(Marienantiphon). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Mathias Si...(+)
(Marienantiphon). By
Wolfgang Amadeus Mozart
(1756-1791). Arranged by
Mathias Siedel. For
Soprano Voice Solo, SATB
Choir, 2 Flutes, 2 Oboes,
2 Horns, 2
Clarinos/Trumpets,
Timpani, 2 Violins, 2
Violas,
Cello/Bassoon/Contrabass,
Organ. This edition:
Paperbo full score Easter
and Eastertide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours
Concert Band SKU: YM.GTW01101612 Composed by Giacomo Puccini. Arranged by...(+)
Concert Band
SKU:
YM.GTW01101612
Composed by Giacomo
Puccini. Arranged by
Hideaki Miura. New Sounds
in Brass. Arranged
Classic. Score and parts.
Yamaha Music Media
#GTW01101612. Published
by Yamaha Music Media
(YM.GTW01101612).
ISBN
9784636113037. 8.25 x
11.75 inches.
The
famous aria sung in the
third act of Puccini's
opera Turandot has been
arranged in the style of
EDM (electronic dance
music). Be sure to try
out the trumpet solo
played by Eric Miyashiro
in the recording.
Instrumentation:
Conductor×1; Piccolo×1;
1st & 2nd Flutes×2;
*Oboe×1; *Bassoon×1;
Clarinet in E♭×1; 1st
Clarinet in B♭×3; 2nd
Clarinet in B♭×3; 3rd
Clarinet in B♭×3;
*Alto Clarinet in
E♭×1; Bass Clarinet in
B♭×1; 1st Alto
Saxophone in E♭×1; 2nd
Alto Saxophone in
E♭×1; Tenor Saxophone
in B♭×1; Baritone
Saxophone in E♭×1; 1st
Trumpet in B♭×1; 2nd
Trumpet in B♭×1; 3rd
Trumpet in B♭×1; 1st &
2nd Horns in F×2; 3rd &
4th Horns in F×2; 1st
Trombone×1; 2nd
Trombone×1; Bass
Trombone×1;
Euphonium×2; Tuba×2;
Electric Bass Guitar×1;
*Electric Guitar×1;
Drums×1; Timpani×1;
Cymbals, Tambourine, Wood
Block & Bass Drum×1;
Wind Chime & Suspended
Cymbal×1;
Glockenspiel×1;
Xylophone, Marimba &
Chimes×3 The composition
can also be performed
without the instruments
marked with *.
Performance time:
Approximately 4 minutes
15 seconds Difficulty
Level: 3.
Vocal Solo (Key of F) SKU: HP.9120 Composed by William Runyan. Arranged b...(+)
Vocal Solo (Key of F)
SKU: HP.9120
Composed by William
Runyan. Arranged by Mary
McDonald. Piano
Accompaniment with
Optional Orchestra. Vocal
Score. 8 pages. Hope
Publishing Company #9120.
Published by Hope
Publishing Company
(HP.9120).
UPC:
763628191207. Thomas O.
Chisholm.
Classic
hymn tune Fully
expressing God's
unchangeable faithfulness
in any circumstance, this
epic choral setting
displays the power and
grandeur of this
cherished hymn. The
orchestration by Michael
Lawrence magnifies the
dramatic sweep of this
ebullient, raise the
rooftops setting.
Orchestration:
Conductor's Score, 2
Flutes, Oboe, 2
Clarinets, Bassoon, 3
Trumpets, 2 Horns, 2
Trombones, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola, Cello
and String Bass.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violin 1. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 1. Composed 1856.
Op. 4. 12 pages. Duration
45 minutes. Carus Verlag
#CV 27.060/11. Published
by Carus Verlag
(CA.2706011).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Oratorio fragament.
Part I: The Birth of
Christ; Part II: The
Passion of Christ.
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn.
Christus-Oratorium
(Fragment). Innovative
practice aids, Sacred
vocal music, Oratorios,
Lent and Passiontide,
Holy Week, Christmas.
Single Part, Cello.
Composed 1847. Op. 97,
MWV A 26. 4 pages.
Duration 21 minutes.
Carus Verlag #CV
40.170/14. Published by
Carus Verlag
(CA.4017014).
