Edited by Gail Acosta. Arranged by Daniel Kelley. For Violin and Piano. Solos. R...(+)
Edited by Gail Acosta.
Arranged by Daniel
Kelley. For Violin and
Piano. Solos. Recital.
Level: Intermediate.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin,
piano
SKU:
PR.114419280
Composed
by Chen Yi. Arranged by
Wong Tak Chiu.
Performance Score. 32+12
pages. Duration 20
minutes. Theodore Presser
Company #114-41928.
Published by Theodore
Presser Company
(PR.114419280).
ISBN
9781491132357. UPC:
680160676125.
Inspi
red by Chinese tradition,
this concerto-like dance
suite includes: 1. Lion
Dance, 2. YangKo, and 3.
Muqam. Each movement
draws from melodies and
rhythms characteristic of
various regions of China
many centuries ago.
CHINESE FOLK DANCE SUITE
is available for violin
with full orchestra, or
as a recital work with
piano. Supported by a
major commissioning award
from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, Chinese Folk
Dance Suite is written
for solo violin and
orchestra; it was
premiered by The
Women’s
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San
Francisco.Inspired by
various Chinese
traditional folk dances,
the suite has three
movements:I. Lion Dance.
Traditionally, people
dance with richly
decorated hand-made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In this composition, I
use Chinese drum and
other percussion
instruments in the
background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
the traditional Guangdong
tune “Dragon Boat
Racing,†and the
Chaozhou tune “Lion
Playing Ball.â€II.
YangKo. Originating in
northern China, this is a
major folk dance form in
mass performance
popularized in the
country. In YangKo
performance, people play
rhythmic patterns on the
drums hung around their
waists while singing and
dancing. In the second
movement, I imagined a
warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members of the
orchestra sing
non-pitched syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever-going pulse.III.
Muqam. This large-scale
music and dance form,
from the Uygur
nationality in Xinjiang
province, originated in
the 15th century. My
third movement use a 7/8
meter and the melodic
style of Muqam music. The
fiery dancing gesture
culminates in the
sustained climax section
at the end of the work,
after a colorful violin
cadenza in both
improvisational singing
style and polyphonic
writing with woven
lines.
Violin. Arranged by Various. Play-Along; Solo; String Series. Instrumental Sol...(+)
Violin. Arranged by
Various.
Play-Along; Solo; String
Series. Instrumental
Solos
Series. Masterwork
Arrangement. Book; CD. 40
pages. Alfred Music #00-
47065. Published by
Alfred
Music
(Violin). Arranged by Various. For Violin. Book; CD; Play-Along; String Series. ...(+)
(Violin). Arranged by
Various. For Violin.
Book; CD; Play-Along;
String Series. Top Hits
Instrumental Solos. Pop;
Rock. Grade 2; Grade 3.
28 pages. Published by
Alfred Music
Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Endre Granat. LKM ...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Edited by Endre Granat.
LKM
Music. Ballet, Classical.
Softcover. 24 pages.
Lauren
Keiser Music Publishing
#S511035. Published by
Lauren Keiser Music
Publishing
Solo Violin SKU: SU.29110060 For Solo Violin. Composed by Wynton M...(+)
Solo Violin
SKU:
SU.29110060
For
Solo Violin. Composed
by Wynton Marsalis.
Strings, Violin.
Unaccompanied. Score.
Subito Music Corporation
#29110060. Published by
Subito Music Corporation
(SU.29110060).
1. Sidestep
Reel - In 19th
Century America, the
Afro-Celtic fiddle style
was the centerpiece of
many a dance. Reels and
hornpipes were very
popular forms. Their
repetitive, even-metered
rhythms were easy and fun
to dance to, and their
infectious singable
melodies stayed in the
mind and on the tongue.
More adventurous fiddlers
were given to syncopating
on these forms by
accenting off beats and
by embellishing melodies
with oddmetered note
groupings. Syncopation is
a fundamental rhythmic
attitude of jazz and this
movement is a celebration
of that art. The melodic
language is a home-grown
concoction of commonality
between traditional reels
and hornpipes and the
Baroque, Ragtime and the
quartal concepts of
Modern Jazz. 2. As the
Wind Goes - the
wistful late night song
of a lullabye, a campfire
song, a ballad...a
spiritual. It is sung as
if on the wind, yearning
to experience once again
that which will only ever
again live as memory. 3.
Jones’ Jig -
the Irish Jig, the
African 6/8 bell pattern,
the shuffle rhythm of
jazz and the drum style
of Elvin Jones all play
around with the
relationship of 3 in the
time-space of 2. The
juxtaposition,
negotiation and
reconciliation of these
opposing rhythmic
perspectives create
interesting musical
relationships all over
the globe. 4.
