Concert Band/Harmonie and Marimba Solo - Grade 4

SKU: BT.DHP-1104731-140

Composed by Hayato Hirose. Solo Spectrum. Concert Piece. Score Only. Composed 2010. 72 pages. De Haske Publications #DHP 1104731-140. Published by De Haske Publications (BT.DHP-1104731-140).

9x12 inches.

Fantasy for Marimba was commissioned by the outstanding Japanese marimba player, Fumito Nunoya. Although it is written in concerto style, the piano not only accompanies the solo marimba but also plays an important part in the development of the work. The piece is written in four movements, played without a break: Allegro, Andante misterioso, Tempo rubato and Allegro energico. Also available for Marimbaphone and Piano.

In Fantasy for Marimba neemt de marimbafoon als solo-instrument een centrale plaats in, maar ook de piano speelt een belangrijke rol. Het werk bestaat uit vier samenhangende delen: een Allegro, een Andante misterioso, een Tempo rubato en tot slot als hartstochtelijke finale een Allegro energico. Ook verkrijgbaar voor marimba en piano.

In Fantasy for Marimba wird das Marimbaphon als Soloinstrument gewürdigt, aber auch das Blasorchester spielt eine wichtige Rolle. Das Werk besteht aus vier zusammenhängenden Sätzen: Es beginnt mit einem Allegro, in dem Marimbaphon und Orchester zwei Themen präsentieren, die im darauff olgenden Andante misterioso weiterentwickelt werden. Im dritten Satz, der mit Tempo rubato überschrieben ist, hat das Blasorchester eine Atempause“, während das Marimbaphon ein kadenzartiges Solo vorträgt. Der letzte Satz, ein Allegro energico, führt das Werk mit leidenschaftlicher Intensität zu einem großen Finale.

Bien que la structure de cette fantaisie s’apparente celle d’un concerto, le pianiste n’est absolument pas réduit un rôle d’accompagnateur, mais participe pleinement au développement de l’œuvre. Fantasy for Marimba est divisé en quatre mouvements qui s’enchaînent sans interruption : Allegro - Andante misterioso - Tempo rubato - Allegro energico.

Concert Band/Harmonie and Marimba Solo - Grade 4

SKU: BT.DHP-1104731-010

Composed by Hayato Hirose. Solo Spectrum. Concert Piece. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1104731-010. Published by De Haske Publications (BT.DHP-1104731-010).

9x12 inches.

Fantasy for Marimba was commissioned by the outstanding Japanese marimba player, Fumito Nunoya. Although it is written in concerto style, the piano not only accompanies the solo marimba but also plays an important part in the development of the work. The piece is written in four movements, played without a break: Allegro, Andante misterioso, Tempo rubato and Allegro energico. Also available for Marimbaphone and Piano.

In Fantasy for Marimba neemt de marimbafoon als solo-instrument een centrale plaats in, maar ook de piano speelt een belangrijke rol. Het werk bestaat uit vier samenhangende delen: een Allegro, een Andante misterioso, een Tempo rubato en tot slot als hartstochtelijke finale een Allegro energico. Ook verkrijgbaar voor marimba en piano.

In Fantasy for Marimba wird das Marimbaphon als Soloinstrument gewürdigt, aber auch das Blasorchester spielt eine wichtige Rolle. Das Werk besteht aus vier zusammenhängenden Sätzen: Es beginnt mit einem Allegro, in dem Marimbaphon und Orchester zwei Themen präsentieren, die im darauff olgenden Andante misterioso weiterentwickelt werden. Im dritten Satz, der mit Tempo rubato überschrieben ist, hat das Blasorchester eine Atempause“, während das Marimbaphon ein kadenzartiges Solo vorträgt. Der letzte Satz, ein Allegro energico, führt das Werk mit leidenschaftlicher Intensität zu einem großen Finale.

Bien que la structure de cette fantaisie s’apparente celle d’un concerto, le pianiste n’est absolument pas réduit un rôle d’accompagnateur, mais participe pleinement au développement de l’œuvre. Fantasy for Marimba est divisé en quatre mouvements qui s’enchaînent sans interruption : Allegro - Andante misterioso - Tempo rubato - Allegro energico.

