(I Believe I a Hill Called Mount Calvary with The Old Rugged Cross). Arranged by...(+)
(I Believe I a Hill
Called Mount Calvary with
The Old Rugged Cross).
Arranged by Lloyd Larson.
For SATB choir with piano
accompaniment. Holy Week,
Lent, revival, communion,
general. GlorySound.
Supports: Matthew 27:33,
Luke 23:23. Sacred.
Octavo. 12 pages
((with I Will Always Love You)). By Whitney Houston and Sarah McLachlan. By Doll...(+)
((with I Will Always Love
You)). By Whitney Houston
and Sarah McLachlan. By
Dolly Parton and Sarah
McLachlan. Arranged by
Kirby Shaw. For Choral
(SATB). Pop Choral
Series. 12 pages.
Published by Hal Leonard
Choral (SATB a cappella) SKU: HL.380306 Arranged by Milburn Price. Shawne...(+)
Choral (SATB a cappella)
SKU: HL.380306
Arranged by Milburn
Price. Shawnee Sacred. A
Cappella, Easter, Lent,
Spiritual. Octavo. 8
pages. Duration 155
seconds. Published by
Shawnee Press
(HL.380306).
UPC:
196288018889.
6.75x10.5x0.019 inches. I
John 2:3-6, Isaiah 40:10,
Psalm 31:3.
This
pristine setting of a
well-loved spiritual is
simply beautiful! With
thoughtful restraint, the
anthem unfolds with rich
and fulfilling choral
sounds. Many expressive
moments adorn the
arrangement, providing a
wonderful opportunity for
discussions about
dynamics, phrasing and
blend. Truly, artistry
meets ministry in this
approachable yet
effective offering.
Still I Rise Chorale SATB SATB, Piano Alfred Publishing
From Like Dust I Rise (A Choral Song Cycle). Composed by Mark Hayes (1953-). ...(+)
From Like Dust I Rise (A
Choral Song Cycle).
Composed
by Mark Hayes (1953-).
Performance Music
Ensemble;
Single Titles. Alfred
Choral
Designs.
Peace/Brotherhood;
Secular. Choral Octavo.
16
pages. Alfred Music #00-
46423. Published by
Alfred
Music
(Choral Medley: I Run to You / Just a Kiss / Need You Now). Arranged by Greg Gil...(+)
(Choral Medley: I Run to
You / Just a Kiss / Need
You Now). Arranged by
Greg Gilpin. Choir
Secular. SATB choir.
Choral Octavo. Pop
Choral. Form: Medley. 20
pages. Published by
Alfred Music Publishing
I Left My Heart in San Francisco by Tony Bennett. By Douglas Cross and George Co...(+)
I Left My Heart in San
Francisco by Tony
Bennett. By Douglas Cross
and George Cory. Arranged
by Ed Lojeski. For Choral
(SATB). Pop Choral
Series. 8 pages.
Published by Hal Leonard
Choral (SATB) SKU: HL.1118223 Composed by Bruce W. Tippette. Shawnee Pres...(+)
Choral (SATB)
SKU:
HL.1118223
Composed
by Bruce W. Tippette.
Shawnee Press. Concert,
Poetry. Octavo. Duration
180 seconds. Published by
Shawnee Press
(HL.1118223).
ISBN
9781705180921. UPC:
196288106883.
6.75x10.5x0.029
inches.
Bruce
Tippette's setting of the
Johnson poem is gentle
and graceful, capturing
the music-themed text.
The piano accompaniment
is supportive yet has an
orchestral quality that
moves with the dynamic
vocal contrasts and
melodic phrases. “No
nights are dark, no days
are long, while in my
heart there dwells a song
I softly sing.”.
SATB vocal soli, SATB choir SKU: CA.3116205 Cantata for the 20th Sunda...(+)
SATB vocal soli, SATB
choir
SKU:
CA.3116205
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Choral
Score. Composed 1716. BWV
162. 2 pages. Duration 18
minutes. Carus Verlag #CV
31.162/05. Published by
Carus Verlag
(CA.3116205).
ISBN
9790007172251. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score
available separately -
see item CA.3116200.
Opera in tre atti. By George Frideric Handel. Edited by Burrows, Donald. For 2 S...(+)
Opera in tre atti. By
George Frideric Handel.
Edited by Burrows,
Donald. For 2 Soprano
solo, 1 Mezzo-Soprano
solo, 1 Alto solo, 2
Tenor solo, 1 Bass solo,
SATB Chorus, Flute I, II,
Recorder I, II, Oboe I,
II, Bassoon I, II, Horn
I, II, Trumpet I, II,
Violin I-III, Viola,
Bassi (Cello, Contrabass,
Lute, Harpsichord).
(SATB). This edition:
Complete Edition; Urtext
Edition. Hallische
Handel-Ausgabe, Serie II
Band 32. Piano
Reduction/Vocal Score.
235 pages. Published by
Baerenreiter Verlag
(German import).
Choral SATB Choir and Piano SKU: CF.CM9787 Composed by Coty Raven Morris....(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9787
Composed by
Coty Raven Morris.
Arranged by Saleel Menon.
Duration 3:45. Carl
Fischer Music #CM9787.
Published by Carl Fischer
Music (CF.CM9787).
