Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament./ Répertoire / Choeur SSATB

Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. for the 13th Sunday after Trinity Sunday / Mottet / Répertoire / Choeur SSATB

Written for the King's Singers, A Hymn To The Virgin won the 'A Carol for Christmas' competition run by the vocal sextet and Classic FM.Re-edited for SSATBB, the two languages of the text are set in contrasting styles of solo lines and chordal harmony, coming together at the end of each verse.A meditative work that would make an excellent concert ending. / Choeur SSATBB

Par WILLIAMS RODERICK. Composed for unaccompanied SSATB with an English text from the Book of Common Prayer. This five-minute anthem was written for the UK’s Thomas Tallis Society, having in mind Tallis’s famous work for 5 voices with latin text, Salvator Mundi. The music matches the sense of anguish in the text./ Répertoire / Choeur SSATB

Anthem For The Coronation Of James Ii (1685). Par PURCELL HENRY. Pflichtstück des 9. Internationalen Kammerchor-Wettbewerbs 2007 in Marktoberdorf / Hymnes et chorals / Répertoire / Choeur SSATB

aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. for the 9th Sunday after Trinity Sunday / Mottet / Répertoire / Choeur SSATB

Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. for the Sunday after Ascension / Mottet / Répertoire / Choeur SSATB

Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. for the 3rd Sunday after Easter / Mottet / Répertoire / Choeur SSATB

Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. for the 17th Sunday after Trinity Sunday / Mottet / Répertoire / Choeur SSATB

Published in 1978, the Swedish pop group ABBA released as a B-side, Thank You For The Music, originally created as part of the mini-musical 'The Girl With The Golden Hair' and was initially only played live. This unaccompanied SSATB arrangement by Carsten Gerlitz features 10 vocal scores of this evergreen hit. / Choeur Mixte (SSATB)

Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. for the 5th Sunday after Easter / Mottet / Répertoire / Choeur SSATB

Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. for the 12th Sunday after Trinity Sunday / Mottet / Répertoire / Choeur SSATB

Aus: Deutsche Sonntägliche Evangeliensprüche. Par RASELIUS ANDREAS. for the 20th Sunday after Trinity Sunday / Mottet / Répertoire / Choeur SSATB