(For S.A.B. Chorus or Solo Voices, and Soprano Recorder or Piccolo or Flute). By...(+)
(For S.A.B. Chorus or
Solo Voices, and Soprano
Recorder or Piccolo or
Flute). By Peter
Schickele. Mixed chorus.
For Unison Chorus, Voice
Solo, Soprano Recorder,
Piccolo, Flute.
Elkan-Vogel Choral Music.
The first complete
performance of SUMMER
MUSIC took place on May
18, 1989 at BargeMusic in
Brooklyn; it was sung by
Lisa Meyer, Mary Ann
Hart, and Elliot Z.
Levine, with the composer
playing recorder.
Classical. Choral
part(s). Standard
notation. 8 pages.
Duration 5 minutes.
Published by Theodore
Presser Company
Chorale 3 parties 3 parties Mixtes [Vocal Score] - Intermédiaire Hal Leonard
(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (on...(+)
(Songbook). By The King's
Singers. Arranged by The
King's Singers. For choir
(one, two, or three-part
voices) (Songbook).
King's Singer's Choral.
Pop Vocal, Traditional
Folk, Baroque and
Classical Period.
Difficulty: easy-medium.
Vocal score (one, two and
three part rounds). Vocal
melody, harmony part and
leadsheet notation. 80
pages. Published by Hal
Leonard
Artza Alinu Chorale 3 parties SSA, Piano Carl Fischer
Arranged by Earlene Rentz. Quoting Toemba (Israeli Round). Octavo. With Standard...(+)
Arranged by Earlene
Rentz. Quoting Toemba
(Israeli Round). Octavo.
With Standard notation.
Duration 2 minutes, 55
seconds. Carl Fischer
#CM9477. Published by
Carl Fischer (CF.CM9477).
By Buddy Greene. Arranged by Jack Schrader. For Choir. (SAB or Three-Part). Gos...(+)
By Buddy Greene. Arranged
by Jack Schrader. For
Choir. (SAB or
Three-Part). Gospel,
Contemporary and Sacred.
Print Music Single (SAB).
Published by Hope
Publishing Company.
Composed by Adam Levine,
Jacob Hindlin, Jonathan
Bellion, Jordan Kendall
Johnson, Michael Pollack,
Stefan Johnson, and
Vincent Ford. Arranged by
Andy Beck. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Pop; Radio; Secular.
Choral Octavo. 12 pages.
Alfred Music #00-48995.
Published by Alfred Music
(AP.48995).
UPC:
038081563190.
English.
Maroon 5
has perfected their pop
song template---a catchy
tune, memorable hook, and
genuine, relatable
lyrics. Toss in hints of
Pachelbel's Canon in D
and you have an
undeniable hit. This
well-crafted arrangement
sets a few
accompanimental guitar
figures in the voices,
and offers some subtle
text adaptations for all
occasions. It's a perfect
choice any time, but
especially effective for
end-of-year events,
marking a changing era
with heartfelt emotion.
Download PartTrax MP3s
for all the audio you
need to rehearse and
perform the SATB and
2-Part voicings. Each
PartTrax package includes
full performance,
accompaniment only, and
part-predominant mixes of
every voice part. This
title is available in
MakeMusic Cloud.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
A Lament Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9718 Composed by Meredith Tompkins. ...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9718
Composed by
Meredith Tompkins. 8
pages. Duration 2
minutes, 23 seconds. Carl
Fischer Music #CM9718.
Published by Carl Fischer
Music (CF.CM9718).
ISBN 9781491160978.
UPC: 680160919574. Key: D
major. English. Manmohan
Ghose.
Manmohan
Ghose was a professor,
poet, and brilliant
scholar from Eastern
India in the late 19th
century. He was educated
in London, and was one of
the first poets
originally from India to
publish poetry in
English. A Lament is one
of his earliest published
poems; it progresses with
vivid, scenic language
from lullaby to permanent
goodbye. Much later in
life, Manmohan
experienced a series of
family tragedies that
gave him a unique
perspective on grief.
After returning to India
to mourn his father's
death and eventually the
passing of his wife, he
never again made it back
to England as he had
wished to before his own
death. The text of this
piece has been paired
with a mixolydian modal
structure and a blend of
musical elements designed
to invoke a nostalgic,
dream-like atmosphere. In
the words of the
composer: I like to think
of this piece as a
metaphorical hall of
mirrors. The original
'image' of the melody
becomes the source for
multiple echoes and
imitations that blossom
into layers of polyphonic
movement. As a nod to the
poet's birth place, notes
reminiscent of the
kan-swar grace note
technique of Hindustani
classical music add
ornamental interest to
the piano and voices.
This piece functions as
an excellent educational
introduction or further
study into the concept of
modes. When presenting
this piece to a choir,
directors may find it
helpful to identify G as
the tonal center and
follow up with an
explanation that G
mixolydian has the same
key signature as the key
of C, because it
naturally has no sharps
or flats. Manmohan
Ghose was a professor,
poet, and brilliant
scholar from Eastern
India in the late 19th
century. He was educated
in London, and was one of
the first poets
originally from India to
publish poetry in
English. “A
Lament†is one of
his earliest published
poems; it progresses with
vivid, scenic language
from lullaby to permanent
goodbye. Much later in
life, Manmohan
experienced a series of
family tragedies that
gave him a unique
perspective on grief.
After returning to India
to mourn his
father’s death and
eventually the passing of
his wife, he never again
made it back to England
as he had wished to
before his own
death. The text of
this piece has been
paired with a mixolydian
modal structure and a
blend of musical elements
designed to invoke a
nostalgic, dream-like
atmosphere. In the words
of the composer: “I
like to think of this
piece as a metaphorical
hall of mirrors. The
original
‘image’ of
the melody becomes the
source for multiple
echoes and imitations
that blossom into layers
of polyphonic
movement.†As a nod
to the poet’s
birth place, notes
reminiscent of the
kan-swar grace note
technique of Hindustani
classical music add
ornamental interest to
the piano and
voices. This piece
functions as an excellent
educational introduction
or further study into the
concept of modes. When
presenting this piece to
a choir, directors may
find it helpful to
identify G as the tonal
center and follow up with
an explanation that G
mixolydian has the same
key signature as the key
of C, because it
naturally has no sharps
or flats.
By P.D.Q. Bach. Edited by Professor Peter Schickele. Mixed chorus. For SAB Choir...(+)
By P.D.Q. Bach. Edited by
Professor Peter
Schickele. Mixed chorus.
For SAB Choir, Tenors May
Be Divided Between the
Alto and Bass Parts.
Using Solo Voices, the
Piece May Be Performed
STB.. Choral. Performance
score. Standard notation.
Composed NOVEMBER 13
2001. 8 pages. Duration 2
minutes. Published by
Theodore Presser Company
(The Departure - No. 1 from A War Song Trilogy ). Arranged by D. Farrell Smith....(+)
(The Departure - No. 1
from A War Song Trilogy
). Arranged by D. Farrell
Smith. For SSA Voices
with Keyboard. 8 pages.
Duration 2 minutes, 30
seconds. Published by
Carl Fischer
(The Battle - No. 2 from A War Song Trilogy ). By D. Farrell Smith. For Tbb Voi...(+)
(The Battle - No. 2 from
A War Song Trilogy ). By
D. Farrell Smith. For Tbb
Voices with Keyboard. 8
pages. Duration 1 minute,
40 seconds. Published by
Carl Fischer