By Jeff Smallman. For SATB/SATB Choir. Secular. Choral Octavo. Composed 2006. 32 pages. Duration 4:15. Published by Lighthouse Music Publications

Composed by Jeff Smallman. For SATB Choir, Piano, Piccolo, Bodhran. Secular. Piano/Vocal Score and Parts. Composed 2004. 20 pages. Duration 3:25. Published by Lighthouse Music Publications

Composed by Jeff Smallman. Secular. Octavo. Duration 2:20. Published by Lighthouse Music Publications (LH.LMP-C1202).

By Jeff Smallman. For SATB Choir, Harp or Piano. Secular. Piano/Vocal Score. Composed 2008. 12 pages. Duration 3:00. Published by Lighthouse Music Publications

Composed by Jeff Smallman. For SSA Choir, Piano. Sacred. Piano/Vocal Score. Text language: French. Composed 2003. 16 pages. Duration 3:05. Published by Lighthouse Music Publications

By Rend Collective. By Rend Collective. Arranged by David Angerman. PraiseSong Choral. CD only. Published by PraiseSong (HL.231513).

By Jeff Smallman. For Soprano, Piano. Piano/Vocal Score. Text language: French. Composed 2003. 8 pages. Duration 3:40. Published by Lighthouse Music Publications

By Jeff Smallman. For Soprano, Piano. Piano/Vocal Score. Text language: French. Composed 2003. 8 pages. Duration 4:05. Published by Lighthouse Music Publications

By Jeff Smallman. For Soprano, Piano. Piano/Vocal Score. Text language: French. Composed 2003. 8 pages. Duration 5:15. Published by Lighthouse Music Publications

Composed by Jeff Smallman. Score & parts. Duration 4:50. Published by Lighthouse Music Publications (LH.LMP-B1401S-P).

Concert Band - Grade 2.5

SKU: AP.49125S

Composed by Brooke Pierson. Concert Band; Performance Music Ensemble. Young Symphonic. Score. 20 pages. Duration 3:55. Alfred Music #00-49125S. Published by Alfred Music (AP.49125S).

ISBN 9781470646417. UPC: 038081565118. English.

This concert piece by composer, Brooke Pierson, opens with lyrical and emotional moments, showcasing your band's sensitive playing, then transitioning to a shimmery, up-tempo, and hopeful section. The Lighthouse Keeps Watch is sure to delight players and audience members alike and is perfect for any concert. (3:55).

By Jeff Smallman. For Mezzo-soprano voice solo, Piano. Piano/Vocal Score. Text language: French. Composed 2009. 16 pages. Duration 9:00. Published by Lighthouse Music Publications

By Jeff Smallman. For 4 Trumpets, 3 Horns, 3 Trombones, Euphonium, Tuba, Percussion. Score and parts. Composed 2004. 8 pages. Duration 1:15. Published by Lighthouse Music Publications

By Jeff Smallman. For SSATBB Choir. Secular. Choral Octavo. Text language: Finnish. Composed 2007. 12 pages. Duration 3:45. Published by Lighthouse Music Publications

Chamber Music Cello, Piano, Violin

SKU: PR.114423360

Composed by Stacy Garrop. Set of Score and Parts. 24+12+12 pages. Duration 8:30. Theodore Presser Company #114-42336. Published by Theodore Presser Company (PR.114423360).

UPC: 680160686285.

