(Discovery Level 2). By The Beatles. By John Lennon and Paul McCartney. Arranged by Roger Emerson. For Choral (3-Part Mixed). Discovery Choral. 16 pages. Published by Hal Leonard

Arranged by Pete Schmutte. For Choir. (SAB). Choral Octavo. Pop Choral Series. TV. Choral Octavo. 12 pages. Published by Alfred Publishing.
Level: Moderate (grade 3).

Choral SSA choir, piano

SKU: CF.CM9585

Composed by Debra Morton. Fold. Performance Score. 12 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #CM9585. Published by Carl Fischer Music (CF.CM9585).

ISBN 9781491154076. UPC: 680160912575. 6.875 x 10.5 inches. Key: G major. English. Original.

Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so dont be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint MeA was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so donat be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to apainta the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am. To Mary Jo, my sister and best friend. May I really be that person you see and love. In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don't be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to paint the words, as well as making every idea understood. Enjoy adding the color and shading to make this piece of art your own.
Good friends see the best in us. They tend to downplay our faults while applauding our strengths. In short, they encourage us to be the best we can be, maybe even a little more. The text of Paint Me was born out of the desire to be that person my best friend thinks I am.To Mary Jo, my sister and best friend. May I really be that person you see and love.In setting the text of Paint Me to music, I tried to let the cadence of the words dictate the rhythm of the music. Use rubato, word stress and syllabic stress to enhance this. Remember, no two eighth notes are alike, so don’t be afraid to let the interior part of a phrase move along, while relaxing the beginning and ending. I would recommend a straight tone as opposed to vibrato for the held notes, since the accompaniment plays around with other harmonies while choral chords are being held. Diction is so important in this song. You have a great opportunity to “paint” the words, as well as making every idea understood.Enjoy adding the color and shading to make this piece of art your own.

By Michael W. Smith, Deborah Smith. Arranged by Roger Emerson. (SSA). Choral. Size 6.8x10.5 inches. 8 pages. Published by Hal Leonard.

Arranged by Teena Chinn. For Choir. (SAB). Choral Octavo. Choral Octavo. 16 pages. Published by Alfred Publishing.

(from Sweet Charity). By Cy Coleman and Dorothy Fields. Arranged by Mark A. Brymer. SSA. Broadway Choral. 12 pages. Published by Hal Leonard

Performed by Michael W. Smith, Deborah D. Smith. By Michael W. Smith, Deborah D. Smith. Arranged by Roger Emerson. (SAB). Choral. Size 6.8x10.5 inches. 8 pages. Published by Hal Leonard.

Choral (SAB Choir)

SKU: HL.428248

A Beatles Super Medley. By The Beatles. By George Harrison, John Lennon, and Paul McCartney. Arranged by Mark A. Brymer. Pop Choral Series. Classic Rock, Medley, Novelty, Pop, Pop/Rock, Rock, Sixties. Octavo. Duration 240 seconds. Published by Hal Leonard (HL.428248).

UPC: 196288063391. 6.75x10.5x0.045 inches.

A Fab Four Medley with 18 classic songs in just four minutes!? As Brian Wilson once said, “There's no outdoing the Beatles.” Includes: All You Need Is Love, Blackbird, Come Together, Eight Days a Week, Eleanor Rigby, A Hard Day's Night, Here Comes the Sun, Hey Jude, I Want to Hold Your Hand, In My Life, Let It Me, Love Me Do, Penny Lane, Strawberry Fields Forever, We Can Work it Out, With a Little Help from My Friends and Hello, Goodbye.

Good Christian Friends, Rejoice and Sing! by William D. Spurlock. For SAB choir, piano. Augsburg Choral Library. Easter; Anthem. Choral octavo. 8 pages. Published by Augsburg Fortress

Arranged by Russell L. Robinson. For SSA Choir. Sheet Music. Published by Shawnee Press.

Medley. Composed by Alan Menken, Howard Ashman, Randy Newman, Richard M. Sherman, Robert B. Sherman. Arranged by Alan Billingsley. Disney Choral. Movies, Friendship, Medley, Disney. Octavo. 24 pages. Published by Hal Leonard (HL.157724).