By Alfred Reed. Concert Band. Solo marimba part. Composed 1993. Published by C.L. Barnhouse.

(Marimba Feature). By David Gillingham. For Soloist(s) with Concert Band (Piccolo, Flute 1/2, Oboe 1/2 , Bassoon 1/2, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/3, Horn in F 2/4, Trombone 1/2, Bass Trombone, Euphon). Band Music. Grade 5. Score and parts. Duration 23:00. Published by C. Alan Publications

(Marimba Feature). By Yiu-kwong Chung. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bassoon 1, Bassoon 2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet in Bb, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Horn in F 1/2, Horn in F 3/4, Trumpet in B). Grade 5. Score and parts. Duration 15:30. Published by C. Alan Publications

Metamorphoses on a Theme by Tchaikovsky for Wind Orchestra. By Johan De Meij. (Score and Parts). Amstel Concert Bands. Published by Amstel Music.

Metamorphoses on a Theme by Tchaikovsky for Brass Band. By Johan De Meij. (Score). Amstel Concert Bands. 90 pages. Published by Amstel Music.

Score and Parts Concert Band (Score & Parts) - Grade 4

SKU: HL.50606648

For Cimbalom or Marimba and Concert Band Score and Parts. Composed by Arpad Balázs. EMB. Contemporary, Hungarian. Softcover. 276 pages. Duration 660 seconds. Editio Musica Budapest #Z15167SET. Published by Editio Musica Budapest (HL.50606648).

ISBN 9781705199800. UPC: 196288153559.

Ár pád Balázs (*1937) composed the first version of Rhapsody for Hungarian cimbalom and concert band in 2001; in 2021, on the encouragement by a Japanese marimba player he arranged the solo part for marimba, and therefore the opportunities for the work to beplayed have significantly widened. The Rhapsody follows the one-movement structure created by Franz Liszt. The beginning solo section of the cimbalom (or marimba) returns before the coda as a pillar of the form. The composition, which can be divided into five sections, develops and works with a Lydian tetrachordal motif (G-A-B-C sharp) in different characters, stretching the span of music from a simple, children's song-like appearance to an obstinate ritual dance. In conclusion, the Rhapsody is a passionately emotional lyric orchestral poem rich in colours and characters, which has a place on the repertoire of every concert band playing quality music.

SKU: HL.44010943

De Haske Concert Band. Hal Leonard #1104731010. Published by Hal Leonard (HL.44010943).

UPC: 884088603809. 9.0x12.0x1.0 inches.

(Score)

SKU: HL.44010944

De Haske Concert Band. Score. Hal Leonard #1104731010. Published by Hal Leonard (HL.44010944).

UPC: 884088603816.

Concert Band

SKU: HL.49015105

An American Folk Dance. Composed by Wolfgang Fortner. Edition Schott. Classical. Study Score. Composed 1952. 60 pages. Schott Music #HL50486775. Published by Schott Music (HL.49015105).

ISBN 9781423442103. UPC: 884088247980. 305 X 229 inches. Latin.

Based on an early American fiddle tune, Grainger created a setting as he describes that aims at preserving a pioneer blend of lonesome wistfulness and sturdy persistence. The 16-measure melody is fully explored and developed in a variety of harmonizations and instrumental colors, and is particularly noteworthy for the extensive use of tuneful percussion (bells, chimes, xylophone, marimba) as well as important parts for piano and harp. This publication brings back the classic 1967 edition arranged for band by Glenn Cliffe Bainum. (Grade 4) Dur: 6:00

Based on an early American fiddle tune, Grainger created a setting as he describes that aims at preserving a pioneer blend of lonesome wistfulness and sturdy persistence. The 16-measure melody is fully explored and developed ina variety of harmonizations and instrumental colors, and is particularly noteworthy for the extensive use of tuneful percussion (bells, chimes, xylophone, marimba) as well as important parts for piano and harp. This publicationbrings back the classic 1967 edition arranged for band by Glenn Cliffe Bainum. (Grade 4) Dur: 6:00

Based on an early American fiddle tune, Grainger created a setting as he describes that aims at preserving a pioneer blend of lonesome wistfulness and sturdy persistence. The 16-measure melody is fully explored and developed in a variety of harmonizations and instrumental colors, and is particularly noteworthy for the extensive use of tuneful percussion (bells, chimes, xylophone, marimba) as well as important parts for piano and harp. This publication brings back the classic 1967 edition arranged for band by Glenn Cliffe Bainum. (Grade 4) Dur: 6:00

