Celtic Classics Orchestre, Violon - Intermédiaire Amstel Music
For Wind Orchestra and opt. Solo Fiddle. Composed by Johan De Meij. Amste...(+)
For Wind Orchestra and
opt. Solo Fiddle.
Composed by Johan De
Meij. Amstel Music.
Irish, Folk. Softcover.
46 pages. Amstel Music
#AM143-140. Published by
Amstel Music
(HL.4005098).
SKU: BA.BVK01950 Composed by Andreas N. Tarkmann and Johannes Kohlmann. P...(+)
SKU: BA.BVK01950
Composed by Andreas N.
Tarkmann and Johannes
Kohlmann. Paperback.
Book. 240 pages.
Baerenreiter Verlag
#BVK01950_00. Published
by Baerenreiter Verlag
(BA.BVK01950).
ISBN
9783761819500. 19 x 12.5
cm inches. Language:
German. Preface:
Tarkmann, Andreas
N.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
By Earl Kim. Orchestra. For 3 Flutes (3rd Doubles Piccolo), 2 Oboes, 3 Clarinets...(+)
By Earl Kim. Orchestra.
For 3 Flutes (3rd Doubles
Piccolo), 2 Oboes, 3
Clarinets in Bb (3rd
Doubles Bass Clarinet), 2
Bassoons, 3 Horns, 3
Trumpets in Bb, 3
Trombones (3rd Doubles
Bass Trombone),
Percussion [Susp.
Cymbals, High Conga Drum,
Small Bass Drum, Covered
Drum ('pitch' Shou. World
Premiere: New York
Philharmonic, I. Perlman,
violin, Zubin Mehta,
conductor; Avery Fisher
Hall, New York.
Contemporary. Full score
(large). Standard
notation. 68 pages.
Duration 22 minutes.
Published by Theodore
Presser Company
Solo Violin and Full Orchestra. By Sheldon Harnick, Jerry Bock. Arranged by John...(+)
Solo Violin and Full
Orchestra. By Sheldon
Harnick, Jerry Bock.
Arranged by John
Williams. (Score and
Parts). John Williams
Signature - String.
Published by Hal Leonard.
Solo Violin and Full Orchestra. By Jerry Bock And Sheldon Harnick. Arranged by J...(+)
Solo Violin and Full
Orchestra. By Jerry Bock
And Sheldon Harnick.
Arranged by John
Williams. John Williams
Signature - String.
Softcover. Published by
Hal Leonard.
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Violin and orchestra SKU: FG.55011-261-2 Kuusi humoreskia. Compose...(+)
Violin and orchestra
SKU:
FG.55011-261-2
Kuusi humoreskia.
Composed by Jean
Sibelius. This edition:
urtext. Spiral-bound.
Score. 161 pages.
Published by Fennica
Gehrman (FG.55011-261-2).
ISBN
9790550112612.
Base
d on the composer's
manuscripts, this Urtext
edition has an extensive
preface and commentary
shedding light on the
genesis of the work and
correcting many misprints
and misinterpretations in
the previous editions.
The edition also includes
the early version of
Humoresque No. 1, now
published for the first
time.
Violin and orchestra SKU: HL.49019952 This edition: Paperback/Soft Cover....(+)
Violin and orchestra
SKU: HL.49019952
This edition:
Paperback/Soft Cover.
Sheet music with CD.
Eulenberg Audio plus
Score. Softcover with CD.
781 pages. Eulenburg
Edition #EAS12. Published
by Eulenburg Edition
(HL.49019952).
ISBN
9783795772611. UPC:
841886021471.
6.25x9.0x2.301
inches.
Mendelssohn
: Concerto in E minor,
Bruch: Concerto No. 1,
Brahms: Concerto in D,
Beethoven: Concerto in D,
Vivaldi: The Four
Seasons, Tchaikovsky:
Concerto in D, Bach:
Concerto in A minor,
Bach: Concerto in E,
Bach: Concerto for two
Violins in D minor,
Brahms: Double Concerto
in A minor.
Violin and orchestra SKU: M7.BP-371 Composed by Ludwig van Beethoven. Edi...(+)
Violin and orchestra
SKU: M7.BP-371
Composed by Ludwig van
Beethoven. Edited by
Willy Hess. Sheet music.
Piano reduction with solo
part, + facsimile. Op. 40
& 50. Amadeus Verlag #BP
371. Published by Amadeus
Verlag (M7.BP-371).
Violin and orchestra SKU: M7.BP-371-01 Composed by Ludwig van Beethoven. ...(+)
Violin and orchestra
SKU: M7.BP-371-01
Composed by Ludwig van
Beethoven. Edited by
Willy Hess. Sheet music.
Piano reduction with solo
part. Op. 40 & 50.
Amadeus Verlag #BP
371-01. Published by
Amadeus Verlag
(M7.BP-371-01).
