Living Bread Chorale SATB SATB, Piano [Octavo] Hope Publishing Company
Arranged by Joel Raney. For SATB choir with optional congregation. Choral music....(+)
Arranged by Joel Raney.
For SATB choir with
optional congregation.
Choral music. General,
Communion, Communion,
Sacred. Choral octavo. 12
pages. Published by Hope
Publishing Company
Band Concert Band - Grade 2 SKU: CF.YPS105 Warm-Ups and Fundamentals(+)
Band Concert Band - Grade
2
SKU: CF.YPS105
Warm-Ups and
Fundamentals.
Composed by Larry Clark.
Collate - FS SWS - spine:
3/4 or .75. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+10+4+4+8+8+8+1
2+4+6+2+2+4+2+20 pages.
Duration 2 minutes, 53
seconds. Carl Fischer
Music #YPS105. Published
by Carl Fischer Music
(CF.YPS105).
ISBN
9780825884870. UPC:
798408084875. 9 x 12
inches. Key: Bb
major.
Based on our
popular New Bennett Band
Book series, we have
compiled march-style
warm-ups in a separate
publication so they may
be used by all bands
wishing to learn from
them. These innovative
warm-ups and fundamental
drills are the ultimate
method of teaching and
reinforcing the March
style. How To Use the
March Warm-upsPlaying in
a march style can present
difficulties for young
students. The most
prevalent problem is that
students have a tendency
to play every note too
short. Conversely,
accented notes are
usually played
incorrectly with too much
tongue. Do marches
contain short notes?
Absolutely, but these
shortest of notes should
be reserved for notes
that precede an accent or
notes that are
specifically marked with
a staccato. Think of
unmarked notes as being
separated, but not short
and certainly not clipped
or stopped with the
tongue. Accented notes
should be played with
more weight using air and
more length, and not just
a harder tongue. Accents
are given to show
emphasis to a note and
should be thought of in
this manner.The warm-up
exercises provided in
this collection should
give you many
opportunities to stress
the above-mentioned
comments on march
performance style. The
following gives an
explanation on the
purpose and use of each
of these exercises.No. 1
– Basic Chords and
ModulationsOne of the
challenges of playing
marches with young
students is successfully
performing the key change
at the Trio. This
exercise presents the
three basic chords
(tonic, subdominant and
dominant) in each of the
three keys in this
collection of marches.
You can also use this
exercise to teach and
reinforce the style of
accented notes. You may
want to have your band
play major scales in
succession by fourths to
reinforce the concept of
modulation to the
subdominant that occurs
at the Trio (i.e. the
B≤-major scale,
then the E≤-major
scale, then the
A≤-major scale). I
might suggest getting the
students to try
continuing the pattern
all the way around the
circle of fourths.No. 2
– March Style in
B≤ MajorThis
exercise contains many
opportunities to teach
and reinforce the
difference between
staccato and accented
notes. The melody voices
move up and down the
B≤-major scale,
while other instruments
play chords commonly
found in the marches in
this collection. These
include diminished
chords, secondary
dominant chords (i.e. the
V of the V) and other
common chromatic chords
that Fillmore often
used.No. 3 –
Cakewalk Rhythm in
B≤ MajorThe simple
syncopated rhythm in this
exercise is common to
many marches. This drill
gives you the opportunity
to teach/ reinforce the
standard ar-ticulation
and natural accent of
this rhythmic pattern.
Again, this exercise uses
an ascending and
descending major-scale
pattern as the melodic
basis, accompanied by
chords commonly found in
American- style
marches.No. 4 –
The March Scale in
B≤ MajorI call this
exercise “The March
Scale,†because
often in marches (and
especially in these
marches) the descending
half-step is part of the
melodic material. These
chromatic figures give
the melodies of many
marches their charm and
flow. Thus, I devised
this exercise and others
like it in E≤ major
and A≤ major to
familiarize students with
these patterns. I would
suggest playing the
pattern in a variety of
ways different from what
is written. Here are some
other
possibilities:•
Tongue one, slur
three• Slur two,
tongue two• Tongue
two, slur two•
Tongue one, slur two,
tongue oneGradually
increase the tempo to the
march tempo and the
articulation style will
fall right into
place.Another important
consideration is the
performance of the bass
line and the bass-drum
part. Too often, the bass
drum and bass instruments
play their parts with
equal emphasis on both
beats in the measure.
