(Level 2). Composed by Stephen Sondheim (1930-). Arranged by Mark A. Brymer. For Choral (3-Part Mixed). Discovery Choral. 36 pages. Published by Hal Leonard

Composed by Gwyneth W. Walker (1947-). Secular, 21st century. Duration 17 minutes, 30 seconds. E.C. Schirmer Publishing #8516. Published by E.C. Schirmer Publishing (EC.8516).

Composed by Gwyneth W. Walker (1947-). For high voice, piano. Secular, 21st century. Medium. Collection. Published by E.C. Schirmer Publishing

Composed by Nathan Daughtrey. Percussion Ensemble. For Vibraphone and Marimba (4-mallet) (vibraphone (3-octave), marimba (4.5-octave), optional mandolin, Banjo or other Bluegrass Instrument, optional drum set, optional bass). Percussion Music. Medium difficult. Score and parts. Duration 8:00. Published by C. Alan Publications

(A Treasury of Songs from Stage * Film Specially Designed for Teen Singers! Includes Story Synopsis, Song Set-up, Audition Tips & 16-Bar Cut Suggestions). Edited by Lisa DeSpain. For Voice. Vocal Collection. Broadway. Book. 208 pages. Published by Alfred Music Publishing

Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1043663-010 From Gone with the WInd. Arranged by Lorenzo Bocci. DHP Pop, Film and Show. Festive and Solemn Music. Set (Score and Parts). Composed 2004. De Haske Publications #DHP 1043663-010. Published by De Haske Publications (BT.DHP-1043663-010). Max Steiner was born in Vienna in 1888, and grew up surrounded by music. He was a student of the Imperial Academy of Music, having among his teachers Gustav Mahler. In 1936 he signed an agreement with Warner. Steiner, considered the father of symphonic music in Hollywood style. One of his most famous and popular masterworks is, without any doubt, Gone with the Wind (1939). The movie was an immediate success and won ten Academy Awards. In spite of the years passed, this movie still moves young audiences around the world. Lorenzo Bocci has chosen the song Tara?s Theme from this movie and turned the romantic music into an arrangement for concert band. Vom Winde verweht ist einer der Filme, der heute noch Generationen vor dem Fernseher vereint. Oft gezeigt, wird jeder doch immer wieder mitgerissen von der tragischen Liebesgeschichte inmitten der Kriegswirren. Einen nicht unwichtigen Anteil an der bewegenden Atmosphäre des Filmklassikers hat die großartige Musik von Max Steiner, der als Urvater der sinfonischen Filmmusik im Hollywoodstil gilt und neben Vom Winde verweht noch zahlreiche weitere erfolgreiche Filme vertonte. Lorenzo Bocci wählte aus der Musik Tara's Theme und bearbeitete die romantische Musik zu einem Arrangement für Blasorchester. Gefühlvoll und mitreißend!

Concert Band Concert Band - Grade 0.5

SKU: FJ.B1687S

Score Only. Arranged by Mekel Roger. Concert Band. FJH Starter Series. Holiday Pops. Score. Duration 1:00. The FJH Music Company Inc #98-B1687S. Published by The FJH Music Company Inc (FJ.B1687S).

English.

What a fantastic choice for a band's first winter concert! This clever work takes snippets of several holiday favorites and combines them into a fun, unpredictable winter ride through the woods. Using only six pitches and simple eighth note rhythms, this fun arrangement will delight both students and audiences alike.

About FJH Starter Series

Int roduction to Beginning Band - Ideal for the first several months of instruction. These pieces are a comfortable length for students (about a half page of music) and are playable with as few as five instruments. All instruments are limited to a 6-note diatonic range. Several supplemental exercises are included to help teach different elements of each piece. Grade .5

40 Songs from 14 Shows and Films. Composed by Stephen Sondheim (1930-). Edited by Richard Walters. P/V/G Composer Collection. Softcover. 328 pages. Published by Rilting Music, Inc.

Concert Band (Score) - Grade 3

SKU: HL.4006500

Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Michael Brown. Young Concert Band. Children, Disney, Movies. Softcover. Duration 330 seconds. Published by Hal Leonard (HL.4006500).

UPC: 840126908893. 9.0x12.0x0.056 inches.

The highly anticipated follow-up to the original Frozen movie features an equally powerful collection of songs. This marvelous concert setting includes the haunting Vuelie chant melody along with the songs All Is Found, Some Things Never Change, Into the Unknown, Lost in the Woods, and Show Yourself.

Concert Band (Score) - Grade 3

SKU: HL.4006502

Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Paul Murtha. Flex-Band Grade 3. Children, Disney, Movies. Softcover. 32 pages. Duration 330 seconds. Published by Hal Leonard (HL.4006502).

UPC: 840126908916. 9.0x12.0x0.069 inches.

