String Orchestra and Piano SKU: BT.EMBZ13548 Leichte Trios aus vier Ja...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13548
Leichte Trios aus vier
Jahrhunderten. By
Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1993. 248
pages. Editio Musica
Budapest #EMBZ13548.
Published by Editio
Musica Budapest
(BT.EMBZ13548).
At first sight,
this publication appears
to merely be a collection
of pieces due to the lack
of drier technical
studies that are
characteristic of tutors.
Yet the selection of the
works, their order
according to the
development of ensemble
playing, and the advice
towards technical
realization included
after the foreword -
these all make this
publication a tutor. The
works form a
cross-section of a longer
period of the history of
chamber music and offer
an insight into the
different methods of
composition.Volume I
contains easy chamber
music from the
Renaissance to Viennese
Classicism for two
violins and cello, in the
first position. (In some
works the 2nd violin part
or others thecello part,
respectively, can also be
played on the viola.) The
easier pieces can be
played after two years of
active instrumental
study.
Peanuts Gallery Piano et Orchestre [Reduction] Theodore Presser Co.
For Piano and Orchestra (Solo Piano and Piano Reduction). By Ellen Taaffe Zwilic...(+)
For Piano and Orchestra
(Solo Piano and Piano
Reduction). By Ellen
Taaffe Zwilich. For Piano
Solo, Piano Reduction.
Junior Class I-B piece
for the One Hand Piano
Music for the Concerto
Event with the National
Federation of Music Clubs
(NFMC) Festivals Bulletin
2008-2009-2010. Solo part
with piano reduction.
Composed 1996. 31 pages.
Duration 13:00. Published
by Theodore Presser
Company
I got Rhythm Piano et Orchestre [Conducteur] - Intermédiaire Baton Music
(Variations for Piano and Orchestra). By George Gershwin (1898-1937). Arranged b...(+)
(Variations for Piano and
Orchestra). By George
Gershwin (1898-1937).
Arranged by Douglas
McLain. For Piano and
Concert Band. Grade 4.
Score. Duration 08:30
I got Rhythm Piano et Orchestre [Conducteur et Parties séparées] - Intermédiaire Baton Music
(Variations for Piano and Orchestra). By George Gershwin (1898-1937). Arranged b...(+)
(Variations for Piano and
Orchestra). By George
Gershwin (1898-1937).
Arranged by Douglas
McLain. For Piano and
Concert Band. Grade 4.
Full score and set of
parts. Duration 08:30
Piano/harpsichord and orchestra (picc.2.2.cor ang.2.2 - 4.2.3.1 - timp - perc(4)...(+)
Piano/harpsichord and
orchestra (picc.2.2.cor
ang.2.2 - 4.2.3.1 - timp
- perc(4) - hp - str)
SKU: BR.PB-15160
Urtext. Composed
by Sergej Rachmaninow.
Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Variations; Solo
concerto; Late-romantic;
Early modern. Sheet
Music. Duration 22'.
Breitkopf and Haertel #PB
15160. Published by
Breitkopf and Haertel
(BR.PB-15160).
ISBN
9790004215654. 10 x 12.5
inches.
Paganini's
Capricci served as
inspiration for many
composers. In addition to
Brahms, Schumann and
Liszt, Rachmaninoff was
also inspired by the
idea. His Rhapsody on a
Theme by Paganini has
since become one of his
best known and most
popular works and was an
immediate success. In
1934, between two intense
concert seasons,
Rachmaninoff took
advantage of the peace
and quiet at his villa on
Lake Lucerne to compose
the Variations.
Paganini's virtuosity and
joy of playing are
juxtaposed with the
Gregorian sequence Dies
irae. A symbol of the
evil spirit to which
Paganini sold his soul?
At least that is how
Rachmaninoff wrote it in
a letter to the
choreographer Fokine. For
the demanding piano part,
the composer and
celebrated pianist
himself had to start
practicing very early:
The composition is very
difficult, and I should
really start practicing
now, but I get lazier
with my finger exercises
year after year.The
editor, Norbert Gertsch,
presents with this
edition for the first
time an Urtext edition of
the work that Joachim
Kaiser described as
Rachmaninoff's most
spiritual, witty, elegant
work for piano..