Based on an early American fiddle tune, Grainger created a setting as he describes that aims at preserving a pioneer blend of lonesome wistfulness and sturdy persistence. The 16-measure melody is fully explored and developed in a variety of harmonizations and instrumental colors, and is particularly noteworthy for the extensive use of tuneful percussion (bells, chimes, xylophone, marimba) as well as important parts for piano and harp. This publication brings back the classic 1967 edition arranged for band by Glenn Cliffe Bainum. (Grade 4) Dur: 6:00

Based on an early American fiddle tune, Grainger created a setting as he describes that aims at preserving a pioneer blend of lonesome wistfulness and sturdy persistence. The 16-measure melody is fully explored and developed in a variety of harmonizations and instrumental colors, and is particularly noteworthy for the extensive use of tuneful percussion (bells, chimes, xylophone, marimba) as well as important parts for piano and harp. This publication brings back the classic 1967 edition arranged for band by Glenn Cliffe Bainum. (Grade 4) Dur: 6:00.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Newspaper, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba and more. - Grade 2.5

SKU: CF.YPS203

Composed by James Meredith. Young Band (YPS). Set of Score and Parts. With Standard notation. 16+4+8+4+4+10+4+4+8+8+12+ 6+6+2+1+2+20+8+8+4+4 pages. Duration 3 minutes, 55 seconds. Carl Fischer Music #YPS203. Published by Carl Fischer Music (CF.YPS203).

ISBN 9781491152232. UPC: 680160909735. Key: D minor.

Imagine Bach trying to compose in his studio while being pestered by a spider! Arachnophobia and Fugue exposes students to the Baroque style of music using dramatic contrasts, light articulation, chorale-style sections, and multiple references to Bach's works. The spider is represented by the xylophone and/or marimba supported by the flutes. As a humorous bonus, auxiliary percussion includes rolled-up newspapers to swat the pesky spider throughout the piece.
Good music played well inspires the imagination. Imagine Bach trying to compose in his studio while being pestered by a spider! First and foremost this is educational music exposing kids to the Baroque style of music. Dramatic dynamic contrasts, light articulation, chorale-style, and multiple references to Bach’s works form the basis for the work. Toccata and Fugue in D Minor, Sleepers Wake, Little Fugue in G Minor, Sheep May Safely Graze, Dies Irae, and Come Sweet Death are the basis for this look into an imaginary situation with the Great Baroque Master. The spider is represented by either a solo xylophone or multiple xylophones and/or marimba (supported by the flutes.) As a humorous bonus auxiliary percussion use rolled up newspapers to swat the pesky spider throughout the piece in rhythm with the music.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Newspaper, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba and more. - Grade 2.5

SKU: CF.YPS203F

Composed by James Meredith. Young Band (YPS). Full score. With Standard notation. 20 pages. Carl Fischer Music #YPS203F. Published by Carl Fischer Music (CF.YPS203F).

ISBN 9781491152911. UPC: 680160910410.

Imagi ne Bach trying to compose in his studio while being pestered by a spider! Arachnophobia and Fugue exposes students to the Baroque style of music using dramatic contrasts, light articulation, chorale-style sections, and multiple references to Bach's works. The spider is represented by the xylophone and/or marimba supported by the flutes. As a humorous bonus, auxiliary percussion includes rolled-up newspapers to swat the pesky spider throughout the piece.
Good music played well inspires the imagination. Imagine Bach trying to compose in his studio while being pestered by a spider! First and foremost this is educational music exposing kids to the Baroque style of music. Dramatic dynamic contrasts, light articulation, chorale-style, and multiple references to Bach’s works form the basis for the work. Toccata and Fugue in D Minor, Sleepers Wake, Little Fugue in G Minor, Sheep May Safely Graze, Dies Irae, and Come Sweet Death are the basis for this look into an imaginary situation with the Great Baroque Master. The spider is represented by either a solo xylophone or multiple xylophones and/or marimba (supported by the flutes.) As a humorous bonus auxiliary percussion use rolled up newspapers to swat the pesky spider throughout the piece in rhythm with the music.

