Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
Choral (Studiotrax CD) SKU: HL.35031696 Composed by John Goss and Mark An...(+)
Choral (Studiotrax CD)
SKU: HL.35031696
Composed by John Goss and
Mark Andrews. Arranged by
Brad Nix and Joseph M.
Martin. Shawnee Sacred.
Anthem, Christ The King,
General Worship, Hymn,
Sacred. CD. Duration 275
seconds. Published by
Shawnee Press
(HL.35031696).
UPC:
888680687403. 5.0x5.0x0.2
inches. Arr. Joseph M.
Martin/Brad Nix. 1 Kings
22:19, Exodus 15:1-21,
Nahum 1:3, Revelation
5:9.
A glorious
joining of two noble
hymntunes is found in
this sturdy octavo. Ideal
for Christ the King
Sunday, this praiseworthy
text is filled with
acclamations of worship
and adoration. This
festive setting offers
brass, timpani and
handbell options, and
stylistically it conjures
visions of cathedrals and
stained glass. Consider
including the
congregation on the last
verse for a festive
finale! Score and Parts
(tpt 1-2, tbn 1-2, timp)
and Part for Handbells (3
oct.) available as a
digital download.
For Military Band. By Gustav Holst. Arranged by Colin Matthews. (Score & Parts)...(+)
For Military Band. By
Gustav Holst. Arranged by
Colin Matthews. (Score &
Parts). Boosey and Hawkes
Concert Band. Size 9x12
inches. 512 pages.
Published by Boosey &
Hawkes.
By Gustav Holst. Arranged by Colin Matthews. (Score). Boosey and Hawkes Concert ...(+)
By Gustav Holst. Arranged
by Colin Matthews.
(Score). Boosey and
Hawkes Concert Band.
Softcover with CD. Size
9x12 inches. 48 pages.
Published by Boosey &
Hawkes.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Nach dir, Herr, verlanget
mich. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
circa 1706. BWV 150.
Duration 17 minutes.
Carus Verlag #CV
31.150/19. Published by
Carus Verlag
(CA.3115019).
ISBN
9790007136819. Key: B
minor. Language:
German/English.
The
cantata Nach dir, Herr,
verlanget mich (O my
Lord, I long for thee)
BWV 150 is one of the
earliest cantatas from
Bach's Muhlhausen period.
Its authenticity was long
disputed, partly because
of the stylistic
characteristics of this
early work, but also
because the cantata only
survives in sources
dating from the period
after Bach's death.
However, in recent years
a hidden dedication to
Conrad Meckbach, a member
of the Muhlhausen town
council and patron of
Bach, has been
deciphered: the initial
letters of the free
poetry reveal the
acrostic Doctor Conrad
Meckbach (in the 18th
century spelling),
revealing a link to the
city of Muhlhausen and
almost certainly
confirming Bach's
authorship of the
cantata. The occasion of
the composition of the
work is still unknown.
The small instrumental
scoring for just two
violins, bassoon, and
continuo, plus the fact
that only the soprano is
given a solo movement,
suggest a performance
with modest resources.
Score and parts available
separately - see item
CA.3115000.
Piano - easy to intermediate SKU: M7.DUX-6017 Piano accompaniment for ...(+)
Piano - easy to
intermediate
SKU:
M7.DUX-6017
Piano
accompaniment for
trumpet, alto saxophone,
clarinet and
trombone. Arranged by
Martin Gasselsberger and
Uwe Sieblitz. Sheet
music. 60 pages. Edition
Dux Verlag #DUX 6017.
Published by Edition Dux
Verlag (M7.DUX-6017).
ISBN
9783868493665.
It
is particularly their
stylistic variety that
makes these arrangements
so special, ranging from
classically traditional
to modern and groovy.
Piano - easy to intermediate SKU: M7.DUX-6019 Piano accompaniment for ...(+)
Piano - easy to
intermediate
SKU:
M7.DUX-6019
Piano
accompaniment for
flute. Arranged by
Martin Gasselsberger and
Uwe Sieblitz. Sheet
music. 60 pages. Edition
Dux Verlag #DUX 6019.
Published by Edition Dux
Verlag (M7.DUX-6019).
ISBN
9783868493689.
It
is particularly their
stylistic variety that
makes these arrangements
so special, ranging from
classically traditional
to modern and groovy.
Piano - easy to intermediate SKU: M7.DUX-6018 Piano accompaniment for ...(+)
Piano - easy to
intermediate
SKU:
M7.DUX-6018
Piano
accompaniment for tenor
saxophone and horn.
Arranged by Martin
Gasselsberger and Uwe
Sieblitz. Sheet music. 60
pages. Edition Dux Verlag
#DUX 6018. Published by
Edition Dux Verlag
(M7.DUX-6018).
ISBN
9783868493672.
