Discovery Level 2.
Composed by Albert Von
Tilzer. Arranged by
Cristi Cary Miller.
Discovery Choral.
Concert. Octavo. 12
pages. Published by Hal
Leonard (HL.124492).
UPC: 884088967840.
6.75x10.5
inches.
The
official song of
America's favorite
pastime gets an update in
this energetic rendition
that also tells the
history of the song. Fun
for singers and audience,
it's a perfect selection
for spring, summer or
fall, or even in winter
when you are dreaming of
a warm day at the
ballpark! Available
separately: 3-Part Mixed,
2-Part, VoiceTrax CD.
Duration: ca. 3:20.
Chorale 3 parties 3 parties Mixtes [Vocal Score] - Intermédiaire Hal Leonard
(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (on...(+)
(Songbook). By The King's
Singers. Arranged by The
King's Singers. For choir
(one, two, or three-part
voices) (Songbook).
King's Singer's Choral.
Pop Vocal, Traditional
Folk, Baroque and
Classical Period.
Difficulty: easy-medium.
Vocal score (one, two and
three part rounds). Vocal
melody, harmony part and
leadsheet notation. 80
pages. Published by Hal
Leonard
Two Folksongs of Love and Loss. Composed by American Folk Song Irish Folk So...(+)
Two Folksongs of Love and
Loss. Composed by
American
Folk Song Irish Folk
Song.
Arranged by Greg Gilpin.
Fold. Octavo. 8 pages.
Duration 1 minute, 40
seconds. Carl Fischer
Music
#CM9646. Published by
Carl
Fischer Music
Composed by Lloyd Larson.
Choral, cantatas. Advent,
Christmas. Choral score.
Lorenz Publishing Company
#65/2092L. Published by
Lorenz Publishing Company
Composed by The Surfaris.
Arranged by Andy Beck.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Classic Pop; Radio;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-48937. Published by
Alfred Music (AP.48937).
UPC: 038081562612.
English.
You'll
recognize the iconic
Surfaris drum solo right
from the start! This fun
in the sun, ultimate surf
rock song is newly set
with beach party lyrics
plus a few ba-da-ba
vocables. The twelve-bar
blues form is remarkably
easy to learn, so you'll
have plenty of time to
dive into the notated
choreography, add some
themed costumes, or
decorate the stage with
colorful props. Not sure
who's gonna love it more,
the kids or the parents!
Hahahaha, wipe out!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Child of the Universe Chorale 3 parties 3 parties Mixtes [Octavo] Hope Publishing Company
By Craig Cassils. Edited by Michael Perry. For 3-part mixed choir. Secular. Secu...(+)
By Craig Cassils. Edited
by Michael Perry. For
3-part mixed choir.
Secular. Secular and
Sacred. Choral octavo. 8
pages. Published by Hope
Publishing Company
Choir Secular (Women's Choir) SKU: AP.43478 By Chicago and Robert Lamm. B...(+)
Choir Secular (Women's
Choir)
SKU:
AP.43478
By Chicago
and Robert Lamm. By
Robert Lamm. Arranged by
Eric Van Cleave.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Rock; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-43478.
Published by Alfred Music
(AP.43478).
UPC:
038081490182.
English.
The
Chicago Transit Authority
(now known just as
Chicago) had their third
straight Billboard top
ten single with this 1969
classic. Based on the
radio version and
featuring a soloist, this
arrangement includes all
of the well-known
instrumental licks. Hard
to resist!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
(SSS and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). ...(+)
(SSS and Harp or Piano,
New Edition). Composed by
Benjamin Britten
(1913-1976). For Choral
(SSA). Boosey and Hawkes
Sacred Choral. 12 pages.
Boosey and Hawkes
#M051481620. Published by
Boosey and Hawkes
(SSA Chorus, Harp or Piano). By Benjamin Britten (1913-1976). For Choral (SSA). ...(+)
(SSA Chorus, Harp or
Piano). By Benjamin
Britten (1913-1976). For
Choral (SSA). Boosey and
Hawkes Sacred Choral. 12
pages. Boosey and Hawkes
#M051481644. Published by
Boosey and Hawkes
(SSA and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). ...(+)
(SSA and Harp or Piano,
New Edition). Composed by
Benjamin Britten
(1913-1976). For Choral
(SSA). Boosey and Hawkes
Sacred Choral. 12 pages.
