Performed by Peter Allen. By Peter Allen, Adrienne Anderson. Arranged by Mark A....(+)
Performed by Peter Allen.
By Peter Allen, Adrienne
Anderson. Arranged by
Mark A. Brymer. (SAB).
Pop Choral Series. Size
6.75x10.5 inches. 12
pages. Published by Hal
Leonard.
Paint Me Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano
SKU: CF.CM9585
Composed by Debra Morton.
Fold. Performance Score.
12 pages. Duration 2
minutes, 59 seconds. Carl
Fischer Music #CM9585.
Published by Carl Fischer
Music (CF.CM9585).
ISBN 9781491154076.
UPC: 680160912575. 6.875
x 10.5 inches. Key: G
major. English.
Original.
Good
friends see the best in
us. They tend to downplay
our faults while
applauding our strengths.
In short, they encourage
us to be the best we can
be, maybe even a little
more. The text of
Paint Me was
born out of the desire to
be that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me
to music, I tried to let
the cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so dont
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint
MeA was born out of
the desire to be that
person my best friend
thinks I am. To Mary Jo,
my sister and best
friend. May I really be
that person you see and
love. In setting the text
of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so donat
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
apainta the words, as
well as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me
was born out of the
desire to be that person
my best friend thinks I
am. To Mary Jo, my sister
and best friend. May I
really be that person you
see and love. In setting
the text of Paint
Me to music, I tried
to let the cadence of the
words dictate the rhythm
of the music. Use rubato,
word stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was born
out of the desire to be
that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was
born out of the desire to
be that person my best
friend thinks I am.To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love.In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so
don’t be afraid to
let the interior part of
a phrase move along,
while relaxing the
beginning and ending. I
would recommend a
straight tone as opposed
to vibrato for the held
notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
“paint†the
words, as well as making
every idea
understood.Enjoy adding
the color and shading to
make this piece of art
your own.
Chorale 3 parties 3 parties Mixtes [Vocal Score] - Intermédiaire Hal Leonard
(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (on...(+)
(Songbook). By The King's
Singers. Arranged by The
King's Singers. For choir
(one, two, or three-part
voices) (Songbook).
King's Singer's Choral.
Pop Vocal, Traditional
Folk, Baroque and
Classical Period.
Difficulty: easy-medium.
Vocal score (one, two and
three part rounds). Vocal
melody, harmony part and
leadsheet notation. 80
pages. Published by Hal
Leonard
Gloriosi Chorale 3 parties SAB - Facile GIA Publications
SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, tr...(+)
SAB choir, cantor,
priest, assembly,
keyboard accompaniment, 2
C instruments, trumpet in
B-flat, trumpet in C,
cello, guitar - Early
intermediate
SKU:
GI.G-10515
Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. Lent,
Eastertide, Holy
Thursday, Good Friday,
Easter Vigil, Easter
Sunday, Easter PM.
Sacred. With guitar chord
names. 296 pages. GIA
Publications #10515.
Published by GIA
Publications
(GI.G-10515).
SAB choir, cantor, priest, assembly, 2 C instruments, trumpet in B-flat, trumpet...(+)
SAB choir, cantor,
priest, assembly, 2 C
instruments, trumpet in
B-flat, trumpet in C,
cello, guitar
SKU:
GI.G-10515C
Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. This
edition: Choral edition.
Sacred. 128 pages. GIA
Publications #10515C.
Published by GIA
Publications
(GI.G-10515C).
SSA choir SKU: LP.OR-9088 26 Gospel Arrangements for Ladies' Choir or ...(+)
SSA choir
SKU:
LP.OR-9088
26
Gospel Arrangements for
Ladies' Choir or
Ensemble. Arranged by
Mosie Lister. Choral.
Southern Gospel and
Sacred. Score and parts.
Published by Lillenas
Publishing Company
(LP.OR-9088).
UPC:
765762128705.
26
arrangements for SSA
voices useful for ladies'
trios choirs or
ensembles. Mosie Lister's
arrangements are full and
interesting yet practical
and in reasonable ranges.