When the Newport Music Festival commissioned me for a piano trio in honor of their 2021 season, I looked for a topic that would celebrate an aspect of the Newport community. While researching the area, I was struck by the nine lighthouses situated around the island. The dual nature of lighthouses was particularly appealing to me: not only do they serve a vital role in the navigation of ships around rocks and land, but they are also a beautiful sight, particularly at night when their blinking beacons are clearly visible to the eye. It occurred to me that lighthouses link the past with the present, and will endure long into the future, with their beacons serving the same purpose for every generation.I became fascinated with the lighthouse on the property of Castle Hill Inn, located at the opening of the East Passage of the Narragansett Bay. This squat thirty-four foot granite structure was erected in 1890 on a very picturesque spot, right at the water’s edge. Its “characteristic,â� �� the nautical term for each lighthouse’s unique light sequence that allows ships to identify the lighthouse, is to alternate on for three seconds, then off for three seconds. The lighthouse has also served as the starting and finish line for numerous high profile yacht races, as well as survived a massive hurricane in 1938, though the lighthouse keeper’s nearby residence wasn’t so lucky. American novelist Thornton Wilder wrote much of his 1973 novel Theophilus North while staying at the Castle Hill Inn; a passage from the book perfectly captures the dual nature of lighthouses:“At a later visit I was able to engage the pentagonal room in a turret above the house; from that magical room I could see at night the beacons of six lighthouses and hear the booming and chiming of as many sea buoys.”In Beacon of the Bay, we first hear the lighthouse’s characteristic as its ruby light blinks on and off. This is followed by a simple theme that represents the lighthouse performing its solitary duty. As the piece progresses, we hear waves playfully lapping around its base, then yachts gracefully floating by; this is followed by a violent storm that churns the waves with so much force that they crash against the lighthouse’s granite body. But the steadfast lighthouse holds firm to the rocks, grandly blinking its ruby light. The music quiets back down to its simple theme, with yachts sailing by once more as the piece concludes.

Organ

SKU: SU.80101449

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101449. Published by Zimbel Press (SU.80101449).

Spire (Mosaic for Organ) is a dramatic work commissioned for a concert celebrating the 50th anniversary of the Walcker organ in Ulm Cathedral (Germany). Ulm Cathedral possesses the world's tallest church spire. The Lighthouses was commissioned for the 12th Sendlinder Orgelnacht in the Himmelfahrtskirche in Munich-Sendling, Germany. It takes its inspiration from the role of lighthouses as an aid to navigation and as a symbol of comfort, security, and stability admist turbulent circumstances. Instrumentation: Organ Duration: 2019 Composed: 18'30 Published by: Zimbel Press.

Choral SATB choir, piano

SKU: CF.CM9713

Composed by Jacob Narverud. 16 pages. Duration 4:01. Carl Fischer Music #CM9713. Published by Carl Fischer Music (CF.CM9713).

ISBN 9781491160084. UPC: 680160918683. Key: G major. English. Robert Bode. Original.