Wind band, timpani, percussion, marimba & bass guitar

SKU: HH.HH250-CON

Composed by Stephen Pratt. Wind Band, Timpani, Percussion, Marimba & Bass Guitar. Conducting score. Edition HH Music Publishers #HH250-CON. Published by Edition HH Music Publishers (HH.HH250-CON).

ISBN 9790708059998.

Writ ten for the Wirral Schools' Concert Band in 1987, Strong Winds, Gentle Airs is built, as the title suggests, from two types of material – one forceful and rhythmic, the other more relaxed, with slow moving, almost static harmonies. In revising the piece for publication, the composer has endeavoured to retain as much of the original character as possible.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 3

SKU: CF.CPS216

Composed by Michael J. Miller. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+2+4+2+8+16+16+4+4+4+4+4 +4+8+8+8+4+4+6+6+6+8+6+2+ 2+4+10+36+4 pages. Duration 3 minutes, 3 seconds. Carl Fischer Music #CPS216. Published by Carl Fischer Music (CF.CPS216).

ISBN 9781491152423. UPC: 680160909926.

Cosmi c Expedition takes performers on a musical journey far across the galaxy via three main sections.  This fanfare composition would be perfect for opening a concert. It has bold brass fanfare figures over textural woodwinds to start and then takes the listener on a sonic journey through a variation of harmonic colors, tambural and textural shifts.
Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. The first, a rather celebratory and triumphant fanfare in Bb major begins with the upper woodwinds and percussion creating a sound-screen, that is a busy texture consisting of a flurry of repeated notes over which the horns and alto saxophones present the opening theme. The sound-screen should be carefully balanced and give way to the melody at m. 5, which should be played extremely marcato. The timpani solo beginning in m. 11 must not be understated. A brief percussion interlude separates a restatement of the opening theme, this time with the addition of the trumpet, tenor saxophone, and euphonium, and a counter melody by the low winds. The percussion interlude is playful, light, but full of vigor and energy. An Ab in the low winds pulls the harmony towards G minor in m. 40 to start the second section, a more serious fanfare. Here, the marimba repeats an ostinato that is complemented by the bass drum and woodblock. The upper woodwinds with the xylophone and snare drum dance over the stern secondary fanfare. A longing call lead by the trombones, interrupted by a subtle snare drum beckons to the clarinets and horn who begin the third section of the piece at m. 68. This haunting melody in C minor is legato, and starkly contrasts all which came before it. A relentless concert tom-tom played with hard mallets keeps the momentum persistent, and a heartbeat-like pulse is felt from the tuba and baritone saxophone. The melody rises towards m. 84 when the brass harken back to the fanfare style before fading back into another lush woodwind strain.A recapitulation of the low winds’ call is heard at m. 100 which in this occasion intensifies into an emphatic statement by the battery percussion instruments. Now in Eb major, the opening fanfare theme is heard again once more before fading into the beginning of the piece’s conclusion.To end, the counter melody from the opening section duels with chromatic tension above before swelling to an arrival in the original key of Bb major. The full ensemble celebrates the piece’s resolution, and after a few crunchy power chords the journey is completed.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 3

SKU: CF.CPS216F

Composed by Michael J. Miller. Concert Band (CPS). Full score. With Standard notation. 36 pages. Carl Fischer Music #CPS216F. Published by Carl Fischer Music (CF.CPS216F).

ISBN 9781491153109. UPC: 680160910601.

