Guitar - Advanced

SKU: DZ.DZ-4314

Composed by Ramsés Calderón. Score. Les Productions d'OZ #DZ 4314. Published by Les Productions d'OZ (DZ.DZ-4314).

ISBN 9782898522314.

The present collection is around the idea of paying homage to the people that each piece is dedicated to.
El Colibrí (Hummingbird): A meaningful bird within Central American indigenous mythology. Dedicated to my good friend and co-author Federico Sheppard, a very special human being with whom I have walked a long journey in a short time, to produce and publish the work of the great Agustín Barrios Mangoré.
El Faro refers to the guidance of a lighthouse for the those navigating the sea, the light to point travellers in the right direction. This piece is dedicated to maestro Antonio Rodríguez Delgado, for his unconditional friendship, light, and guidance with the complex journey of our beloved instrument, so that it be used as a tool for self realization.
Gratitude is dedicated to maestro Elias Barreiro for his tireless work and contribution to the global guitar practices, additionally, for his genuine friendship.
CanciÃ� �³n de Cuna is a piece that pretends to reflect the awakening of a new consciousness for humanity, the title (Lullaby) refers to the little person we all have inside.

La présente collection est centrée sur l'idée de rendre hommage aux personnes auxquelles chaque pièce est dédiée.
El Colibrí (Colibri) : Un oiseau significatif dans la mythologie indigène d'Amérique centrale. Dédicacé à mon bon ami et co-auteur Federico Sheppard, un être humain très spécial avec qui j'ai parcouru un long chemin en peu de temps, pour produire et publier l'œuvre du grand Agustín Barrios Mangoré.
El Faro fait référence à la guidance d'un phare pour ceux qui naviguent en mer, la lumière pour orienter les voyageurs dans la bonne direction. Cette pièce est dédiée au maestro Antonio Rodríguez Delgado, pour son amitié inconditionnelle, sa lumière et son guidage dans le voyage complexe de notre instrument bien-aimé, afin qu'il soit utilisé comme un outil de réalisation de soi.
Gratitude est dédiée au maestro Elias Barreiro pour son travail inlassable et sa contribution aux pratiques mondiales de la guitare, et en plus, pour son amitié sincère.
Canci� �ƒÂ³n de Cuna est une pièce qui prétend refléter l'éveil d'une nouvelle conscience pour l'humanité, le titre (Berceuse) se réfère à la petite personne que nous avons tous à l'intérieur de nous.

26 Pieces for Guitar. Composed by Ferdinando Carulli (1770-1841). Edited by dé, Fré, and ric Zigante. Max Eschig. Softcover. Editions Max Eschig #DF16666. Published by Editions Max Eschig

(The many faces of the guitar, Volume 5). By Various. Arranged by Collectif. For guitar solo. 3. 36 pages

Composed by Richard Yates. For guitar (acoustic). Squareback saddle stitch. Intermediate. Book and online audio. Published by Mel Bay Publications, Inc

Music transcribed and adapted for modern guitar. By Frank Koonce. By Frank Koonce. For Guitar (Classical). Solos. Frank Koonce Series. Early Music/Renaissance. Level: Intermediate. Book. 188 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: UT.CH-387

Composed by Ferdinando Carulli. Edited by Romolo Calandruccio. Classical. Score. Ut Orpheus #CH 387. Published by Ut Orpheus (UT.CH-387).

ISBN 9790215328235. 9 x 12 inches.

Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.
The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.
This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.

Guitar solo - Intermediate

SKU: DZ.DZ-4261

Composed by José Mora-Jiménez. Score. Les Productions d'OZ #DZ 4261. Published by Les Productions d'OZ (DZ.DZ-4261).

ISBN 9782898521782.

Apr� �¨s avoir été quelque temps éloigné de la composition classique, j'ai décidé de me lancer un défi et d'écrire un court morceau de guitare par jour. Je l'ai fait pendant un mois et j'ai fini avec une vingtaine de Sketches. L'idée de départ était de réaliser des pièces courtes pour les enfants.
Certaines se sont révélées trop difficiles pour les étudiants et pourraient donc devenir des pièces plus longues à l'avenir. Dâ??autres, je nâ??ai tout simplement pas beaucoup aimé. Au final, j'ai sélectionné les 10 Sketches qui m'ont le plus plu.
Ces 10 morceaux sont destinés à des joueurs de niveau intermédiaire et chacun d'entre eux se concentre sur un aspect technique ou musical.

