Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
Alto saxophone (SCHULE+CD) - very easy to easy SKU: HL.49033323 Die mo...(+)
Alto saxophone
(SCHULE+CD) - very easy
to easy
SKU:
HL.49033323
Die
moderne Schule fur
Jugendliche und
Erwachsene. Composed
by Juchem. This edition:
Ring/Spiral binding.
Sheet music with CD.
Edition Schott. Edition
with CD. 130 pages.
Schott Music #ED 9832.
Published by Schott Music
(HL.49033323).
ISBN
9783795757311.
9.0x12.0x0.675 inches.
German.
This
saxophone method is
suitable for lessons and
self-study and is aimed
at young people and
adults who want to learn
to play the saxophone
with fun and success.
This is why this
established method
focuses on well-known
songs - long-winded
explanations and dry
exercises are avoided.
All subject matters have
been wrapped up in
attractive songs and
pieces which sound like
real music right from the
beginning thanks to the
live recorded playback
tracks. Thus, exercising
is fun. Another
successful instrumental
method in the well-known
'Hobby' series. Dirko
Juchem has made a name
for himself as a
saxophonist, saxophone
teacher and specialist
author on both a national
and international level
for many years.His
saxophone sound and wide
range of styles are well
in demand: He has played
with well-known German
and international artists
such as Rolf Zuckowski,
Barbara Dennerlein,
Thomas Anders, Anne
Haigis, Harald Juhnke, Pe
Werner, Sara K. as well
as with musicians of
Jethro Tull, Jazz-Kantine
or the Mike Oldfield
Band. Apart from numerous
concerts and productions
with other artists and
bands, he performs again
and again with his own
programmes - solo, as a
duo or with an entire
band. Up to now, he has
performed in more than
100 CD and LP
productions, and his
tours have taken him as
far as Los Angeles and
Taiwan.Having taught at
various music schools as
a saxophone teacher and
held lectures at the
Bundesakademie Remscheid
as a guest lecturer, he
knows the problems of
saxophonists from
first-hand experience.In
addition, Dirko Juchem is
the author of numerous
textbooks and tune books
for the saxophone as well
as a specialist author of
articles for musicians'
journals ('Sonic', 'Sound
Check', 'Fachblatt
Musikmagazin').
Sacris solemniis Chorale SATB SATB A Cappella CanticaNOVA Publications
Composed by Claudio Casciolini. Arranged by Timothy Flynn. A beautiful, yet easy...(+)
Composed by Claudio
Casciolini. Arranged by
Timothy Flynn. A
beautiful, yet easy
addition to your choir's
Eucharistic repertoire,
this motet by the former
Maestro di cappella at
the church of San Lorenzo
in Damaso (Rome) features
comfortable vocal ranges
and primarily homophonic
textures with some
imitative count.
Communion, General.
Published by CanticaNOVA
Publications (C5.7085).
(Komisches Streichquartett uber die 5. Symphonie von Ludwig van Beethoven) Compo...(+)
(Komisches
Streichquartett uber die
5. Symphonie von Ludwig
van Beethoven) Composed
by Werner Thomas-Mifune
(1941-), arranged by Ivan
Roth. For soprano
saxophone in B, alto
saxophone in Eb, tenor
saxophone in B and
baritone saxophone in Eb.
Includes set of
performance parts and
full score. With full
score notation and
standard notation. 20th
Century. 16 pages. 9x12
inches. Published by
Edition Kunzelmann.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115313 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115313
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Viola. Sacred
vocal music, Cantatas,
New year. Single Part,
Viola. Composed 1724. BWV
153. 4 pages. Duration 15
minutes. Carus Verlag #CV
31.153/13. Published by
Carus Verlag
(CA.3115313).
ISBN
9790007208691. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score and part available
separately - see item
CA.3115300.
Soli ATB, SATB Choir, 2 Vl, Va, Bc SKU: CA.3115305 Cantata for the Sun...(+)
Soli ATB, SATB Choir, 2
Vl, Va, Bc
SKU:
CA.3115305
Cantata
for the Sunday after New
Year. Composed by
Johann Sebastian Bach.
Edited by Karin
Wollschlager. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, New
year. Choral Score.
