Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.

I. Farfallina (Butterfly) 2. Lucciola (Firefly). Composed by Italian Folk Song and Tuscan Folk Song. Arranged by Christi Jones. Fold. Octavo. 8 pages. Duration 2 minutes, 35 seconds. BriLee Music #BL1123. Published by BriLee Music

(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (one, two, or three-part voices) (Songbook). King's Singer's Choral. Pop Vocal, Traditional Folk, Baroque and Classical Period. Difficulty: easy-medium. Vocal score (one, two and three part rounds). Vocal melody, harmony part and leadsheet notation. 80 pages. Published by Hal Leonard

By Various. Edited by Kircher, Armin. Hymns, Mass Sections, Psalms, German; Occasions: Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during church year: Easter and Eastertide, Christmas. Choral collection. 128 pages. Published by Carus Verlag (German import).

Composed by Rebecca Fair and Michael Barrett. Arranged by Michael Barrett. Daybreak Choral Series. General Worship. Octavo. 12 pages. Published by Daybreak Music

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

Composed by Philip E. Silvey. Sws. Octavo. 20 pages. Duration 3 minutes, 38 seconds. Carl Fischer Music #CM9626. Published by Carl Fischer Music

Composed by Stuart Chapman Hill. Hinshaw Music. Concert. Octavo. 12 pages. Hinshaw Music Inc. #HMC2545. Published by Hinshaw Music Inc.

Two Folksongs of Love and Loss. Composed by American Folk Song Irish Folk Song. Arranged by Greg Gilpin. Fold. Octavo. 8 pages. Duration 1 minute, 40 seconds. Carl Fischer Music #CM9646. Published by Carl Fischer Music

By Susan Borwick (1946-). For SSA choir (with piano; optional string bass). Secular. Easy-Medium. Choral octavo. Text language: English. Published by Treble Clef Music Press

(CME Beginning). By Rupert Lang. For Choral (3 Part Treble). CME Beginning Series. 16 pages. Boosey and Hawkes #M051476145. Published by Boosey and Hawkes

Composed by Tim Attride. The antiphon for use with the Seven Penitential Psalms and the Lenten chant Parce Domine are presented here in chant with Latin text, followed by SAB polyphony with English text. This is an accessible and wonderfully appropriate anthem for your choir this. Lent, General. Published by CanticaNOVA Publications (C5.5042).

Chanukah Concert Series. Composed by Ruth Weber. Edited by Robbie Solomon. Transcontinental Music Choral. Jewish, Hanukkah. Octavo. Transcontinental Music #994020. Published by Transcontinental Music

Carol of the Bells. Composed by Peter Wilhousky Mykola Leontovich. Arranged by Daniel Afonso. Fold. Octavo. 8 pages. Duration 1 minute, 39 seconds. Carl Fischer Music #CM9644. Published by Carl Fischer Music

By Felix Bartholdy Mendelssohn (1809-1847). Arranged by Becki Slagle Mayo. For 3-part treble Choir and Piano. Select Voices Series. Sacred Anthem: General, Lent. Octavo. Published by Chorister's Guild

Composed by Appalachian Song. Arranged by Debra Morton. Fold. Octavo. 8 pages. Duration 2:30. BriLee Music #BL1118. Published by BriLee Music

Composed by Alan and Marilyn Bergman, music by Marvin Hamlisch. Arranged by Mark Hayes. Choral Octavo. Alfred Pop Series. Secular. 12 pages. Published by Alfred Music (AP.45489).

By Ruth Elaine Schram; Linda Marcus. 3-part, acv, piano. Octavo. Published by Heritage Music Press.

By Kevin Hildebrand. For SAB choir, brass quartet, organ (timpani, congregation). Choral Music. Published by MorningStar Music Publishers.

(30 Songs - Women's Edition). By Andrew Lloyd Webber. Vocal Collection. Softcover. 160 pages

Composed by Drew Collins. For SSA choir, piano, optional percussion. Octavo. 12 pages. Duration 2 minutes, 3 seconds. Published by Carl Fischer

Composed by Keith Forsey and Giorgio Moroder. Arranged by Alan Billingsley. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Classic Pop; Movie; Pop. Choral Octavo. 12 pages. Alfred Music #00-48399. Published by Alfred Music