Nicola’s
Strathspey - In the
traditional Strathspey,
improvised
embellishments,
syncopated dotted rhythms
and the use of space
between notes create
expectation, momentum and
surprise. These same
elements and their effect
on the listener are the
same in the blues. It
seems like a natural
marriage. 5. Bye Bye
Breakdown - This is
good ol’, Saturday
night barn dance, hoedown
fiddling. It revels in
the whining cry of open
double stops, in all
types of musical
onomatopoeia from train
sounds to animal calls to
country whistling, and in
the steady 2/4 rhythm
that is as basic as
walking. The harmonic
framework of several
popular fiddle and folk
tunes provide a practical
grid for the cutting of
challenging melodic and
rhythmic figures. It is
designed to tire fiddler
and dancers out. Then we
stomp our way home in
varying states of delight
and disrepair.Solo Violin
Duration: 24' Composed:
2018 Published by: Wynton
Marsalis (administered by
Skayne's Music).
Recorded by Frank Almond, Concertmaster of the Milwaukee Symphony. By Frank Almo...(+)
Recorded by Frank Almond,
Concertmaster of the
Milwaukee Symphony. By
Frank Almond. By Various.
String Solo. Classical.
Softcover Audio Online.
48 pages. Published by G.
Schirmer
Violin, Piano SKU: BA.BA11086 Composed by Thomas Daniel Schlee. Stapled. ...(+)
Violin, Piano
SKU:
BA.BA11086
Composed
by Thomas Daniel Schlee.
Stapled. Urauffuhrung
24.10.2017, Wien.
Performance score, Part
(1). Opus 82. 20/9 pages.
Baerenreiter Verlag
#BA11086_00. Published by
Baerenreiter Verlag
(BA.BA11086).
ISBN
9790006564446. 32.5 x
25.5 cm inches.
A
suite whose movements
always deliver something
other than what they seem
to promise. But
throughout, the two
instruments and
respectively their
players act like two
people in very specific
situations:
I.:
The opening movement is
reserved for the piano;
the initially earnest,
solitary cantilena
intensifies creating
expectation.
Suddenly II.: the
violin sounds. Its moving
figures replace the now
silent piano, also
soloistically. III.
„Passacaglia“
: The title is taken
literally – the
two instruments/persons
encounter each other in
the street. Two musical
characters who meet at a
specific point, recognize
each other, but move on
again, each one by
itself. IV.
„Rondo“: The
two of them dance
together. Before me, I
saw people dancing the
Sardana – a round
dance – in front
of the cathedral of
Barcelona. Four themes in
different time signatures
circle ceaselessly
between the two
instruments. V.
„Fuga“: At
last, regardless, panic
flight – again the
title is taken literally
... Human, only too human
…
Mixed Trios. By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Flute or Oboe
or Violin. Trios. Music
for Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part 1. Published by Last
Resort Music Publishing.
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for easy solo piano.
Over 200 great
masterpieces from the
baroque, classical,
romantic and modern eras.
Series: Piano Treasury
Series. 399 pages.
Published by Music Sales.
Double Bass Solo 2 by Keith Hartley. For Double bass solo. Double Bass. Double B...(+)
Double Bass Solo 2 by
Keith Hartley. For Double
bass solo. Double Bass.
Double Bass Solo. Double
bass solos. 40 pages.
Published by Oxford
University Press
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great...(+)
Edited by Amy Appleby.
Collection and examples
CD for solo piano. Over
125 great masterpieces
from the Baroque,
Classical, Romantic, and
Modern eras. Series:
Piano Treasury Series.
399 pages. Published by
Music Sales.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Piano SKU: SU.96010580 Composed by Wolfgang Amadeus Mozart. Score. Subito...(+)
Piano
SKU:
SU.96010580
Composed
by Wolfgang Amadeus
Mozart. Score. Subito
Music Corporation
#96010580. Published by
Subito Music Corporation
(SU.96010580).
Transcribed and
arranged for Piano by
Lawrence RosenA new,
3-volume set of Mozart
Dances for Piano, 14 of
these dance suites are
faithfully transcribed
for piano at the early to
advanced intermediate
level. Almost all appear
as new Mozart music for
piano (except for the Six
German Dances, K. 509,
which Mozart himself
arranged for piano.)
Within each volume, they
are arranged by
increasing difficulty.
They are eminently suited
for teaching, recital and
concert performance,
encores, recording,
sight-reading practice,
and theoretical study. We
sincerely hope you enjoy
them as much as we did in
discovering and creating
these little
masterpieces.
