(SSATB with Solos a cappella). By Benjamin Britten (1913-1976). For Choral (SSAT...(+)
(SSATB with Solos a
cappella). By Benjamin
Britten (1913-1976). For
Choral (SSATB). BH Large
Choral. 48 pages. Boosey
and Hawkes #M051481666.
Published by Boosey and
Hawkes
Choral (SATB divisi) SKU: HL.1424346 Composed by Tim Sharp. Gentry Public...(+)
Choral (SATB divisi)
SKU: HL.1424346
Composed by Tim Sharp.
Gentry Publications.
Octavo. 20 pages. Gentry
Publications #JG2693.
Published by Gentry
Publications
(HL.1424346).
UPC:
196288200628.
6.75x10.5x0.045
inches.
Timothy
Sharp's arrangement of
the folk tune “I Don't
Need No Man”
ingeniously employs vocal
percussion to emulate the
sensation of a speeding
train on its tracks.
Using dynamic sounds like
“chika-chika,”
“mama-mama,”
“papa-papa,” and
“sita-sita,” it
cleverly replicates the
rhythmic intensity of a
fast-moving locomotive.
This piece offers an
exhilarating concert
experience, perfect for
school and collegiate
choirs seeking an
engaging and vibrant
performance.
SATB choir SKU: ST.EM24 Composed by George Kirbye. Edited by Edmund H Fel...(+)
SATB choir
SKU:
ST.EM24
Composed by
George Kirbye. Edited by
Edmund H Fellowes.
Library Volumes. Edited
Edmund Fellowes. Revised
Thurston Dart and Philip
Brett. Paperback.
Madrigals. Choral
collection. Stainer &
Bell Ltd. #EM24.
Published by Stainer &
Bell Ltd. (ST.EM24).
ISBN
9790220209888.
CONT
ENTS Ah, cruel,
hateful fortune
(SSA(orT)A(orT)T(orB)B) Ah, sweet, alas, when
first I saw (SSATB)
Alas, what hope of
speeding (SST(orA)B)
Bright Phoebus greets
most clearly (SSAT (or A)
T (or A) B) Farewell,
my love (SSAT) If
pity reign with beauty
(SSATB) I love, alas,
yet am I not beloved
(SSAA (or T) TB) Lo,
here my heart I leave
(SSTB) Mourn now, my
soul (SSATB) Must I
part, O my jewel?
(SSAATB) O heavens,
what shall I do?
(SSATB) See what a
maze of error (SSATB)
She that my plaints (SSAT
(or A) B) Sleep now,
my Muse (SSAATB)
Sleep now, my Muse
(SSAT) Sorrow
consumes me (SSATB)
Sound out, my voice
(SSATB) Sweet love, 0
cease thy flying (SSA (or
T) TB) That Muse
which sung (SSATB) Up
then, Melpomene (SSAT (or
A) T (or B) B) What
can I do, my dearest?
(SSAB) What, shall I
part thus? (SSAT (or A)
B) Why should I love?
(SSATB) Why wail we
thus? (SSAT (or A)
TB) With Angel's face
and brightness (SSAT (or
A) T (or A) B) Woe am
I, my heart dies
(SSAB).
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano
SKU: PR.312419280
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 12
pages. Duration 5:30.
Theodore Presser Company
#312-41928. Published by
Theodore Presser Company
(PR.312419280).
ISBN
9781491137925. UPC:
680160692613.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Five Centuries Of Choral Music For Mixed Voices by Various. For Choral (SATB). C...(+)
Five Centuries Of Choral
Music For Mixed Voices by
Various. For Choral
(SATB). Choral
Collection. Renaissance,
Baroque, Classical
Period, 20th Century and
Vocal Standards.
Difficulty: medium. Vocal
score (6 copies needed
for performance). Vocal
score and piano
accompaniment. 156 pages.
G. Schirmer #ED2529.
Published by G. Schirmer
SATB choir, piano - Advanced SKU: S2.264622 Composed by Keith Getty. Chor...(+)
SATB choir, piano -
Advanced
SKU:
S2.264622
Composed by
Keith Getty. Choral.
Sacred Anthem. Octavo.
SoundForth #264622.
Published by SoundForth
(S2.264622).
ISBN
9780787762285.
Moll
y Ijames' signature style
of worshipful choral
music is evident in this
beautiful arrangement
that finds the Christian
humble and broken at the
feet of God's mercy. The
rich choral tones capture
the spirit of this text,
which ends with the
earnest plea, God speed
the day, struggles will
end, faultless we'll gaze
at your glory; then we
will stand overwhelmed by
the mercy of God..
Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Albert Riemenschneider,
Charles Boyd. Vocal score
book for SATB choir. With
vocal score notation
(open score in German;
closed score in English),
introductory text and .
Text language English;
lyrics in German and
English. 127 pages.
Published by G. Schirmer,
Inc.
(What if I never speed / Can she excuse my wrongs / O now, I needs must part). B...(+)
(What if I never speed /
Can she excuse my wrongs
/ O now, I needs must
part). By John Dowland
(1563-1626). Edited by
Dennis Shrock. For SATB
choir and piano. GIA
Historical Music Series.
Easy/moderate. Octavo.
Language: English. 24
pages. Published by GIA
Publications
Long Fare You Well Chorale SATB SATB divisi - Intermédiaire Augsburg Fortress
SATB choir divisi - Intermediate SKU: AU.9781506492445 Composed by Undine...(+)
SATB choir divisi -
Intermediate
SKU:
AU.9781506492445
Composed by Undine Smith
Moore. Augsburg Choral
Library. Christian.
Octavo. Augsburg Fortress
#9781506492445. Published
by Augsburg Fortress
(AU.9781506492445).
ISBN 9781506492445.
7x10.25
inches.
Undine
Smith Moore's arrangement
of the lesser-known
spiritual Long Fare You
Well builds on the
expressive melody by
incorporating fragments
of the tune throughout
the choral writing and
culminates in a glorious
final stanza. A fitting
benediction to any
worship service and
especially appropriate
when wishing Godspeed to
departing members.
(from Glee). By Glee Cast and REO Speedwagon. Edited by Alan Billingsley. Arrang...(+)
(from Glee). By Glee Cast
and REO Speedwagon.
Edited by Alan
Billingsley. Arranged by
Adam Anders and Tim
Davis. SATB. Pop Choral
Series. 12 pages.
Published by Hal Leonard