ISBN
9790007063658. Language:
German/English.
Men
delssohns unfinished 3rd
oratorio in its first
critical edition. The
parts Die Geburt Christi
and Das Leiden Christi
are presented with full
orchestration. In 1852,
five years after
Mendelsohn's death, two
independently-performable
fragments of an
unfinished oratorio were
published under the title
Christus. The second
fragment, The Suffering
of Jesus, comes from the
middle of the Passion
story: the scene Jesus
before Pilot is presented
with rapid, dramatic
alternation between the
recitatives of the
evangelist (tenor) and
choruses of the people. A
contemplative choral
movement closes the
fragment.
Orchestra Orchestra, soprano voice SKU: PR.41641389L For Soprano and O...(+)
Orchestra Orchestra,
soprano voice
SKU:
PR.41641389L
For
Soprano and
Orchestra. Composed
by Lowell Liebermann.
Poems by Nelly Sachs.
Premiered by Korliss
Uecker, soprano and The
Juilliard Symphony,
Lowell Liebermann,
conductor at Alice Tully
Hall, Lincoln Center, New
York City. Contemporary.
Large Score. With
Standard notation.
Composed 1986. Opus 18.
96 pages. Duration 25
minutes. Theodore Presser
Company #416-41389L.
Published by Theodore
Presser Company
(PR.41641389L).
UPC:
680160607907. German.
Poems by Nelly Sachs.
Poems by Nelly
Sachs.
2 Flutes, 2
Oboes, 2 Clarinets in Bb,
2 Bassoons, 2 Horns in F,
2 Trumpets in C, Harp,
Piano/Celesta, Timpani,
Percussion (1 player),
Strings, Soprano
Solo.
Orchestra - advanced to difficult SKU: HL.49002106 Set of Parts. C...(+)
Orchestra - advanced to
difficult
SKU:
HL.49002106
Set of
Parts. Composed by
Paul Hindemith. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of Parts.
Composed 1927. Op. 43/1.
70 pages. Duration 7'.
Schott Music #CON 79-50.
Published by Schott Music
(HL.49002106).
ISBN
9790001022545.
8.25x11.75x0.185
inches.
String
orchestra (viola also
solo), flutes and
oboes.
Psalm 100.
Composed by Johann Adam
Hiller. Edited by Klaus
Winkler. Psalm 100.
Sacred vocal music,
Psalms, German, Praise
and thanks, Psalms.
Single Part, Organ.
Composed 1781. 16 pages.
Duration 15 minutes.
Carus Verlag #CV
40.943/49. Published by
Carus Verlag
(CA.4094349).
ISBN
9790007221386. Text
language:
German.
Johann Adam
Hiller's Psalm 100 can be
considered as the
highpoint of his church
music. The work was known
during the lifetime of
the composer far beyond
Germany, even to the
Baltic States. Now the
first printed edition of
this beautifully sounding
psalm setting is
available. The
five-movement composition
is suited both for
concert as well as
liturgical purposes. Even
today this composition of
the St. Thomas Cantor and
founder of the Leipziger
Gewandhaus concert series
will not fail to miss its
mark. Score and part
available separately -
see item CA.4094300.
2 or more flutes SKU: BR.KM-2443 Medea-Material II. Composed by Fr...(+)
2 or more flutes
SKU:
BR.KM-2443
Medea-Material II.
Composed by Friedhelm
Dohl. Solo instruments.
Kammermusik-Bibliothek
(Chamber Music Library).
Music post-1945.
Performance score.
Composed 1990. 14 pages.
Duration 20-30'.
Breitkopf and Haertel #KM
2443. Published by
Breitkopf and Haertel
(BR.KM-2443).
Composed
by Wolfgang Amadeus
Mozart. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Benedictus Sit
Deus Pater Rev.2001.
Sacred vocal music,
Easter and Eastertide,
Trinity, Praise and
thanks. Single Part,
Viola 1. Composed 1768.
KV 117. 4 pages. Duration
11 minutes. Carus Verlag
#CV 40.044/13. Published
by Carus Verlag
(CA.4004413).
ISBN
9790007058555. Key: C
major. Language:
Latin.
