Composed by Lara Poe.
Classical, contemporary.
Score & parts. Fennica
Gehrman #55011-853-9.
Published by Fennica
Gehrman (FG.55011-853-9).
Lara Poe's (b.
1993) energetic
Divergence (2015-2016)
for string quartet was
conceived cyclically: the
four movements explore
drifting in and out of
focus between different
materials. A light ditty
of the second movement
diverges to the third
movement's overtone
derived
chords.
Duration:
c. 25'
This
product includes a set of
parts (violin I, violin
II, viola, violoncello)
and a score.
Lara
Poe is a Finnish-American
composer who is currently
based in London. Her
works have been performed
across a wide range of
venues throughout the US,
Europe, and Asia. Her
piece Kaamos, which she
wrote for the Lahti
Symphony Orchestra, was
recently nominated for a
Ivors Composer Award in
the Large Scale
Composition category.
Kaamos also was selected
by YLE Radio Finland to
represent Finland at the
International Rostrum of
Composers 2021 in
Belgrade, Serbia. Poe was
the 2019 Tanglewood Music
Patricia Plum Wilde
Fellow and represented
Finland at Ung Nordisk
Musik 2019 in Piteå.
She was also a 2018-2019
participant in the London
Symphony Orchestra's
Panufnik Scheme, where
she worked under the
guidance of Colin
Matthews and Christian
Mason.
Urtext. Composed by Ludwig van Beethoven (1770-1827). Edited by Peter Hau...(+)
Urtext. Composed
by Ludwig van Beethoven
(1770-1827). Edited by
Peter Hauschild.
Symphony.
Orchester-Bibliothek
(Orchestral Library).
This is the first new
edition of the 7th
Symphony for which all
surviving sources have
been examined. The
examination brought up a
number of text-critical
problems with respect to
divergent readings.
(Peter Hauschild).
Classical. Viola part.
Breitkopf and Haertel #OB
5237-19. Published by
Breitkopf and Haertel
(BR.OB-5237-19).
0.49
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Hans Christian
Schmidt. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Christian Martin Schmidt
is laying bare to musical
practice the original
form of Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time. Overture;
Romantic. Full score. 72
pages. Duration 12'.
Breitkopf and Haertel #PB
5364. Published by
Breitkopf and Haertel
(BR.PB-5364).
ISBN
9790004211458. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
By Claudio Monteverdi (1567-1643). Edited by Hendrik Schulze. For 2 solo soprano...(+)
By Claudio Monteverdi
(1567-1643). Edited by
Hendrik Schulze. For 2
solo sopranos/3 solo
tenors/2 solo
basses/mixed choir:
SSATTB/mixed choir 2:
SATTB/orchestra. This
edition: Urtext edition.
Paperback. Score.
English/German. Published
by Baerenreiter Ver
Symphony No. 3 for
Wind Orchestra CD.
Composed by Franco
Cesarini. Editions Franco
Cesarini. Classical,
Concert. Softcover. Hal
Leonard #EFC019-CD.
Published by Hal Leonard
(HL.4008672).
ISBN
9798350115215. UPC:
196288190028.
A CD
that includes four great
works by Franco Cesarini
performed by the Civica
Filarmonica di Lugano
under the direction of
the Maestro. Passacaglia
and Fugue in C-minor BWV
582 In Franco
CesariniÂ’s
arrangement for large
wind orchestra, the
particularly careful
interpretation of the
original piece enables
him to exploit all the
sound colors at his
disposal, and in this
sumptuous guise Bach's
work also takes on a
grandiose dimension,
albeittinged with
late-Romanticism. A
masterpiece by Johann
Sebastian Bach superbly
arranged for wind
orchestra. Sinfonietta
No. 3
“Zwölfmalgreien
Sketchesâ€, Op. 56
In composing the
Sinfonietta No. 3 ,
Franco Cesarini was
inspired by the history
of the municipality of
Zwölfmalgreien, made
up of various towns,
villages and scattered
districts which were
incorporated to the City
of Bolzano (Italy) over
one hundred years ago.