Choral SSA Choir and Piano

SKU: CF.CM9747

Composed by Andrew Steffen. Duration 3 minutes, 4 seconds. Carl Fischer Music #CM9747. Published by Carl Fischer Music (CF.CM9747).

ISBN 9781491162354. UPC: 680160921102. Key: E lydian. English. The Vastness of the Universe Jonas Hallgrimsson (1807-1845).

About� � Jónas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.
About J� �nas Halgrímsson (1807-1845) was an Icelandic poet, author and naturalist, who is considered one of Iceland's most renowned poets. Considered a Romantic writer, the strong imagery in his poetry was influenced heavily by the landscapes around him.The imagery, excitement, and curiosity of the universe leapt off the page and the music almost wrote itself.  Reflecting on the cosmos and origin of the heavens, the poetry elicits excitement and stirs spatial imagery - ...speeding spark of light, ...wings swifter than wind..., ...I watched the stars...rise from the still stream of heaven... The pure and almost child-like fascination with the universe and its expansion and progression fuels the perpetual rhythm of the work as it continually pushes forward.A good friend asked if I would write a song for her ensemble. The original voicing, for SAB choir, contained parameters in that it had to be three-part with a limited range in the Bass part. With these stipulations I began to write. I searched for something that would be exciting for them and landed on Jonas Halgrimsson’s writings. I believe it is equally as exciting, accessible and challenging for treble choirs.Note to the DirectorTruly consider how the work can come to ‘life’ off the page. Rise and fall with phrase and sometimes each note. The magic exists beyond the ink on the page!Consideration to range, tessitura, and content was all considered as part of this process in creating music that is accessible to all programs and ensembles.Accompaniment NoteThe accompaniment can look intimidating, but please feel free to alter the pulsing eighth notes in the left hand with the eighth notes in the right-hand so it creates a compound rhythm. So long as the momentum of the work is pressed onward, you are doing this work justice.

SSAA Choral (SSA Choir)

SKU: HL.1105189

Arranged by Adam Podd and Matt Podd. Voices Rising. Concert, Festival. Octavo. Duration 320 seconds. Published by Hal Leonard (HL.1105189).

UPC: 196288102106. 6.75x10.5x0.036 inches.

Now available for SSAA.This thrilling new arrangement by twin brothers Matt and Adam Podd became an internet sensation shortly after we were all quarantined due to Covid-19. Drawing on friendships in the New York City Broadway, church, and opera worlds, more than 120 world class singers and players came together to create the virtual choir and orchestra. In the final chorus, the arrangers very cleverly turn the iconic phrase “How can I keep from singing?” into “Keep Singing.” A message we all need to hear and remember during times of isolation and at all times.

Choral (SSA Choir)

SKU: HL.1321954

By Andra Day. By Cassandra Batie and Jennifer Decilveo. Arranged by Mac Huff. Pop Choral Series. Ballad, General Worship, Gospel, Inspirational, Pop, Show Choir, Solos. Octavo. 16 pages. Duration 240 seconds. Published by Hal Leonard (HL.1321954).

UPC: 196288181514. 6.75x10.5 inches.

What does it mean to be a friend? A friend through the good and the bad. A friend when it is difficult to be that. This gospel ballad by Andra Day makes it clear with passion and conviction. A great message for your students and a great pop ballad for your show.

Choral (SSA Choir)

SKU: HL.394669

Voices in Harmony. Composed by Jack Zaino and Roger Emerson. Voices in Harmony. Concert, Festival, Pop. Octavo. Duration 180 seconds. Published by Hal Leonard (HL.394669).

UPC: 196288033066. 6.75x10.5x0.036 inches.

Have you ever had a good friend? Good friends are important and often help us from making bad decisions. In this selection, veteran composer Roger Emerson serves as advisor and mentor as he co-writes with Jack Zaino. This is exciting “concert-pop” music. A QR code is provided with the music that will take you to the Hal Leonard product page where you will find additional resources for teaching along with videos from the composers. SEL Guidelines, Videos and Supplemental Content can be found here.

