Composed by Kevin Memley. For Choral, Violin (SATB). Pavane Choral. 12 pages. Pavane Publishing #P1470. Published by Pavane Publishing

Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Cor, 3 Trb, 2 Vl, Va, Bc

SKU: CA.3750112

Herr! Straf mich nicht in deinem Zorne. Composed by Justin Heinrich Knecht. Edited by Claudia Seidl. Herr, Straf Mich Nicht. Sacred vocal music, Psalms, German, Psalms. Single Part, Violin 2. 4 pages. Duration 17 minutes. Carus Verlag #CV 37.501/12. Published by Carus Verlag (CA.3750112).

ISBN 9790007214999. Language: German.

Justin Heinrich Knecht's compositional interpretation of Moses Mendelssohn's poetic translation of the 6th psalm bears the force of Enlightenment ideas in its music. Effective instrumentation, the targeted use of the choir and vocal soloists together with contrasting dynamics communicate the entire emotional spectrum of this psalm text. Knecht created an early Romantic piece of south German church music which has unjustly lain in obscurity for too long. As in his other psalm compositions, the scoring can be regarded as flexible, allowing parts to be omitted or unavailable instruments to be substituted by similar sounding ones according to the forces available. Score and part available separately - see item CA.3750100.

SATB choir, violin (treble instrument in C), and keyboard - Intermediate

SKU: MN.50-9852

Composed by David Scholz and Robert Scholz. Wedding. Instrument parts. MorningStar Music Publishers #50-9852. Published by MorningStar Music Publishers (MN.50-9852).

UPC: 688670598524. English.

A SATB setting of the familiar Song of Solomon text framed by modern liturgy and for love is of God (1 John 4:7). All parts share in delivering and supporting the warm melody and rich harmonies, connected by a solo instrumental line. Emotionally moving, romantic style.

Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Cor, 3 Trb, 2 Vl, Va, Bc

SKU: CA.3750111

Herr! Straf mich nicht in deinem Zorne. Composed by Justin Heinrich Knecht. Edited by Claudia Seidl. Herr, Straf Mich Nicht. Sacred vocal music, Psalms, German, Psalms. Single Part, Violin 1. 4 pages. Duration 17 minutes. Carus Verlag #CV 37.501/11. Published by Carus Verlag (CA.3750111).

ISBN 9790007214982. Language: German.

Justin Heinrich Knecht's compositional interpretation of Moses Mendelssohn's poetic translation of the 6th psalm bears the force of Enlightenment ideas in its music. Effective instrumentation, the targeted use of the choir and vocal soloists together with contrasting dynamics communicate the entire emotional spectrum of this psalm text. Knecht created an early Romantic piece of south German church music which has unjustly lain in obscurity for too long. As in his other psalm compositions, the scoring can be regarded as flexible, allowing parts to be omitted or unavailable instruments to be substituted by similar sounding ones according to the forces available. Score and part available separately - see item CA.3750100.

Tenor voice solo, SATB choir, oboe, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, cello, double bass

SKU: CA.7004615

Offertorium. Tenor-Arie mit Chor. Composed by Franz Schubert. Edited by Werner Bodendorff. This edition: urtext. Stuttgart Urtext Edition: Schubert. Offertorium Intende Voci Fur Tenor. Sacred vocal music. Single Part, Double Bass. Composed 1828. D 963. 4 pages. Duration 10 minutes. Carus Verlag #CV 70.046/15. Published by Carus Verlag (CA.7004615).

ISBN 9790007227937. Key: B flat major. Language: Latin.

In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the Mass in E flat. Score and part available separately - see item CA.7004600.

Tenor voice solo, SATB choir, oboe, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, cello, double bass

SKU: CA.7004619

Offertorium. Tenor-Arie mit Chor. Composed by Franz Schubert. Edited by Werner Bodendorff. This edition: urtext. Stuttgart Urtext Edition: Schubert. Offertorium Intende Voci Fur Tenor. Sacred vocal music. Set of Orchestra Parts. Composed 1828. D 963. Duration 10 minutes. Carus Verlag #CV 70.046/19. Published by Carus Verlag (CA.7004619).

ISBN 9790007138509. Key: B flat major. Language: Latin.

In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the Mass in E flat. Score and parts available separately - see item CA.7004600.