The peculiarity of these
places, different from
each other, but all
characterized by rare
beauty, have contributed
to create this
3-mouvement work (City
Life, Mountain Shadows
and Classic Wineyards),
which translates into
music the activities of
the villages, the winter
days and the lively
atmosphere in the wine
regions. A perfect trip
to this wonderful part of
Italy! Suite Siciliana,
Op. 57b The Suite
Siciliana, a 7-movement
piece - Intrada , Pavana,
Gavotta, Barcarola ,
Tambourin , Sicilianaand
Tarantella - is
characterised by
contrasting rhythms and
tempo and consists of
these 7 dances. The
musical form, typical of
the Baroque period,
refers to some
traditional expressions
of art from the land of
Sicily: ranging from the
rich architecture of the
Sicilian Baroque to the
colorful majolica
ceramics and the
characteristic puppets,
the “pupiâ€,
which narrate a secular
tradition. A full
immersion into ancient
traditions of this
beautiful island!
Symphony No. 3
“Urban
Landscapesâ€, Op. 55
Fascinated by the beauty
of Chicago, Franco
Cesarini has translated
his emotions into music:
this is how was born
Symphony No. 3
“Urban
Landscapes†, a
musical portrait of this
metropolis overlooking
Lake Michigan. The
composition is divided
into three movements -
The Wrigley Building from
Dawn to Noon , Blue
Silhouette and Cloud Gate
- which by sharing the
same thematic material
arranged in cyclical
form, strengthen the
overall cohesion of the
piece. Symphony No. 3
“Urban
Landscapesâ€, a
sumptuous musical
portrait of the
“Windy Cityâ€.
Civica Filarmonica di
Lugano Since its
foundation in 1830,
Civica Filarmonica di
Lugano has performed at
diverging events, varying
from large gatherings to
international jury
performances. The Civica
Filarmonica di Lugano is
one of SwitzerlandÂ’s
oldest and most
prestigious music
societies and consists of
approximately 70
musicians.The Civica
Filarmonica gives about
20 concerts a year, both
at the city's concert
halls and the Piazza
della Riforma, the square
in Lugano that.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Full score. 32
pages. Duration 16'.
Breitkopf and Haertel #PB
15130. Published by
Breitkopf and Haertel
(BR.PB-15130).
ISBN
9790004214312. 10 x 12.5
inches.
The Mozart
expert Henrik Wiese edits
the central work genre of
Viennese classicism
according to the current
status of international
Mozart research.The clean
autograph of the Horn
Concerto in Eb major K.
447 offers a reliable
basis for the present
Urtext edition, which
deliberately abstains
from leveling out certain
fine points and smaller
divergences made by
Mozart at parallel and
repeated passages.In the
edition for horn and
piano, the two solo parts
contain two cadenza
suggestions for the first
movement, as well as
lead-ins (also
alternative) for measures
22 and 196 in the third
movement. The
distinguished Mozart
specialist Robert D.
Levin offers a variety of
multiply interrelated
motivic and melodic
sections from which every
horn player can put
together his own
cadenza.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-27. Published by
Breitkopf and Haertel
(BR.OB-5364-27).
ISBN
9790004337424. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
12 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-15. Published by
Breitkopf and Haertel
(BR.OB-5364-15).
ISBN
9790004337387. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin Schmidt
is laying bare to musical
practice the original
form of Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time. Overture;
Romantic. Part. 8 pages.
Duration 12'. Breitkopf
and Haertel #OB 5364-23.
Published by Breitkopf
and Haertel
(BR.OB-5364-23).
ISBN
9790004337417. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
12 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-16. Published by
Breitkopf and Haertel
(BR.OB-5364-16).
ISBN
9790004337394. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Part.
8 pages. Duration 12'.
Breitkopf and Haertel #OB
5364-19. Published by
Breitkopf and Haertel
(BR.OB-5364-19).
ISBN
9790004337400. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Concert Overture No. 1
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Christian Martin
Schmidt is laying bare to
musical practice the
original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Overture; Romantic. Set
of parts. 56 pages.
Duration 12'. Breitkopf
and Haertel #OB 5364-30.
Published by Breitkopf
and Haertel
(BR.OB-5364-30).
ISBN
9790004337431. 10 x 12.5
inches.
Autograph
lays bare Mendelssohn's
Overture to A Midsummer
Night's Dream To this
day, Mendelssohns
epoch-making Overture to
A Midsummer Night's Dream
has been performed on the
basis of a more than
dubious transmission.