(Oratorienfragment. Teil I: Die Geburt Christi; Teil II: Das Leiden Christi). By...(+)
(Oratorienfragment. Teil
I: Die Geburt Christi;
Teil II: Das Leiden
Christi). By Felix
Bartholdy Mendelssohn
(1809-1847). Edited by R.
Larry Todd. For Tenor
Solo, SATTBB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets, 3
trombones, timpani, 2
violins, viola, cello,
contrabass. This edition:
paperbound. Oratorios;
Stuttgart Urtext
editions; Use during
church year: Lent and
Passiontide, Holy Week,
Christmas. Level 3.
Score. Language:
German/English. Composed
1847. 97. 104 pages.
Duration 21 min.
Published by Carus Verlag
Composed by Ralph Vaughan Williams (1872-1958). Edited by David Matthews. For tu...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Edited by David Matthews.
For tuba and orchestra
(tuba solo, 2 flutes,
oboes, 2 clarinets,
baritone, 2 horns, 2
trumpets, 2 tuba,
timpani, 2 percussion
(snare drum, cymbals,
triangle, bass drum),
strings). This edition:
second edition. Study
score. 72 pages. Duration
13'. Published by Oxford
University Press
(Marienantiphon). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Mathias Si...(+)
(Marienantiphon). By
Wolfgang Amadeus Mozart
(1756-1791). Arranged by
Mathias Siedel. For Solo
Soprano, SATB Choir, 2
Flutes, 2 Oboes, 2 Horns,
2 Clarinos/Trumpets,
Timpani, 2 Violins, 2
Violas,
Cello/Bassoon/Contrabass,
Organ. This edition:
paperbound. KV 108 (74d).
Full score available
separately - see item
CA.4004700. Stuttgart
Urtext Editions; Use /
Occasion: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily Hours;
Use during church year:
Easter and Eastertide.
Piano/Vocal score.
Language: Latin. Composed
1771. 28 pages. Duration
11 min. Published by
Carus Verlag
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For violin ...(+)
Composed by William
Walton (1902-1983).
Edited by David
Lloyd-Jones. For violin
and orchestra (solo
violin, 2 flutes, 2
oboes, 2 clarinets in A,
2 bassoons, 4 horns, 2
trumpets, 3 trombones,
timpani, percussion,
harp, strings). William
Walton Edition. Pieces
and Studies. Level D
(difficult). Study score.
184 pages. Duration 30'.
Published by Oxford
University Press
Composed by Gunther
Martin Gottsche.
Arrangement for choir/
organ. Sacred vocal
music, Magnificats,
Advent. Full score. Op.
Op. 94. 44 pages.
Duration 20 minutes.
Carus Verlag #CV
27.210/45. Published by
Carus Verlag
(CA.2721045).
ISBN
9790007186333. Language:
Latin.
The
Magnificat shows the
typical personal style of
the composer Gunther
Martin Gottsche, who was
inspired by the colorful
harmonics of French
Impressionism as well as
by elements of jazz
music. He has given equal
consideration to both the
vocal line and the ease
of execution as well as
an understanding for the
musical events and a
comprehensible
interpretation of the
text. The work, which was
revised at the beginning
of 2016, is based on an
earlier work commissioned
for the Dresden
Kreuzkirche. A version
with organ accompaniment
(instead of orchestra) is
also available. Score
available separately -
see item CA.2721000.
Composed
by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Violin 2. Sacred
vocal music, Psalms,
Latin. Single Part,
Violin 2. TVWV 7:7. 12
pages. Duration 20
minutes. Carus Verlag #CV
39.114/12. Published by
Carus Verlag
(CA.3911412).
ISBN
9790007215552. Language:
Latin.
The
prestigious Latin psalm
setting Deus judicium
tuum (Ps. 71/72) is among
the finest from
Telemann's pen. Its
composition is associated
with the beginning of his
eight-month sojourn in
Paris in the fall of
1737, during which time
he celebrated musical
triumphs in the French
metropolis. As he himself
reported, with no little
pride, the piece was
performed twice in three
days by almost one
hundred selected people
in the Concert spirituel.
Three magnificent choral
movements frame a
richly-colored succession
of demanding solo
movements. Score and part
available separately -
see item CA.3911400.
Marienantiphon.