From the powerful movie blockbuster Frozen II here is an exciting and well-paced medley scored for flexible instrumentation. Included is the opening chant Vuelie followed by Some Things Never Change, Into the Unknown, Lost in the Woods, and Show Yourself.

Over 50 Pop Music Favorites (Piano/Vocal/Guitar). Composed by various artists and composers. This edition: Piano/Vocal/Guitar. Artist/Personality; Book; P/V/C Mixed Folio; Piano/Vocal/Chords. Greatest Hits. Pop; Pop/Rock; Rock. 248 pages. Published by Alfred Music

(Music from the Motion Picture Arranged for Harp). Arranged by Sylvia Woods. For Harp. Harp. Softcover. 28 pages. Published by Hal Leonard

By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 128 pages. Published by Mel Bay Publications, Inc.

(Songs from 13 Shows and Films). Composed by Stephen Sondheim (1930-). For Vocal, Piano/Vocal/Guitar. P/V/G Composer Collection. 144 pages. Published by Rilting Music, Inc.

(for percussion ensemble). Composed by Rick Dior. For Percussion Ensemble (9-13 players). Percussion Ensembles. Medium-Advanced. Folio and Parts on CD-ROM. 18 pages. Duration 4 minutes, 15 seconds. Published by Tapspace Publications

As recorded by Portugal. The Man. Composed by John Gourley, Zach Carothers, Jason Sechrist, Eric Howk, Kyle O'quin, John Hill, Asa Taccone, Robert Bateman, Georgia Dobbins, William Garrett, Freddy Gorman, and Brian Holland. Arranged by Michael Kamuf. Concert Band; Score. Pop Beginning Band. Pop. 16 pages. Published by Alfred Music

As recorded by Portugal. The Man. Composed by John Gourley, Zach Carothers, Jason Sechrist, Eric Howk, Kyle O'quin, John Hill, Asa Taccone, Robert Bateman, Georgia Dobbins, William Garrett, Freddy Gorman, and Brian Holland. Arranged by Michael Kamuf. Concert Band; Part(s); Score. Pop Beginning Band. Pop. 156 pages. Published by Alfred Music

Orchestra Orchestra

SKU: PR.11641373S

Composed by Peter Schickele. Full score. Duration 24 minutes. Theodore Presser Company #116-41373S. Published by Theodore Presser Company (PR.11641373S).

UPC: 680160680344.

The concerto has always seemed an especially attractive medium to me, not necessarily because of its expectations of virtuosity (although flaunting it when you've got it certainly has its place), and emphatically not because of the perception of a concerto as a contest, but because so much of what I write feels song-like; I'm very much at home with the age-old texture of melody and accompaniment. I hope, before I move on, to have the opportunity to write concertos for all the major instruments, and perhaps some of the rarer ones as well. The oboe is not only one of the major instruments, it is one of my favorite instruments. I've always loved its sound, but since moving to New York I have gotten to hear and, in some cases, know some extremely fine oboists who broadened my appreciation of the instrument's possibilities. I especially remember a concert, probably in the late 1960's, in which Humbert Lucarelli played a Handel concerto, filling out large melodic leaps with cascading scale passages in a way that raised the hair on the back of your neck, somewhat in the way that John Coltrane's sheets of sound did. The sweeping scales in the second movement of my concerto were definitely inspired by Bert Lucarelli's performance. The first, third and fifth movements of the Concerto for Oboe and Orchestra are song-like, whereas the second and fourth have strong scherzo and dance qualities, including a couple of sections that sound like out-and-out pirate dances to me. The hymn-like tune at the beginning of the middle movement was originally begun as a vocal piece to be sung by my wife, son and daughter at my brother's wedding, but I couldn't come up with good works for it, so it ended up as an instrumental chant. The opening and closing of the concerto make use of the oboe's uniquely soulful singing. I had not heard Pamela Woods Pecha's solo playing in person when she approached me about writing a concerto, but I had heard her fine recording of chamber music for oboe and strings by the three B's (English, that is: Bliss, Bax and Britten) with the Audubon Quartet. I actually already had some oboe concerto ideas in my sketchbooks; although I didn't end up using any of those earlier ideas, it's interesting that most of them tended to share the general feeling and tonality of the eventual opening of the concerto. The work was completed on October 13, 1994. I hate the compromises involved in making piano reductions -- perhaps I would feel differently if I were a more accomplished pianist -- so I often decide to make piano reductions for four hands rather than two. My good friend Jon Kimura Parker is a terrific sight-reader, and I roped him into coming over to my place on February 17, 1995, to help me accompany Pamela on the first read-through of the piece. The first performance of the work took place on July 21, 1995, at the American Music Festival in Duncan, Oklahoma, with Mark Parker conducting the Festival Orchestra.