This is incorrect, and
frequently makes the
marchNo. 5 – March
Style in E≤
MajorThis is a similar to
exercise No. 2, but with
a different rhythmic
pattern. Emphasize the
difference between
accented and unaccented
notes. Also, play the
exercise with line
direction moving the
musical line forward.
Experiment and play the
exercise with different
dynamic choices and with
hairpins up and down in
different ways.No. 6
– More March Style
in E≤ MajorExercise
No. 6 comprises more
rhythmic patterns and
harmonic materials in
E≤ major to teach
and reinforce the march
style. This exercise
em-phasizes the
sixteenth-note rhythm, as
notated in the third
measure of the exercise.
Young stu- dents have a
tendency to
“crush†the
sixteenths; consequently,
they lack clarity. It
would be a good idea to
work this rhythmic figure
on a scale pattern with
all of the instruments in
the band as an additional
warm-up exercise.No. 7
– The March Scale
in E≤ MajorSee the
information for No. 4 and
apply it to this
exercise. Use all of the
various articulations
described above as
well.No. 8 – March
Style in A≤
MajorSee the information
for No. 2 and apply it to
this exercise.No. 9
– Cakewalk Rhythm
in A≤ MajorSee the
information for No. 3 and
apply it to this
exercise.No. 10 –
The March Scale in
A≤ MajorSee the
information for No. 4 and
apply it to this
exercise.Other Ideas for
March PerformanceA
rehearsal practice that
has worked very well for
me is to start out by
having the band play the
march very slowly at
about Å’ = 60 in a
chorale/legato style. The
slow tempo is a fine
opportunity to work on
clarity of harmonic move-
ment and to work on the
balance and blend of the
tutti band sound. This
will pay great dividends
toward improving the
sound of your band.
Gradually increase the
tempo to the march tempo
and the articulation
style will fall right
into place.Another
important consideration
is the performance of the
bass line and the
bass-drum part. Too
often, the bass drum and
bass instruments play
their parts with equal
emphasis on both beats in
the measure. This is
incorrect, and frequently
makes the march.
Pattern Play 6 Piano seul [Partition] Frederick Harris Music Company
(Inspiring Creativity at he Piano). By Forrest Kinney. For Piano. This edition: ...(+)
(Inspiring Creativity at
he Piano). By Forrest
Kinney. For Piano. This
edition: 1st. Piano.
Pattern Play. Book.
Published by The
Frederick Harris Music
Company
Instruments Sib, Mib, Do et Bass clef [Partition + CD] - Intermédiaire Jamey Aebersold Jazz
Volume 54 - Maiden Voyage by Jamey Aebersold. For any C, Eb, Bb, bass instrument...(+)
Volume 54 - Maiden Voyage
by Jamey Aebersold. For
any C, Eb, Bb, bass
instrument or voice.
Play-Along series with
accompaniment CD. Jamey
Aebersold Play-A-Long
series. Make the
transition from playing
scales and chords, to
playing jazz standards.
Beginner, intermediate,
advanced. Book and CD. 80
pages. Published by Jamey
Aebersold Jazz
Ukulele - Grade 1 SKU: BT.MUSAM1011604 Composed by Mike Jackson. Uke'n Pl...(+)
Ukulele - Grade 1
SKU:
BT.MUSAM1011604
Composed by Mike Jackson.
Uke'n Play Ukulele. Pop
and Rock. Book with
Online Audio. Composed
2016. 36 pages. Wise
Publications
#MUSAM1011604. Published
by Wise Publications
(BT.MUSAM1011604).
ISBN 9781921029783.
English.
This newly
updated edition of the
bestselling Uken Play
Ukulele book will get
beginners of any age
strumming chords and
playing songs in no time.
Written by professional
player and educator Mike
Jackson, the book
features his instant play
methodtogether with
downloadable play-along
audio. The book begins
with the basics - chord
diagrams and tuning -
before delving into Mike
Jacksons unique method
that will help you
remember where to put
your fingers for
different chords. Once
youve mastered this, Uken
Play will teach you 25
greatsongs. The songs get
progressively more
challenging with each
featuring chord diagrams,
lyrics and chord symbols,
helping you to learn to
play the Ukulele by
practising strumming the
chords while also playing
25 recognisable tunes.
The accompanying audio
downloads will let you
tune up, hear the songs
how they should sound,
then let you play along
with a full backing band.
