By Paul Simon. For guitar. Little Black Songbook. The little book with all the B...(+)
By Paul Simon. For
guitar. Little Black
Songbook. The little book
with all the BIG songs.
Folk. Level: Easy. Lyric
and Chord Book. 224
pages. Published by Music
Sales.
The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Ch...(+)
The Definitive Paul Simon
Songbook by Paul Simon.
For Melody Line, Lyrics
and Chords. Music Sales
America. Folk Rock.
Softcover. 560 pages.
Paul Simon Music
#PS11594. Published by
Paul Simon Music
Performed by Paul Simon. For guitar and voice. Format: guitar tablature single. ...(+)
Performed by Paul Simon.
For guitar and voice.
Format: guitar tablature
single. With guitar
tablature, vocal melody,
lyrics, chord names,
guitar chord diagrams and
guitar notation legend.
Folk Rock and Pop Rock.
119 pages. 9x12 inches.
Published by Paul Simon.
By Russ Shipton. Book. Published by Music Sales. (AM62902) Based on popular so...(+)
By Russ Shipton. Book.
Published by Music Sales.
(AM62902)
Based on popular songs
which appear in the
songbooks of The Complete
Guitar Player course.
Beats are indicated so
the standard player can
follow it. Includes
photos of left-hand
position instruction in
varying right-hand styles
and left-hand chord
shapes.
For piano. Pop, funk, jazz, blues, ballads, latin, Ab und zu. FRA FORO...(+)
For piano.
Pop,
funk, jazz, blues,
ballads, latin, Ab und
zu. FRA FORORDET:
Om
intensjonene med
utgivelsen: Jeg har
funnet fram til et utvalg
komposisjoner skrevet
mellom1981 og 1987,
hvorav de fleste har
blitt utgitt pa CD/LP.
Mitt onskemed samlingen
er at man som utover kan
finne musikk som faller i
smak,at den er lett
tilgjengelig, men
samtidig med nok substans
til at manfaR lyst til a
forske videre i
materialet. Saledes haper
jeg atkomposisjonene med
sine sma kommentarer, kan
fungere som
infallsvinkelog metode
til a skrive musikk innen
denne genre!
Study Score Cello (Score) SKU: HL.49003264 Cello and Orchestra Study S...(+)
Study Score Cello (Score)
SKU: HL.49003264
Cello and Orchestra
Study Score. Composed
by Gavin Bryars. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1995. 114 pages.
Duration 35'. Schott
Music #ED12586. Published
by Schott Music
(HL.49003264).
ISBN
9790220118159. UPC:
884088061487.
8.25x11.75x0.39
inches.
I have a
great fondness for the
lower string instruments:
I am a bass player, my
mother is a cellist, as
are both my daughters; my
own ensemble includes two
violas, a cello and a
bass, and for the
instrumentation of my
opera Medea I omit the
entire violin section
from the orchestra. As I
have written a number of
works for solo instrument
or voice with orchestra I
welcomed the opportunity
to write a concerto for
cello and orchestra and
especially one which
focuses particularly on
the instrument's lyrical
qualities. Although the
piece is in one
continuous movement, and
the soloist is playing
almost without a break,
it nevertheless falls
into distinct sections
which are recognisable by
a shift of tempo as well
as by a change in the
music's character.One of
the early ideas Julian
Lloyd Webber and I
discussed was that it
might form a companion
piece to one of the Haydn
concertos. Given my
friendship with some
members of the English
Chamber Orchestra and my
awareness of their
repertoire, this
suggested a number of
particular musical
references. The subtitle
to the work, for example,
combines the subtitles of
two idiosyncratic Haydn
symphonies and I allude
to them in different ways
but chiefly through
orchestration: for The
Philosopher by including
a section in the concerto
where the orchestration
resembles that of the
symphony's first movement
(pairs of English and
French horns, muted
violins and unmuted lower
strings); for The
Farewell, by the
progressive reduction in
the orchestration towards
the end. Indeed, apart
from the orchestral tutti
in the last few bars, the
last pages of the score
are virtually for string
quartet. The subtitle
also refers to my own
background as a
philosophy graduate...The
piece was commissioned by
Philips Classics for
Julian Lloyd Webber and
is dedicated to him.The
first performance was
given by Julian Lloyd
Webber and the English
Chamber Orchestra
conducted by James Judd,
21 November 1995,
Barbican Hall,
London.Gavin Bryars.
Score and Parts Concert Band; Wind Ensemble - Grade 5 For Wind Orchestra Score ...(+)
Score and Parts Concert
Band;
Wind Ensemble - Grade 5
For Wind Orchestra Score
and
Parts. Composed by Johan
De
Meij. Amstel Music.
Concert.
Softcover. Duration 2580
seconds. Amstel Music
#AM200-
010. Published by Amstel
Music
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody.
