Orchestra - Grade 2 SKU: AP.45834 Composed by William Byrd. Arranged by D...(+)
Orchestra - Grade 2
SKU: AP.45834
Composed by William Byrd.
Arranged by Douglas E.
Wagner. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Form: Suite.
Masterwork Arrangement;
Renaissance. Score and
Part(s). 144 pages.
Duration 4:25. Belwin
Music #00-45834.
Published by Belwin Music
(AP.45834).
UPC:
038081526454.
English.
The
keyboard music of English
composer William Byrd
(1543--1623) has long
been regarded as some of
the most representative
works produced during the
late Renaissance period.
The Fitzwilliam Virginal
Book, the quintessential
source of music for this
idiom of the time, is
also the source of the
three Byrd titles
included in this suite:
The Bells, John, and
Sellinger's Round.
The arrangements
by Douglas E. Wagner are
richly scored to flatter
the sound of ensembles of
any size. Care has been
taken to eliminate
technical obstacles for
younger players, with
musically interesting
individual parts a strong
consideration.
(4:25).
Concert Band - Grade 2 SKU: AP.49551 By Gordon Jacob (1895-1984). ...(+)
Concert Band - Grade 2
SKU: AP.49551
By Gordon Jacob
(1895-1984). Composed
by Gordon Jacob
(1895-1984). Arranged by
Douglas E. Wagner.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Concert Band Classics;
Masterwork Arrangement.
Score and Part(s).
Duration 2:33. Belwin
Music #00-49551.
Published by Belwin Music
(AP.49551).
ISBN
9781470649104. UPC:
038081569888.
English.
Of all of
Gordon Jacob's major
contributions to the
British wind band
repertoire, the William
Byrd Suite (written in
1923) stands as his
most-often programmed
work. Though originally
based on six movements
from William Byrd's
Fitzwilliam Virginal
Book, this setting for
developing band
incorporates two
contrasting movements
including The Earle of
Oxford's Marche and
Wolsey's Wilde. Like
Jacob's wind band work,
the music is not a mere
transcription from the
original keyboard
collection, but rather
stylized with his own
inventive musical spirit
for modern concert band.
A wealth of material here
that opens doors to
teachable moments as
musical
textures---dynamic
contrasts, articulations,
scoring options---are
continually changing.
Bravo! (2:33) This title
is available in MakeMusic
Cloud.
Concert Band - Grade 2 SKU: AP.49551S By Gordon Jacob (1895-1984)....(+)
Concert Band - Grade 2
SKU: AP.49551S
By Gordon Jacob
(1895-1984). Composed
by Gordon Jacob
(1895-1984). Arranged by
Douglas E. Wagner.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Young
Band. Concert Band
Classics; Masterwork
Arrangement. Score.
Duration 2:33. Belwin
Music #00-49551S.
Published by Belwin Music
(AP.49551S).
ISBN
9781470649111. UPC:
038081569895.
English.
Of all of
Gordon Jacob's major
contributions to the
British wind band
repertoire, the William
Byrd Suite (written in
1923) stands as his
most-often programmed
work. Though originally
based on six movements
from William Byrd's
Fitzwilliam Virginal
Book, this setting for
developing band
incorporates two
contrasting movements
including The Earle of
Oxford's Marche and
Wolsey's Wilde. Like
Jacob's wind band work,
the music is not a mere
transcription from the
original keyboard
collection, but rather
stylized with his own
inventive musical spirit
for modern concert band.
A wealth of material here
that opens doors to
teachable moments as
musical
textures---dynamic
contrasts, articulations,
scoring options---are
continually changing.
Bravo! (2:33).
Orchestra - Grade 2 SKU: AP.45834S Composed by William Byrd. Arranged by ...(+)
Orchestra - Grade 2
SKU: AP.45834S
Composed by William Byrd.
Arranged by Douglas E.
Wagner. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Form: Suite.
Masterwork Arrangement;
Renaissance. Score. 16
pages. Duration 4:25.
Belwin Music #00-45834S.
Published by Belwin Music
(AP.45834S).
UPC:
038081526461.
English.
The
keyboard music of English
composer William Byrd
(1543--1623) has long
been regarded as some of
the most representative
works produced during the
late Renaissance period.
The Fitzwilliam Virginal
Book, the quintessential
source of music for this
idiom of the time, is
also the source of the
three Byrd titles
included in this suite:
The Bells, John, and
Sellinger's Round.
The arrangements
by Douglas E. Wagner are
richly scored to flatter
the sound of ensembles of
any size. Care has been
taken to eliminate
technical obstacles for
younger players, with
musically interesting
individual parts a strong
consideration.
(4:25).
Treble recorder and guitar SKU: HL.49014354 Of the Fitzwilliam Virgina...(+)
Treble recorder and
guitar
SKU:
HL.49014354
Of the
Fitzwilliam Virginal
Book. Composed by
Martin Peerson. Edited by
John William Duarte. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Performance
score. 12 pages. Schott
Music #ED10989. Published
by Schott Music
(HL.49014354).
by William Bay. For Tin Whistle. method. Fun With. All Styles. Level: Beginning....(+)
by William Bay. For Tin
Whistle. method. Fun
With. All Styles. Level:
Beginning. Book/CD Set.