Neither the first edition
of the parts (1832), and
certainly not the print
of the score based on
these parts (1835) go
back directly to the
autograph of the
17-year-old composer,
which is now located in
Krakow. No wonder, since
Mendelssohn had breezily
given away his original
at an early date. The
result: during his
lifetime, versions were
published with his
authorization, even
though they were full of
unintended
inconsistencies. Yet the
autograph of 1826 is
unequivocal: it is clear,
practically free of
irregularities and
diverges considerably
from the corrupted
printed version.
Christian Martin Schmidt
comes up with
occasionally differing
musical passages, but
above all with logical
and compositionally
compelling performance
instructions, laying bare
to musical practice the
original form buried
beneath layers of
falsified material for
the first
time.
Christian
Martin Schmidt is laying
bare to musical practice
the original form of
Mendelssohn's
epoch-making Overture to
A Midsummer Night's Dream
buried beneath layers of
falsified material for
the first time.
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-19. Published by
Breitkopf and Haertel
(BR.OB-15121-19).
ISBN
9790004340141. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Set
of parts. 92 pages.
Duration 30'. Breitkopf
and Haertel #OB 15121-30.
Published by Breitkopf
and Haertel
(BR.OB-15121-30).
ISBN
9790004340172. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-16. Published by
Breitkopf and Haertel
(BR.OB-15121-16).
ISBN
9790004340134. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-23. Published by
Breitkopf and Haertel
(BR.OB-15121-23).
ISBN
9790004340158. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-15. Published by
Breitkopf and Haertel
(BR.OB-15121-15).
ISBN
9790004340127. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
Urtext. Composed
by Robert Schumann.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). The
piano concerto in Urtext
- In Cooperation with G.
Henle Verlag EB 10660 is
printed in score form;
two copies are needed for
performance. Solo
concerto; Romantic. Part.
12 pages. Duration 30'.
Breitkopf and Haertel #OB
15121-27. Published by
Breitkopf and Haertel
(BR.OB-15121-27).
ISBN
9790004340165. 10 x 12.5
inches.
Schumann's
A minor concerto is
considered as the
ultimate romantic piano
concerto. Since the
Schumann anniversary year
2010, musicians will be
able to base their
performance on a complete
Urtext edition. The state
of the sources is
unfortunately patchy, as
the original version of
the first movement, a
Phantasie of 1841 that
was given two trial
performances, can no
longer be reconstructed.
On the other hand, the
posthumously published
score raises certain
questions, since it
diverges from the
editions (solo part and
orchestral parts)
authorized by Schumann
and published in 1846,
after the first
performance. The pianist
Mitsuko Uchida
contributed the fingering
for the version for two
pianos. Schumann's great
solo concertos are thus
available in their
entirety from Breitkopf,
in editions prepared with
the expert help of major
interpreters: the Cello
Concerto with Heinrich
Schiff and the Violin
Concerto with Thomas
Zehetmair. Dans
l'incomparable qualite de
gravure de la plus
ancienne maison d'edition
musicale au monde!
(L'education
musicale).
Composed by Wolfgang
Amadeus Mozart. Edited by
Michael Ostrzyga. This
edition: urtext edition.
Paperback. New
Completion. Vocal Score.
Baerenreiter Verlag
#BA11310_90. Published by
Baerenreiter Verlag
(BA.BA11310-90).
ISBN
9790006569267. 27 x 19 cm
inches. Text Language:
Latin.
This
publication offers a
source-critical edition
of Mozartâ??s
fragmentary
â??Requiemâ? as well
as an alternative to the
traditional Sü�mayr
version. It makes it
possible to perform 1)
the fragment, identified
in print in both the
score and the parts, 2)
the authentic sections
left incomplete by
Mozart, now in a
stylistically appropriate
orchestration, and 3)
those sections missing
entirely in the fragment,
newly added in
Mozartâ??s idiom taking
into account historical
additions by Sü�mayr
and Eybler.
When
completing the fragment,
the editor drew on
comprehensive comparative
and analytical studies of
Mozartâ??s church style
and compositional
workmanship. The
influence of Handel and
Bach manifested in his
final years, particularly
in the â??Requiemâ?
fragment, is taken into
account in those sections
requiring completion or
fresh
composition.