Boosey and Hawkes
#M051481590. Published by
Boosey and Hawkes
Choral (SAB Choir) SKU: HL.35004276 Composed by J. Paul Williams and Mich...(+)
Choral (SAB Choir)
SKU: HL.35004276
Composed by J. Paul
Williams and Michael
Barrett. Shawnee Press.
General Worship, Youth
Choir. Octavo. 12 pages.
Shawnee Press #D5516.
Published by Shawnee
Press (HL.35004276).
UPC: 747510048480.
7x10.5 inches. J. Paul
Williams/Michael
Barrett.
Great SAB
writing that is suitable
for youth choirs but
“meaty”
enough for adult
ensembles is not always
easy to find. Not
anymore! Come,
Children of the King
is full of energy and
life with a message of
praise that will appeal
to all ages. Written in a
contemporary style, this
joyful invitation to song
will dance off the page
and into your heart as
you celebrate its truth
with your congregation.
An excellent choice for
youth choirs, praise
teams, or adult
ensembles, this
enthusiastic choral will
add sparkle and light to
your service any time of
the year.
Composed by Andy Beck.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Secular.
Choral Octavo. 12 pages.
Alfred Music #00-45341.
Published by Alfred Music
(AP.45341).
UPC:
038081510811. English.
Andy Beck; Brian
Fisher.
Bring out
the sentimental side of
Christmas at your holiday
concert this year. A
touching text reminisces
about many delights
during this special time
of year. Logical choral
writing, and an
unforgettable hook make
this beautiful ballad a
delight to sing and a
breeze to teach.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Composed by Andy Beck and Brian Fisher, music by Andy Beck. Choir Secular. Women...(+)
Composed by Andy Beck and
Brian Fisher, music by
Andy Beck. Choir Secular.
Women's Choir. Choral
Octavo. Choral Designs.
Christmas; Secular;
Winter. 12 pages.
Published by Alfred Music
Composed by Text adapted
from the poem by Elinor
Wylie. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Secular; Winter. Choral
Octavo. 12 pages. Alfred
Music #00-48853.
Published by Alfred Music
(AP.48853).
UPC:
038081561776. English.
Andy Beck.
Andy
Beck brings his gift for
vivid text painting,
evocative piano motives,
and tuneful melodies to a
favorite wintertime poem.
Though not a
word-for-word setting,
the themes of the Elinor
Wylie's words are evident
from the snow-covered
introduction, winding
melody, and expressive
andante, to the silken
harmonic palette and lacy
choral layers. Choose
this piece with the
confidence that it has
been carefully
constructed to encourage
musicality and artistry
from any ensemble.
Program the eloquent
concert and contest work
from fall to spring,
anytime there might be
snow on the ground. We
shall walk in velvet
shoes . . . under a veil
of lace. This title is
available in MakeMusic
Cloud.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Choir Secular (Women's Choir) SKU: AP.48348 From the Broadway musical ...(+)
Choir Secular (Women's
Choir)
SKU:
AP.48348
From the
Broadway musical All
American.
Composed by Charles
Strouse. Arranged by John
Leavitt. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Broadway;
Secular. Choral Octavo.
12 pages. Alfred Music
#00-48348. Published by
Alfred Music (AP.48348).
UPC: 038081551715.
English.
A
fantastic feature for
treble choirs, this
dreamy ballad will be
remembered long after
your performance. Fluid
legato lines stretch over
a sweeping and dramatic
piano accompaniment,
while nuances of tempo
and dynamics drive the
emotional core of the
song home. A hidden gem
from the Broadway
repertoire.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Composed by Josh
Thompson, Joshua Miller,
Matt Dragstrem, and
Thomas Rhett Akins.
Arranged by Tim Hayden.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Country;
Peace/Brotherhood; Pop;
Radio; Secular; TV.
Choral Octavo. 12 pages.