The piece was commissioned by Kevin Scully, Director of Creative Arts, for the Port Washington School District, New York, with special thanks to the Ed Foundation and HEARTS for their unwavering support. Performance Notes This lighthearted piece is a great way to bring multiple choirs together in harmony. It may be sung by a single SATB choir, though it is intended to be performed by multiple choirs of varying age levels. Song of the Sound was written for an all-district feeder festival piece for combined elementary, middle level, and high school choirs. Here is a suggested outline for combining multiple choirs: Rehearsal Letters A to B: Elementary choir only (two-part, Soprano, Alto) Rehearsal Letter B: add Middle Level Soprano, Alto with Elementary choir Rehearsal Letter C: Middle Level choir only Rehearsal Letter D: High School choir only Rehearsal Letter E to the end: Everyone! Song of the Sound: Running on the beach, digging in the sand, Seaweed in my toes, bucket in my hand. When I'm at the shore, way above the rest, These are all the things that I love the best. Skipping like a stone on the water, diving deep in the silvery foam, Swimming far where the land cannot hold us, where the lighthouse calls us home. Flying free above the marshes, soaring high above the sea, Where the tern and cormorant and plover call to lands we cannot see.Come let us go to the water, let us go to the singing shore: Where the gentle breezes whisper and the mighty breakers roar. We will look to the shining ocean, to the East, where the new day dawned: We will sing a song of the edge of the world and the waiting sky beyond. -Poem by Robert Bode (Hope Springs Retreat Center, Ohio. August 2019) About the Composer: Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. Dr. Narverud is an active guest Conductor/Clinician for Choral Festivals and All-State Choirs across the country and is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble comprised of musicians from across the Great Plains. As a sought-after composer, Narverud has been commissioned to write new works for a variety of choral ensembles and organizations. Many of his Editors' Choirs compositions are publisher Best Sellers and are performed worldwide by choirs of all levels. Website: www.jnarverud.com YouTube & Spotify: @jacobnarverud.
The piece was commissioned by Kevin Scully, Director of Creative Arts, for the Port Washington School District, New York, with special thanks to the Ed Foundation and HEARTS for their unwavering support.Performance NotesThis lighthearted piece is a great way to bring multiple choirs together in harmony. It may be sung by a single SATB choir, though it is intended to be performed by multiple choirs of varying age levels. Song of the Sound was written for an all-district feeder festival piece for combined elementary, middle level, and high school choirs. Here is a suggested outline for combining multiple choirs:Rehearsal Letters A to B: Elementary choir only (two-part, Soprano, Alto)Rehearsal Letter B: add Middle Level Soprano, Alto with Elementary choirRehearsal Letter C: Middle Level choir onlyRehearsal Letter D: High School choir onlyRehearsal Letter E to the end: Everyone!Song of the Sound:Running on the beach, digging in the sand,Seaweed in my toes, bucket in my hand.When I'm at the shore, way above the rest,These are all the things that I love the best. Skipping like a stone on the water, diving deep in the silvery foam,Swimming far where the land cannot hold us, where the lighthouse calls us home.Flying free above the marshes, soaring high above the sea,Where the tern and cormorant and plover call to lands we cannot see.Come let us go to the water, let us go to the singing shore:Where the gentle breezes whisper and the mighty breakers roar.We will look to the shining ocean, to the East, where the new day dawned:We will sing a song of the edge of the world and the waiting sky beyond.-Poem by Robert Bode (Hope Springs Retreat Center, Ohio. August 2019)About the Composer:Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. Dr. Narverud is an active guest Conductor/Clinician for Choral Festivals and All-State Choirs across the country and is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble comprised of musicians from across the Great Plains. As a sought-after composer, Narverud has been commissioned to write new works for a variety of choral ensembles and organizations. Many of his Editors' Choirs compositions are publisher Best Sellers and are performed worldwide by choirs of all levels. Website: www.jnarverud.com  YouTube & Spotify: @jacobnarverud.

Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS126

Composed by Todd Parrish. Folio. Cas. Set of Score and Parts. 32+20+20+20+32+3+28 pages. Duration 8:12. Carl Fischer Music #CAS126. Published by Carl Fischer Music (CF.CAS126).

ISBN 9781491157626. UPC: 680160916207. 9 x 12 inches.

Ancient Wonders Suite is a musical description of four of the wonders from the ancient world. Movement one describes the awe-inspiring grandeur of the Temple of Artemis located in Ephesus (present-day Turkey). Movement two depicts the majesty of the Great Lighthouse at Alexandria, Egypt. Movement three portrays the mystery and amazing craftsmanship used to build the Great Pyramid at Giza. Movement four represents the overwhelming feeling one might have felt gazing at the Statue of Zeus at Olympia, Greece.  Movements may be played in any order or as stand-alone works.
Ancient Wonders Suite is a musical description of four of the wonders from the ancient world. Movement one describes the awe-inspiring grandeur and size of the Temple of Artemis located in Ephesus (now present day Turkey). Movement two depicts the majesty of the Great Lighthouse at Alexandria, Egypt, which lasted into the 14th century. Movement three portrays the mystery and amazing craftsmanship used to build the Great Pyramid at Giza, the only ancient wonder still standing today. Movement four represents the overwhelming feeling one might have felt gazing at the Statue of Zeus at Olympia, Greece. It concludes with a majestic feeling of victory, celebrating the Olympic spirit.Though written through contemporary means, this programmatic work seeks to remember the great architectural achievements of past generations. As a former director with the Bay Youth Orchestras of Virginia, it was truly an honor to write this piece commemorating the years of dedication and inspiration from my former colleague, Christina Morton.Movements were written with the traditional symphonic order in mind, but they may be played in any order or as stand-alone works. The timpani part is optional, but very highly recommended as it significantly adds to the majestic nature of these works.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Orchestra Cello, Contrabass, Timpani, Viola, Violin 1, Violin 2 - Grade 3