Cosmi c Expedition takes performers on a musical journey far across the galaxy via three main sections.  This fanfare composition would be perfect for opening a concert. It has bold brass fanfare figures over textural woodwinds to start and then takes the listener on a sonic journey through a variation of harmonic colors, tambural and textural shifts.
Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. The first, a rather celebratory and triumphant fanfare in Bb major begins with the upper woodwinds and percussion creating a sound-screen, that is a busy texture consisting of a flurry of repeated notes over which the horns and alto saxophones present the opening theme. The sound-screen should be carefully balanced and give way to the melody at m. 5, which should be played extremely marcato. The timpani solo beginning in m. 11 must not be understated. A brief percussion interlude separates a restatement of the opening theme, this time with the addition of the trumpet, tenor saxophone, and euphonium, and a counter melody by the low winds. The percussion interlude is playful, light, but full of vigor and energy. An Ab in the low winds pulls the harmony towards G minor in m. 40 to start the second section, a more serious fanfare. Here, the marimba repeats an ostinato that is complemented by the bass drum and woodblock. The upper woodwinds with the xylophone and snare drum dance over the stern secondary fanfare. A longing call lead by the trombones, interrupted by a subtle snare drum beckons to the clarinets and horn who begin the third section of the piece at m. 68. This haunting melody in C minor is legato, and starkly contrasts all which came before it. A relentless concert tom-tom played with hard mallets keeps the momentum persistent, and a heartbeat-like pulse is felt from the tuba and baritone saxophone. The melody rises towards m. 84 when the brass harken back to the fanfare style before fading back into another lush woodwind strain.A recapitulation of the low winds’ call is heard at m. 100 which in this occasion intensifies into an emphatic statement by the battery percussion instruments. Now in Eb major, the opening fanfare theme is heard again once more before fading into the beginning of the piece’s conclusion.To end, the counter melody from the opening section duels with chromatic tension above before swelling to an arrival in the original key of Bb major. The full ensemble celebrates the piece’s resolution, and after a few crunchy power chords the journey is completed.

(Score)

SKU: HL.44010946

De Haske Concert Band. Score. Hal Leonard #1094732. Published by Hal Leonard (HL.44010946).

UPC: 884088603830. 9.0x12.0x0.25 inches.

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Cabasa, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Mark Tree, Oboe, Percussion 1 and more. - Grade 4 and up

SKU: CF.SPS15

Full Score and Parts. Composed by Robert Thurston. FS-sws. Carl Fischer Symphonic Performance Series. Score and Set of Parts. With Standard notation. Carl Fischer Music #SPS15. Published by Carl Fischer Music (CF.SPS15).

ISBN 9780825848223. UPC: 798408048228. 9 X 12 inches. Key: Eb major.

A dynamic concert overture that derives most of its force and material from the striking fanfare motive announced in the opening measure by horns and trumpets (concert Eb, Bb, Ab, Db). The bold opening in compound time is followed by a suave and flowing Adagio in 4/4 meter that makes a lovely tune out of a variant of the opening motive. At measure 103, with a marimba solo, the Allegro style and compound meter return for a rousing and invigorating climax. This piece is a significant addition to the band repertoire for concert and contest. Duration: 6'30 Keys: Eb, Ab Ranges: Trumpet-A; Horn-F; Trombone-G.

Concert band - difficult

SKU: HL.49016218

Burlesque Suite. Composed by Krzysztof Penderecki. Arranged by Henning Brauel. This edition: Paperback/Soft Cover. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Score. Composed 1995. 96 pages. Duration 16'. Schott Music #SHS1019. Published by Schott Music (HL.49016218).

ISBN 9790001115094. UPC: 884088675103. 9.0x12.0x0.32 inches.

Penderecki' s opera 'Ubu Rex' contains a small wind band functioning as King Ubu's 'military band'. Therefore the idea to arrange parts of the opera for large concert orchestra readily presented itself. Henning Brauel selected suitable material and arranged scenes from the opera into a suite of five movements without titles. The best of contemporary music for top ranking orchestral performances.

Picc . * 2 * 2 * Es-Klar. * 3 * Altklar. * Bassklar. * 2 Altsax. * Tenorsax. * Baritonsax. * 2 - 4 * 3 * 2 Flugelhr. in B * 2 Tenorhr. in B * 3 * Bar./Euph. in C * 2 - P. S. (Trgl.-baum * Rohrengl. * 2 Kirchengl. [Rohrengl.] * Schellen * 2 hg. Beck. * Beckenpaar * Crotalenbaum * 3 Tamt. * Tamb. * 3 Tomt. * Ruhrtr. * Mil. Tr. * gr. Tr. m. Beck. * Peitsche * Guiro * Tempelbl. * Sage * Glsp. * Marimba * Xyl.) (5 Spieler) - Kb. (funfsaitig).

