By Francois Couperin (1668-1733). Edited by Jean Saint-Arroman, Philippe Lescat. Harpsichord solo. For Harpsichord. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 116 pages. Published by Anne Fuzeau Productions - France

By Francois Couperin (1668-1733). Edited by Jean Saint-Arroman, Philippe Lescat. Harpsichord solo. For Harpsichord. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 118 pages. Published by Anne Fuzeau Productions - France

Harpsichord

SKU: FZ.5904

Manuscrit autographe, 1702. Composed by Bernardo Pasquini. Edited by Emer Buckley. This edition: Facsimile. Collection Dominantes. CD. Published by Anne Fuzeau Productions - France (FZ.5904).

12.50 x 14.00 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Extracts of the manuscript of Pasquini. Harpsichord : Emer Buckley. Accord Mesotonique : Partite del Saltarello, Partite diverse di Follia, Tastata per Milone, Bergamasca, Passacaglia, Sarabanda, Partite di Bargamasca, Toccata terza, Variationi Capricciose.
Accord Italie, XVIIIe siecle: Alemanda Scozzese Corrente (GIGA), Capriccio, Variationi per Francia, Tastata per lo Scozzese, Variationi per il paggio tedesco, Toccata con lo Scherzo del Cucco.

Soprano voice solo, flute (recorder f1), organ (harpsichord)

SKU: CA.1010600

Composed by Ernst Arfken. German title: Magnificat. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Full score. 12 pages. Carus Verlag #CV 10.106/00. Published by Carus Verlag (CA.1010600).

ISBN 9790007019297. Language: German.

Soprano voice solo, flute (recorder f1), organ (harpsichord)

SKU: CA.1010621

Composed by Ernst Arfken. German title: Magnificat. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Flute. Composed 1954. 2 pages. Carus Verlag #CV 10.106/21. Published by Carus Verlag (CA.1010621).

ISBN 9790007019303. Language: German.

Score available separately - see item CA.1010600.

Harpsichord; Early Music

SKU: UT.HS-307

Composed by Antonio Valente. Edited by Maria Luisa Baldassari. Paperback (Soft Cover). Classical. Ut Orpheus #HS 307. Published by Ut Orpheus (UT.HS-307).

ISBN 9790215327146. 9 x 12 inches.

Antonio Valente blind, Neapolitan since a long time according to the list of Neapolitan musicians by Scipione Cerreto and organist in S. Angelo a Nilo in Naples, is known in modern times for his two volumes of keyboard music: Versi spirituali published in 1580 and, some years before, the volume here in transcription, Intavolatura de cimbalo, printed by Giuseppe Cacchio in 1576.
This volume has many original features: first keyboard tablature ever printed in Naples, itâ??s not written in musical characters but in a number-based system never met, according to the current studies, in any other print or manuscript both in and outside Italy. The dedication letter, written by Fraâ?? Alberto Mazza, praises Valente as the inventor of this writing method, so easy and effective that everybody, even uncouth youths that did not know music and keyboard, could attain the result of playing from it in two months.
The Intavolatura presents different genres of music: a fantasia, six ricercatas, a Salve Regina on a cantus firmus, four vocal chansons intabulated for keyboard with more or less diminutions,and nine dances, variations and dance/variations on long-living tenors like Romanesca or Zefiro. There are no liturgical compositions, both because unsuitable in a collection for amateurs and because Valente will publish a new book of sacred music in a few years.
The book is a sort of compendium of the keyboard genres of the period, similar to some older Spanish publications and to the later Neapolitan ones by Trabaci and Majone. Other contemporary volumes on the contrary choose to present a single type of composition: this is the case of the Versetti by Valente and the Ricercate by Rocco Rodio.

(Harpsichord)

SKU: HL.49017379

For Harpsichord. Composed by Viktor Kalabis. PANTON. 24 pages. Hal Leonard #P2822. Published by Hal Leonard (HL.49017379).

ISBN 9788070391952. 9.25x12.0x0.111 inches.

(Suite for Harpsichord or Piano). Composed by Naji Hakim (1955-). For Piano, Harpsichord. Piano. Softcover. Schott Music #ED21816. Published by Schott Music

By Johann Kuhnau (1660-1722). Edited by Philippe Lescat. Harpischord solo. For Harpsichord. Facsimiles. Collection Dominantes. Grade 0. 105 pages

Harpsichord

SKU: ST.Y234

Composed by Bayan Northcott. Octavo. Stainer & Bell Ltd. #Y234. Published by Stainer & Bell Ltd. (ST.Y234).

ISBN 9790220221804.

Insp ired by Antonio Soler's work of the same name Fandango for harpsichord was composed between January and March 2006 and first performed by its dedicatee, Chau-Yee Lo, in the Library of the Reform Club, Pall Mall, on 6 April 2006.
Duration: c.6 minutes.

By Elisabeth Jacquet de la Guerre. Edited by Philippe Lescat, Jean Saint-Arroman. For Harpsichord solo. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. 97 pages. Published by Anne Fuzeau Productions - France

By George Frideric Handel (1685-1759). For Harpsichord. Early Music. 48 pages. Published by Ut Orpheus

By Jean-Philippe Rameau (1683-1764). Edited by Philippe Lescat, Jean Saint-Arroman. For Harpsichord solo. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. 64 pages. Published by Anne Fuzeau Productions - France

Harpsichord

SKU: OT.21125

Composed by Daniel Akiva. 5 short pieces for harpsichord/cembalo. Classical. Score. OR-TAV Music Publications #21125. Published by OR-TAV Music Publications (OT.21125).

ISBN 9789655051117. 8.27 x 11.69 inches.

The five short movements for solo cembalo are brief, personal prayers that depict how the subject manages a range of feelings and emotions. The miniatures each represent a different emotional state: reflection, searching, meditation, agitation, and resolution. Each is a small-scale representation of a grand, wide-ranging prayer of supplication.
As a composer, performer, and researcher of early music, writing for cembalo allows me not only to express my special connection to the instrument and the period in which it flourished, but also to present its contemporary dimensions as a rich and versatile instrument.
The piece was composed at the request of Hagai Yodan, who performs it with great skill.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.