3-part equal voices, voice soloist, assembly, keyboard accompaniment

SKU: GI.G-008248

Composed by John Angotti & Noelle Garcia McHugh. Arranged by Ed Bolduc. OT 5 A, OT 5 C, OT 6 C, OT 33 B, OT 33 C, OT 4 A, OT 33 A, OT 30 C, OT 29 A, Easter 3 C, Lent 4 A, OT 21 B, OT 30 B, OT 5 B, All Saints. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #008248. Published by GIA Publications (GI.G-008248).

English, Spanish.

John� � versatility shines in a salsa-influenced work with lyrics by friend Noelle Garcia. The choral refrain is bilingual. This high-energy piece also features a rap‚ section immediately following the percussion ad lib. Contemporary groups will love this one! From the recording and music collection Testify (008242, 008243) and also recorded on Angotti Live: The Memphis Concert (008288).

((Choral Highlights from the Broadway Musical)). Composed by Jason Robert Brown. Arranged by Roger Emerson. For Choral (3-Part Mixed). Broadway Choral. 56 pages. Published by Hal Leonard

(The Heart's Friend). Arranged by Roger Emerson. (3 Part Mixed). Choral. Size 6.75x10.5 inches. 8 pages. Published by Hal Leonard.

(Discovery Level 2). By Alan Menken, Howard Ashman, and Randy Newman. Arranged by Mac Huff. For Choral (3-Part Mixed). Discovery Choral. 24 pages. Published by Hal Leonard

By Mary Lynn Lightfoot. For 3-part mixed choir and piano. Multicultural. Educational choral collection. Published by Heritage Music Press. (45/1146H)

SSA, Piano

SKU: SU.80300101

For SSA, Piano. Composed by Dame Ethel Mary Smyth. Vocal/Choral, Sacred Choral. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300101. Published by Treble Clef Music Press (SU.80300101).

Shout! Shout! Up with your song! The battle anthem of the British women's suffrage movement, this stirring piece expresses women's strength and solidarity in wider struggles, shoulder to shoulder and friend to friend. First published in 1911. SSA and piano. Easy.SSA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

By John Jacobson. By Mac Huff and John Jacobson. Festival Choral. Ballad, Concert, Inspirational, Pop, Show Choir. Octavo. 12 pages. Published by Hal Leonard

SAB chorus - Medium-easy

SKU: JK.01936

Composed by Ann Luke Bailey. Arranged by Barry Gibbons, Grant Gibbons, and Michael Gibbons. Choral SAB, Difficulty Easy, Difficulty Easy Medium, Difficulty Medium, Piano Choir, Children, Faith, Jesus Christ - Example, Jesus Christ - Friend, Jesus Christ - Savior, Love, Peace, Praise and Worship. Christian, Inspirational. Duration 3:45. Jackman Music Corporation #01936. Published by Jackman Music Corporation (JK.01936).

UPC: 093285019362. 3 Nephi 11-28.

Said to be the next This is the Christ, The Day the Savior Came is sure to be a favorite among followers of Jesus Christ the world over.
With a flowing lyrical melody, it tells the story of the long-promised day of Christ's visitations after His resurrection and the touching and unforgettable experience that was for those who witnessed it first-hand. This arrangement is set beautifully for mixed-chorus, SAB. Won award of merit in 1994 in the church writing and music contest.
This product includes access to rehearsal tracks in the Jackman Music app. Click here to see how it works.
Click here if you have copies of this piece purchased previous to the release of the Jackman Music Rehearsal Tracks. You can upgrade your sheet music.


>SA arrangement also available here.
>Vocal Solo version also available here.

Composer: Ann Luke Bailey
Arrangers: Barry, Grant, and Michael Gibbons
Difficulty: Medium-easy
Performance time: approx. 3:45
Reference: 3 Nephi 11-28

(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (one, two, or three-part voices) (Songbook). King's Singer's Choral. Pop Vocal, Traditional Folk, Baroque and Classical Period. Difficulty: easy-medium. Vocal score (one, two and three part rounds). Vocal melody, harmony part and leadsheet notation. 80 pages. Published by Hal Leonard