A variety of gospel
styles are included
featuring selections such
as: I Go to the Rock; The
King of Who I Am; How
Long Has It Been?; Holy
Spirit Thou Art Welcome;
I'd Rather Have Jesus;
The Eastern Gate; Jesus
Is Coming Soon; 'Til the
Storm Passes By; A New
Name in Glory; Dwelling
in Beulah Land; All
Because of God's Amazing
Grace; I Won't Turn
Back.
By Various. Edited by Kircher, Armin. Hymns, Mass Sections, Psalms, German; Occa...(+)
By Various. Edited by
Kircher, Armin. Hymns,
Mass Sections, Psalms,
German; Occasions: Praise
and thanks, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary; Use during
church year: Easter and
Eastertide, Christmas.
Choral collection. 128
pages. Published by Carus
Verlag (German import).
Choral (SAB and Solo) - easy to intermediate SKU: HL.49019419 SAB with...(+)
Choral (SAB and Solo) -
easy to intermediate
SKU: HL.49019419
SAB with Baritone
Solo. Composed by
Various. Edited by
Wilfried Fischer. This
edition: Paperback/Soft
Cover. Sheet music.
Choral Collection.
Classical, Folk,
Traditional. Softcover.
248 pages. Schott Music
#ED21178. Published by
Schott Music
(HL.49019419).
ISBN
9783795746001.
7.5x10.75x0.717 inches.
German -
English.
Choral (SAB Choir) Choral Medley. Composed by Various. Arranged by Alan Billin...(+)
Choral (SAB Choir)
Choral Medley. Composed
by
Various. Arranged by Alan
Billingsley. Disney
Choral.
Collection, Disney,
Medley,
Movies, Pop, Show Choir,
Tv and
Movies. Octavo. Duration
315
seconds. Published by Hal
Leonard
Heritage Songs, Vol 1 Chorale 3 parties SAB, Piano [Vocal Score] Jackman Music Corporation
By Marie Manwaring Anderson, Charles H. Gabriel, Ebenezer Beesley, Thomas Koscha...(+)
By Marie Manwaring
Anderson, Charles H.
Gabriel, Ebenezer
Beesley, Thomas Koschat,
Evan Stephens, English
Folk Song, American Folk
Song. Arranged by Marie
Manwaring Anderson. For
Various. Varied
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Composed by Harry Warren.
Arranged by Mark Hayes.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Broadway; Jazz; Secular;
Standard. Choral Octavo.
16 pages. Alfred Music
#00-48876. Published by
Alfred Music (AP.48876).
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Choir Secular (Women's Choir) SKU: AP.48877 Composed by Harry Warren. Arr...(+)
Choir Secular (Women's
Choir)
SKU:
AP.48877
Composed by
Harry Warren. Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Broadway; Jazz;
Secular; Standard. Choral
Octavo. 16 pages. Alfred
Music #00-48877.
Published by Alfred Music
(AP.48877).
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Hamilton Men Chorale 3 parties TTB/TBB Alfred Publishing
The Story of Tonight * What'd I MIss * Dear Theodosia * One Last Time, from t...(+)
The Story of Tonight *
What'd I MIss * Dear
Theodosia * One Last
Time,
from the Broadway
musical.
Composed by Lin-Manuel
Miranda (1980-). Arranged
by
Lisa DeSpain. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Form: Medley.
Broadway; Secular. Choral
Octavo. 20 pages. Alfred
Music #00-48295.
Published
by Alfred Music
3-part mixed choir and piano SKU: LO.15-3852H Composed by Russell L. Robi...(+)
3-part mixed choir and
piano
SKU:
LO.15-3852H
Composed
by Russell L. Robinson.
Choral. Concert, General,
Spiritual. Octavo.
Heritage Music Press
#15/3852H. Published by
Heritage Music Press
(LO.15-3852H).
ISBN
9780787774431.
This
delightful and lively
pairing of spirituals
from Russ Robinson is
available in SAB or
Two-part voicing. A
handclapping pattern is
featured between verses
to enhance the rhythmic
excitement of this
setting. The two
spirituals, I'm Gonna
Sing When the Spirit Says
Sing and Swing Low, Sweet
Chariot are introduced
independently before
being combined in and
exciting conclusion with
a soaring descant.
(Swing Low).
Composed by Jay Althouse
and Sally K. Albrecht.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Sacred; Spiritual. Choral
Octavo. 12 pages. Alfred
Music #00-46938.
Published by Alfred Music
(AP.46938).
UPC:
038081535876.
English.
A quote
from Swing Low, Sweet
Chariot opens this gospel
original with soulful
style before breaking
into a full-blown
spiritual celebration!
The energized and
syncopated chorus is a
strong hook designed
especially for developing
voices. In the 3-part
voicing, a handful of
cued Baritone notes offer
even more flexibility for
changing male voices.
(Choral Medley). Composed by Various. Arranged by Alan Billingsley. Disney Cho...(+)
(Choral Medley). Composed
by
Various. Arranged by Alan
Billingsley. Disney
Choral.
Ballad, Classics, Disney,
Medley, Movies, Pop,
Rock,
Show Choir. Octavo. 28
pages.
Published by Hal Leonard
Composed by Various. Arranged by Mark A. Brymer. Disney Choral. Broadway, Coll...(+)
Composed by Various.
Arranged
by Mark A. Brymer. Disney
Choral. Broadway,
Collection,
Disney, Medley, Musicals,
Show
Choir. Octavo. 48 pages.
Duration 635 seconds.
Published by Hal Leonard
Composed by Various. Arranged by Mark A. Brymer. Disney Choral. Broadway, Coll...(+)
Composed by Various.
Arranged
by Mark A. Brymer. Disney
Choral. Broadway,
Collection,
Disney, Medley, Musicals,
Show
Choir. Octavo. Duration
635
seconds. Published by Hal
Leonard
Choral (SSA Choir) SKU: HL.1216161 Composed by Lin-Manuel Miranda. Arrang...(+)
Choral (SSA Choir)
SKU: HL.1216161
Composed by Lin-Manuel
Miranda. Arranged by Mark
A. Brymer. Disney Choral.
Broadway, Disney, Medley,
Movies, Musicals, Show
Choir. Octavo. Duration
470 seconds. Published by
Hal Leonard (HL.1216161).
UPC: 196288140160.
6.75x10.5x0.085
inches.
Lin-Manuel
Miranda has slowly and
surely become a musical
theater icon of the
modern era. Like
Schwartz, Sondheim,
Loesser, and Rodgers and
Hammerstein, Miranda
writes songs that are
transcendent, singable,
joyous, and worth the
price of admission. This
medley from show choir
veteran Mark Brymer
includes some of the most
memorable highlights from
an illustrious career: In
the Heights, How Far I'll
Go (from Moana), One More
Song (from Vivo), We
Don't Talk about Bruno
(from Encanto) and My
Shot (from Hamilton).
Choral (SAB Choir) SKU: HL.1216160 Composed by Lin-Manuel Miranda. Arrang...(+)
Choral (SAB Choir)
SKU: HL.1216160
Composed by Lin-Manuel
Miranda. Arranged by Mark
A. Brymer. Disney Choral.
Broadway, Disney, Medley,
Movies, Musicals, Show
Choir. Octavo. Duration
470 seconds. Published by
Hal Leonard (HL.1216160).
UPC: 196288140153.
6.75x10.5x0.085
inches.
Lin-Manuel
Miranda has slowly and
surely become a musical
theater icon of the
modern era. Like
Schwartz, Sondheim,
Loesser, and Rodgers
& Hammerstein,
Miranda writes songs that
are transcendent,
singable, joyous, and
worth the price of
admission. This medley
from show choir veteran
Mark Brymer includes some
of the most memorable
highlights from an
illustrious career: In
the Heights, How Far I'll
Go (from Moana), One More
Song (from Vivo), We
Don't Talk about Bruno
(from Encanto) and My
Shot (from Hamilton).