SKU: CF.CAS126F

Composed by Todd Parrish. Sws. Cas. Full score. 28 pages. Carl Fischer Music #CAS126F. Published by Carl Fischer Music (CF.CAS126F).

ISBN 9781491157459. UPC: 680160916030. 9 x 12 inches.

Ancient Wonders Suite is a musical description of four of the wonders from the ancient world. Movement one describes the awe-inspiring grandeur and size of the Temple of Artemis located in Ephesus (now present day Turkey). Movement two depicts the majesty of the Great Lighthouse at Alexandria, Egypt, which lasted into the 14th century. Movement three portrays the mystery and amazing craftsmanship used to build the Great Pyramid at Giza, the only ancient wonder still standing today. Movement four represents the overwhelming feeling one might have felt gazing at the Statue of Zeus at Olympia, Greece. It concludes with a majestic feeling of victory, celebrating the Olympic spirit. Though written through contemporary means, this programmatic work seeks to remember the great architectural achievements of past generations. As a former director with the Bay Youth Orchestras of Virginia, it was truly an honor to write this piece commemorating the years of dedication and inspiration from my former colleague, Christina Morton. Movements were written with the traditional symphonic order in mind, but they may be played in any order or as stand-alone works. The timpani part is optional, but very highly recommended as it significantly adds to the majestic nature of these works.
Ancient Wonders Suite is a musical description of four of the wonders from the ancient world. Movement one describes the awe-inspiring grandeur and size of the Temple of Artemis located in Ephesus (now present day Turkey). Movement two depicts the majesty of the Great Lighthouse at Alexandria, Egypt, which lasted into the 14th century. Movement three portrays the mystery and amazing craftsmanship used to build the Great Pyramid at Giza, the only ancient wonder still standing today. Movement four represents the overwhelming feeling one might have felt gazing at the Statue of Zeus at Olympia, Greece. It concludes with a majestic feeling of victory, celebrating the Olympic spirit.Though written through contemporary means, this programmatic work seeks to remember the great architectural achievements of past generations. As a former director with the Bay Youth Orchestras of Virginia, it was truly an honor to write this piece commemorating the years of dedication and inspiration from my former colleague, Christina Morton.Movements were written with the traditional symphonic order in mind, but they may be played in any order or as stand-alone works. The timpani part is optional, but very highly recommended as it significantly adds to the majestic nature of these works.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094729-140

Composed by Itaru Sakai. Brilliant Marches. Concert March. Score Only. Composed 2009. 20 pages. De Haske Publications #DHP 1094729-140. Published by De Haske Publications (BT.DHP-1094729-140).

9x12 inches.

This work takes both its name and inspiration from a lighthouse “Sword Cape” that keeps watch near Japan’s naval base. The piece describes how, come rain or shine, the lighthouse bids a safe journey to departing ships, guides them during their travels and eventually welcomes them home again. The music evokes many musical images - grand ships sailing by, white-capped waves, the deep blue of the ocean and the light of ‘sword cape” as it silently guides ships over the mysterious waters.

Dieses Werk wurde von einem Leuchtturm mit dem Namen Schwert-Kap“ inspiriert, der in der Nähe des Marinestützpunkts von Japan steht. Es beschreibt, wie die Schiffe bei jedem Wetter von diesem Leuchtturm verabschiedet, auf ihrem Weg geleitet und bei der Rückkehr willkommen geheißen werden. Dabei entstehen verschiedene musikalische Bilder vor dem inneren Auge des Zuhörers: das Vorbeiziehen eines Schiffes, weiße Wellen blauer See oder das Licht des Leuchtturm auf dem stillen Wasser bei Nebel.