Some songs feature Mikes
handy hints so learning
the Uke goes as smoothly
as possible. If youve
struggled to learn to
play the Ukulele because
you cant remember the
chords, or you just want
to polish up the basics
while playing songs like
You Are My Sunshine,
Drunken Sailor and Que
Sera Sera, Uken Play is
an instant play method
thattruly does work. Mike
Jackson is a professional
Ukulele player and
multi-instrumentalist who
has sold over 250,000
albums and performed
extensively across
Australia and the rest of
the world.
Children's Songs Ligne De Mélodie, Paroles et Accords [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and leadsheet
notation. Children's.
Series: Hal Leonard
Paperback Songs
(Melodies, lyrics, and
chords in a convenient
format), . 256 pages.
4.2x6.7 inches. Published
by Hal Leonard.
Music Sales America. Select the chord shape you want, see exactly how to play it...(+)
Music Sales America.
Select the chord shape
you want, see exactly how
to play it and display
any sequence of chords
without page flipping.
Teaching Aid. Guitar
chord deck. 45 pages.
Amsco Publications
#AM949872. Published by
Amsco Publications
Piano, Voix et Guitare [Partition] - Débutant Hal Leonard
Keyboard/vocal/chords songbook for voice and keyboard. With lyrics, chord names,...(+)
Keyboard/vocal/chords
songbook for voice and
keyboard. With lyrics,
chord names, big note
notation and registration
guide. Series: Hal
Leonard E-Z Play Today.
488 pages. Published by
Hal Leonard.
Compiled and Edited by Mark Bridges and Joe Dineen. Book. Published by Music Sal...(+)
Compiled and Edited by
Mark Bridges and Joe
Dineen. Book. Published
by Music Sales.
(AM948772)
A revolutionary guide for
all guitarists. No matter
what style of music you
play-whether you are a
beginner or a pro-you
will find the majority of
chords you'll need to
play any song you want.
The unique GuitarTab
format makes it easy to
know new chords at a
glance-it's as easy as
reading tablature.
O Night Divine Chorale SATB SATB, Cordes [Octavo] Hope Publishing Company
By John S. Dwight. Arranged by Jeremy Walton. For SATB choir with optional violi...(+)
By John S. Dwight.
Arranged by Jeremy
Walton. For SATB choir
with optional violin.
Choral music. Christmas,
Sacred. Choral octavo. 12
pages. Published by Hope
Publishing Company
(The Art of Arranging at the Piano). By Forrest Kinney. For Piano. This edition:...(+)
(The Art of Arranging at
the Piano). By Forrest
Kinney. For Piano. This
edition: 1st. Piano.
Chord Play. Book.
Published by The
Frederick Harris Music
Company
Chord Play 3 Piano seul Frederick Harris Music Company
(The Art of Arranging at the Piano). By Forrest Kinney. For Piano. This edition:...(+)
(The Art of Arranging at
the Piano). By Forrest
Kinney. For Piano. This
edition: 1st. Piano.
Chord Play. Book.
Published by The
Frederick Harris Music
Company
Chord Play 2 Piano seul Frederick Harris Music Company
(The Art of Arranging at the Piano). By Forrest Kinney. For Piano. This edition:...(+)
(The Art of Arranging at
the Piano). By Forrest
Kinney. For Piano. This
edition: 1st. Piano.
Chord Play. Book.
Published by The
Frederick Harris Music
Company
Beginning/Intermediate. This is the culmination of Jamey's 30 years as one of th...(+)
Beginning/Intermediate.
This is the culmination
of Jamey's 30 years as
one of the world's
leading jazz exponents.
Volume 1 has unlocked the
mysteries of jazz improv
for a whole generation of
musicians who previously
had nowhere to turn for
competent rhythm sections
and accurate instruction.
Features 9 demonstration
tracks of Jamey playing
the exercises and
soloing. The importance
of the basic exercises
becomes more apparant
when you actually hear
how the phrases are
supposed to sound, and
Jamey's solos are the
perfect demonstration of
how to solo with the CD.
...
Beginning/Intermediate. This is the culmination of Jamey's 30 years as one of th...(+)
Beginning/Intermediate.
This is the culmination
of Jamey's 30 years as
one of the world's
leading jazz exponents.
Volume 1 has unlocked the
mysteries of jazz improv
for a whole generation of
musicians who previously
had nowhere to turn for
competent rhythm sections
and accurate instruction.
Features 9 demonstration
tracks of Jamey playing
the exercises and
soloing. The importance
of the basic exercises
becomes more apparant
when you actually hear
how the phrases are
supposed to sound, and
Jamey's solos are the
perfect demonstration of
how to solo with the CD.