By Robert White. Arranged by Sally Dunkley. For SSATB choir, a cappella. This edition: MDD. Mixed Voices. Musica dei Donum. Sacred Choral Leaflet. Vocal score. Duration 21'

Composed by Paul John Rudoi. For soprano voice solo, SATB choir unaccompanied. National Collegiate Choral Organization Choral Series. General, Spiritual, 21st Century. Medium. Octavo. Published by E.C. Schirmer Publishing

By Elizabeth Alexander. For SSATB Choir, piano (SSATB). Medium-difficult. Duration 7 minutes

By David L. Ellsworth. Text: Rev. 7:17, 21:3,4. For SSATBB Choir. Level: Medium / Medium-Difficult (accompaniment). Duration 3:40. Published by Jackman Music Corporation.

SSATB chorus and piano - Medium

SKU: JK.01219

Composed by David Len Allen. Choral SATB, Difficulty Medium, Piano Choir, Seasonal Music Easter, Easter, Jesus Christ - Savior, Resurrection. Christian, Inspirational. Duration 2:20. Jackman Music Corporation #01219. Published by Jackman Music Corporation (JK.01219).

Revelation 1:17-18, Doctrine and Covenants 6:36-37.

Anthem for mixed chorus (SSATB) and piano, appropriate for Sacrament or Easter service.
Come let us sing of endless love,
of Him who left His throne above
and came to earth, Oh, wondrous plan!
To suffer, bleed and die for man.
Composer: David Len Allen
Lyricist: George A. Manwaring, treatment by David Len Allen
Difficulty: Medium
Performance time: 2:20
Reference: Revelation 1:17-18, Doctrine and Covenants 6:36-37.

By Charles C. Converse, Orson Pratt Huish, Janice Kappy Perry. Arranged by Nancy Lee Oliver. Text: Richard Smyth, Thomas Davenport, Emily Woodhouse. For SSATB Choir. Level: Medium. Duration 3:20. Published by Jackman Music Corporation.

Mixed choir: SSATBB - Level 3

SKU: BA.BA08957-91

Edited by Gerd-Peter Munden. Stapled. Choral score, anthology. 32 pages. Baerenreiter Verlag #BA08957_91. Published by Baerenreiter Verlag (BA.BA08957-91).

ISBN 9790006525522. 27 x 19 cm inches. Text Language: German, English, Latin.

Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Munden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults' or children's choir.

- Well-known Advent and Christmas carols in new settings
- With texts in German and English
- With short Latin introductions as a part of each motet
- Ideal for a children's or adults' choir during the Christmas season

Contents
There comes a galley, laden / Es kommt ein Schiff, geladen
O saviour, open heaven's gate / O Heiland, reiss die Himmel auf
O Lord, how shall I meet you / Wie soll ich dich empfangen
Angels from the realms of Glory / Hort der Engel helle Lieder
As I was watching o'er my sheep / Als ich bei meinen Schafen wacht
Good Christian men rejoice / Nun singet und seid froh

The Editor
Gerd-Peter Munden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.

By Crawford Gates. Text: Jeremiah 15:16. For SSATB Choir. Level: Medium Difficullt. Published by Jackman Music Corporation.

SSATB choir/orchestra (Mixed choir: SSATB, Orch)

SKU: BA.BA10557

Composed by Johann Pachelbel. Edited by Thomas Röder. This edition: Edition of selected works, Urtext edition. Linen. Johann Pachelbel. Complete Vocal Works, Volume 7. Edition of selected works, Score, anthology. Baerenreiter Verlag #BA10557_00. Published by Baerenreiter Verlag (BA.BA10557).

ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.

The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now.

Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach.


The Critical Edition

The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz.

Two volumes per year are planned.

As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group.

Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SSATB Choir, Piano

SKU: CA.926400

Composed by Camille Saint-Saens. Arranged by Denis Rouger, Denis Rouger. Carus digital: Extra digital products. Full Score. Composed 1862. Op. 13, No. 1. Duration 5 minutes. Published by Carus Verlag (CA.926400).

ISBN 9790007261870. French. Text: Victor Hugo.

In his poem Soiree en mer, Victor Hugo describes how the sea can be perceived very differently by two lovers at the same time in the same place. While the man perceives the deepening shadows on the dancing waves, the woman marvels at the stars shining ever brighter in the firmament. In nature, as in the words of the poem, the painful ambiguity that represents life at its core can be experienced. Like no other poet, Hugo captures this almost unbearable simultaneity of living and dying, of love and suffering. Saint-Saens translates this into music - probably the most ephemeral and contemporary of all art forms. His balanced musical form leaves plenty of room for the poetry and his subtle variations in timbre, which also inspired Denis Rouger to his choral arrangement, create a seething motion under the surface of the sea.

This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD ...wo die Ztronen bluhn (Carus 83.514).

By Catherine A. Tibbetts. For SSATB choir and piano, 4-hands. Christmas. Medium. Octavo. Duration 1 minute, 35 seconds. Published by Jackman Music Corporation

Three Shakespeare Songs. Composed by Cecilia McDowall. New Horizons. Vocal score. 36 pages. Duration 11'. Published by Oxford University Press (OU.9780193408241).

