Boids again Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.EB-9383 Composed by Misato Mochizuki. ...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-9383
Composed
by Misato Mochizuki.
Chamber music; stapled.
Edition Breitkopf. New
music (post-2000). Full
score. Composed
2019/2020. 12 pages.
Duration 7'. Breitkopf
and Haertel #EB 9383.
Published by Breitkopf
and Haertel (BR.EB-9383).
ISBN 9790004188538. 9
x 12 inches.
Two
years ago in Rome, I
encountered a murmuration
of starlings and I was
amazed with its
overwhelming beauty,
changing shape as it
moved. Moving of a fish
school that you can watch
in an aquarium, has the
same beauty and the
energy. According to the
scientists, their fine
movement in a flock is
based on the following
three simple rules: -
steer to avoid crowding
local flockmates - steer
towards the average
heading of local
flockmates - steer to
move towards the average
position (center of mass)
of local flockmates The
word Boids refers to
bird-like objects
(bird-oids), representing
the beauty of their
movements in a flock
which is a result of
balancing out with each
other, following the
principle of least
effort. I wonder if these
rules can be applied to
the way a string quartet
is shaped. Boids again
has been written as a
sequel to the piece Boids
(2017), a 4 minute study
for string quartet in the
frame of the Kronos
Quartet's educational
project 50 for the
Future. (Misato
Mochizuki)
World
premiere: Osaka,
International Chamber
Music Competition,
February 12, 2021
Commissioned by Osaka
International Chamber
Music Competition and
Festa Commission.
Boids again Quatuor à cordes: 2 violons, alto, violoncelle Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.EB-9384 Composed by Misato Mochizuki. ...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-9384
Composed
by Misato Mochizuki.
Chamber music; stapled.
Edition Breitkopf. New
music (post-2000). Set of
parts. Composed
2019/2020. 36 pages.
Duration 7'. Breitkopf
and Haertel #EB 9384.
Published by Breitkopf
and Haertel (BR.EB-9384).
ISBN 9790004188545. 9
x 12 inches.
Two
years ago in Rome, I
encountered a murmuration
of starlings and I was
amazed with its
overwhelming beauty,
changing shape as it
moved. Moving of a fish
school that you can watch
in an aquarium, has the
same beauty and the
energy. According to the
scientists, their fine
movement in a flock is
based on the following
three simple rules: -
steer to avoid crowding
local flockmates - steer
towards the average
heading of local
flockmates - steer to
move towards the average
position (center of mass)
of local flockmates The
word Boids refers to
bird-like objects
(bird-oids), representing
the beauty of their
movements in a flock
which is a result of
balancing out with each
other, following the
principle of least
effort. I wonder if these
rules can be applied to
the way a string quartet
is shaped. Boids again
has been written as a
sequel to the piece Boids
(2017), a 4 minute study
for string quartet in the
frame of the Kronos
Quartet's educational
project 50 for the
Future. (Misato
Mochizuki)
World
premiere: Osaka,
International Chamber
Music Competition,
February 12, 2021
Commissioned by Osaka
International Chamber
Music Competition and
Festa Commission.
((or Solo Violin)). By Anne C. Witt. For Violin. Solos. Bill's Music Shelf. Scot...(+)
((or Solo Violin)). By
Anne C. Witt. For Violin.
Solos. Bill's Music
Shelf. Scottish.
Beginning-Intermediate.
Book. 32 pages. Published
by Mel Bay Publications,
Inc
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
By W. S. Gilbert, music by Arthur Sullivan. Arranged by Michael Rosewall. Choir ...(+)
By W. S. Gilbert, music
by Arthur Sullivan.
Arranged by Michael
Rosewall. Choir Secular.
Men's Choir. Choral
Octavo. Choral Designs.
20 pages. Published by
Alfred Music
Edited by Nancy Bachus. Collection for piano solo. With performance CDs and hist...(+)
Edited by Nancy Bachus.
Collection for piano
solo. With performance
CDs and historical
background information.
Series: A History of
Piano Masterworks. 128
pages. Published by
Alfred Publishing.
By Amy Appleby. For Piano and Voice, with Guitar chord symbols. Irish, Folk, Cel...(+)
By Amy Appleby. For Piano
and Voice, with Guitar
chord symbols. Irish,
Folk, Celtic. Level:
Intermediate to Advanced.