For violin. Format: fake
book. With lead melody,
chord names,
instructional text and
performance notes. Folk,
americana and british.
302 pages. 9x12 inches.
Published by Oak
Publications.
Featuring 43 Fiddlers
and 188 of Their
Tunes. Perfect
binding. Folk. Book. 212
pages. Mel Bay
Publications, Inc #30091.
Published by Mel Bay
Publications, Inc
(MB.30091).
ISBN
9781513466378. 8.75 x
11.75
inches.
Appalachian
fiddle music, based on
the musical traditions of
the people who settled in
the mountainous regions
of the southeastern
United States, is
widely-known and played
throughout North America
and parts of Europe
because of its complex
rhythms, its catchy
melodies, and its
often-ancient-sounding
stylistic qualities. The
authors explore the lives
and music of 43 of the
classic Appalachian
fiddlers who were active
during the first half of
the 20th century. Some of
them were recorded
commercially in the
1920s, such as Gid
Tanner, Fiddlin? John
Carson, and Charlie
Bowman. Some were
recorded by folklorists
from the Library of
Congress, such as William
Stepp, Emmett Lundy, and
Marion Reece. Others were
recorded informally by
family members and
visitors, such as John
Salyer, Emma Lee
Dickerson, and Manco
Sneed. All of them played
throughout most of their
lives and influenced the
growth and stylistic
elements of fiddle music
in their regions. Each
fiddler has been given a
chapter with a biography,
several tune
transcriptions, and tune
histories. To show the
richness of the music,
the authors make a
special effort to show
the musical elements in
detail, but also
acknowledge that nothing
can take the place of
listening. Many of the
classic recordings used
in this book can be found
on the web, allowing you
to hear and read the
music together.
Accordion (keyboard) - Intermediate SKU: MB.97210 Composed by David DiGiu...(+)
Accordion (keyboard) -
Intermediate
SKU:
MB.97210
Composed by
David DiGiuseppe. Style,
Squareback saddle stitch,
Tunebooks, Piano
Accordion, Celtic /
Irish, Folk, European,
World. Acoustic Music.
Book. 112 pages. Mel Bay
Publications, Inc #97210.
Published by Mel Bay
Publications, Inc
(MB.97210).
ISBN
9780786648009. UPC:
796279062350. 8.75 x
11.75 inches.
An
extensive collection of
reels, jigs, hornpipes
and polkas from the
French Canadian, Cape
Breton, Scottish,
Shetland, New England,
and Southern Old-Time
Traditions arranged for
the piano accordion.
Written with the beginner
as well as the advanced
player in mind, the
arrangements are complete
with ornamentation,
fingering, left-hand
notation and chord
symbols. Appropriate for
any G clef
instrument.
Homage Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 5 SKU: BT.DHP-0940571-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 5
SKU:
BT.DHP-0940571-020
Composed by Jan Van der
Roost. Sovereign Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 1994. De Haske
Publications #DHP
0940571-020. Published by
De Haske Publications
(BT.DHP-0940571-020).
In the most
literal sense: a piece
for an occasion. The
actual occasion was Jan
de Haan’s
twentieth anniversary as
a conductor of the top
Dutch brass band,
“Soli Deo
Gloriaâ€
(Leeuwarden). To mark the
occasion, the band
commissioned the Belgian
comopser Jan Van der
Roost to create a
surprise piece: without
knowledge of the person
being celebrated, a
suitable source of
inspiration was sought
for. After some thought
the chorale-theme from
Camille Saint-Saëns
organ symphony was
chosen, a piece with
which Jan de Haan has a
special bond.Apart from
this chorale, Homage is
also based on the names
of notes taken from
‘Jan de
Haan’ and
‘Soli Deo
Gloria’, resulting
in the tonerow: DEGAH.
Both elements are
combined together and
form a grand climax
towards the end of the
piece when the whole band
unites in the Saint
Saëns’ theme.
Homage
wurde von Jan Van der
Roost im Auftrage der
Brass Band Soli Deo
Gloria aus Leeuwarden
geschrieben. Direkter
Anlass dazu war das
20-jährige Jubiläum
von Jan de Haan als
Dirigent dieses
Ensembles. Als
Inspiration diente dem
Komponistendas
Choralthema der
Orgelsymphonie von
Camille Saint-Saëns,
ein von Jan de Haan
geschätztes Werk.
Nebst diesem Choral
basiert Homage
ebenfalls auf den
Notenbezeichnungen aus
‘Jan de
Haan’ und
‘Soli Deo
Gloria’, was die
Notenreihe DEGAH
ergab.Beide Elemente
werden durcheinander
verwendet, bis sich
schließlich die ganze
Band im Finale mit dem
Saint-Saëns-Thema
wieder
zusammenfindet.
Piano SKU: BT.EMBZ14504 EMB Liszt Works. Book Only. Composed 2009. 252 pa...(+)
Piano
SKU:
BT.EMBZ14504
EMB
Liszt Works. Book Only.