Size 8.75x11.75. 40
pages. Published by Mel
Bay Publications, Inc.
11 Kompositionen. By Bull, John;Byrd, William;Farnaby, Giles;Johnson, Robert. Ed...(+)
11 Kompositionen. By
Bull, John;Byrd,
William;Farnaby,
Giles;Johnson, Robert.
Edited by Raba, Margret.
For Soprano recorder (c),
Piano/ Harpsichord.
Playing Score; Single
Part. Published by
Baerenreiter-Ausgaben
(German import).
William Byrd Suite Orchestre d'harmonie [Conducteur d'étude / Miniature] Boosey and Hawkes
Selected from the Fitzwilliam Virginal Book. By Gordon Jacob. (Condensed Score)...(+)
Selected from the
Fitzwilliam Virginal
Book. By Gordon Jacob.
(Condensed Score). Boosey
and Hawkes Concert Band.
Size 8.5x11 inches. 16
pages. Published by
Boosey & Hawkes.
Selected from the Fitzwilliam Virginal Book. By Gordon Jacob. (Full Score). Boo...(+)
Selected from the
Fitzwilliam Virginal
Book. By Gordon Jacob.
(Full Score). Boosey and
Hawkes Concert Band. Size
8.5x11 inches. 86 pages.
Published by Boosey &
Hawkes.
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
(The Ultimate Guide to Building Tone Technique and Flexibility). By Frank T. Wil...(+)
(The Ultimate Guide to
Building Tone Technique
and Flexibility). By
Frank T. Williams. For
trombone. Softcover book.
64 pages. Published by
Carl Fischer
By William Walton (1902-1983). Arranged by David Lloyd-Jones. For Full orchestra...(+)
By William Walton
(1902-1983). Arranged by
David Lloyd-Jones. For
Full orchestra. This
edition: William Walton
Edition. Scores. William
Walton Edition. Walton
Edition. Full score
(William Walton Edition).
200 pages. Duration 6',
7', 8'. Published by
Oxford University Press
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1084573-215 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1084573-215
Composed by R.T.
Böhmer. On Parade!
March. Score Only.
Composed 2008. 16 pages.
De Haske Publications
#DHP 1084573-215.
Published by De Haske
Publications
(BT.DHP-1084573-215).
9x12 inches.
English-German-French-Dut
ch.
William
Blueheart March is
een hommage aan een van
die bestuursleden die al
hun vrije tijd opofferen
aan datgene waaraan zij
hun hart hebben verpand:
de plaatselijke
muziekvereniging. Het
begin van deze fraaie
mars is in mineur.Verder
is de opbouw
traditioneel, met een
inleiding, thema, bassolo
en trio. Er zijn lange
melodische lijnen
gebruikt. De mars stelt
technisch niet al te hoge
eisen aan het orkest,
maar in muzikaal opzicht
valt er veel te
genieten.William
Bluehart March is een
ideaal werk voor
plechtige gelegenheden -
zowel op straat als in de
concertzaal.
Wi
lliam Blueheart March
wurde zum Gedenken an all
die Menschen geschrieben,
die einen großen Teil
ihrer Freizeit dem
widmen, woran ihr Herz am
meisten hängt: dem
Blasorchester und dem
Musikvereinsleben. Aus
gegebenem Anlass beginnt
der Marsch in Moll und
folgt im weiteren Verlauf
der traditionellen
Marschform: Einleitung,
Thema, Basssolo, Trio.
Besonderes Kennzeichen
dieses Marsches, der
technisch keine zu hohen
Anforderungen stellt,
sind lange melodische
Linien. Ein Stück, das
jedes Blasorchester
einmal
braucht!
William Blueheart March Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2.5 SKU: BT.DHP-1084573-015 Co...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2.5
SKU:
BT.DHP-1084573-015
Composed by R.T.
Böhmer. On Parade!
March. Set (Score &
Parts). Composed 2008. De
Haske Publications #DHP
1084573-015. Published by
De Haske Publications
(BT.DHP-1084573-015).
MARS (135X180) inches.
English-German-French-Dut
ch.
William
Blueheart March is
een hommage aan een van
die bestuursleden die al
hun vrije tijd opofferen
aan datgene waaraan zij
hun hart hebben verpand:
de plaatselijke
muziekvereniging. Het
begin van deze fraaie
mars is in mineur.Verder
is de opbouw
traditioneel, met een
inleiding, thema, bassolo
en trio. Er zijn lange
melodische lijnen
gebruikt. De mars stelt
technisch niet al te hoge
eisen aan het orkest,
maar in muzikaal opzicht
valt er veel te
genieten.William
Bluehart March is een
ideaal werk voor
plechtige gelegenheden -
zowel op straat als in de
concertzaal.