Sheet Music. Published by
Wise Publications.
Spirit of the Winds Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.011-3637-01 Composed by Robert W. Smith. Young Concert Ba...(+)
Grade 2
SKU:
CL.011-3637-01
Composed by Robert W.
Smith. Young Concert
Band. Command Series.
Audio recording available
separately (item
CL.WFR351). Extra full
score. Composed 2007.
Duration 5 minutes, 15
seconds. C.L. Barnhouse
#011-3637-01. Published
by C.L. Barnhouse
(CL.011-3637-01).
Spirit of the
Winds, a concert/festival
work for the developing
band, was inspired by the
beautiful Temecula Valley
of California. Each year,
the sky over the valley
is filled with hot air
balloons creating a
visual sight that is not
soon forgotten. Of
course, balloons are
unable to steer and must
fly with the gentle
breezes of the air
current. As a result,
those subject to the
spirit of the winds can
find themselves over
festival grounds or
floating above the
beautiful Temecula Valley
vineyards. Beginning with
a bold, yet mysterious
statement, the
introduction gives way to
a soaring melody as our
flight begins. Cascading
figures in the woodwinds
create the effect of wind
currents followed by a
beautiful secondary
melodic statement. The
original theme returns
leading to a very
energetic conclusion.
Accessible to a wide
range of concert bands,
Spirit of the Winds
provides multiple
teaching opportunities
and will be enjoyed by
both performer and
audience.
About C.L.
Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Intermediate to Early Advanced Works by 36 Composers. Edited by Maurice Hinson. ...(+)
Intermediate to Early
Advanced Works by 36
Composers. Edited by
Maurice Hinson.
Masterworks; Piano
Collection. Alfred
Masterwork Edition.
Classical; Masterwork.
Book. 248 pages. Alfred
Music #00-14714.
Published by Alfred Music
Edited by Nancy Bachus. perf. Daniel Glover. For Piano. Piano Collection. Spirit...(+)
Edited by Nancy Bachus.
perf. Daniel Glover. For
Piano. Piano Collection.
Spirit Series.
Masterwork. Level:
Intermediate / Early
Advanced (grade 4/5/6/6
). Book and CD. 64 pages.
Published by Alfred
Publishing.
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
SKU: BR.BV-326 Helmut Lachenmanns Begegnungen mit Luigi Nono anhand ih...(+)
SKU: BR.BV-326
Helmut Lachenmanns
Begegnungen mit Luigi
Nono anhand ihres
Briefwechsels und anderer
Quellen 1957-1990.
Composed by Rainer
Nonnenmann. Hardback.
Buchverlag Breitkopf &
Hartel (Music Books).
Awarded the German
Music Edition Prize
2014
Music post-1945;
New music (post-2000).
Book. 480 pages.
Breitkopf and Haertel #BV
326. Published by
Breitkopf and Haertel
(BR.BV-326).
ISBN
9783765103261. 7 x 9.5
inches. German.
An
exceptional
teacher-student
relationshipLuigi Nono
and Helmut Lachenmann
were bound by an
exceptional
teacher-student
relationship. The
21-year-old student
Lachenmann was so
impressed by the
charismatic avant-garde
composer Nono in
Darmstadt in 1957 that he
went to Venice to study
with him. Lachenmann
later designated their
relationship as steering
among cliffs with an
intensive exchange of
ideas, plans and
compositions, personal
and artistic crises as
well as heated
controversies which led
to quarrels, to a silence
of several years, and,
finally, to a lasting
friendship. This is
documented in letters,
dedications, semester
reports and lecture texts
that are published here
for the first time and
presented in their proper
context.From the press:A
book I simply cannot put
down (Joerg Widmann)....
more than just a moving
story whoeverwants to
know what an artistic
exchange can really mean
should read this document
(NikolausBrass).An
incredibly enlightening
documentary (Peter
Ruzicka).The reader
becomes thewitness of an
extremely exciting
dialogue between two
great composers (Michael
Haefliger).
642 More Creative Musical Games for Students, Teachers, and Performers. C...(+)
642 More Creative
Musical Games for
Students, Teachers, and
Performers. Composed
by Jeffrey Agrell. Music
Education. 386 pages.
Published by GIA
Publications (GI.G-9174).