(Concerto for Piano and Orchestra 2 Pianos, 4 Hands). By Xian Xinghai. Piano. Softcover. 64 pages

Composed by John La Montaine (1920-). Keyboards - Piano. Fredonia Press #FRD08. Published by Fredonia Press

Arranged by Mary Elizabeth Clark. For Piano. This edition: 2 copies included. Piano Quartet (Two Pianos, Eight Hands). Level: Late Elementary. 12 pages. Published by Alfred Publishing.

2 Pianos, 4 Hands; Piano Duet - intermediate to advanced

SKU: HL.49013049

For 2 Pianos/4 Hands. Composed by Istvá, n Szelé, and nyi. Edited by Laszlo Szelenyi. This edition: Saddle stitching. Sheet music. Edition Schott. I. Szelenyi schrieb das Concertino im Jahre 1964. Das nicht allzuschwere, musikantische Stucke hat zwei Satze (Tranquillo - Vivace).Zum 100. Geburtstag von I. Szelenyi am 8. 8. 2004. Classical. 2 copies needed for performance. Composed 1964. 52 pages. Schott Music #ED 9568. Published by Schott Music (HL.49013049).

ISBN 9790001134064. UPC: 073999351798. 9.0x12.0x0.191 inches.

This work by Kodaly's pupil Szelenyi, published here for the first time, might be seen as something approaching the Romantic piano concerto without orchestra. Even the Fugato in this work seems to point to the Romantic tradition, recalling as it does Liszt's Sonata in B minor. The varied interplay between dramatic and lyrical moods is richly inventive. This Concertino offers (young) piano soloists the opportunity to mount the podium as an aspiring virtuoso, accompanying a second part that demonstrates symphonic pretensions. The two players are evenly matched in musical terms in the dialogue between the two pianos.

2 Pianos

SKU: HL.14008003

Composed by David Lang. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV361041. Published by Music Sales (HL.14008003).

UPC: 884088492410. 14.5x9.75x0.115 inches.

David Lang, the prolific, enthusiastic and complicated composer, embodies the restless spirit of invention. Musically adventurous, yet deeply versed in the classical tradition, Lang is determined to make a music that resists categorization. He is constantly in search of new musical forms. Many of his pieces resemble each other only in the fierce intelligence and clarity of vision that inform their structures.