Wi
lliam Blueheart March
wurde zum Gedenken an all
die Menschen geschrieben,
die einen großen Teil
ihrer Freizeit dem
widmen, woran ihr Herz am
meisten hängt: dem
Blasorchester und dem
Musikvereinsleben. Aus
gegebenem Anlass beginnt
der Marsch in Moll und
folgt im weiteren Verlauf
der traditionellen
Marschform: Einleitung,
Thema, Basssolo, Trio.
Besonderes Kennzeichen
dieses Marsches, der
technisch keine zu hohen
Anforderungen stellt,
sind lange melodische
Linien. Ein Stück, das
jedes Blasorchester
einmal
braucht!
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For violin ...(+)
Composed by William
Walton (1902-1983).
Edited by David
Lloyd-Jones. For violin
and orchestra (solo
violin, 2 flutes, 2
oboes, 2 clarinets in A,
2 bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, percussion,
harp, strings). William
Walton Edition. Pieces
and Studies. Level D
(difficult). Study score.
184 pages. Duration 30'.
Published by Oxford
University Press
Malaika Chorale SATB SATB, Percussion(s) Carl Fischer
Angel. Composed by Fadhilli William Mdawida. Arranged by Russell L. Robinson. ...(+)
Angel. Composed by
Fadhilli
William Mdawida. Arranged
by
Russell L. Robinson. Sws.
Octavo. 16 pages.
Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9650.
Published by Carl Fischer
Music
For One Piano, 4 Hands. By Bert R. Anthony; C.C. Crammond; C.S. Morrison; Cecil ...(+)
For One Piano, 4 Hands.
By Bert R. Anthony; C.C.
Crammond; C.S. Morrison;
Cecil Burleigh; Ethelbert
Nevin; Frederick Keats;
G.O. Hornberger; Richard
Krentzlin; William
Baines; William Scher.
Edited by George Walter
Anthony. Arranged by
Preston Ware Orem; Walter
Eckard; William Hodson.
Piano (1 piano, 4 hands).
For Piano Duet.
Performance score. 61
pages. Published by
Theodore Presser Company.
Electric Lady Orchestre d'harmonie - Facile William Allen Music
Grade 2 SKU: CL.WA-ECB110-01 Composed by Chattaway. Concert Band. William...(+)
Grade 2
SKU:
CL.WA-ECB110-01
Composed by Chattaway.
Concert Band. William
Allen Music - Explorer
Series. Extra score.
Duration 3 minutes.
William Allen Music
#WA-ECB110-01. Published
by William Allen Music
(CL.WA-ECB110-01).
Jay has adapted
his powerful jazz
ensemble chart for
concert band and your
players will love it! Use
the track available below
to accompaniy your band's
live performance.
Uniquely memorable!
By William Walton (1902-1983). Arranged by Hugh MacDonald. For Violin, viola, ce...(+)
By William Walton
(1902-1983). Arranged by
Hugh MacDonald. For
Violin, viola, cello,
piano. Chamber/Ensemble.
William Walton Edition.
Miscellaneous. Set of
parts (and score for
pianist). 156 pages.
Duration 30'
Basso Continuo; Treble Recorder - intermediate SKU: HL.49011296 For Tr...(+)
Basso Continuo; Treble
Recorder - intermediate
SKU: HL.49011296
For Treble Recorder
(Flute) and Basso
Continuo. Edited by
Hugo Ruf. This edition:
Saddle stitching. Sheet
music. Originalmusik fur
Blockflote (Recorder
Library). Classical. 44
pages. Schott Music #OFB
188. Published by Schott
Music (HL.49011296).
ISBN 9790001123310.
UPC: 073999745160.
9.0x12.0x0.13
inches.
These 3
sonatas are original
works for the recorder
written between 1700 and
1720 by lesser known
English masters of the
baroque period. William
Turner: Sonata F major *
William Topham: Sonata F
major * Robert Valentine:
Sonata g minor.
Keyboard SKU: ST.MB102 Composed by Various. Edited by Alan Brown and Chri...(+)
Keyboard
SKU:
ST.MB102
Composed by
Various. Edited by Alan
Brown and Christopher
Hogwood. Library Volumes.
Edited by Christopher
Hogwood & Alan Brown.
First published in 2017.
Pages: 248. Format:
Hardback. Dimensions
(mm): 330 x 254 x 28.
Collection. Stainer &
Bell Ltd. #MB102.
Published by Stainer &
Bell Ltd. (ST.MB102).
ISBN
9790220225123.
Comp
lementary to MB96, the 85
items in MB102 complete
the coverage of the
Fitzwilliam Virginal Book
in Musica Britannica.
With the exception of
four pieces by Sweelinck
available elsewhere,
MB102 contains all the
Fitzwilliam content not
otherwise already
published in individual
MB virginalist-composer
collections or in the
three anthology volumes,
MB1, MB55 and MB66. In
addition, there are ten
pieces from another
important keyboard source
in the collection of
Cambridge's Fitzwilliam
Museum, the Tisdale
Virginal Book. The volume
was a long-time project
of the late Christopher
Hogwood, and has been
brought to completion by
his co-editor Alan
Brown.