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For violin ...(+)
Composed by William
Walton (1902-1983).
Edited by David
Lloyd-Jones. For violin
and orchestra (solo
violin, 2 flutes, 2
oboes, 2 clarinets in A,
2 bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, percussion,
harp, strings). William
Walton Edition. Pieces
and Studies. Level D
(difficult). Study score.
184 pages. Duration 30'.
Published by Oxford
University Press
Orchestra; Violin (Study Score) SKU: HL.49010208 Composed by Giovanni Bat...(+)
Orchestra; Violin (Study
Score)
SKU:
HL.49010208
Composed
by Giovanni Battista
Viotti. Edited by Alfred
Einstein. Arranged by
Alfred Einstein. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
92 pages. Eulenburg
Edition #ETP756.
Published by Eulenburg
Edition (HL.49010208).
ISBN 9783795768256.
UPC: 841886018198.
5.25x7.5x0.266
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra; Violin (Study Score) SKU: HL.49045166 Study Score. Comp...(+)
Orchestra; Violin (Study
Score)
SKU:
HL.49045166
Study
Score. Composed by
Ryan Wigglesworth. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Composed 2011.
72 pages. Duration 16'.
Schott Music #ED13695.
Published by Schott Music
(HL.49045166).
ISBN
9790220135002. UPC:
888680724214.
8.25x11.75x0.276
inches.
Violin
Concerto is scored for a
Classical-sized
orchestra, with the
addition of a harp and
celeste, and lasts around
17 minutes. Although the
work sets out to explore
the lyrical
characteristics of the
solo instrument, it is
only gradually that the
violin finds its full,
lyric voice, and thence,
as the work progresses, a
more dominant role. This,
in one sense, is the
'journey' of the piece.
The work's
straightforward formal
scheme consists of three
movements (roughly
fast-slow-fast) framed by
a reflective introduction
and epilogue. However,
these formal divisions
exist within a single,
unbroken arc. Such an
overall symmetrical shape
places the slow Arioso
(itself divided into
three subsections) at the
midpoint, sandwiched
between the two Allegro
movements. The dramaturgy
of the piece centers on a
twofold search. First
there is the ongoing
pursuit to recapture the
simple melodic material
stated by the solo violin
- accompanied by thar
harp's bass register -
during the opening bars.
Whilst aspects of this
melody are invoked
frequently throughout
(especially in the violin
cadenza which closes the
Arioso movement), it is
only with the final and
most important climax of
the work that the melody
appears again in its
complete form, now
accompanied by violent,
orchestral stabs. The
second search is for a
tonal resting place, the
arrival of which is
delayed until the close
of the epilogue. The
original version of the
Violin Concerto,
commissioned by the
Netherlands Chamber
Orchestra, was premiered
in Amsterdam in February
2012 with Gordan Nikolic
as soloist. The present,
revised version was
created for Barnabas
Kelemen and the
Halle.
Orchestra; Violin (Study Score) SKU: HL.49046240 Violin and Orchestra ...(+)
Orchestra; Violin (Study
Score)
SKU:
HL.49046240
Violin
and Orchestra Study
Score. Composed by
Alban Berg. Edited by
Douglas Jarman. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed 1935.
92 pages. Duration 1740
seconds. Eulenburg
Edition #ETP1906.
Published by Eulenburg
Edition (HL.49046240).
ISBN 9783795714536.
UPC: 888680964696.
6.0x9.0x0.237
inches.
The violin
concerto from 1935 is
probably the best-known
and most frequently
performed instrumental
work by Alban Berg.
Written on behalf of the
violinist Louis Krasner,
it is his last completed
composition. Krasner
played the solo part at
the world premiere at the
Palau de la Música
Catalana in Barcelona on
19 April 1936 after
Berg's death. The concert
is dedicated to
“The Memory of an
Angel.†Berg
processed the death of
18-year-old Manon
Gropius, who had
contracted polio, and his
daughter Alma
Mahler-Werfel's marriage
to architect Walter
Gropius. His intention
was “to translate
the traits of the young
girl into musical
charactersâ€. With
more than 1,200 titles
from orchestral and
choral literature,
chamber music and music
theater, Edition
Eulenburg is the largest
score series in the
world. It covers a large
part of music history
from the baroque to
classical modernism and
looks back on a long
tradition.
Orchestra; Violin (Study Score) SKU: HL.49010216 Composed by Wolfgang Ama...(+)
Orchestra; Violin (Study
Score)
SKU:
HL.49010216
Composed
by Wolfgang Amadeus
Mozart. Edited by Rudolf
Gerber. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed 1775. 54
pages. Duration 22'.
Eulenburg Edition #ETP
763. Published by
Eulenburg Edition
(HL.49010216).
ISBN
9790200206647.
5.25x7.5x0.148
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.