Composed 1724. BWV 153. 4
pages. Duration 15
minutes. Carus Verlag #CV
31.153/05. Published by
Carus Verlag
(CA.3115305).
ISBN
9790007183431. Language:
German/English.
Bac
h chose an unconventional
beginning for his
nine-movement cantata
Schau, lieber Gott, wie
meine Feind BWV 153,
which he composed in his
first year as Kantor of
St. Thomas's for the
Sunday after New Year
1724. Instead of the
usual opening chorus, the
cantata opens with a
simple four-part chorale
movement. There are also
chorales in the middle of
the work (movement 5) and
at the end. By avoiding
extended or demanding
choral movements, Bach
probably wanted to save
the voices of his choir
members at St Thomas's,
who had just been
involved in a demanding
week of almost constant
singing. This may also be
why the cantata uses just
three soloists (alto,
tenor, bass). In the
arias, each preceded by a
secco recitative, the
accompaniment is provided
by 2 violins and viola.
Score available
separately - see item
CA.3115300.
Solo baritone voice, mixed choir (SSSAATTBBBB), Instr-Bass ad libitum (Baritone ...(+)
Solo baritone voice,
mixed choir
(SSSAATTBBBB), Instr-Bass
ad libitum (Baritone
solo, Mixed choir
(SSSAATTBBBB), Bass
instrument ad libitum) -
Level 4
SKU:
BA.BA11301
Composed
by Georg Christoph
Biller. Stapled. Choral
score. 14 pages.
Baerenreiter Verlag
#BA11301_00. Published by
Baerenreiter Verlag
(BA.BA11301).
ISBN
9790006565412. 27 x 19 cm
inches. Language:
German.
Georg
Christoph Billers
„Drei
Motetten“ für
vielstimmig gemischten
Chor, Solo-Bariton (in
„St.
Thomas-Motette“ und
„Hiobs
Botschaft“) und
Bassinstrument (ad lib.)
zeugen vom
vielschichtigen
Kompositionsstil des
ehemaligen Thomaskantors
und sind in praktischen
Einzelausgaben mit
separater Bassstimme
erhältlich.
Der
ehemalige Thomaskantor
Georg Christoph Biller
komponierte die dritte
seiner Drei Motetten,
„St.
Thomas-Motette“
(2010/2016), in Gedanken
an den Thomasschüler
Richard Wagner.
„Selig sind, die
nicht sehen und doch
glauben“: Die
Motette für acht- bis
zehnstimmigen gemischten
Chor, Solo-Bariton und
Bassinstrument (ad
libitum) erzählt die
Geschichte des
zweifelnden Thomas. Als
Reminiszenz an Wagner und
die Religiosität
seines
„Bühnenweihfests
piels“ erklingt das
Anfangsmotiv des
Parsifal.
SATB Chorus, a cappella SKU: SU.91480530 For SATB Chorus, a cappella(+)
SATB Chorus, a cappella
SKU: SU.91480530
For SATB Chorus, a
cappella. Composed by
Dan Locklair.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Composed 2009. Duration
4'. Subito Music
Corporation #91480530.
Published by Subito Music
Corporation
(SU.91480530).
Vs. 2-5
Text: The First Letter of
Peter: Chapter
2.
The
words, Surely thou hast
tasted that the Lord is
good, open the anthem.
This gentle and lyrical
section, marked by
dialogue between the
sections of the choir,
unfolds and eventually
reaches a climax on the
words precious in the
sight of God. A quick,
energetic and imitative
middle section soon
emerges to proclaim the
words, Come, and let
yourselves be built, as
living stones, into a
spiritual temple. Here
the spirit of medieval
music, the building
stones for Western music,
is invoked. After the
anthem’s primary
climax is reached on the
words Jesus Christ, a
solo soprano emerges from
the choral texture to
close this work with a
serene Amen. The first
performance of Dan
Locklair’s anthem,
In the sight of God took
place on Sunday 4 October
2009. The occasion was
Dedication Sunday, and
the text was selected by
John Scott from The First
Letter of Peter, vv 2-5.
Professor Locklair has
provided us with a
delightful addition to
our repertoire at St
Thomas. The work is
grateful to sing, well
written for voices,
lyrical in style with a
well-crafted sense of
architecture and climax.