Urtext. Composed
by George Gershwin.
Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Early modern;
Music post-1945. Full
score. 136 pages.
Duration 36'. Breitkopf
and Haertel #PB 15140.
Published by Breitkopf
and Haertel
(BR.PB-15140).
ISBN
9790004214763. 10 x 12.5
inches.
After
achieving sensational
success with the musical
Lady, be good!, with
evergreens such as
Fascinating Rhythm and
The Man I love, as well
as with his Rhapsody in
Blue, Gershwin premiered
his Concerto in F for
piano and orchestra as a
soloist at Carnegie Hall
in 1925. Now, the new
superstar of Broadway had
also arrived at the
center of New York's
classical music scene. In
its eventful history, the
work went through
numerous changes,
cuttings, arrangements,
many of which doubtful
and unauthorized. Even
the first and so far only
printed orchestral score,
edited by Frank
Campbell-Watson,
published in 1942 five
years after Gershwin's
death, contains many
unauthorized
interventions. Through
years of research, editor
Norbert Gertsch has
succeeded in ridding the
work of all unauthorized
additions and alterations
and thus reconstructing
an Urtext in its original
literal sense from the
complex source material -
from autograph sketches
to early recordings. The
first text-critical
edition of the work is a
joint production of
Breitkopf
(score/orchestral parts)
and G. Henle Verlag
(piano reduction).
Piano Concerto No. 1 Piano et Orchestre [Conducteur d'étude / Miniature] Theodore Presser Co.
(For Piano and Orchestra - Study Score). By Iain Hamilton. Orchestra. For Flute ...(+)
(For Piano and Orchestra
- Study Score). By Iain
Hamilton. Orchestra. For
Flute I, Flute II,
Piccolo, Oboe I, Oboe II,
Clarinet I, Clarinet II,
Bassoon I, Bassoon II,
Horn I, Horn II, Horn
III, Horn IV, Trumpet I,
Trumpet II, Tenor I,
Tenor II, Bass Tromb full
score (study)
Urtext. Composed
by George Gershwin.
Orchestra; Softbound.
Edition Breitkopf. Solo
concerto; Early modern;
Music post-1945. Piano
reduction. 88 pages.
Duration 36'. Breitkopf
and Haertel #EB 10859.
Published by Breitkopf
and Haertel
(BR.EB-10859).
ISBN
9790201808598. 9.5 x 12
inches.
After
achieving sensational
success with the musical
Lady, be good! , with
evergreens such as
Fascinating Rhythm and
The Man I love, as well
as with his Rhapsody in
Blue , Gershwin premiered
his Concerto in F for
piano and orchestra as a
soloist at Carnegie Hall
in 1925. Now, the new
superstar of Broadway had
also arrived at the
center of New York's
classical music scene. In
its eventful history, the
work went through
numerous changes,
cuttings, arrangements,
many of which doubtful
and unauthorized. Even
the first and so far only
printed orchestral score,
edited by Frank
Campbell-Watson,
published in 1942 five
years after Gershwin's
death, contains many
unauthorized
interventions. Through
years of research, editor
Norbert Gertsch has
succeeded in ridding the
work of all unauthorized
additions and alterations
and thus reconstructing
an Urtext in its original
literal sense from the
complex source material -
from autograph sketches
to early recordings. The
first text-critical
edition of the work is a
joint production of
Breitkopf
(score/orchestral parts)
and G. Henle Verlag
(piano reduction).
Composed by Nancy Galbraith (1951-). For Piano and Concert Band (solo piano; 3,1...(+)
Composed by Nancy
Galbraith (1951-). For
Piano and Concert Band
(solo piano; 3,1 2 3,bass
clarinet 2 2 alto sax,
tenor sax, baritone sax;
4331, euphonium; 5
percussion, contrabass).