Tenor voice solo, SATB choir, oboe, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, cello, double bass

SKU: CA.7004605

Offertorium. Tenor-Arie mit Chor. Composed by Franz Schubert. Edited by Werner Bodendorff. This edition: urtext. Stuttgart Urtext Edition: Schubert. Offertorium Intende Voci Fur Tenor. Sacred vocal music. Choral Score. Composed 1828. D 963. 8 pages. Duration 10 minutes. Carus Verlag #CV 70.046/05. Published by Carus Verlag (CA.7004605).

ISBN 9790007107666. Key: B flat major. Language: Latin.

In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the Mass in E flat. Score available separately - see item CA.7004600.

Tenor voice solo, SATB choir, oboe, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, cello, double bass

SKU: CA.7004609

Offertorium. Tenor-Arie mit Chor. Composed by Franz Schubert. Edited by Werner Bodendorff. This edition: urtext. 1x 70.046/21 oboe, 1x 70.046/22 clarinet 1, 1x 70.046/23 clarinet 2, 1x 70.046/24 bassoon 1, 1x 70.046/25 bassoon 2, 1x 70.046/31 horn 1, 1x 70.046/32 horn 2, 1x 70.046/33 trombone 1, 1x 70.046/34 trombone 2, 1x 70.046/35 trombone 3. Stuttgart Urtext Edition: Schubert. Offertorium Intende Voci Fur Tenor. Sacred vocal music. Set of Orchestra Parts. Composed 1828. D 963. 20 pages. Duration 10 minutes. Carus Verlag #CV 70.046/09. Published by Carus Verlag (CA.7004609).

ISBN 9790007227883. Key: B flat major. Language: Latin.

In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the Mass in E flat. Score and parts available separately - see item CA.7004600.

Vocal solos, choir, orchestra (Alto Voice Solo, 17speaker, SATB Choir, ballet, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 4Hn, 2 Trp, 3trombone, timpani, 2 Violin, Viola, Cello, Double Bass)

SKU: BA.BA05570-01

Romantic drama in four acts. Composed by Franz Schubert. Edited by Christine Martin and Walther Durr. This edition: complete edition, urtext edition. Linen. New Schubert Edition II, 9. Complete edition, Score. D 797. Duration 50 minutes. Baerenreiter Verlag #BA05570_01. Published by Baerenreiter Verlag (BA.BA05570-01).

ISBN 9790006497386. 33 x 26 cm inches. Language: German. Preface: Christine Martin. Text: Helmina von Chezy.

On 20 December 1823 Helmina von Chezy'sRosamundereceived its premiere performance at Vienna's Theater an der Wien.
Unfortunately the Viennese version of this drama with ghosts, pirates, attempted poisonings and other horrifying ingredients has not survived - unlike Schubert's popular incidental music which also includes choruses and dances. This music was already highly praised by contemporary critics, with special acknowledgment given tothe genius of this much-loved master. As evidence of its popularity, the overture and theHunters' Chorushad to be encored at the premiere.

Now Barenreiter is issuing one of Schubert's best-known compositions in a complete vocal score with piano reduction.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2

SKU: CA.4019606

Composed by Heinrich von Herzogenberg. Children's choir. Sacred vocal music, Oratorios, Christmas. Choral Score. Op. 90. 4 pages. Carus Verlag #CV 40.196/06. Published by Carus Verlag (CA.4019606).

ISBN 9790007181482. Language: German.

The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score available separately - see item CA.4019600.

SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2

SKU: CA.4019619

Composed by Heinrich von Herzogenberg. Complete orchestral parts. Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. Op. 90. Carus Verlag #CV 40.196/19. Published by Carus Verlag (CA.4019619).

ISBN 9790007133146. Language: German.

The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score and parts available separately - see item CA.4019600.

SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2

SKU: CA.4019608

Composed by Heinrich von Herzogenberg. Congregation. Sacred vocal music, Oratorios, Christmas. Single Part, Gemeinde. Op. 90. 4 pages. Carus Verlag #CV 40.196/08. Published by Carus Verlag (CA.4019608).

ISBN 9790007076221. Language: German.

The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score and part available separately - see item CA.4019600.

SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2

SKU: CA.4019605

Composed by Heinrich von Herzogenberg. Sacred vocal music, Oratorios, Christmas. Choral Score. Op. 90. 40 pages. Carus Verlag #CV 40.196/05. Published by Carus Verlag (CA.4019605).

ISBN 9790007064877. Language: German.

The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score available separately - see item CA.4019600.