CONTENTS Six Country
Dances, K. 462
(originally for 2 oboes,
2 Horns, 2 Violins,
Violoncello/Contrabass) Three German
Dances, K. 605
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Bassoons, 2 Horns
(Posthorn,) 2 Trumpets, 2
Violins,
Violoncello/Contrabass,
Timpani, Tuned Bells)
Six German Dances,
K. 571 (originally for 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Contrabass,
Timpani, Tambourine,
Cymbals)
Six
German Dances, K. 600
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Contrabass,
Timpani)
Four
Minuets, K. 601
(originally for 2 Flutes,
2 Oboes, 2 Clarinets, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Bass,
Timpani)
Instrumentation:
Piano Duration:
Composed: Published
by: Subito Music
Publishing.
Piano SKU: SU.96010560 Composed by Wolfgang Amadeus Mozart. Score. Subito...(+)
Piano
SKU:
SU.96010560
Composed
by Wolfgang Amadeus
Mozart. Score. Subito
Music Corporation
#96010560. Published by
Subito Music Corporation
(SU.96010560).
Transcribed and
arranged for Piano by
Lawrence RosenA new,
3-volume set of Mozart
Dances for Piano, 14 of
these dance suites are
faithfully transcribed
for piano at the early to
advanced intermediate
level. Almost all appear
as new Mozart music for
piano (except for the Six
German Dances, K. 509,
which Mozart himself
arranged for piano.)
Within each volume, they
are arranged by
increasing difficulty.
They are eminently suited
for teaching, recital and
concert performance,
encores, recording,
sight-reading practice,
and theoretical study. We
sincerely hope you enjoy
them as much as we did in
discovering and creating
these little
masterpieces.
CONTENTS Six Landler,
K. 606 (Originally for 2
Violins,
Violoncello/Contrabass) Five Country
Dances, K. 609
(originally for Flute, 2
Violins,
Violoncello/Contrabass
Two Minuets, K.
463 (originally for Oboe,
Bassoon, 2 Horns, 2
Violins,
Violoncello/Contrabass) Six German
Dances, K. 567
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Contrabass) Six German
Dances, K. 509
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Contrabass)In
strumentation: Piano
By Peter Ilyich Tchaikovsky. (Piano). Ashley Mark "His Greatest" Series (Piano s...(+)
By Peter Ilyich
Tchaikovsky. (Piano).
Ashley Mark "His
Greatest" Series (Piano
solo arrangements). Book
only. 192 pages.
Published by Ashley
Publications Inc.
Piano SKU: SU.96010570 Composed by Wolfgang Amadeus Mozart. Score. Subito...(+)
Piano
SKU:
SU.96010570
Composed
by Wolfgang Amadeus
Mozart. Score. Subito
Music Corporation
#96010570. Published by
Subito Music Corporation
(SU.96010570).
Transcribed and
arranged for Piano by
Lawrence RosenA new,
3-volume set of Mozart
Dances for Piano, 14 of
these dance suites are
faithfully transcribed
for piano at the early to
advanced intermediate
level. Almost all appear
as new Mozart music for
piano (except for the Six
German Dances, K. 509,
which Mozart himself
arranged for piano.)
Within each volume, they
are arranged by
increasing difficulty.
They are eminently suited
for teaching, recital and
concert performance,
encores, recording,
sight-reading practice,
and theoretical study. We
sincerely hope you enjoy
them as much as we did in
discovering and creating
these little
masterpieces.
CONTENTS Four German
Dances, K. 602
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Contrabass,
Timpani)
Twelve
German Dances, K. 586
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Violins,
Violoncello/Contrabass,
Tambourine, Timpani)
Minuet, K. 409
(originally for 2 Flutes,
2 Oboes, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins, Viola,
Violoncello/Contrabass) Les Petits Riens
(excerpts,) K. 299b
(originally for 2 Flutes,
2 Oboes, 2 Clarinets, 2
Bassoons, 2 Horns, 2
Trumpets, 2 Violins,
Viola,
Violoncello/Contrabass,
Timpani)
Instrumentation:
Piano
Violin & Piano SKU: AP.1-ADV6001 For Violin and Piano. Composed by...(+)
Violin & Piano
SKU:
AP.1-ADV6001
For
Violin and Piano.
Composed by Hauke Piper.
Series; Solo; Solo Small
Ensembles; String -
Violin Solo and Piano.
Advance Music. Form:
Dance; Suite. Latin.
Part(s). Advance Music
#01-ADV6001. Published by
Advance Music
(AP.1-ADV6001).
UPC:
805095060010.
English.
Each of
the four movements in
Tango Suite No. 1 has its
own profile and poses
different challenges to
the musicians. The first
movement is rubato; the
second one is bound to a
fixed meter and set up as
a multifaceted tale. The
third movement can be
improvised over an
accompanying ostinato; an
optional written part is
provided. The fourth
movement completes the
suite with an overview of
what has been played in
the other movements.