After being some time away from classical composition I decided to challenge myself and write one short guitar piece daily. I did it for a month and ended up with around 20 Sketches. The original idea was to make short pieces for children.
Some turned out to be too difficult for students, so they might become longer pieces in the future. Some others I just didn't like that much. In the end I selected the 10 Sketches that I liked the most.

These 10 pieces are intended for intermediate level players and each of them focuses on a technical or musical aspect.

The Most Popular Series for Learning How to Play. Composed by Nathaniel Gunod, L. C. Harnsberger, and Ron Manus. Book; Digital Download; Guitar Method or Supplement; Method/Instruction. Alfred's Basic Guitar Library. Rock. 64 pages. Published by Alfred Music (AP.45052).

55 Classical Masterpieces from 5 Centuries. Edited by Martin Hegel. This edition: Paperback/Soft Cover. Sheet music. Guitar. For a long time, arrangements were rather looked down on by music specialists, but today attitudes have relaxed considerably. The classical concert repertoire is extensive and includes many wonderful pieces; many guitarists are naturally keen to get to kn. Classical. Softcover. 104 pages. Schott Music #ED 23047. Published by Schott Music

30 Transcriptions. Composed by Robert Schumann. Arranged by Martin Hegel. This edition: Saddle stitching. Sheet music. Guitar. Classical. Softcover. 22882. 48 pages. Schott Music #ED 22882. Published by Schott Music

Guitar solo

SKU: DZ.DZ-4280

Composed by Francis Kleynjans. Score. Les Productions d'OZ #DZ 4280. Published by Les Productions d'OZ (DZ.DZ-4280).

ISBN 9782898521973.

Câ� �™est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.

La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.

La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).

J’espÃ� �re que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.

Francis Kleynjans

It’ s a beautiful journey through the tones that I offer you with these two pieces.

The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.

The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).

I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.

Francis Kleynjans.

Composed by Allan Alexander. Saddle stitch. World Music/Guitar Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

The Most Popular Series for Learning How to Play. Composed by Nathaniel Gunod, L. C. Harnsberger, and Ron Manus. Book; DVD; Digital Download; Guitar Method or Supplement; Method/Instruction; Software. Alfred's Basic Guitar Library. Rock. 64 pages. Published by Alfred Music (AP.45053).

Level 2. Composed by Carl Herring and Milo Karadaglic. This edition: Saddle stitching. Sheet music with online material. Guitar. Classical, Classical Instruction. Edition with Online audio file, Softcover Audio Online. 80 pages. Schott Music #ED 13932. Published by Schott Music

Guitar

SKU: M7.VOGG-567

Composed by Helmut Zehe and Ulrich Tuerk. Sheet music with CD. 188 pages. Voggenreiter #VOGG 567. Published by Voggenreiter (M7.VOGG-567).

ISBN 9783802405679. English.

Amongst the many guitar methods you can buy today, this book is something special. After many years of teaching and a close look at available guitar tutors, the authors of this method are convinced that there is something that has been missing:That is, a guitar method that keeps the students' mind open for all musical styles and doesn't limit him to only one musical direction. A guitar method that provides the student with music he is familiar with, i.e. pop music. A guitar method that slowly and gently introduces the student to classical music and offers a carefully selected choice of musical pieces in this field. A guitar method that introduces staff notation and music theory in a simplified way that is easy to understand. A guitar method that includes a CD which does not only support the student's practice but is fun to listen to as well.

By Greg Fishman. For Guitar. Play-Along (Book CD). Published by Greg Fishman Jazz Studios

Composed by Allan Alexander. Saddle stitch. Spain/Guitar Instruction. Book and Downloadable audio. Duration 60 minutes. Published by ADG Productions

Guitar

SKU: UT.CH-101

Composed by Davide Notartomaso. Saddle stitching. Classical. Ut Orpheus #CH 101. Published by Ut Orpheus (UT.CH-101).

ISBN 9790215315815. 9 x 12 inches.