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mathias Siedel. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Regina Coeli In C
Rev.2001. Sacred vocal
music, Easter and
Eastertide, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Single Part, Cello/Double
Bass. Composed 1771. KV
108 (74d). 4 pages.
Duration 11 minutes.
Carus Verlag #CV
40.047/14. Published by
Carus Verlag
(CA.4004714).
ISBN
9790007058814. Key: C
major. Language:
Latin.
Kantate zum Ratswechsel in Muhlhausen. By Johann Sebastian Bach. Edited by Reinh...(+)
Kantate zum Ratswechsel
in Muhlhausen. By Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir, 3
Trumpets, Timpani, 2
Oboes, Bassoon, 2 Flutes,
Strings, Organ solo. BWV
71. Full score available
separately - see item
CA.3107100. Cantatas;
Stuttgart Urtext
editions; Occasions:
Praise and thanks. Choral
score. Language:
German/English. Composed
1708. 20 pages. Duration
20 min. Published by
Carus Verlag (German
import).
Composed
by Gabriel Faure. Edited
by Marc Rigaudiere.
French Sacred Music. With
attachement, XL in large
print. Sacred vocal
music, Requiem. Vocal
score. Composed 1901. 40
pages. Duration 35
minutes. Carus Verlag #CV
27.311/04. Published by
Carus Verlag
(CA.2731104).
ISBN
9790007244606. Language:
Latin.
The Requiem
of Gabriel Faure is now
available in two
versions: in the
symphonic version which
was completed in 1900 and
in a version with small
orchestra of 1889. The
symphonic version of
Gabriel Faure's Requiem,
published in 1901, was
the product of a 13-year
compositional process.
Starting from the
original five-movement
form for strings, harp
and organ, the composer
wrote two additional
movements, one after the
other, and expanded the
instrumentation in
various stages for later
performances. The present
reconstruction of a
version with small
orchestra differs from
other such attempts in
that for the first time
it presents the work not
in a mixed version, but
rather in the unified
form from 1889. This is
distinguished from the
final version both in
musical terms, as well as
through the fact that it
forgoes the use of
flutes, clarinets and
bassoons, while employing
only two horns instead of
four. With a critical
Report with information
about the source
situation and the
edition, and containing
the individual readings
(alternative readings,
etc.). Since in 1889 the
Offertoire was still
without the choral
section the present
edition contains the
Offertoire of the final
version as appendix. Now
available in carus music,
the choir app. Score
available separately -
see item CA.2731100.
Composed
by Johann Gottlieb
Naumann. Arranged by Paul
Horn. German title: Missa
in D. Sacred vocal music,
Masses, Latin. Single
Part, Violin 2. Composed
1794. 12 pages. Duration
30 minutes. Carus Verlag
#CV 40.672/12. Published
by Carus Verlag
(CA.4067212).
ISBN
9790007219949. Key: D
minor. Language:
Latin.
Johann
Gottlieb Naumann, who
today is becoming
increasingly well known,
achieved recognition
during his lifetime as a
composer of operas, among
them the first Swedish
national opera, Gustaf
Wasa. In addition he
wrote a large number of
sacred compositions for
the Court of Dresden,
where he was employed for
many years, including the
present Missa in D minor,
which was still performed
well into the 20th
century. This work,
probably composed for
Christmas in 1794,
displays a decidedly
pastoral character in the
Gloria and Agnus Dei and
moreover, is
distinguished by charming
solo woodwind parts.
Score and part available
separately - see item
CA.4067200.
By Johannes Brahms (1833-1897). Edited by Clive Brown. For violin and orchestra ...(+)
By Johannes Brahms
(1833-1897). Edited by
Clive Brown. For violin
and orchestra (solo
violin/2 flutes/2 oboes/2
clarinets/2 bassoons/4
horns/2
trumpets/timpani/2
violins/viola/cello/doubl
e bass). This edition:
Paperback, Urtext
edition. Study score.
Text Language:
English/German. Opus 77.
101 pages. Duration 38'.
Published by Baerenreiter
Verlag
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Viola. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Viola. Composed 1856. Op.
4. 12 pages. Duration 45
minutes. Carus Verlag #CV
27.060/13. Published by
Carus Verlag
(CA.2706013).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.