Arranged for violin and
piano by Hauke Piper.
Flute and orchestra (FLUTE PIANO) - difficult SKU: HL.49044665 For flu...(+)
Flute and orchestra
(FLUTE PIANO) - difficult
SKU: HL.49044665
For flute and
orchestral groups.
Composed by Jorg Widmann.
This edition: Saddle
stitching. Sheet music.
Woodwind Solo. This
'Suite' is not one of my
'epic' instrumental
concertos such as the
concertos for cello,
violin or oboe, but a
substantially
smaller-structured series
of dance forms arranged
into a suite. Sunken
worlds suddenly emerge
here, only to reach the
surface,. Softcover.
Composed 2011. 80 pages.
Duration 22'. Schott
Music #FTR225. Published
by Schott Music
(HL.49044665).
ISBN
9790001200103. UPC:
841886022928.
9.0x12.0x0.213
inches.
This
'Suite' is not one of my
'epic' instrumental
concertos such as the
concertos for cello,
violin or oboe, but a
substantially
smaller-structured series
of dance forms arranged
into a suite. Sunken
worlds suddenly emerge
here, only to reach the
surface, hover in
dangerously distorted
fashion and then sink
back to the bottom.Almost
every individual movement
allots the solo flute a
specific tonal colouring
and an instrumental group
from the orchestra: in
the opening Allemande,
the flutes of the
orchestra (including alto
and bass flute and later
also piccolo to include
the entire flute family);
the string section in the
Sarabande; in both
chorales (extremely muted
in the first and
brutalist in the second),
the brass etc.; and it is
only in the concluding
Badinerie that all
orchestral groups are
combined, although they
are terraced in the
Baroque style, one
following another, seldom
all playing
simultaneously.This
permits the flute to
remain the provider of
all impulses; it attaches
itself to the wide
variety of instrumental
colours, becomes suffused
with these colours and
thereby shines in
different lights -
acerbic, pale and
radiant. This first
performance marks the
conclusion of my two-year
residence with the
Cleveland Orchestra. The
immense versatility of
this fine body of sound
(which is indeed treated
as such with the sum of
its parts) and the
exciting dark timbre of
its principal flautist
Joshua Smith have to a
great extent determined
the form and tonal
character of my Flute en
suite. Jorg
Widmann
This
'Suite' is not one of my
'epic' instrumental
concertos such as the
concertos for cello,
violin or oboe, but a
substantially
smaller-structured series
of dance forms arranged
into a suite. Sunken
worlds suddenly emerge
here, only to reach the
surface, hover in
dangerously distorted
fashion and then sink
back to the bottom.Every
individual movement
allots the solo flute an
instrumental group from
the orchestra: in the
opening Allemande, the
flutes of the orchestra;
the string section in the
Sarabande; in both
chorales the brass etc.;
and it is only in the
concluding Badinerie that
all orchestral groups are
combined, although they
are terraced in the
Baroque style, one
following another, seldom
all playing
simultaneously.This first
performance marks the
conclusion of my two-year
residence with the
Cleveland Orchestra. The
immense versatility of
this fine body of sound
and the exciting dark
timbre of its principal
flautist Joshua Smith
have to a great extent
determined the form and
tonal character of my
Flute en suite. Jorg
Widmann
3 (2. auch
Altfl., 3. auch Bassfl.,
alle auch Picc.) * 3 (2.
auch Ob. d'am., 3. auch
Engl. Hr.) * 0 * 3 (3.
auch Kfg.) - 4 * 4 * 3 *
1 - S. (Glsp. * Vibr. * 3
hg. Beck. [h./m./t.] *
chin. Beck. * 4 Gongs * 4
Buckelgongs * 2 Tamt.
[m./t.] * Wassertamt. *
gr. Tr. * Metal Chimes *
Peitsche) (2 Spieler) -
Hfe. * Cel. (auch Cemb.)
- Str. (10 * 8 * 6 * 4 *
3).
arranged by Simon Lasky. For Saxophone (All). solos. Kevin Mayhew Ltd. Classic. ...(+)
arranged by Simon Lasky.
For Saxophone (All).
solos. Kevin Mayhew Ltd.
Classic. Level:
Intermediate. Book. Size
9x12. 40 pages. Published
by Kevin Mayhew Ltd.
For solo piano. Format: piano solo book. Baroque, classical period and romantic ...(+)
For solo piano. Format:
piano solo book. Baroque,
classical period and
romantic period. Series:
The World's Great
Classical Music. 232
pages. 9x12 inches.
Published by Hal Leonard.