At
two points readers may
choose between
alternative movements (or
sections), since
proceeding from
SüÃ?mayrâ??s
historical version, two
divergent options cannot
be weighed against each
other but each one may
well reflect Mozartâ??s
intentions: the
â??Lacrimosaâ? may
end with or without
â??Amenâ? fugue, and
the â??Sanctusâ? may
begin in the customary D
major or in D minor.
Above all, this makes it
possible to retain the
B-flat major
â??Hosannaâ? from
SüÃ?mayrâ??s
autograph, a movement
which, until now, has not
been appreciated as
compositionally
flawless.
â?¢
Scholarly-critical
edition of the
â??Requiemâ?
fragment â?¢ With
performance material for
presentation of 1) the
fragment, 2) a version
with completions of the
authentic Mozart sections
or 3) a full
completion consistent
with Mozartâ??s musical
idiom â?¢ Missing
sections were completed
by drawing from other
fragmentary sacred works
by Mozart â?¢ Added
or completed sections
incorporate influences
from Bach and Handel
already detectable in the
fragment â?¢
Alternative performance
options for the
â??Lacrimosaâ?,
â??Sanctusâ? and
â??Benedictusâ? â
?¢ Easy-to-play piano
reduction â?¢
Extensive foreword
(Ger/Eng) on the
workâ??s history,
reception and modern
completions, with
analytical stylistic
critique â?¢
Detailed Critical
Commentary (Eng), partly
available on the
Bärenreiter
website â?¢ Tried
and tested on many
occasions, e.g. at
Harvard University, the
Rheingau Music Festival,
the Monadnock Music
Festival (New Hampshire),
in Salt Lake City (Utah),
as well as in radio
broadcasts (NDR, SWR,
WDR) and CD recordings
with Concerto Köln,
Chorwerk Ruhr and Florian
Helgath (â??Le Disque
classique du jourâ?
from francemusique.fr and
three nominations for
Opus Klassik 2021 in the
categories
â??Ensembleâ?,
â??Choral Recordingâ?
and â??Editorial
Achievementâ?)
Great Zoological
Fantasy - Urtext.
Composed by Camille
Saint-Saens. Edited by
Peter Jost. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Score and study score
with the lyrics of
Loriot
Symphonic
poem; Romantic;
Late-romantic. Part. 8
pages. Duration 22'.
Breitkopf and Haertel #OB
5321-15. Published by
Breitkopf and Haertel
(BR.OB-5321-15).
ISBN
9790004332719. 10 x 12.5
inches.
... quite
unexpectedly, kangaroos
with starched white caps
start hopping about
between the rows of
seats, offering
refreshments. The Great
Zoological Fantasy was
composed in February 1886
for a carnival concert in
Paris. After the first
concerts, Saint-Saens
prohibited all further
performances and declined
to have the work
published during his
lifetime. He was
justifiably fearful that
this occasional work
could eclipse his more
ambitious pieces. The
present Urtext edition by
Peter Jost is based
chiefly on the autograph,
which diverges in certain
essential points from the
standard first edition
available up to now.
Loriot's well-known text
is printed in the
Appendix to the
score.
Great Zoological
Fantasy - Urtext.
Composed by Camille
Saint-Saens. Edited by
Peter Jost. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Score and study score
with the lyrics of
Loriot
Symphonic
poem; Romantic;
Late-romantic. Part. 8
pages. Duration 22'.
Breitkopf and Haertel #OB
5321-16. Published by
Breitkopf and Haertel
(BR.OB-5321-16).
ISBN
9790004332726. 10 x 12.5
inches.
... quite
unexpectedly, kangaroos
with starched white caps
start hopping about
between the rows of
seats, offering
refreshments. The Great
Zoological Fantasy was
composed in February 1886
for a carnival concert in
Paris. After the first
concerts, Saint-Saens
prohibited all further
performances and declined
to have the work
published during his
lifetime. He was
justifiably fearful that
this occasional work
could eclipse his more
ambitious pieces. The
present Urtext edition by
Peter Jost is based
chiefly on the autograph,
which diverges in certain
essential points from the
standard first edition
available up to now.
Loriot's well-known text
is printed in the
Appendix to the
score.