Guiseppe Verdi's Speed Your Journey (Va Pensiero From 'Nabucco') set for SATB choir with Piano accompaniment

Composed by Allen Pote. For SATB choir with piano accompaniment. General, Godspeed, Benediction. Octavo. 16 pages. Published by Chorister's Guild

(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSATB). BH Large Choral. 48 pages. Boosey and Hawkes #M051481666. Published by Boosey and Hawkes

Choral (SATB divisi)

SKU: HL.1424346

Composed by Tim Sharp. Gentry Publications. Octavo. 20 pages. Gentry Publications #JG2693. Published by Gentry Publications (HL.1424346).

UPC: 196288200628. 6.75x10.5x0.045 inches.

Timothy Sharp's arrangement of the folk tune “I Don't Need No Man” ingeniously employs vocal percussion to emulate the sensation of a speeding train on its tracks. Using dynamic sounds like “chika-chika,” “mama-mama,” “papa-papa,” and “sita-sita,” it cleverly replicates the rhythmic intensity of a fast-moving locomotive. This piece offers an exhilarating concert experience, perfect for school and collegiate choirs seeking an engaging and vibrant performance.

SATB choir

SKU: ST.EM24

Composed by George Kirbye. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart and Philip Brett. Paperback. Madrigals. Choral collection. Stainer & Bell Ltd. #EM24. Published by Stainer & Bell Ltd. (ST.EM24).

ISBN 9790220209888.

CONT ENTS
Ah, cruel, hateful fortune (SSA(orT)A(orT)T(orB)B) Ah, sweet, alas, when first I saw (SSATB)
Alas, what hope of speeding (SST(orA)B)
Bright Phoebus greets most clearly (SSAT (or A) T (or A) B)
Farewell, my love (SSAT)
If pity reign with beauty (SSATB)
I love, alas, yet am I not beloved (SSAA (or T) TB)
Lo, here my heart I leave (SSTB)
Mourn now, my soul (SSATB)
Must I part, O my jewel? (SSAATB)
O heavens, what shall I do? (SSATB)
See what a maze of error (SSATB)
She that my plaints (SSAT (or A) B)
Sleep now, my Muse (SSAATB)
Sleep now, my Muse (SSAT)
Sorrow consumes me (SSATB)
Sound out, my voice (SSATB)
Sweet love, 0 cease thy flying (SSA (or T) TB)
That Muse which sung (SSATB)
Up then, Melpomene (SSAT (or A) T (or B) B)
What can I do, my dearest? (SSAB)
What, shall I part thus? (SSAT (or A) B)
Why should I love? (SSATB)
Why wail we thus? (SSAT (or A) TB)
With Angel's face and brightness (SSAT (or A) T (or A) B)
Woe am I, my heart dies (SSAB).

Choral SATB Choir and Piano

SKU: PR.312419020

From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020).

ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English.

Commission ed by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately.
Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

(Secular). (SATB A Cappella). Treasury Choral. 32 pages. Published by Hal Leonard.

Five Centuries Of Choral Music For Mixed Voices by Various. For Choral (SATB). Choral Collection. Renaissance, Baroque, Classical Period, 20th Century and Vocal Standards. Difficulty: medium. Vocal score (6 copies needed for performance). Vocal score and piano accompaniment. 156 pages. G. Schirmer #ED2529. Published by G. Schirmer

Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider, Charles Boyd. Vocal score book for SATB choir. With vocal score notation (open score in German; closed score in English), introductory text and . Text language English; lyrics in German and English. 127 pages. Published by G. Schirmer, Inc.

(What if I never speed / Can she excuse my wrongs / O now, I needs must part). By John Dowland (1563-1626). Edited by Dennis Shrock. For SATB choir and piano. GIA Historical Music Series. Easy/moderate. Octavo. Language: English. 24 pages. Published by GIA Publications

By John Dowland (1563-1626). Edited by Heinrich Funk / Matthias Hammerschmitt. Choral Score. Score. Duration 2'30

Composed by Victor C Johnson. Octavo. Heritage Music Press #15/3429H. Published by Heritage Music Press (LO.15-3429H).

SATB Choir

SKU: HL.14035954

Composed by M.V. White. Music Sales America. Classical. Choral Score. Music Sales #MPS000028. Published by Music Sales (HL.14035954).

(Mixed Choir)

SKU: HL.14065451

Composed by John Dowland. Choral. General Merchandise. Duration 240 seconds. Music Sales #JC61207. Published by Music Sales (HL.14065451).

(Mixed Choir)

SKU: HL.14065526

Composed by Moodie. Choral. General Merchandise. Duration 240 seconds. Music Sales #JC61273. Published by Music Sales (HL.14065526).

By Maury Yeston. Arranged by Mac Huff. (SATB). Broadway Choral. Size 6.7x10.5 inches. 40 pages. Published by Cherry Lane.

SATB choir divisi - Intermediate

SKU: AU.9781506492445

Composed by Undine Smith Moore. Augsburg Choral Library. Christian. Octavo. Augsburg Fortress #9781506492445. Published by Augsburg Fortress (AU.9781506492445).

ISBN 9781506492445. 7x10.25 inches.

Undine Smith Moore's arrangement of the lesser-known spiritual Long Fare You Well builds on the expressive melody by incorporating fragments of the tune throughout the choral writing and culminates in a glorious final stanza. A fitting benediction to any worship service and especially appropriate when wishing Godspeed to departing members.

Composed by Mark Burrows. For SATB choir with piano. Sacred Anthem. Words by Mary Rarde. General, Godspeed. Octavo. Published by Chorister's Guild

(from Glee). By Glee Cast and REO Speedwagon. Edited by Alan Billingsley. Arranged by Adam Anders and Tim Davis. SATB. Pop Choral Series. 12 pages. Published by Hal Leonard