It
is particularly their
stylistic variety that
makes these arrangements
so special, ranging from
classically traditional
to modern and groovy.
Arranged by Carrie Lane Gruselle. Beginning String Orchestra. FJH Beginning Stri...(+)
Arranged by Carrie Lane
Gruselle. Beginning
String Orchestra. FJH
Beginning Strings. Score
for this title: ST6108S.
Extra part for this
title: ST6108P. String
Orchestra. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Tangos and other Rhythms from South America. Composed by Roberto Pintos. ...(+)
Tangos and other
Rhythms from South
America. Composed by
Roberto Pintos. Woodwind
music. Set of parts.
Published by Doblinger
Music Publishers
(DB.05-00483).
(The Art and Technique of the Classical Guitar ) Written by Christopher Parkenin...(+)
(The Art and Technique of
the Classical Guitar )
Written by Christopher
Parkening, David Brandon,
Jack Marshall. For
guitar. Format: method
book. With standard
guitar notation,
instructional photos,
instructional text and
introductory text.
Instructional. Series:
Hal Leonard Guitar
Method. 136 pages. 8.5x11
inches.
Concert Band (Score) - Grade 2 SKU: HL.4007564 Composed by Michael Giacch...(+)
Concert Band (Score) -
Grade 2
SKU:
HL.4007564
Composed
by Michael Giacchino.
Arranged by Johnnie
Vinson. Flex-Band Grade
2. Movies. Softcover. 16
pages. Duration 310
seconds. Published by Hal
Leonard (HL.4007564).
UPC: 196288064954.
9.0x12.0x0.036
inches.
Scored for
flexible instrumentation,
this dynamic arrangement
of the Spider-Man main
theme includes three
stylistic sections - the
slow opening, delicate
treatment in 3/4, and
concluding with the
exciting setting in
4/4.
Artistic Pedal Technique Piano seul [Partition] - Intermédiaire/avancé Frederick Harris Music Company
By Katherine Faricy. For Piano. Lessons for Intermediate and Advanced Pianists. ...(+)
By Katherine Faricy. For
Piano. Lessons for
Intermediate and Advanced
Pianists. Technique.
Level: Grades 3-10. Book.
Published by The
Frederick Harris Music
Company.
SKU: WD.080689705120 Composed by John E. Coates. Modern Christian: Sacred...(+)
SKU:
WD.080689705120
Composed by John E.
Coates. Modern Christian:
Sacred. Accompaniment CD
(split). Word Music
#080689705120. Published
by Word Music
(WD.080689705120).
UPC:
080689705120.
In
the past twenty years,
worship styles in many
churches have
transformed, emphasizing
a personal worship that
strives for intimacy with
the Father. This renewal
led some ministries,
perhaps unintentionally,
to abandon the great
hymns of our faith in
favor of newly composed
worship songs. Other
ministries, in an effort
to create a balanced
worship style, mixed the
new with the old,
sometimes with results
that only amplified the
differences between the
two. Hymns for Praise &
Worship bridges the
stylistic gap between
modern-day worship songs
and the hymns of our
Christian heritage. A
select advisory board of
active music ministers,
Word Music staff and key
choral arrangers were
assembled to pinpoint
fifty-six hymns from the
vast array of hymnody,
not only for their
musical quality, but for
the messages that they
bring to worshippers
today. Veteran choral
arrangers John E. Coates
and Travis Cottrell have
been creating new
settings of hymns for
their own congregations
for years. Their
experience as worship
leaders brought not only
musicality, but also
congregational and choral
pragmatism to each new
arrangement in Hymns for
Praise & Worship. With
all of the same editions
and features as the Songs
for Praise & Worship
series, this collection
is designed to work
hand-in-hand with
existing resources for
worship. Various
stylistic changes make
these settings flow
easily, appeal to the
modern ear, and correlate
with the styles of
contemporary praise &
worship songs. Throughout
this book you will
encounter variations from
traditional time
signatures, intuitive
syncopated rhythms, and
substituted chords and
harmonies. Even the few
hymns with more
traditional settings are
treated in a manner that
takes the congregation on
a journey through the
verses, sometimes in a
more through-composed
manner, and usually
culminating in a
climactic conclusion.
Each of the changes was
not implemented
arbitrarily, but with the
goal of making the
timeless messages of each
hymn leap from the page
in new and exciting ways.
Two added features of
Hymns for Praise &
Worship are the
demonstration and
accompaniment recordings.
While the songs in the
collection are well
known, the new
arrangements are not. The
staff of Word Music felt
that it was vital to
provide audible resources
to teach and lead worship
to best communicate the
desires of the arrangers.
All of the core editions
(Choir/Worship Team,
Worship Planner, Keyboard
Edition, Guitar Edition)
reflect the verses and
voicings used on the
recordings.