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 4

SKU: CF.SPS80

Composed by Brant Karrick. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 8+8+4+4+8+16+16+4+4+4+4+4 +4+4+6+12+12+4+4+6+6+6+6+ 8+6+2+4+14+36+4 pages. Duration 4 minutes, 10 seconds. Carl Fischer Music #SPS80. Published by Carl Fischer Music (CF.SPS80).

ISBN 9781491152577. UPC: 680160910076. Key: Bb major.

With Wind and Water is a musical portrayal of an adventure on the high seas during the sailing age. It was during the 16th to the mid-19th century where large sailing vessels dominated global exploration, international trade, and naval warfare. The piece's compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather, and other constant dangers that sailors must endure. Finally, the ending sweeping melody and climax reflects the joy and triumph at arriving on a new land at the apex of a long and intense voyage.
With evidence of watercraft dating back to 8000 BC, travel by water has remained an important aspect of life to many civilizations. From paddling down a river or crossing a large lake, to steaming across an entire ocean, generations of humans have traveled on water to explore foreign lands, to seek food and precious materials, to move and trade cargo, and to attack and fend off enemies.With Wind and Water is a musical portrayal of an adventure on the high seas during the age of sail. It was during the sixteenth to the mid-nineteenth century when large sailing vessels dominated global exploration, international trade, and naval warfare.  Our ship sets sail!The compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather and other constant dangers that sailors must endure. The final sweeping melody and climax reflect the joy and triumph at arriving on a new land at the apex of a long and intense voyage. With Wind and Water was commissioned by the Florida Bandmasters Association for the 2016 Nine Star Honor Band.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 4

SKU: CF.SPS80F

Composed by Brant Karrick. Symphonic Band (SPS). Full score. With Standard notation. 36 pages. Carl Fischer Music #SPS80F. Published by Carl Fischer Music (CF.SPS80F).

ISBN 9781491153253. UPC: 680160910755.

With Wind and Water is a musical portrayal of an adventure on the high seas during the sailing age. It was during the 16th to the mid-19th century where large sailing vessels dominated global exploration, international trade, and naval warfare. The piece's compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather, and other constant dangers that sailors must endure. Finally, the ending sweeping melody and climax reflects the joy and triumph at arriving on a new land at the apex of a long and intense voyage.
With evidence of watercraft dating back to 8000 BC, travel by water has remained an important aspect of life to many civilizations. From paddling down a river or crossing a large lake, to steaming across an entire ocean, generations of humans have traveled on water to explore foreign lands, to seek food and precious materials, to move and trade cargo, and to attack and fend off enemies.With Wind and Water is a musical portrayal of an adventure on the high seas during the age of sail. It was during the sixteenth to the mid-nineteenth century when large sailing vessels dominated global exploration, international trade, and naval warfare.  Our ship sets sail!The compound meter provides the pulse of movement as it pitches and rolls with the rhythm of the waves. The driving main melodies convey the determination and courage of the explorers and their crew. Dissonant harmonies suggest rough seas, turbulent weather and other constant dangers that sailors must endure. The final sweeping melody and climax reflect the joy and triumph at arriving on a new land at the apex of a long and intense voyage. With Wind and Water was commissioned by the Florida Bandmasters Association for the 2016 Nine Star Honor Band.

(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concert Band (Full Score). Michael Daugherty Music. Grade 5-6. Softcover. Published by Hal Leonard

Metamorphoses on a Theme by Tchaikovsky for Wind Orchestra. By Johan De Meij. (Score). Amstel Concert Bands. 72 pages. Published by Amstel Music.

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Marimba, Oboe and more. - Grade 4 and up

SKU: CF.SPS12

Composed by Robert Thurston. FS-SWS. Carl Fischer Symphonic Performance Series. Score and Set of Parts. With Standard notation. Carl Fischer Music #SPS12. Published by Carl Fischer Music (CF.SPS12).

ISBN 9780825848162. UPC: 798408048167. 9 X 12 inches.

Brilliantly scored and cleverly constructed, this treatment of the familiar Christmas Carol Good King Wenceslas is symphonic in scope and breadth. As usual with Thurston, the harmonies re sophisticated and rhythmic interest is maintained with shifting meters and accents. Every player seems to get a variant of the tune to play and the scoring a is expert and witty throughout. Duration: 4’20 Keys: Eb, Ab Range: Trumpet – A; Horn – F; Trombone – G.