ISBN 9781491164587.
UPC: 680160923496. Key: D
major. English.
Original.
The text
for the first voicing
(SSA) of this piece came
to me in the fall of 2020
while teaching at Crosby
High School in Crosby,
Texas. My students,
though enthusiastic to be
back in Choir, were
struggling to cope with
the civil unrest around
them, in addition to the
pandemic. When
considering how I could
help them navigate this
time, I realized that
they were in need of some
sort of consistency, of
feeling grounded in
themselves. As we
focused on building of
community and
citizenship, this text
and tune came to mind,
each phrase highlighting
an element of personal
and community wellness.I
lead with my
spirit keeping love in
the circle around me.
(Social)Expressing my
spirit
(Occupational)Loving what
I can see and cannot see,
I'll take care of the
vessel I am in
(Physical)I love with me
that's under the skin
(Emotional)Taking care of
my mind
(Intellectual)Envisioning
the me I want to be
(Spiritual)I had the
honor of collaborating
with composer/educator
Saleel Menon to create
the beautiful piano
accompaniment and SATB
setting.Who I Want To Be
opens with a solo
functioning as a mantra
throughout the tune. As
the piece continues,
voices join in unison and
harmony to emphasize the
intent.When the repeats
in mm. 48–51 occur,
invite students to share
some of their own mantras
and affirmations, or feel
free to borrow from the
words my students in the
Crosby HS choir inspired
me to write:Allow
yourself graceI am
persistentI am fragile,
not brokenYou are worthyI
am worthyI know that your
success is not my
demise!The only
validation I need is my
ownI believe in myselfI
see youIt’s okay to not
be okayBreatheI love and
I am lovedPrepare
yourself for not only a
powerful performance, but
a rewarding experience
and conversations with
your students.THIS is the
piece you want stuck in
your students’
heads!~CRM.
For Chorus and Wind Ensemble. By Vincent Persichetti. Text: Walt Whitman. For SA...(+)
For Chorus and Wind
Ensemble. By Vincent
Persichetti. Text: Walt
Whitman. For SATB Chorus,
Piccolo, Flute I, Flute
II, Oboe I, Oboe II,
Clarinet I, Clarinet II,
Clarinet III, Bass
Clarinet, Bassoon I,
Bassoon II, Trumpet I,
Cornet I, Trumpet II,
Cornet II, Trumpet III,
Cornet III, French Horn
I, French Horn II, French
Horn III,. Cantata No. 3.
Full Score - Large. Opus
103. 81 pages. Duration
23:00. Published by
Theodore Presser Company.
Arranged by Moses Hogan. For SATB choir and piano accompaniment (for rehearsal ...(+)
Arranged by Moses Hogan.
For SATB choir and piano
accompaniment (for
rehearsal only) (SATB).
Hal Leonard Choral
Collection. Choral and
Gospel. Songbook. Vocal
score notation. 240
pages. Published by Hal
Leonard
Soli SATB, SATB Choir, 2 Ob, 4 Trb, 2 Vl, Va, Bc - Level 3 SKU: CA.3103849(+)
Soli SATB, SATB Choir, 2
Ob, 4 Trb, 2 Vl, Va, Bc -
Level 3
SKU:
CA.3103849
Cantata
for the 21st Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Hymns by Martin Luther:
Aus tiefer Not schrei ich
zu dir. Organ. Sacred
vocal music, Cantatas.
Single Part, Organ.
Composed 1724. BWV 38. 20
pages. Duration 21
minutes. Carus Verlag #CV
31.038/49. Published by
Carus Verlag
(CA.3103849).
ISBN
9790007205706. Key: E
phrygian. Language:
German. Text: Luther,
Martin.
The opening
movement of Bach's
chorale cantata on
Luther's In deepest need
I cry to you BWV 38,
which was composed for
the 21st Sunday after
Trinity Sunday, belongs
to a group of cantatas
whose opening choruses
are not concertante but
have been kept in the
style of a motet; the
instruments merely
amplify the vocal parts.
The archaic character of
the movement is
emphasized by the
addition of a trombone
quartet. An exciting
recitative and an aria
full of pungent harmonies
is followed by an
entirely unusual
recitative in which the
chorale melody forms the
bass foundation for the
vocal part. A second aria
- which is no less
unusual -is a trio which
is only accompanied by
the continuo; it leads
into the concluding
chorale which, pursuant
to the 1st line of text
Ob bei uns ist der Sunden
viel, already begins with
a brusque dissonance.
Score and part available
separately - see item
CA.3103800.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115600
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Full score.
Composed 1729. BWV 156.
28 pages. Duration 17
minutes. Carus Verlag #CV
31.156/00. Published by
Carus Verlag
(CA.3115600).
ISBN
9790007186777. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115619
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1729. BWV 156. Duration
17 minutes. Carus Verlag
#CV 31.156/19. Published
by Carus Verlag
(CA.3115619).
ISBN
9790007208813. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and parts available
separately - see item
CA.3115600.
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115603
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Vocal score.
Composed 1729. BWV 156.
24 pages. Duration 17
minutes. Carus Verlag #CV
31.156/03. Published by
Carus Verlag
(CA.3115603).
ISBN
9790007186784. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
available separately -
see item CA.3115600.