By Anton Eberl. Edited by Christopher Hogwood. For Keyboard. Playing score. Published by Edition HH Music Publishers (U.K. Import).

Keyboard

SKU: HL.14007007

Arranged by Daniel Scott. Music Sales America. Classical. Book [Softcover]. Music Sales #AM85317. Published by Music Sales (HL.14007007).

ISBN 9780711927094. UPC: 752187853176.

Fifty best-loved classical themes skilfully arranged for all keyboards by Daniel Scott. Includes suggested registrations and rhythms.

Keyboard

SKU: ST.K48

Composed by Various. Edited by Alan Brown. Piano & keyboard music. By Nicholas Carleton, John Amner and John Tomkins.. Six pieces from Musica Britannica Volume 96. Edited by Alan Brown. Keyboard collection. Stainer & Bell Ltd. #K48. Published by Stainer & Bell Ltd. (ST.K48).

ISBN 9790220224454.

Comp lementary to K49, this collection is a unique offering of music by John Amner, Nicholas Carleton and John Tomkins that is the only surviving keyboard music by the respective composers. In addition to a pair of duets, in themselves an unusual feature from the period, there are two lengthy sets of variations, Amner's being a rare example of those on a metrical psalm or hymn-tune (possibly by Tallis in this case), John Tomkins's being more conventionally modelled on the variation sets of William Byrd. Nicholas Carleton's 'A verse of 4 parts' and 'Upon the sharp' include several examples of unusual chromatic notation and wide-ranging tonal schemes.

CONTENTS
Prelude (for two to play): Nicholas Carleton?
A verse (In nomine) for two to play: Nicholas Carleton
A verse of 4 parts: Nicholas Carleton
Upon the sharp: Nicholas Carleton
O Lord, in thee is all my trust: John Amner
John come kiss me now: John Tomkins.

Keyboard

SKU: M7.DOHR-16337

Theme and Variations. Composed by Lothar Graap. Sheet music. 8 pages. MDS (Music Distribution Services) #DOHR 16337. Published by MDS (Music Distribution Services) (M7.DOHR-16337).

ISBN 9790202033371.

Piano Works IV. By Felix Mendelssohn. Arranged by Maurice Ravel. (Piano). Editions Durand. Book only. Published by Durand.

Written by Joe Bouchard, Sheila Romeo. Instructional book and examples CD for keyboard. 128 pages. Published by Alfred Publishing.

By Claude-Benigne Balbastre (1727-1799). Edited by Jean Saint-Arroman, Philippe Lescat. Harpsichord solo - Piano or fortepiano solo - Organ solo. For Harpsichord, Piano, Organ. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 68 pages

The Orchestra Musician's CD-ROM Library - Harp, Keyboard and Others. By Bela Bartok, Igor Stravinsky. CD Sheet Music. 8 pages. Published by Hal Leonard.

Keyboard

SKU: HH.HH451-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH451-SOL. Published by Edition HH Music Publishers (HH.HH451-SOL).

ISBN 9790708146582.

At the heart of George Berg's oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg's sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.

Keyboard

SKU: HH.HH450-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH450-SOL. Published by Edition HH Music Publishers (HH.HH450-SOL).

ISBN 9790708146575.

At the heart of George Berg’s oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg’s sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.