Go Tell It! Chorale SSATB SSATB A Cappella Hope Publishing Company
Arranged by Jack Schrader. For SSATB choir. Blues-Gospel-Spirituals, Jazz/SwingS...(+)
Arranged by Jack
Schrader. For SSATB
choir.
Blues-Gospel-Spirituals,
Jazz/SwingStyle,
Christmas, Sacred.
Rehearsal/Performance CD.
Published by Hope
Publishing Company
Arranged by Jack Schrader. For SSATB choir, orchestra. Blues-Gospel-Spirituals, ...(+)
Arranged by Jack
Schrader. For SSATB
choir, orchestra.
Blues-Gospel-Spirituals,
Jazz/SwingStyle,
Christmas, Sacred. Set of
instrumental parts.
Published by Hope
Publishing Company set
of instrumental parts
Blues-Gospel-Spirituals,
Jazz/SwingStyle,
Christmas, Sacred
Composed by Hal H. Hopson. Multi-Movement/Large Choral Work. Christmas, 21st Ce...(+)
Composed by Hal H.
Hopson.
Multi-Movement/Large
Choral Work. Christmas,
21st Century. Choral
score. Published by
MorningStar Music
Publishers (MN.70-110).
Love Incorruptible Chorale SSATB SSATB A Cappella Oxford University Press
Composed by Cecilia McDowall. Sacred choral - mixed voices. New Horizons. Voca...(+)
Composed by Cecilia
McDowall.
Sacred choral - mixed
voices.
New Horizons. Vocal
score. 12
pages. Duration 5'.
Oxford
University Press
#9780193524194. Published
by
Oxford University Press
Yonder Come Day Chorale SSATB SSATB A Cappella [Octavo] Schirmer
Composed by Paul John Rudoi. For soprano voice solo, SATB choir unaccompanied. N...(+)
Composed by Paul John
Rudoi. For soprano voice
solo, SATB choir
unaccompanied. National
Collegiate Choral
Organization Choral
Series. General,
Spiritual, 21st Century.
Medium. Octavo. Published
by E.C. Schirmer
Publishing
Mixed choir: SSATB SKU: BA.BA02763 Chorzyklus nach Gedichten von Wilhe...(+)
Mixed choir: SSATB
SKU: BA.BA02763
Chorzyklus nach
Gedichten von Wilhelm
Busch. Composed by
Johannes Driessler.
Stapled. Choral score.
Composed 1952. Opus 23/2.
Baerenreiter Verlag
#BA02763_00. Published by
Baerenreiter Verlag
(BA.BA02763).
ISBN
9790006425761. 29.7 x 21
cm inches. Text: Wilhelm
Busch.
Choral (SSATB) SKU: HL.50605353 Mixed Voices SSATB. Composed by D&...(+)
Choral (SSATB)
SKU:
HL.50605353
Mixed
Voices SSATB.
Composed by Dá and
niel Dobos. EMB.
Classical, General
Worship, Sacred.
Softcover. 24 pages.
Editio Musica Budapest
#Z15140. Published by
Editio Musica Budapest
(HL.50605353).
(At the time of the new year). By Judith Lang Zaimont (1945-). For SSATB Choir &...(+)
(At the time of the new
year). By Judith Lang
Zaimont (1945-). For
SSATB Choir & Percussion.
Choral, sacred. Choral
Score. Composed
1997/2007. Duration 12'.
Published by Subito Music
Corporation
Composed by Cecilia
McDowall.
Christmas Songs &
Carols -
Mixed Voices. New
Horizons.
Vocal score. 16 pages.
Duration 4'. Oxford
University Press
#9780193532113. Published
by
Oxford University Press
By David L. Ellsworth. Text: Rev. 7:17, 21:3,4. For SSATBB Choir. Level: Medium ...(+)
By David L. Ellsworth.
Text: Rev. 7:17, 21:3,4.
For SSATBB Choir. Level:
Medium / Medium-Difficult
(accompaniment). Duration
3:40. Published by
Jackman Music
Corporation.
By R. Jason Gerber. Text: R. Jason Gerber. For SSATBB Choir. Level: Medium / Med...(+)
By R. Jason Gerber. Text:
R. Jason Gerber. For
SSATBB Choir. Level:
Medium / Medium-Difficult
(accompaniment). Duration
4:30. Published by
Jackman Music
Corporation.
SSATBB choir SKU: CA.964100 Responsory in the Nocturn on Good Friday(+)
SSATBB choir
SKU:
CA.964100
Responsory in the
Nocturn on Good
Friday. Composed by
Ko Matsushita.
Contemporary Choir Music.
Sacred vocal music, Lent
and Passiontide. Full
score. Duration 6
minutes. Carus Verlag #CV
09.641/00. Published by
Carus Verlag (CA.964100).
ISBN 9790007143541.
Text language:
Latin.
The Good
Friday Responsory
Tenebrae factae sunt for
six-part chorus was
commissioned in 2012 for
Peking University Student
Choir and was premiered
at the World Choir Games
in Cincinnati, Ohio, USA
conducted by Hou Xijin.
It is an ambitious work
with a fervent intensity.
Matsushita sets the two
last words of Jesus, Deus
meus, ut quid me
dereliquisti? [My God,
why hast thou forsaken
me] and Pater, in manus
tuas commendo spiritum
meum [Father, into thy
hands I commend my
spirit] as pained
outcries in Stravinskyian
harshness, in chords
characterized by
tritones, as a truly
superhuman work of
redemption whose Easter
message of hope only
appears in the last
conciliatory F major
chord. Although this work
lies slightly beyond the
upper limit of the
musical and vocal
technical demands of the
Carus Contemporary
series, it is well within
the abilities of
ambitious chamber
choirs.