im Stil des
französischen
Impressionismus
inspirieren. Vor der
wundervoll orchestrierten
musikalischen Kulisse des
Palastes und der
Gärten König
Salomons treten das
Baritonsaxophon als
König Salomon, die
Flöten als
Schmetterlingspärchen,
eine Klarinette als
Königin Balkis und die
Trompeten als
Dschinnsauf. Vorhang auf!
The Butterfly
That Stamped è una
delle dodici novelle
della raccolta Just So
Stories, del celebre
scrittore britannico
Rudyard Kipling
(1865-1936). Maxime Aulio
se ne è ispirato per
creare un brano che di
iscrive nella tradizione
dell’impressionism
o musicale francese. Il
sax baritono solo
rappresenta il Re
Salomone, figlio di
David. I personaggi si
muovono in uno sfondo
orchestrale meraviglioso
e incantano per la loro
poesia.
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.