Study Score. Duration
21'. Published by Subito
Music Corporation
For Piano. Includes a complete printed music score on high-quality ivory paper; ...(+)
For Piano. Includes a
complete printed music
score on high-quality
ivory paper; and a
compact disc containing
the complete version of
each piece with soloist
and accompaniment; then a
second performance with
accompaniments minus you,
the soloist. Published by
Music Minus One.
Kaintuck' Piano et Orchestre [Conducteur] Carl Fischer
(Poem for Piano and Orchestra - Full Score). By William Grant Still (1895-1978)....(+)
(Poem for Piano and
Orchestra - Full Score).
By William Grant Still
(1895-1978). Orchestra.
For Flute I, Flute II,
Flute III, Piccolo, Oboe
I, Oboe II, English Horn,
Clarinet I, Clarinet II,
Clarinet III, Bass
Clarinet, Bassoon I,
Bassoon II, Horn I, Horn
II, Horn III, Horn IV,
Trumpet I, Trumpet II,
Trumpet III, Tenor I,
Tenor II, Tenor III,
Tuba, . Full score
(large). Standard
notation. 48 pages.
Published by Carl Fischer
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sal...(+)
Piano and Orchestra
SKU: HL.14030961
Composed by Bent
Sorensen. Music Sales
America. Classical.
Score. 96 pages. Edition
Wilhelm Hansen #KP00980.
Published by Edition
Wilhelm Hansen
(HL.14030961).
ISBN
9788759857458.
English.
Score of
the Danish Composer's
Concerto for Piano and
Orchestra written in
1996. Bent Sorensen
writes: 'The title of
this piano concerto came,
as usual, very early to
me, when my thoughts
about the work had
started to circulate, but
before 'real' music was
written down. I held on
to the Italian title,
even though its
association with Vivaldi
had no influence on my
music, and even when
German, French, English,
and Danish titles
covering almost the same
content -'Nachtmusik',
'Nocturne', 'By Night',
'Om Natten', were just
about to get the upper
hand. The piano concerto
has, then, in my opinion,
something to do with
night, but to describe
this further is at least
as difficult to me as it
is to defend the final
Italian title against
those which were
rejected. The Piano
Concerto is in two
movements. The first,
swarming, is perhaps the
mystery of the night, and
the second perhaps the
dreams of the night; with
this, however, I have
already given the
concerto a more
programmatic content than
I can defend. Each
movement ends with a
cadenza and perhaps the
last of those - the
ending of the work that
is - is inspired by a
sequence from Bruce
Chatwin's wonderful book
'The Viceroy of Ouidah':
Or the Amazons howling.
'No, No, No. It was not
the leopard that killed
him. Not the buffalo that
killed him. It was night.
Night that killed
him!'.
Piano, orchestra SKU: SA.41762 Composed by Antonin Dvorak. Edited by Berk...(+)
Piano, orchestra
SKU:
SA.41762
Composed by
Antonin Dvorak. Edited by
Berkovec. Arranged by
Vilem Kurz. Original
Works, Concerto,
Instrumental Solo.
Reprint Source: Prague:
SNKLHU, 1956. Plate H
1790. Romantic, Czech.
Study score. Composed
1876. 260 pages. Duration
38-40 minutes. Petrucci
Library Press #41762.
Published by Petrucci
Library Press (SA.41762).
ISBN 9781608741762.
9.5 x 12.5
inches.
Composed in
the late summer of 1876,
Dvorak's first effort at
a full-blown concerto
shows signs of an unusual
amount of revision in the
composer's hand -
especially for the solo
piano part. This might
explain the delay in the
concerto's premiere,
which was given at the
Provisional Theatre in
Prague on March 24, 1878
with Karel Slavkovsky as
soloist accompanied by
the Provisional Theatre
Orchestra under the baton
of Adolf Cech. The
composer himself wrote: I
see I am unable to write
a Concerto for a
virtuoso; I must think of
other things. The
ungainly solo part no
doubt also played a role
in the work's dely in
publication, which didn't
take place until 1883.