In every sense it is an
enjoyable piece for the
choir, quite
approachable, and judging
from the many positive
comments I heard
afterwards from members
of the congregation, it
was very well received.
-- Reflections on the
premiere by John Scott,
Director of Music, St.
Thomas Church Fifth
Avenue, New York, NY
SATB Chorus, a
cappella Duration: 4'
Text: The First Letter of
Peter: Chapter 2, vs. 2-5
Composed: 2009 Published
by: Subito Music
Publishing Minimum order
quantity: 8 copies.
Perusal copies are
available by contacting
perusalrequest@subitomusi
c.com (include the
organization name with
your request). To order
quantities fewer than 8,
please call customer
service at (973)
857-3440. YouTube:.
By Robert Schumann. Edited by Thomas Labé. For Piano. This edition: 2 copies re...(+)
By Robert Schumann.
Edited by Thomas Labé.
For Piano. This edition:
2 copies required. Duet
or Duo; Masterworks;
Piano Duo (2 Pianos, 4
Hands). Alfred Masterwork
Edition. Form: Concerto.
Masterwork; Romantic.
Advanced. Book. 144
pages. Published by
Alfred Music Publishing
Guitar (fingerpicking) SKU: MB.30844M An Autobiography of Nehemiah Ski...(+)
Guitar (fingerpicking)
SKU: MB.30844M
An Autobiography of
Nehemiah Skip James.
Composed by Nehemiah Skip
James. Theory and
Reference, Squareback
saddle stitch. Style.
Book and online audio.
132 pages. Mel Bay
Publications, Inc
#30844M. Published by Mel
Bay Publications, Inc
(MB.30844M).
ISBN
9781513464268. 8.75 x
11.75
inches.
Skip James was one
of the most influential
early Bluesmen, but his
importance as a stylist
remained undiscovered
until he was brought out
of a long retirement by
the Folk/Blues revival of
the early 1960â??s. Born
in 1902 and raised in
Bentonia, Nehemiah Curtis
James was brought up in a
religious family: his
father was a bootlegger
who reformed and became a
Baptist preacher. Skip
learned piano in school
but picked up guitar from
his friend Henry Stuckey.
In 1931 Skip was picked
up by a scout for
Paramount Records and he
cut 26 tracks, of which
18 were released, in a
two day session at their
Grafton, Wisconsin
studios. These recordings
presented a unique and
haunting genius that
influenced legendary
bluesmen as Robert
Johnson, Kansas Joe McCoy
and Johnny Temple. But
the recordings sold
poorly, having been
released during the Great
Depression, and he
drifted into
obscurity.
<
span style=font-family:
Arial;> We have included
as online downloads
Skipâ??s 1931
recordings. The crackling
sound of these rare
recordings cannot obscure
the brilliance of this
seminal Blues
master.
After over 30
yearâ??s retirement from
music, Skip was
rediscovered by Blues
enthusiasts Bill Barth,
John Fahey and Henry
Vestine. They persuaded
Skip to appear at the
Newport Folk Festival in
1964, where his
renditions of his old
songs were still powerful
and moving. His
performances as well as
his old and new
recordings influenced a
generation of new
musicians: Eric Clapton,
Alan Wilson of Canned
Heat, Cream, Deep Purple,
Chris Thomas King, Alvin
Youngblood Hart, Derek
Trucks, Beck, Big Sugar,
John Martyn, Lucinda
Williams and Rory Block
to name a
few.
Books on
legendary Blues musicians
written by white
musicologists tend to
offer a subjective
perspective on how the
artists felt, thought or
reacted. A tainted
picture is captured that
has more to do with the
writerâ??s social and
musical experiences. This
autobiography is
different. The words,
thoughts and feelings
come directly from the
artistâ??s lips. This is
the story of Nehemiah
â??Skipâ? James told
by Nehemiah â??Skipâ?
James.
By Wolfgang Amadeus Mozart. Arranged by Thomas Lajoie. Music by Wolfgang Amadeus...(+)
By Wolfgang Amadeus
Mozart. Arranged by
Thomas Lajoie. Music by
Wolfgang Amadeus Mozart /
arr. Thomas LaJoie. For
String Orchestra. String
Orchestra. String
Orchestra. Conductor
Score. 16 pages.
Published by Alfred
Publishing. Level: 4
(grade 4).