Composed 2009. 252 pages.
Editio Musica Budapest
#EMBZ14504. Published by
Editio Musica Budapest
(BT.EMBZ14504).
English-German-Hungari
an.
Volume 9 in the
series of Supplements is
mainly devoted to
hitherto unpublished or
inaccessible works. Apart
from the piano score of
the Berlioz symphony it
contains smaller-scale
late masterpieces
(Excelsior!,
Resignazione), the Album
leaves written in
Woronince in 1847, the
large-scale but
unfinished and not fully
worked out Figaro and Don
Juan fantasia,
incorporating several
Mozart themes, the piano
piece No.1 in A flat
major, two unpublished
works incorrectly
identified up till now by
the special literature,
the Maometto fantasia and
the Siege de Corinthe
(both transcriptions of
Rossini works), and the
volume also includes
three other unpublished
works (the Piano piece in
Fmajor, the Cavatina from
Robert le Diable by
Meyerbeer, and Freudvoll
und leidvoll, written
down for Pauline von
Iwanowska. The Prefaces
preceding the scores,
which give very accurate,
detailed information
about the genesis of the
works, make interesting
reading in themselves,
but their true
significance consists in
the new scholarly
discoveries made by the
editors. Similarly to the
other NLE volumes, both
the cloth-bound (Z.
14504a) version and the
one bound in hard-paper
(Z. 14504) contain in
three languages the
series preface, the
preface to this volume,
and the captions below
the facsimiles, but the
critical notes in English
are to be found only in
the linen-bound edition.
Der Band
enthält neben der
Klavierpartitur der
Symphonie von Berlioz,
kleinere, spätere
Meisterwerke (Excelsior!,
Resignazione), die 1874
in Woronince entstandenen
Albumblätter, die
umfangreichen, mehrere
Mozart-Themen
aufgreifenden, aber
unbeendeten und
unausgearbeiteten Figaro-
und Don
Giovanni-Phantasien, das
schon seit langem
unzugängliche
Klavierstück No. 1 in
As-Dur, zwei von der
Fachliteratur verkannte,
unveröffentlichte
Werke, die
Maometto-Phantasie und
die ‚Siege de
Corinthe' (beide sind
Transkriptionen von
Rossini-Werken) und drei,
ebenfalls bisher nicht
erschienene Stücke,
das Klavierstück in
F-Dur, die Cavatina aus
Meyerbeers ‚Robert
der Teufel' und dasfür
Pauline von Iwanowska
komponierte
‚Freudvoll und
leidvoll'. Das Vorwort,
welches die
Entstehungsgeschichte der
Werke sehr genau und auf
jedes Detail eingehend
vorstellt, ist auch
selbst eine interessante
Lektüre. Seine wahre
Bedeutung machen aber die
neuen wissenschaftlichen
Entdeckungen aus.
Homage Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-0940571-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.DHP-0940571-010
Composed by Jan Van der
Roost. Sovereign Series.
Set (Score & Parts).
Composed 1994. De Haske
Publications #DHP
0940571-010. Published by
De Haske Publications
(BT.DHP-0940571-010).
In the most
literal sense: a piece
for an occasion. The
actual occasion was Jan
de Haan’s
twentieth anniversary as
a conductor of the top
Dutch brass band,
“Soli Deo
Gloriaâ€
(Leeuwarden). To mark the
occasion, the band
commissioned the Belgian
comopser Jan Van der
Roost to create a
surprise piece: without
knowledge of the person
being celebrated, a
suitable source of
inspiration was sought
for. After some thought
the chorale-theme from
Camille Saint-Saëns
organ symphony was
chosen, a piece with
which Jan de Haan has a
special bond.Apart from
this chorale, Homage is
also based on the names
of notes taken from
‘Jan de
Haan’ and
‘Soli Deo
Gloria’, resulting
in the tonerow: DEGAH.
Both elements are
combined together and
form a grand climax
towards the end of the
piece when the whole band
unites in the Saint
Saëns’ theme.
Homage
wurde von Jan Van der
Roost im Auftrage der
Brass Band Soli Deo
Gloria aus Leeuwarden
geschrieben. Direkter
Anlass dazu war das
20-jährige Jubiläum
von Jan de Haan als
Dirigent dieses
Ensembles. Als
Inspiration diente dem
Komponistendas
Choralthema der
Orgelsymphonie von
Camille Saint-Saëns,
ein von Jan de Haan
geschätztes Werk.
Nebst diesem Choral
basiert Homage
ebenfalls auf den
Notenbezeichnungen aus
‘Jan de
Haan’ und
‘Soli Deo
Gloria’, was die
Notenreihe DEGAH
ergab.Beide Elemente
werden durcheinander
verwendet, bis sich
schließlich die ganze
Band im Finale mit dem
Saint-Saëns-Thema
wieder
zusammenfindet.
