Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano

A compendium of classic solos for the Violin. This expansive volume contains the great masterpieces of the world's foremost composers. Over 50 favourite Violin solos with full Piano accompaniment and a separate matching solo part for the violinist. Carefully selected to provide a lifetime of playing pleasure for every performer. / Violon

The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue

Par HOLMAN PETER. Music for three violins and bass formed a small yet distinctive corpus of instrumental music at the Restoration court of Charles II and in the Catholic chapel of James II. Introduced to England by the German violinist Thomas Baltzar, the genre was adopted by John Jenkins, whose ten late fantasia-suites for three violins, bass viol and continuo, together with Gottfried Finger’s five sonatas for the same group of instruments, constitute the bulk of this volume. Other representative works include Baltzar’s own Suite in C major and Bartholomew Isaack’s Ground in A minor, all fascinating progenitors of Purcell’s crowning contributions to the repertoire, his Pavan in G minor and ‘Three Parts upon a Ground’. / Date parution : 1905-07-10/ Répertoire / 3 Violons, Bas Viol et Basse Continue

Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue

Conçue à l'origine comme un petit duo pour violon et piano, cette composition se développa pour devenir en automne 1885 une grande sonate. Les premières exécutions firent à Saint-Saëns l'effet d'une douche froide, car les violonistes trébuchaient face aux difficultés techniques du Finale notamment. Pour bien montrer que seul un être fabuleux pouvait venir à bout de la partie de violon, Saint-Saëns raconta à son éditeur qu'on la surnommerait la sonate 'hippogriffe'. Entre-temps, cette sonate effraie beaucoup moins les exécutants et elle figure malgré ou plutôt à cause de ses exigences techniques parmi les pièces de musique de chambre les plus appréciées du maître français. Cette édition Urtext tient pour la première fois compte de toutes les sources conservées de l'oeuvre. / Violon Et Piano

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Sonatas and Partitas BWV 1001-1006 for Violin solo (notated and annotated version) qui a été écrite pourViolon. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 356. / Violon / Chanson En Séparée

Works for Piano and Violin I. Par MOZART WOLFGANG AMADEUS. Mozart ne s’est adonné à aucun autre genre de musique de chambre autant qu’à celui des duos pour piano et violon, qu’il s’agisse de sonates ou de variations. Exploitant les possibilités d’interaction de ces deux instruments par des combinaisons et des croisements toujours renouvelés, en particulier dans les sonates, il composa ainsi des oeuvres d’une beauté pure et intemporelle alliant force dramatique, élégance et profondeur de sentiments. Cette édition de travail offre le texte complet et non modifié des partitions publiées dans les trois éditions pratiques «bleues» Henle Urtext HN 77, 78 et 79, respectivement l’édition sous reliure lin de l’ensemble des sonates pour violon deMozart HN 80. / Partition brochée / Répertoire / Violon et Piano

Par GRIEG EDVARD. Of Grieg ’s three Violin sonatas, the great C-minor Sonata op. 45 is the best known today. And unjustly so, because the two early sonatas are captivating in their joy to play and their fresh, youthful tone. And what is more, they can also be played by advanced students due to their somewhat lesser technical demands. Written in 1867, the G-major Violin Sonata op. 13, palpably draws on Grieg ’s enthusiasm for Norwegian folk music; the lively outer movements in particular take as their model the traditional “jumping dance. ” Aside from the second print edition of 1887 revised by Grieg himself, the autograph manuscript in Stockholm wasalso consulted for this edition, thus offering an optimally ascertained musical text. / Heinemann, Ernst-Günter / Steen-Nökleberg, Einar / Répertoire / Violon et Piano

Fauré's 2nd Violin Sonata was written in 1916 in Evian and Paris, the first in a series of chamber music works. It is thus one of Faure's late works, characterised by austerity, introspection and the intensity of its expression. It is hard to imagine a greater contrast to the brilliant and ornamental style of the virtuosic 1st Violin Sonata (HN 980), published 40 years earlier. The 2nd Sonata concentrates on the essentials, and on closer contact turns out to be a fascinating composition that harmonically explores the limits of tonality, delving deep into the 'Modernism? of the 1920s. / Violon Et Piano

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Three Sonatas for Violin and Piano (Harpsichord) BWV 1020, 1021,1023 qui a été écrite pourViolon Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 458. / Violon Et Piano / Chanson En Séparée

Enseigner le violon à l'Ecole de violon populaire Suzuki. Caractéristiques édition révisée:Nouvelles gravures dans un format 9 'x 12'Nouvelle édition de pièces, y compris les coups d'archet et doigtés16 pages supplémentairesExercices supplémentaires, certains du Dr Suzuki, ainsi que la perspicacité et suggestions pour les enseignants supplémentairesGlossaire des termes en anglais, français, allemand et espagnolGuide de notation musicalePosition de touche. / Violon

Par . Cette nouvelle publication de la collection Schirmer?s Giant Book Series regroupe 31 pièces incontournables du répertoire classique pour violon, issues de quinze compositeurs différents. Le recueil offre plus de 250 pages pour étoffer la librairie musicale de chaque violoniste à un excellent rapport qualité-prix. Adapté aux musiciens de niveau intermédiaire à avancé, ce volume comprend également une partie séparée pour l'accompagnement au piano. / Date parution : 2023-03-11/ Répertoire / Violon et Piano

Contains the Complete Sonatas and Partitas (BWV 1001-1006) - Concerto in A minor, BWV 1041 - Concerto in E Major, BWV 1042 - Concerto for Two Violins in D minor, BWV 1043 - Concerto in G minor, BWV 1056R - Arioso from Ich steh mit einem Fuss im Grabe, BWV 156 / Violon Et Piano

Par BRAHMS JOHANNES. Brahms compose seulement trois sonates pour violon et piano, toutes les agrafes du répertoire partout, étudié, pratiqué et joué par des joueurs de musique de chambre. Les musiciens et les étudiants de musique seront ravis de posséder les trois oeuvres présentées dans cette compilation en un seul volume, tiré à part éditions faisant autorité. Les deux Sonata #1 in G Major, Op.. 78, et la Sonate n o 2 en la majeur, op. 100, sont intensément lyrique dans la nature, contenant certaines des plus belles mélodies expressives et Brahms. Sonate n o 3 en ré mineur, op. 108, un travail tumultueux plein de feu et de passion, est un favori particulier avec le public à travers le monde. La partie de violon, édité par le célèbre artiste et professeur Leopold Auer, apparaît à la fois dans le livre et en tant qu'entité distincte, le score amovible. / Niveau : Avancé / Répertoire / Violon et Piano