Even after this, and
despite much beauty in
the music itself,
performances were scarce
due to the difficulty and
charchter of the solo
part. The solo part was
revised heavily by the
Czech pianist Vilem Kurz
(1872-1945), whose
version was premired by
his daughter Ilona
KurzovA! and the Czech
Philharmonic on December
9, 1919 and is the one
most often performed
today. This new study
score is a digitally
enhanced reissue of the
full score first
published in 1956 by the
Czech State Publishers as
part of the Dvorak
collected works, edited
by Jiri Berkovec and
Karel Solc, which
includes both the
composer's original solo
part and the re-arranged
one made by Kurz. Unlike
so many of the on-demand
scores now available,
this one comes with all
the pages and the images
have been thoroughly
checked to make sure it
is readable. As with all
PLP scores a percentage
of each sale is donated
to the amazing online
archive of free music
scores and recordings,
IMSLP - Petrucci Music
Library.
Quintet Piano et Orchestre EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ6338 Composed by Bela Bartok. Set ...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ6338
Composed
by Bela Bartok. Set
(Score & Parts). Composed
1970. 304 pages. Editio
Musica Budapest
#EMBZ6338. Published by
Editio Musica Budapest
(BT.EMBZ6338).
Béla Bartók
composed his Piano
Quintet while at grammar
school in Pozsony
(Pressburg, now
Bratislava), and it still
shows the influence of
Brahms in its melody and
harmony. The work was
always resoundingly
successful at his
youthful concerts. When
on 7 January 1921 the
Waldbauer Quartet wanted
to repeat the programme
of a concert given ten
years previously, Bartók
was displeased that this
early work of his should
be performed once again.
Finally he consented to
the performance, and
played the piano part
himself. The quintet was
greeted with tumults of
applause, unlike the
other pieces on the
programme, which were
written later. According
to a communication by
Márta Ziegler,Bartók
threw away the score in
anger, and for many years
it was believed to have
been destroyed. In 1963,
the editor Denijs Dille
received a package inside
which were the score and
parts, which had been
thought lost. Denijs
Dille wrote: 'In
preparing the text of
this edition for
practical purposes, I
used the autograph score,
and Bartók's own
handwritten parts for the
first and second violins,
viola, and cello. [...]
Bartók made so many
deletions and significant
changes in the score that
the resulting version was
somewhat different from
the original. In this
edition we give the last
version, supplemented
with the minor changes
and signs that can be
found in the string
parts.'.
For Two Pianos and Orchestra. By Wolfgang Amadeus Mozart. Arranged by Paul Badur...(+)
For Two Pianos and
Orchestra. By Wolfgang
Amadeus Mozart. Arranged
by Paul Badura-Skoda.
(Study Score). Schott.
Size 5.25x7.5 inches. 86
pages. Published by
Eulenburg.
Piano/harpsichord and
orchestra (solo: pno -
3(picc).3(cor ang).2.2 -
4.2.3.1 - timp.perc - hp
- cel - str)
SKU:
BR.PB-15153
Impresiones sinfonicas
- Urtext. Composed by
Manuel de Falla. Edited
by Ullrich Scheideler.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Symphonic poem;
Late-romantic; Early
modern. Full score. 92
pages. Duration 23'.
Breitkopf and Haertel #PB
15153. Published by
Breitkopf and Haertel
(BR.PB-15153).
ISBN
9790004215586. 10 x 12.5
inches.
Composed by
Manuel de Falla during
his lengthy residence in
Paris, these three
symphonic impressions for
piano and orchestra are
an expressive work
bringing the southern
Spanish gardens, which
are laid out in the
European and
Arabic-Moorish tradition,
to life. The influence of
contemporary French music
is noticeable in this
composition. Despite many
modifications, involving
among other things, the
scoring, number of
movements, as well as
layout and content, the
basic idea of a nocturnal
impression is retained
from the outset. The work
was finished - and
likewise the orchestral
material - only shortly
before its premiere on 9
April 1916, which was a
great success. World War
I prevented its
publication, though
further performances
followed, played then
from manuscript material.
The Urtext edition
presented by Ullrich
Scheideler takes as the
main source the first
edition of the score. The
Critical Report gives
detailed information
about the source
situation.