By George William Warren. Arranged by David Len Allen. For SSATB Choir. Medium Difficullt. Duration 3:20

Composed by Bruce W. Tippette. Shawnee Press. Concert. Octavo. 12 pages. Published by Shawnee Press

Choral (SSATB a cappella)

SKU: HL.1248098

Arranged by Sean Paul. Brookfield Choral Series. Christmas. Octavo. 12 pages. Duration 150 seconds. Published by Hal Leonard (HL.1248098).

UPC: 196288153252. 6.75x10.5 inches. Psalm 98.

This fresh arrangement of a holiday classic leaps from the page with engaging textures and spirited vocal effects. Suitable for concerts halls and sanctuaries, this modern take on a time-honored carol will leave your listeners asking for more. Well considered choral part writing makes the anthem sound harder than it actually is!

Composed by Cecilia McDowall. For SSATB choir, a cappella. Mixed Voices. New Horizons. Sacred, Choral Leaflet. Level B-C (easy - moderately difficult). Vocal score. 12 pages. Duration 5.5'. Published by Oxford University Press

By Traditional Hymn / Arr. Lund. Arranged by Lynn S. Lund. Text: St. Francis of Assisi. For SSATB Choir. Level: Medium. Duration 3:20. Published by Jackman Music Corporation

By Povel Ramel. Arranged by Anders Jalkeus. For SSATB choir. Language: Swedish. 8 pages. Published by Gehrmans Musikforlag

Composed by Julie Webb Burgess. For SSATB choir and piano. Easter. Difficulty: medium. Octavo. 10 pages. Duration 5 minutes. Published by Praiseworthy

By Stroope. For SSATB choir, a cappella. Choral octavo. Published by Alliance Music Publications. (AMP 0500)

By Max Buhler. Text: Max Buhler. For SSATB Choir. Christmas. Level: Medium. Duration 3:00. Published by Jackman Music Corporation.

By Donald H. Ripplinger, French Carols, Czech Carol. Arranged by Donald H. Ripplinger. Text: Donald H. Ripplinger, French carols, Czech carol. For SSATB Choir. Christmas. Level: Medium. Duration 25:00. Published by Jackman Music Corporation.

Choral (SSATBB choir)

SKU: HL.288472

6 part chorus. Composed by Maja S. K. Ratkje. Classical. Softcover. 18 pages. Edition Wilhelm Hansen #WH33124. Published by Edition Wilhelm Hansen (HL.288472).

ISBN 9788759841150. UPC: 888680911348. 8.5x11 inches.

Maja S. K. Ratkje's A Dismantled Ode To The Moral Value Of Art for 6 Part Chorus.

It was performed under the direction of Leonard Bernstein at a concert to mark the fall of the Berlin Wall, it appears in Stanley Kubrick's A Clockwork Orange. Hitler celebrated his birthdays with it, and the government of Rhodesia made it their anthem. And the prisoners in German concentration camps played it. It also figured prominently at Mitterand's 1981 investiture. In 2012, we celebrate the Ode to Joy's 40 years anniversary as National Anthem of the EU.

Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Vocal/choral score. MorningStar Music Publishers #56-0002. Published by MorningStar Music Publishers

By Paul Tschesnokoff. Edited by and arr. Donald Moore. For Choir. (SSATBB, a cappella). Choral Octavo. Belwin Festival Series. Choral Octavo. 8 pages. Published by Alfred Publishing.

By Sally K. Albrecht. For Choir. (SSATB, a cappella). Choral Octavo. Choral Octavo. 12 pages. Published by Alfred Publishing.

Choir; Orchestra; Early Music

SKU: UT.TME-1

Composed by Giovanni Battista Bassani. Edited by Elisabetta Pasquini. Hardback (Cloth Hard Cover). Tesori Musicali Emiliani (Emilian Musical Treasures). Classical. Ut Orpheus #TME 1. Published by Ut Orpheus (UT.TME-1).

ISBN 9790215316096. 9 x 12 inches.

P erformance Material on Hire

[S olo: SAATB - Str - Bc]

Thanks to its patron the Duke Francesco II, Modena became a capital city worldwide for the oratorio genre: renowned maestro di cappella in Ferrara, also Bassani wished to offer to the Duke his own work, setting aside for him the summit of his melodic and dramaturgical inventiveness.
Accordi ng to the documents that we have, the performance of Giona was Bassani's debut at the court of Francesco II. Born in Padua around 1650, the composer carried out the main part of his activities in Ferrara, where he was organist (probably from 1667), and maestro di cappella at the Accademia della Morte (from 1683), and subsequently also at the Cathedral (from 1686); he also became a member of the Accademia Filarmonica of Bologna (in 1677) and was committed to Alessandro II Pico, Duke of Mirandola and Marquis of Concordia. In 1712 he moved to Bergamo, where he was maestro di cappella at S. Maria Maggiore; he died there on 1st October 1716. Before his commission in Modena, the <> - as he was often called at that time - had already printed seven instrumental and vocal works as well as a few operas and oratorios.

Composed by Cecilia McDowall. Christmas Songs & Carols - Mixed Voices. New Horizons. Vocal score. 16 pages. Duration 4'. Oxford University Press #9780193532113. Published by Oxford University Press