Composit ion winner of the 2nd Edition (2008) of the Classical Guitar Musical Composition Competition â??Suoni Nuovi Autoriâ?? in Latina, Italy (Section 1)
The composition Roma born after a short travel in the eternal city. The multiple cultural, historical and landscaped stimuli that derive from its ruins must touch the mind of every visitor dipping it and transporting it behind in the history: these are the feelings that have inspired the composition of a conceptualistic-descripti ve music work, dedicated to the places that more meant during the authorâ??s travel.
First part, â??Anfiteatro Flavioâ??, is clearly dedicated to Colosseo. It is so imposing and majestic that recalls still today the outcry of the battles and the noise of the iron: all that is translate in music with frequent changes of time and a virtuosistic and pressing writing. The apex of the fight marks in the composition a growing culminated in a moment of suspension and the immediate resumption with change of theme for the victory moment and its majestic celebration.
The second part, â??Villa Borgheseâ??, marks the passage to a situation of ecstasy and serenity inspired from the beauty and tranquillity of the places of the famous roman park. The composition develops with sweetness but are also present dissonant notes that recall the park contextualizzation in the heart of the city, with its chaotic present and with the urgent violence of its past.

Guitar - Grade 3

SKU: XC.WB2420

Composed by Peter Blair. Jazz. Excelcia Music Publishing #WB2420. Published by Excelcia Music Publishing (XC.WB2420).

ISBN 9781644022269.

This is a unique jazz ensemble resource that includes music for rehearsal and performance that can be used to enable your band to sound more mature, become better sight-readers, and help students develop as confident improvisers. The book is divided into 3 sections that become progressively more challenging, both for the wind player and the rhythm section players. The rhythm section parts are completely written out, but also include chord changes to help students make the connection between fully notated parts and chords and slashes. One of the fundamental abilities that all great Jazz groups share is that they can play a swinging unison line so together that it sounds like one voice waving through time. The purpose of this book is to help beginning and intermediate ensembles develop this skill and zero in on the most basic form of Jazz—the BLUES.

Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffaello Ravasio. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 254. Published by Ut Orpheus

Guitar solo - Advanced

SKU: DZ.DZ-4303

Composed by Luciano Lima. Score. Les Productions d'OZ #DZ 4303. Published by Les Productions d'OZ (DZ.DZ-4303).

ISBN 9782898522208.

Dedi cated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.

Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.

Guitar - intermediate

SKU: BT.REG9781898466642

Exam Material. Book Only. London College Music #REG9781898466642. Published by London College Music (BT.REG9781898466642).

ISBN 9781905908141. English.

This handbook is part of a series, compiled by the Registry Of Guitar Tutors that forms an expertly structured and comprehensive method of studying classical guitar. This handbook covers all the sections of the London College of Music Grade Four classical guitar examination including: all the set pieces: all scales, arpeggios and chords: sight reading: ear tests: and spoken tests. In addition, there are useful performance tips for all the pieces as well as essential advice on preparing for the examination - enabling you to study for an internationally recognized qualification. Even if you do not intend to take an examination, studying this handbook will help you to: learnappealing and inspiring pieces from a wide range of styles and periods: improve your sight reading and aural abilities so that you can learn new pieces more easily: develop your technical ability and musical understanding and so achieve your full potential as a guitarist.

Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique, Theory and Reference, Solos. Achieving Guitar Artistry. Book. 76 pages. Published by Mel Bay Publications, Inc

(Extraites Des Operas De Rossini Et Deux Valses Favorites). By Francois de Fossa (1775-1849). Edited by Jan De Kloe. For Guitar. FULL SCORE - STUDY. Op.8. 6 pages. Published by Editions Orphee

(Strum and Sing Guitar). By Various. For Guitar. Easy Guitar. Softcover. 140 pages. Published by Cherry Lane Music

Composed by Athenais Paulian. For guitar unaccompanied. The Guitarist's Repertoire, Vol.11. Full Score - Study. Standard Notation. Op.1. 16 pages. Editions Orphee #494- 02969. Published by Editions Orphee

The Classical Guitarists Guide to Jazz. By Andrew York. For Guitar. Guitar Method or Supplement. Jazz. Book

Composed by Allan Alexander. Saddle stitch. Flamenco/Guitar Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions