(with Of the Father's Love Begotten). Composed by Jay Rouse. Arranged by Jay Rou...(+)
(with Of the Father's
Love Begotten). Composed
by Jay Rouse. Arranged by
Jay Rouse. For SAB choir
and piano (with optional
orchestration). Sacred
Anthem, Advent,
Christmas. Octavo. Lorenz
Publishing Company
#10/4803L. Published by
Lorenz Publishing Company
A Noel Celebration Chorale 3 parties SAB, Piano Lorenz Publishing Company
For SAB choir and piano (with optional orchestra, congregation). Cantatas. Chris...(+)
For SAB choir and piano
(with optional orchestra,
congregation). Cantatas.
Christmas. Choral score.
Lorenz Publishing Company
#65/2080L. Published by
Lorenz Publishing Company
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir
SKU:
CF.CM9580
Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol.
The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol.
Chorale 3 parties 3 parties Mixtes [Vocal Score] - Intermédiaire Hal Leonard
(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (on...(+)
(Songbook). By The King's
Singers. Arranged by The
King's Singers. For choir
(one, two, or three-part
voices) (Songbook).
King's Singer's Choral.
Pop Vocal, Traditional
Folk, Baroque and
Classical Period.
Difficulty: easy-medium.
Vocal score (one, two and
three part rounds). Vocal
melody, harmony part and
leadsheet notation. 80
pages. Published by Hal
Leonard
The Rose Chorale 3 parties SSA A Cappella Alfred Publishing
Composed by Amanda McBroom. Arranged by Philip Lawson. Choir Secular. Women's Ch...(+)
Composed by Amanda
McBroom. Arranged by
Philip Lawson. Choir
Secular. Women's Choir.
Choral Octavo. Pop
Choral. Secular. 8 pages.
Published by Alfred Music
(Swing Low, Sweet
Chariot; Deep River;
Nobody Knows the Trouble
I've Seen). Arranged
by Rosephanye Powell.
Shawnee Press. Concert.
Octavo. 16 pages.
Published by Shawnee
Press (HL.35032480).
ISBN 9781540037985.
UPC: 888680885489.
6.75x10.5
inches.
This
exciting new setting for
SSA voices begins with
“Swing Low, Sweet
Chariot” followed
by “Deep
River” then
“Nobody Knows the
Trouble I've Seen.”
It then gloriously
combines all three
melodies to “Glory,
hallelujah! Comin' for to
carry me home.” The
luscious harmonies and
surprising dissonances
propel the piece with
longing and desire and is
exquisite for women's
voices.
December Rose Chorale 3 parties SAB, Piano Alfred Publishing
Choir Sacred. For with Opt. Violin (3-Part Mixed Choir (SAB)). Choral Octavo. Ch...(+)
Choir Sacred. For with
Opt. Violin (3-Part Mixed
Choir (SAB)). Choral
Octavo. Choral Designs.
Christmas; Sacred;
Winter. 12 pages.
Published by Alfred Music
Choral (SAB and Solo) - easy to intermediate SKU: HL.49019419 SAB with...(+)
Choral (SAB and Solo) -
easy to intermediate
SKU: HL.49019419
SAB with Baritone
Solo. Composed by
Various. Edited by
Wilfried Fischer. This
edition: Paperback/Soft
Cover. Sheet music.
Choral Collection.
Classical, Folk,
Traditional. Softcover.
248 pages. Schott Music
#ED21178. Published by
Schott Music
(HL.49019419).
ISBN
9783795746001.
7.5x10.75x0.717 inches.
German -
English.
December Rose Chorale 3 parties SSA, Piano Alfred Publishing
Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Sac...(+)
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Christmas; Sacred;
Winter. Choral Octavo. 12
pages. Alfred Music
#00-45371. Published by
Alfred Music (AP.45371).
Make Love to Me Chorale 3 parties SSA A Cappella Sweet Adelines
By Bill Norvas, Allan Copeland, Leon Roppolo, Paul Mares, Benny Pollack, George ...(+)
By Bill Norvas, Allan
Copeland, Leon Roppolo,
Paul Mares, Benny
Pollack, George Brunies,
Mel Stitzel, Walter
Melrose. Arranged by
Barbara McNeill. Female
barbershop choir. Women's
voices, a cappella.
Barbershop, Novelty,
Uptune. Easy/medium.
Published by Sweet
Adelines International
Choral SSA Choir and Piano SKU: CF.BL1315 Composed by Jacob Narverud...(+)
Choral SSA Choir and
Piano
SKU:
CF.BL1315
Composed by
Jacob Narverud. 8 pages.
Duration 3 minutes, 3
seconds. BriLee Music
#BL1315. Published by
BriLee Music (CF.BL1315).
UPC: 672405011822.
Key: F
major.
DawnQuiet
miles of golden sky,And
in my heart a sudden
flower.I want to clap my
hands and sighFor Beauty
in her secret
bower. Quiet golden
miles of dawnâ??Smiling
all the East along;And in
my heart nigh fully
grown,A little rose-bud
of a song.â??From
â??Last Songsâ? by
Francis LedwidgeDawn,
radiant dawn!When morning
comes my fears are
gone.Daylight breaks, my
soul awakes!And songs of
Love sing
on. â??Italics:
Additional text by Jacob
NarverudAbout the
PoetFrancis Ledwidge
(1887â??1917) was an
Irish poet from Slane,
County Meath. Ledwidge
started writing at an
early age and was first
published in a local
newspaper when he was
fourteen years old.
Ledwidge left the local
national school shortly
after and worked as a
farm hand, road surface
mender, and copper miner
at Beaupark Mine near
Slane. Ledwidge became
friends with a local
landowner, the writer
Lord Dunsany, who gave
him a workspace in the
library of Dunsany Castle
and introduced him to
literary figures,
including William Butler
Yeats and Katherine
Tynan. Some of
Ledwidgeâ??s manuscripts
are held in the National
Library of Ireland. The
main surviving
collection, including his
early works and personal
letters, are in the
archives of Dunsany
Castle.
Everlasting Light Chorale 3 parties SAB, Piano Lorenz Publishing Company
SAB choir and piano SKU: LO.65-2103L Composed by Jay Rouse, Larry Shackle...(+)
SAB choir and piano
SKU: LO.65-2103L
Composed by Jay Rouse,
Larry Shackley, Lloyd
Larson, and Mary
McDonald. Choral,
cantatas. Advent,
Christmas, Sacred. Choral
score. Lorenz Publishing
Company #65/2103L.
Published by Lorenz
Publishing Company
(LO.65-2103L).
ISBN
9780787767044.
From
the collaborative efforts
of Lloyd Larson, Mary
McDonald, Jay Rouse, and
Larry Shackley,
Everlasting Light
showcases the profound
significance of the light
of Christ come to earth.
An insightful narration
by Rose Aspinall
incorporates scripture
and personal reflection
to tie together the
compelling combination of
powerful original music
and beloved carols. Mary
McDonald’s
celebratory opener,
Everlasting Light, acts
as the cornerstone of the
work. Larry
Shackley’s Longing
for the Light beautifully
portrays a yearning for
restoration; Jay Rouse
offers a stirring
original song with words
inspired by Mary’s
Songs of Praise found in
Luke 1:44-56; and Lloyd
Larson’s Shepherds
and Angels adds rhythmic
and joyful energy. The
work concludes with a
robust medley of carols
that points back to the
opening song: He is the
Light, Everlasting Light;
born a Savior, born this
night. He is the One, the
Everlasting Son; Child of
heaven, He is the
Light!.
(SSS and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). ...(+)
(SSS and Harp or Piano,
New Edition). Composed by
Benjamin Britten
(1913-1976). For Choral
(SSA). Boosey and Hawkes
Sacred Choral. 12 pages.
Boosey and Hawkes
#M051481620. Published by
Boosey and Hawkes
(SSA Chorus, Harp or Piano). By Benjamin Britten (1913-1976). For Choral (SSA). ...(+)
(SSA Chorus, Harp or
Piano). By Benjamin
Britten (1913-1976). For
Choral (SSA). Boosey and
Hawkes Sacred Choral. 12
pages. Boosey and Hawkes
#M051481644. Published by
Boosey and Hawkes
(SSA and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). ...(+)
(SSA and Harp or Piano,
New Edition). Composed by
Benjamin Britten
(1913-1976). For Choral
(SSA). Boosey and Hawkes
Sacred Choral. 12 pages.
Boosey and Hawkes
#M051481590. Published by
Boosey and Hawkes
Lo, How a Rose Chorale 3 parties 3 parties Mixtes Heritage Music Press
3-part mixed choir and piano SKU: LO.15-3860H Composed by Russell L. Robi...(+)
3-part mixed choir and
piano
SKU:
LO.15-3860H
Composed
by Russell L. Robinson.
Choral. Christmas,
Cross-Curricular,
Concert. Octavo. Heritage
Music Press #15/3860H.
Published by Heritage
Music Press
(LO.15-3860H).
ISBN
9780787774554.
This
traditional German carol
is beautifully set for
Three-part Mixed choirs
and optional flute.
Accessibly voiced and
arranged, this setting
will set your singers up
for sucess in either
middle school or high
school choirs.
Choral (SSA Choir) SKU: HL.286300 Creating Artistry. Arranged by N...(+)
Choral (SSA Choir)
SKU: HL.286300
Creating Artistry.
Arranged by Nancy
Grundahl. Henry Leck
Creating Artistry.
Christmas, Concert.
Octavo. 12 pages.
Published by Hal Leonard
(HL.286300).
UPC:
888680894887. 6.75x10.5
inches.
This
beautiful German carol,
famously harmonized by
Praetorius is here
arranged for women's
voices. Beginning in a
gentle and homophonic
style, the singers begin
polyphonic singing with
each voice part rising
above one another
creating beautiful lines
and vocal independence.
An optional piano or harp
part is offered for
choirs needing the
support but longing for
such a beautiful and
stylistic piece for their
winter/Christmas
concert.
Jesus! Chorale 3 parties SAB, Piano Lorenz Publishing Company
SAB choir and piano SKU: LO.65-2095L Composed by Mary McDonald. Choral, c...(+)
SAB choir and piano
SKU: LO.65-2095L
Composed by Mary
McDonald. Choral,
cantatas. Advent,
Christmas, Sacred. Choral
score. Lorenz Publishing
Company #65/2095L.
Published by Lorenz
Publishing Company
(LO.65-2095L).
ISBN
9780787762346.
Cele
brate His arrival and
worship the Holy Child
with this exciting
musical for choir,
soloist(s), and two
narrators. A
collaborative work by
Mary McDonald and Rose
Aspinall, Jesus!
glorifies the Son of the
Most High with both
familiar melodies and new
songs of praise. And
whether sung with Ed
Hogan's moving
orchestration or with
piano alone, it will take
your Christmas experience
beyond the manger as
congregations and
performers will learn
anew the story of the
birth of our Savior, the
King of Kings and Lord of
Lords, Jesus.