Light of the Sword è un brano commissionato a Sakai dalla Banda Militare delle Forze marittime di autodifesa giapponesi di stanza nel porto di Yokosuka nella baia di Tokio. L’origine del titolo ha due significati: da una parte si ispira al faro di Tsurugizaki (letteralmente “estremit della spada”), la cui luce serve come punto di riferimento tra la terra ed il mare, e dall’altra alla luce emanata dalla spada che appartiene alla grande tradizione degli ufficiali di marina. Una marcia luminosa!

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1094729-010

Composed by Itaru Sakai. Brilliant Marches. Concert March. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094729-010. Published by De Haske Publications (BT.DHP-1094729-010).

9x12 inches.

This work takes both its name and inspiration from a lighthouse “Sword Cape” that keeps watch near Japan’s naval base. The piece describes how, come rain or shine, the lighthouse bids a safe journey to departing ships, guides them during their travels and eventually welcomes them home again. The music evokes many musical images - grand ships sailing by, white-capped waves, the deep blue of the ocean and the light of ‘sword cape” as it silently guides ships over the mysterious waters.

Dieses Werk wurde von einem Leuchtturm mit dem Namen Schwert-Kap“ inspiriert, der in der Nähe des Marinestützpunkts von Japan steht. Es beschreibt, wie die Schiffe bei jedem Wetter von diesem Leuchtturm verabschiedet, auf ihrem Weg geleitet und bei der Rückkehr willkommen geheißen werden. Dabei entstehen verschiedene musikalische Bilder vor dem inneren Auge des Zuhörers: das Vorbeiziehen eines Schiffes, weiße Wellen blauer See oder das Licht des Leuchtturm auf dem stillen Wasser bei Nebel.

Light of the Sword è un brano commissionato a Sakai dalla Banda Militare delle Forze marittime di autodifesa giapponesi di stanza nel porto di Yokosuka nella baia di Tokio. L’origine del titolo ha due significati: da una parte si ispira al faro di Tsurugizaki (letteralmente “estremit della spada”), la cui luce serve come punto di riferimento tra la terra ed il mare, e dall’altra alla luce emanata dalla spada che appartiene alla grande tradizione degli ufficiali di marina. Una marcia luminosa!

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Gospel. 272 pages. 9x12 inches. Published by Hal Leonard.

By Jeff Smallman. For Bb Clarinet, Violin, Viola, Cello. Score and parts. Composed 2006. 52 pages. Duration 13:15. Published by Lighthouse Music Publications

Organ

SKU: SU.80101448

For Organ. Composed by Carson Cooman. Keyboard, Organ. Score. Zimbel Press #80101448. Published by Zimbel Press (SU.80101448).

This is a collection of 17 short organ pieces of varied characters that were composed over a period of years. Some works are contemporary views of early music styles and forms, and a number can be played on a positive organ or with manuals only. All are useful as service voluntaries or as recital selections. Contains: Bryn Mawr Voluntary, Cornet Voluntary, Partita semplice, Pastorella acustica, Canto e Fugato, Canto quieto, Deux petits preludes, Lighthouse Song, Passacaglia semplice, Kleine Spielmusik, Diapason Voluntary, Preludio, Rondelet, Roundelay, Paulus-Praeludium, Tambourin, and Three Enigmas. Instrumentation: Organ Duration: 2012-19 Composed: 75' Published by: Zimbel Press.

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Gospel. 288 pages. 9x12 inches. Published by Hal Leonard.

Meet Me At The Manger (Wise Men Still Follow Him Today). By Celeste Clydesdale. Arranged by David Clydesdale. For 2-part/Unison choir. Musical. Characters and Casting: 6 Male Characters, 3 Female Characters, 1 Adult, 12 solos. Modern Christian, Christmas. Easy. Choral Book. Duration 37'00". Published by Word Music