Alfred Music #00-48819.
Published by Alfred Music
(AP.48819).
UPC:
038081561431.
English.
In a world
full of hate, be a light.
These words strike a
meaningful chord about
our power to affect
change in the world. And
the memorable music of
this 2020 track creates a
moving ballad for our
times. Recorded by Thomas
Rhett, Reba McEntire,
Hillary Scott, Chris
Tomlin, and Keith Urban,
this anthem of hope holds
a significant message.
Highly effective in
virtual or live
performance! This title
is available in MakeMusic
Cloud.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
By Lee Dengler ; Susan Dengler. For SAB Choir. Choral, Obligato Instrument-Flute...(+)
By Lee Dengler ; Susan
Dengler. For SAB Choir.
Choral, Obligato
Instrument-Flute,
Strings, Lite Trax,
Christmas, Epiphany,
Communion, Youth Choirs
and Sacred. Sheet Music.
Published by Shawnee
Press.
Choral SSA choir, piano SKU: CF.CM9773 Composed by Brady Weldon. Duration...(+)
Choral SSA choir, piano
SKU: CF.CM9773
Composed by Brady Weldon.
Duration 2 minutes, 49
seconds. Carl Fischer
Music #CM9773. Published
by Carl Fischer Music
(CF.CM9773).
ISBN
9781491164440. UPC:
680160923342. Key: C#
minor. English. Christina
Rossetti.
In the
bleak midwinter, frosty
wind made moan, Â
    Â
    Â
    Â
    Â
    Â
 Earth stood hard as
iron, water like a
stone;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
   Snow had
fallen, snow on snow,
snow on snow, Â
    Â
    Â
    Â
    Â
    Â
    In the
bleak midwinter, long
ago.What can I give Him,
poor as I am? Â
    Â
    Â
    Â
    Â
    Â
    Â
    Â
    Â
  If I were a
shepherd, I would bring a
lamb;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
    Â
   If I were a
Wise Man, I would do my
part;Â Â Â Â
    Â
    Â
    Â
    Â
    Â
    Â
  Yet what I can
I give Him: give my
heart.The text from this
beloved poem of Christina
Rossetti
(1830–1894) was
originally published in
an 1872 issue of
Scribner’s
Monthly, under the title
A Christmas Carol. In the
first of its five
stanzas, the speaker
describes in great detail
a bitingly cold winter
scene, void of both
warmth and light. By the
final stanza, the
speaker's thoughts turn
inward, asking what gift
they may offer the infant
Jesus, meek though they
believe themselves to
be.The poem was later set
by English composer
Gustav Holst
(1874–1934) as a
contribution to the
English Hymnal in 1906
and remains the most
popular setting
today.London-born
Rossetti came to be
regarded not only as one
of the greatest female
poets of her time, but as
an outspoken advocate on
several societal issues,
including slavery and
cruelty towards
animals.In this setting,
word painting is of the
utmost importance.
Careful attention to word
stress throughout the
course of the piece will
make the performance all
the more captivating.
Descriptive lines such as
“frosty wind made
moan†should be
conveyed with swelling
crescendos, like frigid
gusts of frozen air.While
this piece features an
original tune, the
beloved Holst melody is
also featured briefly,
beginning in m. 28. Take
care to bring this
out.There are plenty of
other allusions to wintry
scenes scattered
throughout the choral
parts as well as the
accompaniment. I
encourage you to put your
sleuthing
“hats†on and
find them all. It will
make the learning
experience much more
memorable and fun.
Composed by Chris Hayes,
Huey Lewis, Johnny Colla,
and Sean Hopper. Arranged
by Alan Billingsley.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Broadway; Classic Pop;
Movie; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-50306.
Published by Alfred Music
(AP.50306).
UPC:
038081574769.
English.
Great
Scott! Back to the Future
is back---and this time
on Broadway! Take your
audience on a two-minute
ride to 1985 with this
high-energy rock song by
Huey Lewis and the News.
Bring some lightning to
the stage with the
optional horns-and-rhythm
SoundPax, or the
electrifying SoundTrax
accompaniment.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
